mark-fisher-copy

Journey back into the vampires’ castle: Mark Fisher remembered, 1968-2017

.
I nev­er met Mark Fish­er, but we cor­res­pon­ded of­ten via e-mail. And he was al­ways very en­cour­aging. Right after I wrote a scath­ing re­view of “con­fer­ence com­mun­ism” in early 2014, “The Ghost of Com­mun­ism Past,” Mark sent me the fol­low­ing: “Your piece on con­fer­ence com­mun­ism, sent to me by a fel­low ed­it­or, fairly well nails down what we hope Zer0 isn’t. We en­joyed it, happy new year.” Fish­er would of course de­part from Zer0, along with many of his peers, to found Re­peat­er Books later that same year. Nev­er­the­less, his com­mit­ment to an ac­cess­ible, non-aca­dem­ic but soph­ist­ic­ated Marx­ism was un­flag­ging.

Cap­it­al­ist Real­ism was his prin­cip­al achieve­ment in the realm of the­ory, the fruit of a long series of re­flec­tions and in­tro­spec­tion con­duc­ted largely on­line. In it he railed against “the slow can­cel­la­tion of the fu­ture” en­acted by post-com­mun­ist cap­it­al­ism. Tak­ing its cue from Jameson’s in­sight — no less true for hav­ing been quoted ad nauseam — that “it is easi­er to ima­gine the end of the world than it is to ima­gine the end of cap­it­al­ism,” Mark asked if there was “really no al­tern­at­ive” to the neo­lib­er­al re­gime of Re­agan and Thatch­er. Some of his mus­ings about men­tal health, which reg­u­larly fea­tured on his K-Punk blog, also ap­peared with cas­u­al bril­liance in this text:

The cur­rent rul­ing on­to­logy denies any pos­sib­il­ity of a so­cial caus­a­tion of men­tal ill­ness. The chemico-bio­lo­giz­a­tion of men­tal ill­ness is of course strictly com­men­sur­ate with its de­pol­it­i­ciz­a­tion. Con­sid­er­ing men­tal ill­ness an in­di­vidu­al chemico-bio­lo­gic­al prob­lem has enorm­ous be­ne­fits for cap­it­al­ism. First, it re­in­forces cap­it­al’s drive to­wards atom­ist­ic in­di­vidu­al­iz­a­tion (you are sick be­cause of your brain chem­istry). Second, it provides an enorm­ously luc­rat­ive mar­ket in which mul­tina­tion­al phar­ma­ceut­ic­al com­pan­ies can peddle their phar­ma­ceut­ic­als (we can cure you with our SS­RIs). It goes without say­ing that all men­tal ill­nesses are neur­o­lo­gic­ally in­stan­ti­ated, but this says noth­ing about their caus­a­tion. If it is true, for in­stance, that de­pres­sion is con­sti­tuted by low sero­ton­in levels, what still needs to be ex­plained is why par­tic­u­lar in­di­vidu­als have low levels of sero­ton­in. This re­quires a so­cial and polit­ic­al ex­plan­a­tion; and the task of re­pol­it­i­ciz­ing men­tal ill­ness is an ur­gent one if the left wants to chal­lenge cap­it­al­ist real­ism.

How much sad­der it all seems, read­ing these words now, in light of his sui­cide. Mark con­fessed in an art­icle for The Oc­cu­pied Times that he “suffered from de­pres­sion in­ter­mit­tently since [he] was a teen­ager.” Ob­vi­ously it would be pre­sump­tu­ous to con­clude that the miser­able state of left­ist dis­course had any­thing to do with his de­cision to end his life; too many oth­er factors might have been more im­me­di­ate or prox­im­ate. But it would be just as mis­guided to main­tain that this had noth­ing to do with Mark’s over­whelm­ing sense of des­pair in re­cent years, es­pe­cially since he so fre­quently lamen­ted the sorry place at which we’ve all ar­rived.

