Month: April 2017

Leon Trotsky, “demon” of the revolution

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Com­rades, we love the sun that gives us light, but if the rich and the ag­gressors were to try to mono­pol­ize the sun, we should say: “Let the sun be ex­tin­guished, let dark­ness reign, etern­al night…”

— Le­on Trot­sky (Septem­ber 11, 1918)

То­ва­ри­щи, мы лю­бим солн­це, ко­то­рое да­ет нам жизнь, но если бы бо­га­чи и аг­рес­со­ры по­пы­та­лись за­хва­тить се­бе солн­це, мы бы ска­за­ли: «Пусть солн­це по­гас­нет, пусть во­ца­рит­ся тьма, веч­ная ночь…»

— Лев Троц­кий (11 сен­тяб­ря 1918 г.)

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Dmitrii Volko­gonov, former court his­tor­i­an of Sta­lin­ism turned ra­bid an­ti­com­mun­ist, fam­ously dubbed Trot­sky the “de­mon” of the Oc­to­ber Re­volu­tion. When he com­manded the Red Army, dur­ing the Civil War, this was in­deed the im­age en­emies of the So­viet Uni­on had of him. He would ap­pear in Theodor Ad­orno’s dreams, and Wal­ter Ben­jamin de­voured his auto­bi­o­graphy and His­tory of the Rus­si­an Re­volu­tion. The psy­cho­ana­lyst Helmut Dah­mer, a stu­dent of Ad­orno, has writ­ten on the vari­ous in­tel­lec­tu­al res­on­ances and par­al­lels between Trot­sky’s Left Op­pos­i­tion and Horkheimer’s In­sti­tute of So­cial Re­search. I’ve poin­ted out both the ten­sions and con­nec­tions of Trot­sky with the Itali­an com­mun­ist lead­er Amedeo Bor­diga, if not Trot­sky­ism and Bor­di­gism (which are much fur­ther apart than their re­spect­ive founders).

Some of his works could already be found in a pre­vi­ous post, but here are a few more titles:

  1. Le­on Trot­sky, 1905 (1907)
  2. Le­on Trot­sky, Ter­ror­ism and Com­mun­ism: A Reply to Karl Kaut­sky (1920)
  3. Le­on Trot­sky, Mil­it­ary Writ­ings, 1920-1923
  4. Le­on Trot­sky, Lit­er­at­ure and Re­volu­tion (1923)
  5. Le­on Trot­sky, The Chal­lenge of the Left Op­pos­i­tion: Writ­ings, 1923-1925
  6. Le­on Trot­sky, My Life (1928)
  7. Le­on Trot­sky, The Third In­ter­na­tion­al After Len­in (1928)
  8. Le­on Trot­sky, His­tory of the Rus­si­an Re­volu­tion, Volume 1: The Over­throw of Tsar­ism (1929)
  9. Le­on Trot­sky, His­tory of the Rus­si­an Re­volu­tion, Volume 2: At­tempt at Coun­ter­re­volu­tion (1930)
  10. Le­on Trot­sky, His­tory of the Rus­si­an Re­volu­tion, Volume 3: The Tri­umph of the So­vi­ets (1931)

Here are some bio­graph­ies and mem­oirs by his friends, as well:

  1. Vic­tor Serge and Nat­alia Se­dova, Life and Death of Le­on Trot­sky (1946)
  2. Jean van Heijenoort, With Trot­sky in Ex­ile: From Prinkipo to Coyoacán (1978)
  3. Dmitrii Volko­gonov, Trot­sky: The Etern­al Re­volu­tion­ary (1992)
  4. Ian D. Thatch­er, Trot­sky (2002)
  5. Joshua Ruben­stein, Le­on Trot­sky: A Re­volu­tion­ary’s Life (2011)

More be­low.

