For a Dionysian proletariat

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Robert Rives La Monte is today a largely forgotten figure in the history of Marxian socialism. He’s probably best remembered for his epistolary exchange with the fiery journalist H.L. Mencken, published in book form as Men versus the Man in 1909. Like Mencken, La Monte was a Nietzsche aficionado and committed advocate of Darwin’s theory of natural selection. Unlike his individualist adversary, however, he did not feel a system of collective ownership was incompatible with modern freedom, stressing the Marxist remark that this future society would be “an association in which the free development of each is the condition for the free development of all.”

Outside this public back-and-forth, La Monte also translated some works by Karl Marx, as well as by Gabriel Deville (one of Marx’s early French supporters) and the Italian Marxist criminologist Enrico Ferri. To be sure, he was quite critical of Deville’s more conservative turn in the 1890s, to say nothing of his horror at Ferri’s sudden admiration for Mussolini late in life. Along with Jack London, the young Walter Lippmann, and a few others, La Monte was an unabashed Nietzschean Marxist. In a magnificent line, he quipped that “today the world’s workers need not Jesus, but Dionysus.” As he went on to explain in his article “Nietzsche, Iconoclast and Prophet” (1908):

In every sense, the red-blooded socialist proletariat seems to me Dionysian, and I’d find it difficult to define class-consciousness in terms that would not to a Nietzschean suggest the Dionysian spirit. You and I would like to see the Proletariat aware of its own tremendous strength, glorying in it, and resolved to use it to emancipate themselves and humanity; we would like to see them living in the actual world of reality instead of dreaming in the fictitious world of Apollonian or bourgeois art; and our highest and ultimate hope is to see them reveling in the joy of the earthly paradise, undeterred by any preacher or moralist. Only a Dionysian working class can accomplish the social revolution. The rank and file of the Socialist Party today are undoubtedly Dionysians.

It was Nietzsche’s misfortune to preach the Gospel of Dionysus to a bourgeoisie close upon senile decay and moral degeneracy and live his life in utter ignorance of the only class which in our day is capable of breeding Dionysians — the proletariat.

La Monte was quite adamant on this point: “We socialists must recognize [Nietzsche] as a brother revolutionary… His chief theme seized upon the violent contradiction between the ruthless self-seeking of capitalism in an age when the cash nexus had become the only tie between man and man. No mercy was shown and no quarter given upon the fields of industrial and commercial warfare, despite the [Christian] religion of love, sympathy, and self-sacrifice professed in all capitalist countries.” For Trotsky, writing around the same time in 1908, Nietzsche’s brazen amorality was a weapon against “moralizing populism.” Davidovich rushed to defend Nietzsche against Narodnik platitudes.

Indeed, many Marxist revolutionaries in Russia — Anatoly Lunacharsky, Stanislav Volski, Aleksandr Bogdanov, and Vitaly Bazarov, to name only those listed by George Kline — also took inspiration from Nietzsche. Maksim Gorky, the great realist author, likewise drank deeply from the well of Nietzsche’s philosophy. Clara Zetkin and Erich Mühsam, prominent Marxists in Germany, along with literary champions of socialism like Karl Henckell and Alfred Klineberg, all cited Nietzsche as a formative influence. Even Franz Mehring eventually came around. Upon first encountering the philosopher’s writings in the 1890s, he’d described Nietzsche as “the philosopher of financial capitalism,” writing:

Absent from Nietzsche’s thinking was an explicit philosophical confrontation with socialism. That was a big mistake for a philosopher at the end of the nineteenth century, because a philosopher who doesn’t know how to confront the most powerful movement of his time is anything but a philosopher. But the real problem was that this gap left open the possibility to whitewash Nietzsche’s philosophy of monopoly capitalism and to aestheticize away the fact that he combated proletarian class struggle from the same elevated circles of thought as did the next best stockbroker or the next best reptile.

By the early 1900s, Mehring had changed his tune. “The Nietzsche cult is useful to socialism,” he wrote. “No doubt, Nietzsche’s writings have their pitfalls for young people growing up within the bourgeois classes, laboring under bourgeois class-prejudices. For such people, however, Nietzsche is often a gateway to socialism.” Victor Serge adopted an opposite approach in a 1917 article, but arrived at the same conclusion about Nietzsche: “He was our enemy. So be it. But he himself said to us: Desire perfect enemies. One can fraternize with ‘perfect’ enemies; our struggle with them makes us more beautiful, more fertile.”

Remarks such as these have not ceased to scandalize Stalinists like Georg Lukács. Or at least the one who wrote The Destruction of Reason in 1952, which Adorno hilariously dubbed “the destruction of Lukács’ own reason.” He read National Socialism back into Nietzsche’s philosophy in such a way that it became simply a straightforward anticipation of the views later promulgated by Alfred Rosenberg. Mazzino Montinari, the Italian Marxist critic who co-edited the critical German edition of Nietzsche’s complete works, observed that “there are cases in which Lukács’ Nietzsche is more of a strict national socialist than [Nazi state philosopher] Alfred Bäumler’s Nietzsche.” Continue reading →

Gustav Klutsis, revolutionary propagandist (1895-1938)

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Gustav Klutsis, Spatial construction (1920s)
Gustav Klutsis, Composition (1921)
Gustav Klutsis, Photographic abstraction (1920s)
Gustav Klutsis, Construction (1922)
Gustav Klutsis, Drawn Abstraction (1922)

Gustavs Klucis — also known as Gustav Klutsis, the Russian spelling of his name — was one of the pioneers of Soviet agitprop graphic design, particularly prominent for his revolutionary use of the medium of photomontage to create political posters, book designs, newspaper and magazine illustrations. He was born in the small village of Ruen in Latvia. He studied art in Riga from 1913 to 1915, and later in Petrograd from 1915 to 1917. He then continued his education at SVOMAS-VKhUTEMAS in Moscow. It was there that he met Valentina Kulagina, his future wife and a prominent poster/book designer herself.

As a student, Klucis worked with Tatlin, Malevich, Lissitzky, and other representatives of the new artistic order in the new state. In his early works he was particularly preoccupied with the problems of representation of three-dimensional space and spatial construction. In 1919 he created his first photocollage Dynamic City, where photography was used as an element of construction and illustration. In 1920 Klucis joined the Communist party; his works around this time sought to transform the logic of political thought and propaganda into Suprematist form, often using documentary images of Lenin, Trotsky, and eventually Stalin in his radical poster designs.