Continue reading

mattick-1973_0

Paul Mattick, revolutionary Marxist (1904-1981)

I’m not a coun­cil­ist. Of the two ma­jor streams of left-wing com­mun­ism with­in the Third In­ter­na­tion­al, the Ger­man-Dutch cur­rent formed around spon­tan­eous work­ers’ coun­cils and the Itali­an cur­rent formed around or­gan­ic party cent­ral­ism, my pref­er­ence is def­in­itely for the lat­ter. Though most mod­ern left com­mun­ist groups syn­thes­ize ele­ments from each, I con­sider Bor­di­gism far more com­pat­ible with or­tho­dox Trot­sky­ism than coun­cil­ism after 1930. Even more so than Bor­di­gism and Trot­sky­ism, I find Bor­diga and Trot­sky to be closer to one an­oth­er than to any of the ma­jor rep­res­ent­at­ives of coun­cil com­mun­ism.

Nev­er­the­less, I di­gress: By the end of the 1920s, the coun­cil com­mun­ist move­ment led by Ant­on Pan­nekoek, Her­man Gort­er, and Otto Rühle had taken its cri­tique of Bolshev­ism so far that it re­jec­ted the party-form of or­gan­iz­a­tion. Paul Mat­tick only emerged as a prom­in­ent fig­ure with­in this move­ment after this point, dur­ing his ca­reer in the United States. Al­though I do not find his polit­ic­al po­s­i­tions all that com­pel­ling, par­tic­u­larly his anti-Len­in­ism, I find his the­or­et­ic­al work to be of ex­cep­tion­al qual­ity. His short 1959 art­icle on “Na­tion­al­ism and So­cial­ism” de­serves spe­cial men­tion for in­sights like the fol­low­ing:

The second World War and its af­ter­math brought in­de­pend­ence to In­dia and Pakistan, the Chinese Re­volu­tion, the lib­er­a­tion of South­east Asia, and self-de­term­in­a­tion for some na­tions in Africa and the Middle East. Prima facie, this “renais­sance” of na­tion­al­ism con­tra­dicts both Rosa Lux­em­burg’s and Len­in’s po­s­i­tions on the “na­tion­al ques­tion.” Ap­par­ently, the time for na­tion­al eman­cip­a­tion has not come to an end, and ob­vi­ously, the rising tide of anti-im­per­i­al­ism does not serve world-re­volu­tion­ary so­cial­ist ends.

However, what this new na­tion­al­ism ac­tu­ally in­dic­ates are struc­tur­al changes in the cap­it­al­ist world eco­nomy and the end of nine­teenth-cen­tury co­lo­ni­al­ism. The “white man’s bur­den” has be­come an ac­tu­al bur­den in­stead of a bless­ing. The re­turns from co­lo­ni­al rule are dwind­ling while the costs of em­pire are rising. In­di­vidu­als, cor­por­a­tions, and even gov­ern­ments still cer­tainly en­rich them­selves by co­lo­ni­al ex­ploit­a­tion. But this is now primar­ily due to spe­cial con­di­tions — con­cen­trated con­trol of oil-re­sources, the dis­cov­ery of large urani­um de­pos­its, etc. — rather than the gen­er­al abil­ity to op­er­ate prof­it­ably in colon­ies and oth­er de­pend­ent coun­tries. What were once ex­cep­tion­al profit-rates now drop back to the “nor­mal” rate, and where they re­main ex­cep­tion­al, it is in most cases due to a hid­den form of gov­ern­ment sub­sidy. Gen­er­ally speak­ing, co­lo­ni­al­ism no longer pays, so that it is in part the prin­ciple of prof­it­ab­il­ity it­self which calls forth a new ap­proach to im­per­i­al­ist rule.

Mat­tick’s book-length es­say on Marx and Keynes: Lim­its of the Mixed Eco­nomy is also a clas­sic. Whatever their tend­ency, Marx­ists stand to learn a great deal from Mat­tick’s ideas and work. You can down­load some of his books, art­icles, and re­views be­low. Fe­lix Baum’s re­view of Gary Roth’s Marx­ism in a Lost Cen­tury ap­pears un­der­neath. Roth’s bio­graphy of Mat­tick can be down­loaded via Lib­Com.