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A revolutionary impulse: Russian avant-garde at the MoMA

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Four months back, the Mu­seum of Mod­ern Art opened an ex­hib­it en­titled A Re­volu­tion­ary Im­pulse: Rise of the Rus­si­an Av­ant-Garde. The show re­ceived mostly fa­vor­able write-ups in lib­er­al out­lets like New York Times and New York­er as well as art/cul­ture mags like Stu­dio In­ter­na­tion­al, Seca Art, and He­don­ist. Marx­ist and left­ish pub­lic­a­tions such as World So­cial­ist Web­site (or­gan of the So­cial­ist Equal­ity Party) and Brook­lyn Rail also ran ap­pre­ci­at­ive re­views of the ex­hib­i­tion.

Per­haps my fa­vor­ite crit­ic­al re­flec­tion on the show came from Caesura, an off­shoot from the Platy­pus Af­fil­i­ated So­ci­ety ex­clus­ively fo­cused on art, mu­sic, and lit­er­at­ure. It fea­tured a fairly char­ac­ter­ist­ic but nev­er­the­less poignant ob­ser­va­tion:

Of the stag­ger­ing num­ber of ob­jects on dis­play, most strik­ing was film­maker Dziga Vertov’s 1925 col­lab­or­a­tion with Rod­chen­ko, Kino-Pravda no.21, a pro­pa­ganda film (the title trans­lates to cinema-truth) track­ing the fail­ing health, death and fu­ner­al of Len­in. Black and white graph­ics con­trib­uted by Rod­chen­ko de­pict­ing, without com­ment, the med­ic­al stat­ist­ics of the ail­ing re­volu­tion­ary lead­er cre­ated a palp­able sense of worry as they edge, at an ex­cru­ci­at­ingly slow pace, to­wards the res­ult we all know already: Len­in’s death in 1924. The film showed the massive long-faced pro­ces­sion of mourn­ers at his fu­ner­al, ded­ic­at­ing por­trait shots and name plates to party lead­ers: a hunched over, tear stricken Clara Zetkin, a somber Le­on Trot­sky and Joseph Stal­in stead­fastly look­ing ahead. The lat­ter was ut­terly chilling — a glimpse of a fu­ture yet un­known to the film­makers but known all too well today. Stand­ing, in 2017, in the Amer­ic­an Mu­seum of Mod­ern Art in a mo­ment of ut­ter polit­ic­al con­fu­sion, the tragedy of this mo­ment was cut­ting. Could the mourn­ers have pos­sibly known that they had wit­nessed both the be­gin­ning and the end of a mo­ment of tre­mend­ous his­tor­ic­al po­ten­tial? Did Vertov and Rod­chen­ko real­ize that in their mont­age of party lead­ers it would be Stal­in who would take power? Did they know that, after the crip­pling de­feat of the Ger­man Left the year pri­or, 1924 would mark a clos­ing and not an open­ing of his­tory?

Caesura’s re­view­er fur­ther spec­u­lates that “if the art of the Rus­si­an av­ant-garde has a time­less qual­ity, it is be­cause of its unique his­tor­ic­al ori­gin. Nev­er be­fore or since have artists op­er­ated un­der the thrall of three so­ci­et­ies — crum­bling czar­ist Rus­sia, the dy­nam­ic bour­geois west, and the ad­van­cing specter of so­cial­ism — so dif­fer­ent. It ex­presses all three but be­longs to none.” A sim­il­ar sen­ti­ment is cap­tured by a line in the New York­er: “His­tory is not a con­stant march for­ward; it can stand still for dec­ades and then, as it did in Rus­sia a hun­dred years ago, ex­plode in a flash.” This line it­self merely para­phrases a quip at­trib­uted to Len­in, to the ef­fect that “there are dec­ades where noth­ing hap­pens, but then there are weeks where dec­ades hap­pen.”