After graduating from VKhUTEMAS, Klucis started teaching and working in a variety of experimental media. He became an active member of INKhUK and a militant champion of Constructivism. Klucis advocated the rejection of painting and was actively involved in making production art [proizvodstvennoe iskusstvo], such as multimedia agitprop kiosks to be installed on the streets of Moscow, integrating radio-orators, film screens, and newsprint displays. Two such structures were constructed for the Fourth Congress of the Comintern in November 1922 and subsequently enjoyed great popularity as their plans were published and models exhibited. Through these constructions Klucis developed his own individual method of combining slogans and functional structures built around simple geometrical figures — this method would later lie at the core of his works on paper as well.

Klucis’ first photomontage designs for books and magazine covers were published in 1923, around the same time that Rodchenko was experimenting with the medium in the magazine LEF and the publication of Mayakovsky’s poem Pro Eto. Klucis recognized that the “fixed reality” of photography offered endless possibilities for a new form of propaganda art that was accessible and effective. He acquired his own camera in 1924 which enabled him to incorporate his own photographs in the collages. Thanks to Klucis, Rodchenko and Sergei Senkin, by late 1924, the use of photomontage in publication of books and illustrations had been consolidated.

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On Stalin and Stalinism today

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Editorial note
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Watson Ladd’s recent review of the latest issue of Crisis and Critique, in which a number of authors reflect on Stalin’s contemporary significance, appears below. It’s a huge issue, and the collection itself comes to almost five hundred pages. Some of the articles are probably worth checking out, especially the ones by Lars Lih, Evgeni Pavlov, and Paul LeBlanc. (LeBlanc is easily the most credible political and intellectual historian within the ISO, largely because he comes from a tradition outside Cliffism). You can download and read Crisis and Critique 3.1 further down for free.

On a few points a disagree with Ladd somewhat, though for the most part I agree. For example, here: “The name [Stalin] means nothing. It can be deployed for a hundred different political purposes.” Here, if one ignores his subsequent qualifications of this point, Ladd almost seems to come close to something Doug Enaa Greene wrote in a since-deleted thread on the Kasama Project website a year or so ago:

One of the most useless terms thrown around on the left is “Stalinism” (statist and totalitarianism are two others that rank up there). Stalinism is often utilized as a swear word by leftists against anything they disagree with. And this means that Stalinism is used to refer to such differing figures, ideologies, movements and governments that it loses all coherent meaning. For example, I’ve known leftists who refer to both Mao and Deng as “Stalinists.” Never mind that these two figures had opposite politics (Mao led a socialist revolution and Deng reversed one). Some other examples of “Stalinism” are the Communist Party of India (Marxist) and the Communist Party of India (Maoist). Yet any commonality between these two parties disappears on closer inspection. The CPI (Marxist) is strictly parliamentary party which enforces neoliberalism and massacres workers and peasants, while the CPI (Maoist) is leading a revolutionary people’s war among the most oppressed masses, fighting the Indian state, including clashing with their “fellow Stalinists” in the CPI (Marxist), and establishing liberated zones of popular power. The list goes on and on…

As should be clear, when calling these wildly different figures, movements, and organizations “Stalinist,” deprives the word of all meaning (assuming it has one in the first place). What I am getting at here is that rather than looking at how these differing figures, movements, etc operate based on their own particular contexts, it is assumed that because they don’t fall under the label of the correct political line (whether Trotskyist, anarchist, etc) that they must be Stalinist. It is further assumed that by those using the label Stalinist that if you have the “correct” view on the nature of the inner-party debates of the Soviet Union in the 1920s or the class character of the Soviet Union in the 1930s, often derived from the work of Trotsky, that this can just be mechanically applied to completely different situation (the classic case is Maoism = Chinese Stalinism) without doing any investigation of that particular situation. Effectively this says that you don’t have to learn anything about one of the most important revolutions of the last century, set aside with a simple verdict. And the politics that comes out of this dismissal is bland and lifeless, unable to learn from any other experiences because all the verdicts are already settled.

Certainly, “Stalinism” refers to a group of sectarian traditions and theoretical bloodlines which are often at odds with one another. Sometimes seemingly opposite. But the same could easily be said for Trotskyism. Look at the Alliance for Workers’ Liberty in the UK, which verges on Zionist apologetics, and the Socialist Workers’ Party, which waves placards at rallies which declare: “We are all Hezbollah!” Yet both stand within the Trotskyist lineage, even if the former is mediated by the Shachtmanite-Matgamnan moment and the latter by the Cliffite-Callinican moment.

There are a number of common features that immediately stand out with regard to Stalinism: 1. first, and most obviously, the principle of социализм в одной стране [socialism in one country]; 2. second, and no less fundamentally, the elevation of the State to a semi-permanent Lassallean role as the guarantor that capitalism will never reemerge; and 3. the schizophrenic logic that brands parliamentary socialists as “social fascists” in one moment and welcomes alliances with bourgeois parties or outright reactionaries as part of anti-fascist or anti-imperialist popular fronts in the next.

Any Maoists who took issue with Loren Goldner’s perfunctory remark that “Maoism is a variant of Stalinism” can take it up with the following image.

b-but-maoism-isnt-a-variant-of-stalin

Methodologically, and as a matter of course, Stalinism stood for the perversion of dialectic from an immanent logic used to critically grasp alternating and emergent conditions into an ex post facto rationalization of defeat. “Zigzags,” as Lenin called them:

The great Hegelian dialectics which Marxism made its own, having first been turned right side up, must never be confused with the vulgar trick of justifying the zigzags of politicians who swing over from the revolutionary to the opportunist wing of the Party, the vulgar habit of lumping together particular statements and developmental factors belonging to different stages of a single process. Genuine dialectics does not justify the errors of individuals, but studies the inevitable turns.

At any rate, I don’t think that Marxists can simply disown Stalinism, as if it had nothing to do with the political precepts laid down by Marx. Those who take their inspiration from Lenin and the Bolsheviks can still less absolutely dissociate themselves from Stalin as an historical figure and Stalinism as a world-historic phenomenon. Dzugashvili had been a dedicated cadre and party operative for almost a quarter century, after all, by the time his faction assumed the reigns of power. However vulgar and buffoonish he was as a theorist, it is not as if he was simply an inexperienced interloper.