Continue reading

armenian-genocide

L’affaire Ciccariello-Maher: “White genocide” and beyond

.
George Cic­car­i­ello-Ma­h­er’s “off-col­or” joke about gen­o­cide over the hol­i­days has eli­cited a range of re­ac­tions on so­cial me­dia. In the week or so that’s elapsed since he sent out those con­tro­ver­sial tweets, sev­er­al cycles of pub­lic opin­ion have already run their course. Fol­low­ing the ini­tial op­pro­bri­um, Cic­car­i­ello-Ma­h­er was even re­buked by his em­ploy­ers at Drexel Uni­versity. This in turn led his sup­port­ers to gath­er sig­na­tures, ur­ging the ad­min­is­tra­tion not to rep­rim­and him fur­ther. Some be­grudgingly offered their solid­ar­ity, more as a mat­ter of prin­ciple than out of ap­prov­al for what he said. While they did not en­dorse his mes­sage, they be­lieved that ex­tra­mur­al polit­ic­al speech should be pro­tec­ted. Oth­ers en­thu­si­ast­ic­ally leapt to de­fend the ori­gin­al “white gen­o­cide” re­mark, al­though Cic­car­i­ello-Ma­h­er in­sists he it made in jest, “not only on grounds of aca­dem­ic free­dom and free speech, but even more strongly on the basis of its polit­ic­al con­tent.” A few re­fused to provide him with any back­ing what­so­ever, cit­ing his fail­ure to do like­wise after the Charlie Hebdo murders in Par­is two years earli­er. Luck­ily, Cic­car­i­ello-Ma­h­er later re­vealed that he’d re­cently re­ceived ten­ure, so the whole af­fair proved rather a tem­pest in a tea­cup. His job was nev­er in ser­i­ous danger to be­gin with.

Nev­er­the­less, now that it’s over, it might be worth tak­ing a look at the vari­ous re­sponses to this im­broglio. Be­fore sur­vey­ing all these, however, I might as well lay my cards out on the ta­ble: I’m not a “free speech ab­so­lut­ist.” Un­der ex­traordin­ary con­di­tions — say, of re­volu­tion­ary civil war — some demo­crat­ic rights will likely have to be sus­pen­ded. Even un­der nor­mal cir­cum­stances, there are lim­its re­lated to li­bel, slander, and in­cit­ing a pan­ic. Gen­er­ally speak­ing, though, people should be able to say or write whatever the fuck they want. Trot­sky had it more or less right in his tract on “Free­dom of Press and the Work­ing Class” (1938). “Once at the helm [of the state],” wrote Dav­idovich, “the pro­let­ari­at may find it­self forced, for a cer­tain time, to take spe­cial meas­ures against the bour­geois­ie, if the bour­geois­ie as­sumes an at­ti­tude of open re­bel­lion against the work­ers’ state. In that case, re­strict­ing free­dom of the press goes hand in hand with all the oth­er meas­ures em­ployed in wa­ging a civil war: if you are forced to use ar­til­lery and planes against the en­emy, you can­not per­mit this same en­emy to main­tain his own cen­ters of news and pro­pa­ganda with­in the armed camp of the pro­let­ari­at… Yet in this in­stance, too, if the spe­cial meas­ures are ex­ten­ded un­til they be­come an en­dur­ing pat­tern, they in them­selves carry the danger of get­ting out of hand and of the work­ers’ bur­eau­cracy gain­ing a polit­ic­al mono­poly that would be one of the sources of its de­gen­er­a­tion.”

Colin Beckett, Corey Robin, and Richard Seymour

.
Verso Books published a con­cise sum­mary of the or­deal by Colin Beck­ett, which went over the timeline of events. Beck­ett con­cluded that “Drexel’s ini­tial re­sponse to com­plaints about Cic­car­i­ello-Ma­h­er il­lus­trates that un­prin­cipled, PR-con­scious ad­min­is­trat­ors are eas­ily ma­nip­u­lated by the slight­est hint of con­tro­versy,” and im­plored his read­ers to “re­main vi­gil­ant and make it more dif­fi­cult for uni­versit­ies… to cater to right-wing out­rage, real or fake, than po­lice the speech of its em­ploy­ees.” Jac­obin re­pos­ted Corey Robin’s call to “De­fend George Cic­car­i­ello-Ma­h­er” from his per­son­al blog, a reas­on­able enough piece, des­pite its praise for the as­so­ciate pro­fess­or’s “ex­cel­lent work on Venezuela and polit­ic­al the­ory.” With all due re­spect to Robin, Cic­car­i­ello-Ma­h­er’s stuff on Venezuela is lazy tripe. It amounts to little more than re­hash­ing the crudest talk­ing points pre­pared by the Bolivari­an re­gime. He once gran­ted an in­ter­view to Amy Good­man of Demo­cracy Now! in which jus­ti­fy Ma­duro’s jail­ing of Leo­poldo López, the mod­er­ate op­pos­i­tion lead­er, back in 2015. López was sen­tenced to four­teen years for fo­ment­ing un­rest and al­legedly plot­ting to over­throw the gov­ern­ment. Guess what evid­ence was presen­ted as proof of his crime? Yup, that’s right: prob­lem­at­ic tweets.