I my­self at­ten­ded the ex­hib­it, and was im­pressed by what I saw. Some of the same pieces had ap­peared in spe­cial gal­ler­ies across the city over the last few years, but the sheer wealth of ma­ter­i­al con­cen­trated in one space was breath­tak­ing. Fur­ther­more, the way this ma­ter­i­al was or­gan­ized and form­ally ar­ranged was skill­ful. You can see a pic­ture of me stand­ing next to Lis­sitzky’s “new man of com­mun­ism,” taken from his series for Vic­tory over the Sun. Be­low you can read a fine med­it­a­tion on the show writ­ten by Bloom Correo, a young ul­traleft au­thor who vis­ited NYC just to see it.

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Moar like Absurdo, amirite?

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Fol­low­ing the mis­sile strike on Shayr­at in West­ern Syr­ia last Thursday, a wave of protests broke out across the United States. These proved something of a mixed bag, as one might ex­pect. In ad­di­tion to those who sup­port the Free Syr­i­an Army but op­pose fur­ther Amer­ic­an in­ter­ven­tion, a num­ber of un­sa­vory sorts also showed up. Por­traits of Putin and As­sad could be seen along­side yel­low signs put out by the AN­SWER Co­ali­tion. A few flags fea­tur­ing the mod­i­fied or­ange tor­nado-swastika of the fas­cist Syr­i­an So­cial Na­tion­al­ist Party or SS­NP, a close ally of the Ba’ath­ist re­gime, also ap­peared at the demon­stra­tions. Some or­gan­izers took a more prin­cipled stand, however, re­ject­ing calls for a heightened US mil­it­ary role while at the same time re­fus­ing to march with As­sad­ists.

While I’m heartened by such un­equi­voc­al de­clar­a­tions of prin­ciple, we are still all too ready to for­give those who make ex­cuses for re­ac­tion­ar­ies. Marx­ists must do more to dis­tance ourselves from bour­geois na­tion­al­ists, re­li­gious fun­da­ment­al­ists, and oth­ers who present false al­tern­at­ives to for­eign dom­in­a­tion. Even more so, we must stop giv­ing a pass to those who dis­cred­it the an­ti­war move­ment through ca­su­istry and mor­al equi­val­ence. Un­der the crude lo­gic of “the en­emy of my en­emy is my friend,” any­one and every­one who chal­lenges Anglo-European he­ge­mony is viewed as a po­ten­tial ally. Clif­fites, like the So­cial­ist Work­ers’ Party (SWP) in Bri­tain or the In­ter­na­tion­al So­cial­ist Or­gan­iz­a­tion (ISO) in the US, lend their “crit­ic­al but un­con­di­tion­al sup­port” to openly an­ti­semit­ic groups such as Hezbol­lah and Hamas against Is­raeli ag­gres­sion in­to Ga­za. Gio­vanni Scuderi of the Marx­ist-Len­in­ist Party of Italy (PMLI) re­cently called on his fol­low­ers to unite with the Is­lam­ic State against West­ern im­per­i­al­ism.

Of course, it’s far easi­er to skew­er ob­scure sects with barely a hun­dred mem­bers than it is to do the same to be­loved Marx­ist aca­dem­ics. Domen­ico Los­urdo, for ex­ample, en­joys the repu­ta­tion in the Eng­lish-speak­ing world of a di­li­gent and wide-ran­ging in­tel­lec­tu­al his­tor­i­an. Richard Sey­mour was among the first to her­ald his work, opin­ing in 2007: “Los­urdo is, if you ask me, the best crit­ic of cap­it­al­ist ideo­logy writ­ing today.” His ar­gu­ments were cited fre­quently, moreover, in the 2010 study Fan­at­icism: On the Uses of an Idea by Ba­di­ou trans­lat­or Al­berto To­scano. Mean­while, the mono­lin­gual Hegel schol­ar Har­ris­on Fluss praises Los­urdo’s re­search to the rafters, Ishay Landa laud­ing him for his “mas­terly dia­lect­ic­al style” [meister­hafte dialekt­ische Art]. Speak­ing just for my­self, I find his book on Hegel and the Free­dom of Mod­erns (1992) to be his strongest work, though his cri­tique of Aren­dt on to­tal­it­ari­an­ism and over­view of Heide­g­ger and the Ideo­logy of War: Death, Com­munity, and the West (1991) are also pretty good.