Obviously, I consider Stalinism monstrous. While Hitler was incomparably worse in terms of his crimes, Stalin murdered more dyed-in-the-wool Marxist revolutionaries than Hitler ever did. In that sense, the Gulag system should disturb us more than Nazi barbarism. Nazism was transparently right-wing, chauvinist, and genocidal in its intent. Communism was meant to herald the liberation of mankind — i.e., not a grim, self-perpetuating authoritarian interlude on the way to capitalist restoration. In a way, it would be a relief if the demise of the USSR wiped Stalin’s legacy clean off the record books.

Stalinism lives on. Just barely, though, eking out a miserable existence in “critical support” for rackets like the FARC, the Naxalites, or the PFLP. (This position the Trots and tankies have in common, but it is more a museum-piece of Cold War natlib than anything having to do with Lenin’s line, or even Zinoviev’s narrow interpretation of it as a prerequisite for entry into the Comintern). Ladd is right, however, that if Stalin’s name stands for nothing today, it’s “not because Stalin stood for nothing, but because what he stood for has been forgotten. As a period of politics on the Left, globally, the history of Stalinism has all but faded from view.”

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Seventeen ways of looking at Stalin

Watson Ladd
Platypus Review
№ 90, 10.1.2016

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Journal Review:

Frank Ruda and Agon Hamza, editors
“Stalin: What Does the Name Stand for?”
Crisis and Critique 3, no. 1 (3.29.2016)1

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Stalinism’s impact is difficult to see in the world today. North Korea and Cuba limp along, sponsored by a capitalist China and caudillo-ist Venezuela, respectively. The official Stalinist parties in the Western world remain, at least on paper, but tend to throw support behind Hillary Clinton or the local equivalent. In one way or another, any examination of Stalin is thus historical — not a critique of a living political movement, but of a movement situated in a time remote from our own. The object of investigation is a legacy whose practical effect in the present is deeply obscure.

The journal Crisis and Critique has recently published a compilation of such examinations. In the introduction, editors Frank Ruda and Agon Hamza emphasize their desire to examine the politics that led to Stalin and shaped the period during which he lived, neither damning nor defending, and hoping to avoid the reduction of complex questions to the status of a single individual.

As Lars Lih points out in the first contribution, Soviet artists celebrated Stalin as a mythical figure, an ersatz czar who defended the Russian people. Indeed, Stalin invites a series of historical comparisons. By turns he is Robespierre,2 by turns a brute responsible for the failure of a revolution.3 For Domenico Losurdo, he is the Soviet Gandhi, fighting against colonialism with methods no more dictatorial than the global crisis of the 1930s demanded.4 Enver Hoxha’s essay, which closes out the volume, does not need to mention Stalin by name to argue that he enabled the people to “write their own history,” and that we must stay to the course he laid out, if we wish to defend the revolution and achieve the political empowerment of the masses.

Elsewhere Stalin curiously recedes into the background. He becomes the pretext for a discussion about the metaphysics of language,5 or for an analysis of how his early seminarian experiences influenced the creation of the new communist man.6 Or the topic shifts to the philosophical school of dialectical materialism,7 analyzed without really taking stock of Stalin, who hovers quietly in the background. And there is the experience of those who lived under Stalinism,8 and the memory of the political struggles over revisionism and orthodoxy.9

saint-stalin

With all these views (and more) of Stalin represented in this volume, one might think that the subject, if not exhausted, had at least been opened up for inquiry. Unfortunately this is not the case, unless we want to understand the long shadow of Stalinism as only the latest in a line of tragedies. However, whatever else we may think of him, Stalin is far more than merely a Tamerlane or an Alexander Nevsky.

Continue reading →

Capital as subject and the existence of labor

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kupka-egalite-4 kupka-fraternite-4

Werner Bonefeld
Open Marxism
Volume 3, 1995
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Editorial note
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Been reading furiously through the Theories of Surplus Value and the 1863 manuscripts on the relation of “subject” and “object” in Marx’s later writings. My hunch is that Postone is right in his reversal of Lukács, who had the proletariat as the simultaneous subject-object of History. For Postone, it’s capital that is the simultaneous subject-object of History. The thing is, they’re both right. And I’m not saying this just so as not to pick a side, though I think ultimately it’s Lukács who gets the better of Postone (at the precise moment the latter seems to have the upper hand).

Living labor or variable capital — i.e., the proletariat as the embodiment of wage-labor — is the subjective factor in production. Dead labor or constant capital — i.e., the bourgeoisie, or rather the means of production they own, as the embodiment of capital — is the objective factor in production. Early in Capital, Marx identifies the vitality of labor-power as “the subjective factor of the labor process,” and goes on to state that “the same elements of capital which, from the perspective of the labor process, can be distinguished respectively as the objective and subjective factors, as means of production and labor-power, can be distinguished from the perspective of the valorization process as constant and variable capital.”

 However, under capitalism these roles appear reversed: the products rule over their producers. Consider a couple passages from the 1863 manuscripts. First,

Objectified, past labor… becomes the sovereign of living, present labor. The relation of subject and object is inverted. If already in the presupposition the objective conditions for the realization of the worker’s labor capacity and therefore for actual labor appear to the worker as alien, independent powers, which relate to living labor rather as the conditions of their own preservation and increase — the tool, the material [of labor] and the means of subsistence only giving themselves up to labor in order to absorb more of it — this inversion is still more pronounced in the result. In both directions, therefore, the objective conditions of labor are the result of labor itself, they are its own objectification, and it is its own objectification, labor itself as its result, that confronts labor as an alien power, as an independent power; while labor confronts the latter again and again in the same objectlessness, as mere labor capacity.

[Die vergegenständlichte, vergangene Arbeit wird so zum Herrscher über die lebendige, gegenwärtige Arbeit. Das Verhältnis von Subjekt und Objekt wird verkehrt. Wenn in der Voraussetzung schon dem Arbeiter die gegenständlichen Bedingungen zur Verwirklichung seines Arbeitsvermögens und daher zur wirklichen Arbeit als fremde, selbständige Mächte gegenüber erscheinen, die sich vielmehr zur lebendigen Arbeit als die Bedingungen ihrer eignen Erhaltung und Vermehrung verhalten — Werkzeug, Material, Lebensmittel, die sich nur an die Arbeit hingeben, um in sich selbst mehr Arbeit einzusaugen —, so erscheint dieselbe Verkehrung noch mehr im Resultat. Die gegenständlichen Bedingungen der Arbeit sind selbst Produkte der Arbeit und, soweit sie von der Seite des Tauschwerts betrachtet werden, nichts als Arbeitszeit in gegenständlicher Form. Nach beiden Seiten hin sind also die gegenständlichen Bedingungen der Arbeit Resultat der Arbeit selbst, ihre eigne Vergegenständlichung, und es ist diese ihre eigne Vergegenständlichung, sie selbst als ihr Resultat, die ihr als fremde Macht, als selbständige Macht, gegenübertritt und der gegenüber sie immer wieder in derselben Gegenstandslosigkeit, als bloßes Arbeitsvermögen, gegenübertritt.]