Continue reading

1016044_10151701164605325_1056214611_n

Free speech on and off campus: In defense of George Ciccariello-Maher

.
Yes­ter­day I learned that George Cic­car­i­ello-Ma­h­er, an as­so­ciate pro­fess­or at Drexel Uni­versity in Phil­adelphia, has re­cently come un­der fire for a stu­pid joke he sent out on Twit­ter a couple of days ago. On Christ­mas Eve, he tweeted: “All I want for Christ­mas is white gen­o­cide.” Im­me­di­ately Cic­car­i­ello-Ma­h­er began re­ceiv­ing angry replies and death threats. Soon the right-wing news di­gest Breit­bart picked up the story, which then led to fur­ther out­cry around the web. Drexel re­spon­ded the next day by is­su­ing a state­ment that con­demned the “in­flam­mat­ory tweet,” call­ing it “ut­terly rep­re­hens­ible” while as­sur­ing read­ers that the school “takes this mat­ter very ser­i­ously.”

Need­less to say, this is an out­rageous ef­fort by a ma­jor con­ser­vat­ive out­let to muzzle a minor left-wing aca­dem­ic. By whip­ping up pub­lic in­dig­na­tion, this gang of on­line re­ac­tion­ar­ies hopes to ex­ert enough in­sti­tu­tion­al pres­sure to threaten Cic­car­i­ello-Ma­h­er’s live­li­hood. This comes only a few weeks after the un­veil­ing of Turn­ing Point USA’s Pro­fess­or Watch­list, a neo-Mc­Carthy­ite ini­ti­at­ive that pur­ports to mon­it­or “pro­fess­ors who ad­vance a rad­ic­al agenda in lec­ture halls” by com­pil­ing a dossier of their “sub­vers­ive” activ­it­ies. Were Drexel to pun­ish or oth­er­wise dis­cip­line Cic­car­i­ello-Ma­h­er, it would set an alarm­ing pre­ced­ent. Ex­tra­mur­al polit­ic­al speech ought to be pro­tec­ted.

Cyn­thia Walk­er has drawn up a pe­ti­tion in sup­port of the em­battled pro­fess­or, which I en­cour­age every­one to sign. I’ve ad­ded my own sig­na­ture to it, along with sev­en thou­sand or so who have done like­wise, des­pite some linger­ing doubts about the ef­fic­acy of such meas­ures. (Maybe oth­er people had more ex­cit­ing civics classes than I did, but I nev­er much saw the point of writ­ing con­cerned let­ters or fer­vent en­treat­ies. Just takes a second, though, so it’s not really a hassle). Re­gard­less of what one may think of him, it’s not as if he de­serves to lose his job over this petty shit.

Continue reading

circa 1960:  German born American architect Mies Van Der Rohe (1886 - 1969) on the rooftop of a skyscraper in Chicago.  (Photo by Slim Aarons/Getty Images)

Mies van der Rohe

Lud­wig Mies van der Rohe hardly needs any in­tro­duc­tion to read­ers of this blog, or in­deed to any­one more than cas­u­ally fa­mil­i­ar with the his­tory of twen­ti­eth cen­tury ar­chi­tec­ture. Still, a few words might be in­cluded here for those who haven’t yet had the pleas­ure. He was the third dir­ect­or of the le­gendary Bauhaus art school, after the pi­on­eer­ing mod­ern­ist Wal­ter Gropi­us and the con­tro­ver­sial Marx­ist Hannes Mey­er. Des­cen­ded from stone­ma­sons, Mies entered the build­ing trade at a young age. Pri­or to his ten­ure at the Bauhaus, he was an ap­pren­tice along with Gropi­us in the stu­dio of Peter Behrens, who also later su­per­vised a Swiss prodigy by the name of Charles-Édouard Jean­ner­et (ali­as Le Cor­busier). Un­der the Ger­man mas­ter’s tu­tel­age, Mies gained an en­dur­ing ap­pre­ci­ation for the Prus­si­an clas­si­cist Karl Friedrich Schinkel. Be­sides Behrens, the oth­er mod­ern in­flu­ence on Mies dur­ing this early phase of his ca­reer was the Dutch­man Hendrik Pet­rus Ber­lage, through whom Europe learned of the ground­break­ing designs of Frank Lloyd Wright in Amer­ica.