Glan­cing at some of the PCI philo­soph­er’s past polit­ic­al po­s­i­tions, however, one is shocked to learn that he’s con­sist­ently sought to re­hab­il­it­ate both Sta­lin­ist dic­tat­ors from the age of “ac­tu­ally-ex­ist­ing so­cial­ism” as well as na­tion­al­ist strong­men whose in­terests happened to run counter to US geo­pol­it­ic­al aims in the post­com­mun­ist era. With re­gard to the lat­ter, of these, a couple of cases suf­fice to make the point. Back in the 1990s, Los­urdo was an out­spoken apo­lo­gist for Slobodan Milošević, go­ing so far as to pre­face a pamph­let in de­fense of the dis­graced Ser­bi­an lead­er as late as 2005. Milošević was sus­pec­ted of in­cit­ing vi­ol­ence against Al­bani­ans earli­er in the dec­ade as well as sub­sequent eth­nic cleans­ing cam­paigns in Bos­nia, Kosovo, and Croa­tia. Yet Milošević is not the only na­tion­al­ist strong­man Los­urdo has sup­por­ted since the fall of com­mun­ism in East­ern Europe. He earli­er de­fen­ded the Ro­mani­an premi­er Nic­olae Ceau­ses­cu, in power for dec­ades, from charges of gen­o­cide ar­ti­fi­cially con­cocted by the “lie in­dustry” [l’in­dus­tria della men­zogna] — i.e., the West­ern me­dia — which Los­urdo con­siders an “in­teg­ral part of the im­per­i­al­ist war ma­chine” [parte in­teg­rante della mac­ch­ina di guerra dell’im­per­i­al­ismo].

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Gary Johnson, Syria, and the apocalypse

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The best we can do right now with re­spect to Syr­ia and vari­ous oth­er world-his­tor­ic­al phe­nom­ena is pre­dict likely out­comes, since we have no abil­ity to mean­ing­fully al­ter the course of events. Ex­cept, of course, if we’re pre­pared to fig­ure out what it would take to as­sert and ex­er­cise real agency in his­tory, something which is much harder than just shout­ing an­ti­war or hu­man­it­ari­an in­ter­ven­tion­ist plat­it­udes. It in­volves identi­fy­ing the forces with­in so­ci­ety that could bend the blind hap­pen­stance of the mar­ket and the clumsy in­trigues of state powers to its will. Po­s­i­tion-tak­ing and slo­gan­eer­ing are mean­ing­less and vain in the ab­sence of ef­fect­ive re­volu­tion­ary prac­tice.

For the time be­ing, however, it has very been en­ter­tain­ing to see Richard Spen­cer and his “Alt-Right” al­lies lose their col­lect­ive shit over Trump’s sud­den 180° with re­spect to Syr­ia. Al­most on cue and all at once, 4chan’s /pol/ seemed to suf­fer an an­eurysm. Some of its mem­bers com­plained that this would mean more Muslim im­mig­rants the West. Oth­ers called upon the an­onym­ous hordes to form a bloc with Putin and wage holy war against the Jews. Mean­while, Steve Ban­non has fallen out of fa­vor in the White House, cucked by the “glob­al­ist” New Jer­sey Demo­crat Jared Kush­ner. With this de­vel­op­ment, lib­er­als might have fi­nally got­ten their wish. Be­cause if Ivanka is now the one really pulling the strings, to stick with the pup­pet-mas­ter meta­phor, then it’s as if Hil­lary Clin­ton got elec­ted after all.