Next,

Since the economists identify past labor with capital — past labor being understood in this case not only in the sense of concrete labor embodied in the product, but also in the sense of social labor, materialized labor time — it is understandable that they, the Pindars of capital, emphasize the objective elements of production and overestimate their importance as against the subjective element, living, immediate labor. For them, labor only becomes efficacious when it becomes capital and confronts itself, the passive element confronting its active counterpart. The producer is therefore controlled by the product, the subject by the object, labor which is being embodied by labor embodied in an object, etc. In all these conceptions, past labor appears not merely as an objective factor of living labor, subsumed by it, but vice versa; not as an element of the power of living labor, but as a power over this labor.

[Da die Ökonomen die vergangene Arbeit mit dem Kapital identifizieren — vergangene Arbeit hier sowohl im Sinne der konkreten, in den Produkten realisierten Arbeit, als im Sinne der gesellschaftlichen Arbeit, materialisierter Arbeitszeit — , so versteht sich bei ihnen, als den Pindaren des Kapitals, daß sie die gegenständlichen Elemente der Produktion geltend machen und ihre Bedeutung überschätzen gegenüber dem subjektiven Element, der lebendigen, unmittelbaren Arbeit. Die Arbeit wird ihnen erst adäquat, sobald sie Kapital wird, sich selbst gegenübertritt, das Passivum der Arbeit ihrem Aktivum. Das Produkt ist daher bestimmend über den Produzenten, der Gegenstand über das Subjekt, die realisierte Arbeit über die sich realisierende etc. In allen diesen Auffassungen tritt die vergangene Arbeit nicht auf als bloß gegenständliches Moment der lebendigen und von ihr subsumierten, sondern umgekehrt; nicht als ein Machtelement der lebendigen Arbeit, sondern als Macht über diese Arbeit.]

Capital is the actual, albeit unconscious, form of society’s self-objectifying subjectivity, while the proletariat is rather its potential form. Only by becoming conscious of its position within the totality of production (in other words, by attaining class consciousness in the Lukácsean sense) can the subjectivity of the latter be actualized. Wage labor and capital are, after all, only two sides of the same value-relation, constitutive of yet antithetical to one another. Inverting this inverted relationship — expropriating the expropriators, negating the negation — humanity masters its own social organization and finally sets itself off from the rest of the animal kingdom.

Marx’s famous dictum that “the emancipation of the workers [object] must be the task of the workers themselves [subject]” captures precisely this image of the proletariat as subject and object of social emancipation. Yet this “historic mission” does not mean affirming the class essence of workers. Socialist revolution will not result in universal proletarianization; capitalism has already accomplished this. “Just as the condition for the liberation of the third estate, of the bourgeois order, was the abolition of all estates and all orders, so the condition for the emancipation of the working class is the abolition of every class.”

Postone is of course understandably wary of the “notion of the proletariat as the revolutionary Subject, in the sense of a social agent that both constitutes history and realizes itself in socialism.” He writes: “Far from entailing the realization of the proletariat, overcoming capitalism involves the material abolition of proletarian labor.” But Lukács wholeheartedly agreed with this assessment:

Subjectively, i.e. for the class consciousness of the proletariat, the dialectical relationship between immediate interests and objective impact on the whole of society is located in the consciousness of the proletariat itself. It does not work itself out as a purely objective process quite apart from all (imputed) consciousness — as was the case with all classes hitherto. Thus the revolutionary victory of the proletariat does not imply, as with former classes, the immediate realization of the socially given existence of the class, but, as the young Marx clearly saw and defined, its self-annihilation.

Qua embodied negativity, as the negative condition of class society and the promise of its dissolution, “affirmation” of the proletariat can only mean abolishing the present state of affairs. This is what Engels meant when he remarked that “communism is the doctrine of the conditions of the liberation of the proletariat.”

As I’ve written elsewhere, capital is nothing other than the alienated agency of unrealized humanity. The proletariat does not presently represent the material human community in nuce, but it alone is capable of realizing it. By taking command over the accumulated instruments of production, it finally makes possible the advent of a truly human history. Lukács confirms this:

The “realm of freedom,” the end of the “prehistory of mankind” means precisely that the power of the objectified, reified relations between men begins to revert to man. The closer this process comes to its goal the more urgent it becomes for the proletariat to understand its own historical mission and the more vigorously and directly proletarian class consciousness will determine each of its actions. For the blind power of the forces at work will only advance “automatically” to their goal of self-annihilation as long as that goal is not within reach. When the moment of transition to the “realm of freedom” arrives this will become apparent just because the blind forces really will hurtle blindly towards the abyss, and only the conscious will of the proletariat will be able to save mankind from the impending catastrophe.

Werner Bonefeld addresses some of these same issues in the essay appended below, albeit in a somewhat different manner than I do here. He’s addressing Bob Jessop, rather than Postone, whose work he engages with elsewhere. Bonefeld makes many similar points, although as a rule he tends to denigrate “class consciousness.” I take this to be symptomatic of his anti-Leninism, but otherwise agree with his position.

To be sure, he’s right that “[i]n Marx’s work there is hardly any reference to ‘class consciousness’… Marx was not interested in the psychology of the working class.” Nevertheless, though the word Klassenbewußtsein does not appear in Marx’s work, its rudiments can be made out in numerous places. E.g., the Manifesto, where it is written that “the proletarian movement is the self-conscious, independent movement of the immense majority, in the interest of the immense majority.”

(As far as I can tell, Kautsky coined the “class consciousness,” indicated by Engels’ 1891 comment: “Instead of ‘class-conscious,’ which in our circles is an easily understood abbreviation, I would say the following to facilitate universal understanding and translation into foreign languages: ‘with workers conscious of their class position,’ or something like it.”)

Personally, I think the issue of proletarian consciousness, what Luxemburg in Reform or Revolution called “the subjective factor in the socialist transformation,” is indispensable. “The stronger [the] contradiction [within production] becomes,” wrote Lenin in 1899, “the more developed become the objective conditions for this transformation, as well as the subjective conditions [объективные условия этого превращения, так и субъективные условия], the workers’ consciousness of this contradiction [сознание противоречия работниками].”