Mies’ turn to full-fledged mod­ern­ism came in the 1920s, after he came in­to con­tact with Kurt Schwit­ters and oth­er mem­bers of the in­ter­na­tion­al av­ant-garde. Al­though his com­mis­sions earli­er in the dec­ade still came from cli­ents whose taste was rather more tra­di­tion­al, Mies nev­er­the­less began writ­ing bold art­icles and mani­fes­tos for the con­struct­iv­ist journ­al G. Oth­er con­trib­ut­ors to this peri­od­ic­al were artists and crit­ics such as El Lis­sitzky, Wern­er Gräff, and Wal­ter Ben­jamin. Jean-Louis Co­hen, au­thor of The Fu­ture of Ar­chi­tec­ture (2012), de­tails the vari­ous ex­per­i­ments Mies con­duc­ted around this time. In 1926, he was se­lec­ted to design the monu­ment to Rosa Lux­em­burg and Karl Lieb­knecht in Ber­lin. Fol­low­ing the suc­cess of the 1927 Wießenhof ex­hib­i­tion, spear­headed by Mies, a num­ber of more dar­ing projects now opened them­selves up to him. Villa Tu­gend­hat in Brno, Czechoslov­akia and the Wolf House in Gu­bin, Po­land were only the most fam­ous of these projects. In 1929, Mies was chosen to design the Ger­man pa­vil­ion for the world’s fair in Bar­celona, which re­ceived wide­spread ac­claim. You can read more about these works in an ex­cerpt taken from Alan Colquhoun’s his­tor­ic­al sur­vey Mod­ern Ar­chi­tec­ture (2002).

portriat-of-german-born-american-architect-ludwig-mies-van-der-rohe-1886-1969-as-he-sits-in-a-chair-in-his-home-chicago-illinois-1956 mies-van-der-rohe_casa-de-campo-de-ladrillo-1924-mies-van-der-rohe portriat-of-german-born-american-architect-ludwig-mies-van-der-rohe-1886-1969-as-he-peers-from-between-a-model-of-his-26-story-twin-apartment-buildings-located-at-860-on-the-right-and-880-lake

In any case, just as Mies was be­gin­ning to make a name for him­self, Gropi­us asked Mies to step in and re­place Mey­er over at the Bauhaus in Des­sau. At the time, Mey­er was em­broiled in a scan­dal con­cern­ing his com­mun­ist sym­path­ies. He ex­ited, along with many of his left-wing stu­dents, to plan new cit­ies in the USSR. (Eva For­gacs has writ­ten ex­cel­lently about the polit­ics that sur­roun­ded this de­cision). With the rise of Hitler in 1933, Gropi­us’ icon­ic Des­sau build­ing was com­mand­eered by the Nazis and the school moved to Ber­lin. Mies’ choice to stay in Ger­many, and in­deed col­lab­or­ate with the fas­cist au­thor­it­ies, has been chron­icled at length by Elaine Hoch­man in her 1989 study Ar­chi­tects of For­tune. Co­hen dis­misses this book as a bit of journ­al­ist­ic sen­sa­tion­al­ism, but its charges are worth tak­ing ser­i­ously. Sibyl Mo­holy-Nagy, for her part, nev­er for­gave him for this. “When [Mies] ac­cep­ted the com­mis­sion for the Reichs­bank in Ju­ly 1933, after the com­ing to power of Hitler, he was a trait­or to all of us and to everything we had fought for,” she wrote. In a 1965 let­ter, she fur­ther re­but­ted the his­tor­i­an Henry-Rus­sell Hitch­cock:

Mies van der Rohe seemed to be wholly a part of that slow death when he fi­nally ar­rived in this coun­try in 1937. His first scheme for the cam­pus of the Illinois In­sti­tute of Tech­no­logy is pain­fully re­min­is­cent of his deadly fas­cist designs for the Ger­man Reichs­bank, and the Krefeld Fact­ory of 1937 proved the old Ger­man pro­verb that he who lies down with dogs gets up with fleas. Yet he was the only one of the di­a­spora ar­chi­tects cap­able of start­ing a new life as a cre­at­ive de­sign­er fol­low­ing World War II, be­cause to him tech­no­logy was not a ro­mantic catch­word, as it had been for the Bauhaus pro­gram, but a work­able tool and an in­es­cap­able truth.