Lib­er­als’ main ob­jec­tion to Trump has al­ways been aes­thet­ic, rather than prin­cipled or sub­stant­ive. They miss the smooth, well-spoken, at times in­spir­a­tion­al rhet­or­ic of someone like Obama to the bizarre toi­let bowl of free as­so­ci­ation that comes out of Trump’s mouth. At the level of policy the two could be com­pletely identic­al, but no one would care so long as everything was de­livered with the right pres­id­en­tial pack­aging. Com­rade Em­met Pen­ney con­veys this grim truth rather well:

So after run­ning a can­did­ate down­loaded from the un­canny val­ley — who didn’t be­lieve in or stand for any­thing, really — and money­balling their way to de­feat against a gold-plated, syph­il­it­ic so­ciopath, I’m see­ing all these mem­bers of the Demo­crat­ic “#Res­ist­ance” come out in full sup­port of the Syr­ia strikes like the bat­talion of over­paid cow­ards they’ve al­ways been.

It’ll be tite af when they re­in­sti­tute con­scrip­tion and make you use an app struc­tured like Obama­care where you pick from com­pet­ing pro­viders to get body ar­mor and bul­lets be­fore ship­ping out to go die alone scream­ing for your fam­ily while their lob­by­ist mil­it­ary con­tract­or bud­dies stuff their pock­ets by the fist­ful. The fu­ture the Demo­crats want is just a gami­fied ver­sion of with the Re­pub­lic­ans want, with maybe Beyoncé play­ing in the back­ground and a sub­scrip­tion to The New York­er.

Nev­er­the­less, it could well be that Trump’s sheer un­pre­dict­ab­il­ity ac­tu­ally re­duces the chances of WW3. Putin was will­ing to play chick­en over Syr­ia with Obama, be­cause he knew Obama is a ra­tion­al guy who knows when to hit the brakes. He’s not go­ing to play that game with someone who would just as soon set him­self on fire or drive the car off a bridge for rat­ings.

All the same, with mo­bil­iz­a­tion against US mil­it­ary in­ter­ven­tion in­to Syr­ia ramp­ing up, it’s more im­port­ant than ever that com­mun­ists be able to stake out a po­s­i­tion that op­poses in­ter­ven­tion­ist wars while also re­fus­ing any sup­port for bour­geois na­tion­al­ists and tin-pot dic­tat­ors like As­sad. Over the past fifty years, anti-im­per­i­al­ists have op­por­tun­ist­ic­ally made com­mon cause with any­one and every­one who de­clare them­selves to be “anti-Amer­ic­an.” This has dis­cred­ited le­git­im­ate ef­forts to op­pose for­eign wars. Marx­ists should re­ject such co­ali­tions and or­gan­ize on an in­de­pend­ent and in­ter­na­tion­al­ist basis, ex­clud­ing na­tion­al­ists of all stripes. But I’m not hold­ing my breath.

It is in this dis­pir­it­ing mood that I’m shar­ing a re­flec­tion sub­mit­ted by Com­rade Hegel Damascene, re­mem­ber­ing the quiet dig­nity of liber­tari­an can­did­ate Gary John­son. John­son remains a beacon of bygone normie-dom in a bat­shit age.

[wpvideo cDBR9jTM] [wpvideo M6i2XwPN]Gary Johnson
Normie prophet in an apocalyptic age

Hegel Damascene
Interstate 95
April 8, 2017
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The tra­di­tion of all dead gen­er­a­tions weighs like a night­mare on the brains of the liv­ing.

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Sit­ting on an over­pass over I-95, watch­ing cars come onto and off of the George Wash­ing­ton Bridge, I was over­come with the feel­ing of be­ing trapped in the belly of a hor­rible ma­chine. And the ma­chine is bleed­ing to death. I al­ways used to stare at the over­passes near the Garden State Mall, the ar­ti­fi­cial mar­ket­place where high­ways meet, and think about what a Great Civil­iz­a­tion (both words cap­it­al­ized) Amer­ica was. But I saw the cracks back then, too, I just didn’t think they would open up so quickly.