Contra Kautsky, sixteen years later, Lenin thundered: “Not every revolutionary situation…gives rise to a revolution; revolution arises only out of a situation in which the… objective changes are accompanied by a subjective change, namely, the ability of the revolutionary class to take revolutionary mass action strong enough to break (or dislocate) the old government, which never, not even in a period of crisis, ‘falls,’ if it is not toppled over.” Continue reading →

Сталин и Гитлер: возможно ли сравнение?

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Столкновение
ревизионистов
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Much to my surprise, Sergey Adaschik has translated an essay I wrote about a month ago: “Revisionism revisited: Ernst Nolte and Domenico Losurdo on the age of extremes.” He contacted me a few days ago to let me know it had been posted and to make sure it was okay, which of course it is, though I might quibble somewhat with the title.  Stalin and Hitler can of course be compared. But under no circumstance should they be equated. Nor is it all that useful to lump them together under the heading of “totalitarianism,” which obscures more than clarifies the issue. What I aimed to do, rather, was to look for points of contact between various “revisionisms,” for or against. In any case, it’s very flattering that someone went to the trouble of translating it. Thanks, Sergey!
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«Ревизионизм» — термин сравнительно недавно появившийся. Этимологически привязывается к 1903, когда приключился ревизионистский спор в рядах Немецкой социал-демократии. Смысл понятия с тех пор остаётся более-менее устойчивым: он указывает на стремление пересмотреть или представить заново некую важную доктрину или сложившийся консенсус. Однако, за свой недолгий срок ревизионизм сумел приобрести множество исторических референций. С учетом его сложившейся полисемичности следовало бы упорядочить различные концепты, которые он обозначает.

Недавний уход Эрнста Нольте в возрасте 93 лет (18 августа 2016) предоставляет уникальную возможность для такой рефлексии. Неоднозначно воспринимаемый историк стал всемирно известным, как минимум в определенных кругах, в середине 1980х когда происходил «спор историков» [Historikerstreit]. Начиная с выступления в Мюнхене в июне 1980, озаглавленного «Между Исторической легендой и Ревизионизмом?», Нольте стремился поместить нацистский геноцид в контекст мировой гражданской войны [Weltbürgerkrieg], длившейся с Октябрьской революции в 1917 до падения Берлина в мае 1945. Он видел в этом неудачную (но понятную) реакцию на ужасное насилие, запущенное большевиками в России:

Освенцим явился не столько результатом традиционного антисемитизма, и даже не еще одним прецедентом «геноцида». Он был реакцией страха уничтожения, возникшего в ходе Русской Революции. Хотя по факту он оказался более иррациональным, ужасным и отталкивающим, чем те основания к сингулярному действию, которые давал его предшественник, это не меняет того, что так называемое уничтожение евреев Третьим рейхом было реакцией или извращенной копией, а не первичным или самобытным актом.

Шестью годами позже в передовице, вызвавшей дискуссию, Нольте вновь ставит вопрос: «Не потому ли национал-социалисты или Гитлер совершили «азиатское» деяние, что они просто полагали себя потенциальными жертвами «азиатского» акта? Не предшествовал ли Архипелаг ГУЛАГ Освенциму?» Для Нольте «большевистское убийство целого класса было логически и фактически первым [prius] ‹расовым убийством› национал-социализма…». Однако, невзирая на эти предположительно смягчающие обстоятельства, Германия в одиночестве оказалась захвачена «прошлым, которое не проходит». Проворачивая лезвие, он добавляет: «разговор о виновности немцев легкомысленно упускает сходство с речами о ‹виновности евреев›, которые были главным доводом национал-социалистов». Вполне ожидаемо провокативные слова Нольте произвели шум, когда Frankfurter Allgemeine Zeitung засыпали гневными письмами.

Юрген Хабермас был среди тех, кто дал свой ответ летом 1986го. Это тут же придало вес дебатам. В то время Хабермас находился на пике своей силы, выступая как самый известный в стране интеллектуал. Как неоспоримый наследник Теодора Адорно, он представлял «второе поколение» критической теории Франкфуртской школы. Нольте был последователем Мартина Хайдеггера, «известного» философа наци, против которого неутомимо выступал Адорно, и призрак «научного куратора» маячил на заднем плане. Как угадывалось с самого начала, Хабермас обрушился против апологетического характера работы, «в которой Нольте, студент Хайдеггера, оглашает свою ‹философскую трактовку истории›». Даже заявления, умаляющие значимость предшественников, по умолчанию поддерживали их репутацию, как, например, когда Хабермас заявил, что «дело не в полемике Поппера против Адорно, не в академическом расхождении мнений, и не вопросах свободы от оценочных суждений [Wertfreiheit]. Дело скорее в публичном применении истории». Следуя этой логике, он через несколько страниц повторяет: «После 1945 … мы читаем Хайдеггера, Карла Шмитта и Ханса Фрайера, даже Эрнста Юнгера, совершенно иначе, чем до 1933го».

Вчитываясь в эти дебаты 30 лет спустя ощущаешь сомнение — в этом ли состоит основная проблема? Может ли событие стать частью истории без утраты своей сингулярности? Не «приземляет» ли его сам акт контекстуализации? Возможно ли одновременно «понимать и осуждать», как это выразил участник полемики  Христиан Мейер? Сравнивать два отдельных объекта значит соотносить их, если не подвергать релятивизации. Ханс Моммзен возразил аргументам Нольте и его сторонника Йоахима Феста, обосновывая тем, что они исподтишка стремятся «релятивизировать» нацизм через его сопоставление с большевизмом. С настоянием на сравнимости или «допустимости определенных сравнений» (по выражению Нольте) весь разговор о сингулярности стремительно рассеивается. Франсуа Фюре, историк-ревизионист Французской революции и неизменный поклонник своего немецкого коллеги, говорил, что одним из величайших достоинств Нольте был «решительный уход от запрета на помещение большевизма и нацизма в один мешок». Поль Рикёр заметил в работе Память, История, Забвение за год до своей смерти, что «массовое применение сравнений улаживает судьбу сингулярности или уникальности, поскольку только это позволяет опознать различия… Только с расширением критической полемики в этом направлении Нольте ожидает возможности для этого прошлого «пройти», как и всякому прочему и быть усвоенным». Continue reading →

Demonology of the working class

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One of the most common charges leveled at Marxists is that, for all their atheistic pretensions, they retain a quasi-religious faith in the revolutionary dispensation of working class dictatorship. “It’s become an almost compulsory figure of speech to refer to Marxism as a Church,” observed the French literary critic Roland Barthes in 1951. Barthes was reviewing a book by the surrealist author Roger Caillois, which had just been released, but if anything the use of this lazy metaphor has grown more frequent over time. Just a few years after Barthes’ review was published, the public intellectual Raymond Aron came out with a polemic cuttingly titled The Opium of the Intellectuals (1955). He’d lifted the title from a bon mot by the philosopher Simone Weil, who despite her youthful Bolshevism in the twenties had gone on to publicly debate Leon Trotsky during the thirties. Repeating this old anticommunist jibe, Aron quipped that “in Marxist eschatology, the proletariat is cast in the role of collective savior… that is, the class elected through suffering for the redemption of humanity.” Evidently, in Aron’s understanding, workers were held up as an object of mythic exaltation among the socialists.