Per­son­ally, I am in­clined to agree with the judg­ment of Man­fredo Tafuri and his co-au­thor Francesco Dal Co. Mies was for the most part apolit­ic­al; i.e., “not con­nec­ted with any polit­ic­al ideo­logy.” Either way, as Mo­holy-Nagy her­self noted, he en­joyed great fame and prestige throughout the post­war peri­od, in which he con­sol­id­ated the form­al prin­ciples of the in­ter­na­tion­al style of the twen­ties and thirties, des­pite his op­pos­i­tion dur­ing those dec­ades to form­al­ism or “prob­lems of form.” However, Tafuri was right to deny this ap­par­ent vari­ance: “There is noth­ing more er­ro­neous than the in­ter­pret­a­tion of Mies van der Rohe in his late works as con­tra­dict­ing the Mies of the 1920s, or the read­ing of his late designs as re­nun­ci­at­ory in­cur­sions in­to the un­ruffled realm of the neoaca­dem­ic.” In many ways, it was only dur­ing this later phase of his ca­reer that Mies was able to real­ize the pro­gram­mat­ic vis­ion he laid out between 1921 and 1923. One need only take a look at the apart­ments he de­signed in Chica­go or Lake Point Tower, posthum­ously real­ized by his pu­pils John Hein­rich and George Schip­por­eit, to see the em­bod­i­ment of the spec­u­lat­ive of­fice build­ing and the sky­scraper he en­vi­sioned back in the 1920s. Really, it is a shame that Mies’ sig­na­ture style has lent it­self so eas­ily to im­it­a­tion, be­cause the fea­tures which seem rep­lic­able con­ceal the subtler secret of their pro­por­tions.

At any rate, you can down­load a num­ber of texts which deal with the work of Mies van der Rohe be­low. Fol­low­ing these there are a num­ber of im­ages, sketches and de­lin­eations of vari­ous proven­ance (most come from MoMA’s col­lec­tion), as well as pho­to­graphs of both Mies and build­ings which were real­ized. Texts on Mies writ­ten by Co­hen, Colquhoun, and Tafuri/Dal Co fin­ish these off.

Continue reading

Wilhelm Reich illustration by Pat Linse (copyright 1994)

Wilhelm Reich’s synthesis of Marxism and psychoanalysis

Back in June, in a post fea­tur­ing cri­tiques Karl Korsch and Georg Lukács wrote on Freu­di­an psy­cho­ana­lys­is, I an­nounced that I’d shortly be post­ing a num­ber of works by the Marxi­an psy­cho­ana­lyst Wil­helm Reich. A couple days earli­er, of course, I’d pos­ted an ex­cel­lent piece by Ber­tell Oll­man on Reich from his 1979 es­say col­lec­tion So­cial and Sexu­al Re­volu­tion. Need­less to say, this post is long over­due.

Some brief re­marks are there­fore ap­pro­pri­ate, in passing, to frame Reich’s rel­ev­ance to the present mo­ment.

First of all, Reich is rel­ev­ant to con­tem­por­ary dis­cus­sions of fas­cism. His work on The Mass Psy­cho­logy of Fas­cism re­mains one of the most in­nov­at­ive and pro­found Marx­ist ef­forts to un­der­stand ideo­logy as a ma­ter­i­al force that has ap­peared to date.

Moreover, this forms a pivotal point of de­par­ture for a host of sub­sequent at­tempts to the­or­ize re­volu­tion­ary sub­jectiv­ity — both in terms of con­scious­ness and of de­sire. To­mor­row or the next day I hope to jot down some of my own thoughts on the mat­ter, us­ing Reich for ref­er­ence.