Sit­ting on that un­der­pass, I half ex­pec­ted the of­fices of Kim & Bae, PC to grow legs and start lob­bing mis­siles at Bashar As­sad’s palace. Maybe the Port Au­thor­ity Po­lice build­ing was a fact­ory pro­du­cing mech­an­ic­al cops, who would march out to re­store or­der in the new Salafist prin­cip­al­ity — and de­tain any big beau­ti­ful ba­bies who wanted to leave their young uto­pia for Amer­ica, where they could be a se­cur­ity risk.

Syr­ia is both a source and mi­cro­cosm of the slow col­lapse. Continue reading →

Kendall Jenner Pepsi ad

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The real reason leftists are so upset about the Pepsi ad is that it puts all their purely performative, feelgood protest actions on blast. Continue reading →

Theories of the young Marx

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Wer die Ju­gend hat, hat die Zukun­ft.

— Karl Lieb­knecht

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In a civil­iz­a­tion that’s grown old, ours is a cul­ture that prizes youth. No longer as pres­age to a ra­di­ant fu­ture, but part of a per­man­ent present. Philo­sophy paints its gray on gray onto the pages of Teen Vogue, the Ar­ab Spring fol­lowed by an Is­lam­ist Winter. From Young Thug to la jeune-fille — to the fa­mil­i­ar re­frain of “I like their early stuff bet­ter” — all beauty is fleet­ing, as the pro­verb goes. A sea­son or so later, it loses its luster. Ef­forts at re­in­ven­tion or renov­a­tion more of­ten than not end up a laugh­ing stock. Worse yet: ig­nored. Mod­ern­ity thrives off the eph­em­er­al, Baudelaire no­ticed long ago, to the point that an en­tire style took youth as its theme. “Ju­gend­stil is a de­clar­a­tion of per­man­ent pu­berty,” ob­served Ad­orno, “a uto­pia that barters off its own un­real­iz­ab­il­ity… Hatred of the new ori­gin­ates in a con­cealed ten­et of bour­geois on­to­logy: that the tran­si­ent should be tran­si­ent, that death should have the last word.”

Raoul Peck’s film Der junge Karl Marx premiered last month in Ber­lin. It’s his second ma­jor re­lease already this year, the first be­ing I am Not Your Negro, a doc­u­ment­ary based on the life of the Afric­an-Amer­ic­an writer James Bald­win. Though it was nom­in­ated for an academy award, the Haitian film­maker’s ef­fort ul­ti­mately lost out to the five-part ES­PN epic OJ Simpson: Made in Amer­ica. Most of the Marx biop­ic was shot in Bel­gi­um back in 2015. While I’m al­ways wary of sil­ver screen por­tray­als of great his­tor­ic­al fig­ures, I per­son­ally can’t wait to see it. As a way of cel­eb­rat­ing its de­but, then, I’m post­ing sev­er­al ma­jor art­icles and es­says on the theme of the “young” Marx. Usu­ally, the young­er Marx is con­tras­ted with or coun­ter­posed to the older Marx, al­though the dates as­signed to each phase is a mat­ter of some con­tro­versy among schol­ars. If you don’t be­lieve me, just glance at the fol­low­ing pieces to get a sense of the wide range of opin­ions:

  1. Erich Fromm, “The Con­tinu­ity in Marx’s Thought” (1961)
  2. Gajo Petrović, “The ‘Young’ and the ‘Old’ Marx” (1964)
  3. Louis Althusser, “On The Young Marx” (1960) and “The Evol­u­tion of the ‘Young’ Marx” (1974)
  4. Ir­ing Fetscher, “The Young and the Old Marx” (1970)
  5. István Mészáros, “The Con­tro­versy about Marx” (1970)
  6. Paul Mat­tick, “Re­view of Marx Be­fore Marx­ism” (1971)
  7. Lu­cio Col­letti, In­tro­duc­tion to The Early Writ­ings of Karl Marx (1973)
  8. Michel Henry, “The Hu­man­ism of the Young Marx” (1976)

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