To be sure, some of the language adopted by Marxists — e.g., heresies, dogma, sects, orthodoxy, schisms — is clearly borrowed from theological disputes. Furthermore, the recantations made by ex-communists at times seems to lend credence to this view. You need look no further than the famous 1949 essay collection The God that Failed for proof of this fact. Wolfgang Eckhardt’s newly-translated study of The First Socialist Schism (2016), on the split between Bakunin and Marx in the Workingmen’s International, is only the latest in a very long line of examples. André Gorz opened his Farewell to the Working Class (1980) with a chapter on “The Working Class According to Saint Marx,” riffing on the section of The German Ideology dedicated to a critique of “German socialism according to its prophets.” Gorz thus concluded that “orthodoxy, dogmatism, and religiosity are not accidental features of Marxism, since the philosophy of the proletariat is a religion.” More recently, the former Situationist TJ Clark confessed that his own Farewell to an Idea (1999) will likely be seen “as a vestige of early twentieth-century messianism.” Clark sardonically added that “if I can’t have the proletariat as my chosen people any longer, at least capitalism remains my Satan” (though he got this last part a bit mixed up, as we shall see).

Socialism, however, is not about worshiping but rather abolishing the worker. Karl Marx and Friedrich Engels, perhaps the two most prominent theorists of proletarian revolution during the nineteenth century, by no means deified the class they felt might lead to the socialization of humanity. In their first written collaboration, from 1845, the young firebrands maintained:

When socialist writers ascribe [a] world-historic role to the proletariat, it is not at all… because they regard the proletarians as gods. Rather the contrary. In the fully-formed proletariat the abstraction of all humanity, and even of the semblance of humanity, is practically complete. The conditions of life of the proletariat sum up all the conditions of life of society today in their most inhuman form; since man has lost himself in the proletariat, and at the same time has not only gained theoretical consciousness of that loss, but through urgent, no longer removable, no longer disguisable, absolutely imperative need — the practical expression of necessity — is driven directly to revolt against this inhumanity, it follows that the proletariat must emancipate itself. But it cannot emancipate itself without abolishing the conditions of its own life, and cannot abolish the conditions of its own life without abolishing all the inhuman conditions of life of society today which are summed up in its own situation.

Expanding on this passage, the French phenomenologist Maurice Merleau-Ponty insisted on the terrestrial foundations of the Marxist hypothesis. “If [Marxism] accords a privilege to the proletariat, it does so because on the basis of the internal logic of its condition… apart from any messianic illusion,” he claimed in Humanism and Terror (1947). “Proletarians, ‘who are not gods,’ are the only ones in a position to realize humanity. Marxists discern a mission in the proletariat — not a providential, but an historical one — and this means that, if we take the proletariat’s role in the present social constellation, it moves toward the recognition of man by man…” Nevertheless, in the meantime workers are hardly godlike; indeed, they’re barely even human, if Marx and Engels are to be believed. As the former would later explain in Capital (1867), “manufacture proper not only subjects the previously independent worker to the discipline and command of capital, but converts the worker into a crippled monstrosity.” His description is reminiscent of the lyrics to that old Tennessee Ernie Ford song “Sixteen Tons,” written about a Kentucky coal miner in 1947: “Some people say a man is made outta’ mud / A poor man’s made outta’ muscle and blood / Muscle and blood and skin and bones / A mind that’s a-weak and a back that’s strong / You load sixteen tons, what do you get? / Another day older and deeper in debt / Saint Peter don’t you call me ’cause I can’t go / I owe my soul to the company store.”

Over and above the image of the proletariat as divine redeemer, here emerges a picture of the proletariat as beyond redemption. Workers have sold their souls to the company store. Consider the following lines from Marx’s Capital on the topic of automation: “An organized system of machines, to which motion is communicated by the transmitting mechanism from an automatic center, is the most developed form of production by machinery. Here we have, instead of the isolated machine, a vast mechanical monster whose body fills whole factories, and whose demonic power [dämonische Kraft], at first hidden by the slow and measured motions of its gigantic members, finally bursts forth in the fast and feverish whirl of its countless working organs.” Little wonder that the Italian left communist Amadeo Bordiga drew upon these words in elaborating his own “Doctrine of the Body Possessed by the Devil,” from 1951. Quoting Marx, who in turn was quoting Goethe, Bordiga explained how, “by incorporating living labor into capital’s lifeless objectivity, the capitalist simultaneously transforms value, i.e. past labor in its objectified and lifeless form, into capital, value which can perform its own valorization process, an animated monster which begins to ‘work’, ‘as if possessed by the devil’.” The dispossessed (which is, after all, just another word for “proletariat”) are thus demonically possessed by the alienated products of their labor. For Marx, this was all part of “the magic and necromancy [der Zauber und Spuk] that surrounds the products of labor on the basis of commodity production.”

Gáspár Miklós Tamás, the Hungarian communist dissident turned born-again Marxist, is one of the only theorists in recent memory to have grasped the demonic character of the working class. In his brilliant 2006 essay “Telling the Truth About Class,” Tamás framed his view by contrasting it with that of the British cultural historian EP Thompson:

There is an angelic view of the exploited (that of Rousseau, Karl Polányi, E.P. Thompson) and there is a demonic, Marxian view. For Marx, the road to the end of capitalism (and beyond) leads through the completion of capitalism, a system of economic and intellectual growth, imagination, waste, anarchy, destruction, destitution. It is an apocalypse in the original Greek sense of the word, a “falling away of the veils” which reveals all the social mechanisms in their stark nakedness; capitalism helps us to know because it is unable to sustain illusions, especially naturalistic and religious illusions. It liberated subjects from their traditional rootedness (which was presented to them by the ancien régime as “natural”) to hurl them onto the labor market where their productive-creative essence reveals itself to be disposable, replaceable, dependent on demand — in other words, wholly alien to self-perception or “inner worth.” In capitalism, what human beings are, is contingent or stochastic; there is no way in which they are as such, in themselves. Their identity is limited by the permanent reevaluation of the market and by the transient historicity of everything, determined by — among other contingent factors — random developments in science and technology. What makes the whole thing demonic indeed is that in contradistinction to the external character, the incomprehensibility, of “fate,” “the stars,” participants in the capitalist economy are not born to that condition, they are placed in their respective positions by a series of choices and compulsions that are obviously manmade. To be born noble and ignoble is nobody’s fault, has no moral dimensions; but alienation appears self-inflicted.