Last but not least, Reich’s thoughts on sexu­al eman­cip­a­tion are con­sid­er­ably ahead of their time. Con­sider, for ex­ample, this ex­cerpt from one of his journ­al entries dated 1939, while in Oslo:

The past few nights I wandered the streets of Oslo alone. At night a cer­tain type of per­son awakes and plies her trade, one who these days must view each bit of love with great fear but who will someday hold sway over life. Today prac­tic­ally a crim­in­al, to­mor­row the proud bear­er of life’s finest fruits. Whores, os­tra­cized in our day, will in fu­ture times be beau­ti­ful wo­men simply giv­ing of their love. They will no longer be whores. Someday sen­su­al pleas­ure will make old maids look so ri­dicu­lous that the power of so­cial mor­al­ity will slip out of their hands. I love love!

While some of his views on ho­mo­sexu­al­ity might seem an­ti­quated or back­wards today — he saw it as a de­vi­ant be­ha­vi­or, linked to lat­ent au­thor­it­ari­an tend­en­cies — the fact re­mains that Reich favored de­crim­in­al­iz­a­tion and pro­tested adam­antly against its re­crim­in­al­iz­a­tion in the So­viet Uni­on un­der Stal­in.

In­cid­ent­ally, this is why I find it so ab­surd that left­ists look to ex­cuse Castro’s ho­mo­phobic policies pri­or to 1980. Eduard Bern­stein was pro­mot­ing gay rights dur­ing the 1890s, and Au­gust Bebel ad­voc­ated the re­peal of laws against sod­omy as early as 1898.

Re­gard­less, here are the prom­ised PD­Fs, along with some rare im­ages and a trans­lated art­icle by the Itali­an Trot­sky­ist Aless­andro D’Aloia. I have taken the liberty of de­let­ing some need­less asides about the Big Bang, a pe­cu­li­ar hangup the In­ter­na­tion­al Marx­ist Tend­ency re­tains with re­spect to the­or­et­ic­al phys­ics des­pite none of its mem­bers be­ing qual­i­fied enough to judge the mat­ter.

Continue reading

033c67961e8dbbe7f7861a7672fcce03-copy

Jan Tschichold and the new typography

.
Like many of his con­tem­por­ar­ies, Jan Tschich­old ad­hered to a kind of “apolit­ic­al so­cial­ism” dur­ing the 1920s. Wal­ter Gropi­us, Lud­wig Mies van der Rohe, and nu­mer­ous oth­ers shared this out­look. He helped design books for the left-wing “Book Circle” series from 1924 to 1926. Tschich­old quoted Trot­sky’s Lit­er­at­ure and Re­volu­tion (1924) with ap­prov­al in the in­aug­ur­al is­sue of Ty­po­graph­is­che Mit­teilun­gen, pub­lished that same year:

The wall di­vid­ing art and in­dustry will come down. The great style of the fu­ture will not dec­or­ate, it will or­gan­ize. It would be wrong to think this means the de­struc­tion of art, as giv­ing way to tech­no­logy.

Dav­id Crow­ley and Paul Job­ling sug­gest that “Tschich­old had been so en­am­ored of the So­viet Uni­on that he had signed his works ‘Iwan [Ivan] Tschich­old’ for a peri­od in the 1920s, and worked for Ger­man trade uni­ons.” Some of this en­thu­si­asm was doubt­less the res­ult of his con­tact with El Lis­sitzky and his Hun­gari­an dis­ciple László Mo­holy-Nagy, a le­gend in his own right.

In 1927, a pen man­u­fac­turer ac­cused Tschich­old of be­ing a com­mun­ist, which promp­ted fel­low ty­po­graph­er Stan­ley Mor­is­on to rise to his de­fense. From that point for­ward, his work be­came even less overtly polit­ic­al.

jan-tschichold-sonderheft-typographische-mitteilungen-1925

Yet he re­mained cog­niz­ant of the re­volu­tion­ary ori­gins of mod­ern or­tho­graphy. “At the same time that he was pro­mul­gat­ing the de­pol­it­i­cized func­tion­al­ism of the New Ty­po­graphy,” writes Steph­en Eskilson. “Tschich­old still re­cog­nized his debt to Con­struct­iv­ism’s Rus­si­an, com­mun­ist roots.” Chris­toph­er Burke thus also writes in his study of Act­ive Lit­er­at­ure: Jan Tschich­old and the New Ty­po­graphy that