Marx is the poet of that Faustian demonism: only capitalism reveals the social, and the final unmasking; the final apocalypse, the final revelation can be reached by wading through the murk of estrangement which, seen historically, is unique in its energy, in its diabolical force. Marx does not “oppose” capitalism ideologically; but Rousseau does. For Marx, it is history; for Rousseau, it is evil.

Here Tamás was somewhat unfair to Thompson — not to mention Rousseau — but his caricatured presentation served to throw their perspectives into sharper relief. Thompson may have been guilty, from time to time, of romanticizing the English working class, but he entertained no illusions as to the hellish conditions out of which it emerged. After all, it was Thompson who wrote of “the denizens of ‘Satan’s strongholds’ [inhabitants of proletarian neighborhoods in industrial cities], of the ‘harlots, publicans, and thieves’ whose souls the evangelists wrestled for in a state of civil war against the ale-houses.” Every religious doctrine of the age, stated Thompson, had to be “held up to a Satanic light and read backwards” so as to properly grasp their context. One popular Methodist refrain, which he noted in his Making of the English Working Class (1963), spoke of factories as follows: “There is a dreadful Hell, / And everlasting pains, / Where sinners must with devils dwell, / In darkness, fire, and chains.” Regarding “that monstrosity, the disposable working population held in reserve” (to quote Capital), Thompson echoed Marx’s military metaphor in describing “…an unsettling element in the formative working-class community, a seemingly inexhaustible flow of reinforcements to man the battlements.”

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Cartoon maps portraying impending inter-imperialist apocalypse

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MP Pavlovich [ML Veltman]
People’s Commissariat of
Nationalities (5.31.1921)
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Comrade Pavlovich,1

I have arranged for publication of a school atlas (in Petrograd).2 It would be extremely important to include maps of imperialism. Would you not undertake this?

For example:

  1. Colonial possessions 1876-1914-1921, adding or specially shading off semi-colonial countries (Turkey, Persia, China, and so forth).
  2. Brief statistics of colonies and semi-colonies.
  3. Map of financial dependencies. For example, for each country ± with a figure (millions or milliards of francs) of how much this country owes, and how much it is owed;
    Also comparatively for 1876-1914-1921, if 1876 be taken as the culminating point of pre-monopoly capitalism.
  4. Railways of the world, with a note, in each country, showing to whom most of them belong (British, French, North America, etc.).
    Will this prove too much of a mixture? Convenient forms can be found, with what matters, what predominates noted very briefly.
  5. The main sources of those raw materials over which there is a struggle (oil, ores, etc.) — also with notes (% or millions of francs belong to such-and-such a country).
    We must without fail include maps of this kind in the textbooks, of course with a brief explanatory text.
    A statistical assistant can be given you for the auxiliary work.

Please reply whether you undertake this, how and when.

With communist greetings,

Vladimir Ulianov (Lenin)
Chairman, Council of
People’s Commissars

Notes

1 Pavlovich, M. P. (Veltman, M. L.) (1871-1929) — Social-Democrat, Menshevik. He became a Communist after 1917, and from 1921 was a member of the Collegium of the Commissariat for Affairs of Nationalities.
2 Reference is to the preparations for the publication of the Vsemirny geografichesky atlas (Geographical Atlas of the World), launched on Lenin’s initiative. The project was not realized.

1111 14054507_10208119983574717_4341188426381209528_o 2721592513_c130bfbba9_b world_around_1900 "El Manicomio", mapa satírico de Europa en 1915, Louis Raemaekers (1869-1956) See Translation 0WyLa Continue reading →

Under the banner of Marxism [«Под знаменем марксизма»], 1923-1931

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So it seems some glorious madman has taken it upon himself to scan and upload the entire run of the early Soviet theoretical journal, named Under the Banner of Marxism [«Под знаменем марксизма»]. A stupendous Stakhanovite feat. Needless to say, whoever did this is a bona fide герой труда.

Using a comically outdated online platform, no less. It was posted somewhere in the ultradank universe of Russian Livejournal, which has more or less become a medium for blogging. On one such blog, evidently belonging to a Baconian Bolshevik — entitled Знание власть, or “knowledge is power” — I found it.

Predictably, the quality of the articles began to sharply decline by the end of the 1920s. Wilhelm Reich’s Dialectical Materialism and Psychoanalysis was published on its pages as late as 1929, however. You can download all of them, excepting the post-1931 issues (which can be found here), by clicking below.

Following those links, you can read the open letter Trotsky sent the editors of the first issue. Lenin himself singled out this letter in his own note, which was included in the double issue published next, while expressing the hope this venture would take the shape of a “society of materialist friends of Hegelian dialectics.” Abram Deborin, the stuffy Hegelian Menshevik and prominent critic of Lukács, edited the journal from 1926 through 1930, before being purged later in that decade.

Trotsky himself underscored the importance of the letter in The Stalin School of Falsification (1937), which, in pointing to the difference between the changed conditions of education of the younger members of the party from that of their older comrades, outlined the necessity of a new theoretical approach in order to safeguard the political experience accumulated within the party.

Despite the importance attributed to the letter by Lenin and Trotsky, Leszek Kolakowski, in his Main Currents of Marxism, considered the letter to be unexceptional. So much the worse for him.

1923
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1924
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Revisionism revisited: Ernst Nolte and Domenico Losurdo on the age of extremes

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“Revisionism” — Revisionismus, révisionnisme, ревизионизм — is a word of relatively recent vintage. Most etymologies date its origin to around 1903, when the revisionist dispute befell German Social Democracy. Its meaning has remained more or less constant since then: the term denotes an effort to revise or otherwise reenvision some prior doctrine or established consensus. Already in its short career, however, revisionism has managed to amass a range of historical referents. Given this polysemic quality, a bit of disentanglement seems in order to sort out the different phenomena it signifies.

Ernst Nolte’s death late last week, at the age of 93, offers a unique opportunity for such reflection. The controversial historian rose to international prominence, or at least achieved a certain notoriety, during the mid-1980s as part of the “historians’ quarrel” [Historikerstreit]. Beginning with an address he delivered in Munich in June 1980, entitled “Between Historical Legend and Revisionism?”, Nolte sought to place the Nazi genocide within the context of a global civil war [Weltbürgerkrieg] that lasted from the October Revolution in 1917 to the fall of Berlin in May 1945. He framed it as an unfortunate (but understandable) response to the horrific violence unleashed by the Bolsheviks in Russia:

Auschwitz was not primarily a result of traditional antisemitism, and not just one more case of “genocide.” It was a fear-borne reaction to acts of annihilation that took place during the Russian Revolution. While the fact that it was more irrational, terrible, and repulsive than its precursor provides a foundation for the notion of singularity, none of this alters that the so-called [!!!] annihilation of the Jews by the Third Reich was a reaction or a distorted copy and not a first act or an original.

Six years later, in the editorial that sparked the controversy, Nolte again posed the question: “Did the National Socialists or Hitler perhaps commit an ‘Asiatic’ deed merely because they considered themselves potential victims of an ‘Asiatic’ deed? Wasn’t the Gulag Archipelago primary to Auschwitz?” For Nolte, “the Bolsheviks’ murder of an entire class was the logical and factual prius of the ‘racial murder’ of National Socialism…” Yet, despite these supposed mitigating circumstances, Germany alone was trapped in “a past that will not pass.” Twisting the knife, he added, “talk about ‘the guilt of the Germans’ blithely overlooks the similarity to the talk about ‘the guilt of the Jews,’ which was a main argument of the National Socialists.” Predictably, Nolte’s provocations led to an uproar, as the Frankfurter Allgemeine Zeitung was flooded with angry letters.

Stalin, Hitler, similar salutes copy 2 U_39_299435507822_paris37.a

Jürgen Habermas was among those who sent a reply the summer of 1986. Immediately, this added a great deal of weight to the debate. At the time, Habermas was at the height of his powers, by far the country’s best-known intellectual. Heir apparent to Theodor Adorno, he represented the “second generation” of Frankfurt School critical theory. Nolte had been a follower of Martin Heidegger, the (in)famous Nazi philosopher against whom Adorno had tirelessly polemicized, so the ghosts of the Doktorväter were close at hand. This was evident from the outset, as Habermas inveighed against the apologetic tendencies at work “in what Nolte, the student of Heidegger, calls his ‘philosophical writing of history’.” Even statements downplaying the relevance of these forebears tacitly invoked their authority, as for example when Habermas declared that “it is not a matter of Popper versus Adorno, nor of scholarly differences of opinion, nor about questions of freedom from value judgments [Wertfreiheit]. Rather, it is about the public use of history.” Driving this point home, a few pages down, he reiterated: “After 1945… we read [Martin] Heidegger, Carl Schmitt, and Hans Freyer, even Ernst Jünger, differently than before 1933.”

Looking back at this exchange now thirty years on, one wonders whether this is not the crux of the matter. Can an event be historicized without diminishing its singularity? Or does the very act of contextualization thereby render it mundane? Is it possible to simultaneously “comprehend and condemn,” as Christian Meier suggested in the title of his contribution to the debate? To compare two distinct objects is to relate them, if not relativize them as such. Hans Mommsen objected to claims made by Nolte and his attack dog, Joachim Fest, on the grounds that they surreptitiously aimed at “relativizing” Nazism through its comparison with Bolshevism. By insisting on their comparability, or “the permissibility of certain comparisons” (as Nolte put it), all talk of singularity swiftly goes out the window. François Furet, revisionist historian of the French Revolution and unabashed admirer of his German counterpart, one of Nolte’s greatest merits was to have “quickly gone beyond the prohibition against putting Bolshevism and Nazism in the same bag.” Paul Ricoeur noted in Memory, History, Forgetting, just a year before his death, “this massive use of comparison settles the fate of singularity or uniqueness, since this alone permits the identification of differences… As soon as the critical debate has been widened in this way, Nolte expects it will allow this past ‘to pass’ like any other and be appropriated.” Continue reading →

Revolutionaries in living color

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It is often said that it was the painters who invented photography (by bequeathing it their framing, the Albertian perspective, and the optic of the camera obscura). I say: no, it was the chemists. For the noeme “That-has-been” was possible only on the day when a scientific circumstance (the discovery that silver halogens were sensitive to light) made it possible to recover and print directly the luminous rays emitted by a variously lighted object. The photograph is literally an emanation of the referent. From a real body, which was there, proceed radiations which ultimately touch me, who am here; the duration of the transmission is insignificant; the photograph of the missing being, as Sontag says, will touch me like the delayed rays of a star. A sort of umbilical cord links the body of the photographed thing to my gaze: light, though impalpable, is here a carnal medium, a skin I share with anyone who has been photographed.

It seems that in Latin “photograph” would be said imago lucis opera expressa; which is to say: image revealed, “extracted,” “mounted,” “expressed” (like the juice of a lemon) by the action of light. And if photography belonged to a world with some residual sensitivity to myth, we should exult over the richness of the symbol: the loved body is immortalized by the mediation of a precious metal, silver (monument and luxury); to which we might add the notion that this metal, like all the metals of alchemy, is alive.

Perhaps it is because I am delighted (or depressed) to know that the thing of the past, by its immediate radiations (its luminances), has really touched the surface which in its turn my gaze will touch, that I am not very fond of color. An anonymous daguerreotype of 1843 shows a man and a woman in a medallion subsequently tinted by the miniaturists on the staff of the photographic studio: I always feel (unimportant what actually occurs) that in the same way, color is a coating applied later on to the original truth of the black-and-white photograph. For me, color is an artifice, a cosmetic (like the kind used to paint corpses). What matters to me is not the photograph’s “life” (a purely ideological notion) but the certainty that the photographed body touches me with its own rays and not with a superadded light.

— Roland Barthes,
Camera Lucida

Color by klimbims (Olga)Mikhail Bakunin, 1860 Ulyanov family, 1879 Piotr Chaykovsky Kropotkin | Кропоткин Anton Chekhov Nadezhda Krupskaya, Vladimir Lenins wife Continue reading →