Tschich­old’s com­pil­a­tion con­tains the Con­struct­iv­ists’ Pro­gram in an ed­ited and abridged — one might even say adul­ter­ated — Ger­man ver­sion ad­ap­ted by Tschich­old him­self. The Marx­ist-Len­in­ist rhet­or­ic of the ori­gin­al is sig­ni­fic­antly toned down: for ex­ample, the pro­clam­a­tion in the ori­gin­al that reads “Our sole ideo­logy is sci­entif­ic com­mun­ism based on the the­ory of his­tor­ic­al ma­ter­i­al­ism: loses its ref­er­ence to sci­entif­ic com­mun­ism in Tschich­old’s ver­sion. He was ob­vi­ously tail­or­ing the text for his read­er­ship in Ger­many, where the Novem­ber Re­volu­tion im­me­di­ately after the First World War had been ruth­lessly sup­pressed. The Ger­man Com­mun­ist Party lead­ers, Karl Lieb­knecht and Rosa Lux­em­burg, were murdered in cold blood on 15 Janu­ary 1919 by right-wing, coun­ter­re­volu­tion­ary troops with the ta­cit ac­cept­ance of the So­cial Demo­crat gov­ern­ment of the Wei­mar Re­pub­lic it­self.

Tschich­old him­self called for an ob­ject­ive, im­per­son­al, col­lect­ive work destined for all, es­pous­ing a vaguely left-wing but not overtly com­mun­ist point of view com­mon to many state­ments from this peri­od of In­ter­na­tion­al Con­struct­iv­ism in Ger­many. Des­pite quot­ing Trot­sky in Ele­ment­are Ty­po­graph­ie, Tschich­old did not be­long to the Ger­man Com­mun­ist Party, nor was he as­so­ci­ated with any par­tic­u­lar “-ism” or group, apart from the Ring neue Wer­begestal­ter later in the 1920s and 1930s, which had no polit­ic­al di­men­sion.

Re­gard­less, the Nazis sus­pec­ted Tschich­old of har­bor­ing com­mun­ist sym­path­ies. Continue reading

the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools005

Early Soviet children’s books, 1924-1932

.
The Young Polytechnician: Housing
(1931)

the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools001 the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools002 the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools003 the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools004 the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools005 the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools006 the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools007 the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools008 the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools009 the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools010 the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools011 the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools012 the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools013 the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools014 the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools015 the-young-polytechnician-housing-al%ca%b9bom-dli%ef%b8%a0a%ef%b8%a1-raboty-v-shkole-i-stupeni-a-workbook-for-elementary-schools016

Out with bourgeois crocodiles!
How the Soviets rewrote children’s books

Stuart Jeffries
The Guardian
May 4, 2016
.

.
In 1925, Galina and Olga Chichagova il­lus­trated a two-pan­el poster that called for a re­volu­tion in chil­dren’s il­lus­tra­tion in the new So­viet Uni­on. The left pan­el fea­tured tra­di­tion­al char­ac­ters from Rus­si­an fairytales and folk­lore — kings, queens, the Fire­bird, the witch Baba Yaga and, my fa­vor­ite, a cro­codile in el­eg­ant night­cap and dress­ing gown. “Out,” read the cap­tion, “with mys­ti­cism and fantasy of chil­dren’s books!!” Continue reading

o-machiavelli-arrest-warrant-facebook

Fear trumps love

One sign, waved by someone some­how #Still­With­H­er, reads: “Not my pres­id­ent.” An­oth­er echoes the pop­u­lar chant: “We re­ject the pres­id­ent elect.” Fi­nally, and most ubi­quit­ously: “Love trumps hate.”

Such are the slo­gans seen and heard at anti-Trump ral­lies since elec­tion res­ults rolled in. Call­ing them ri­ots is push­ing it; these are pretty pro­sa­ic af­fairs. I usu­ally don’t put too much stock in the mot­toes and phrases mind­lessly re­peated at rituals of dis­sent, but here the last ex­ample men­tioned at the out­set in­struct­ive. Does love in­deed trump hate? Per­haps. Read­ers of Ma­chiavelli will re­call that there’s an­oth­er sen­ti­ment, however, more power­ful than love or hate: fear. More on this a bit later; for now, let’s ex­am­ine the forms of mo­bil­iz­a­tion that have cropped up in re­sponse to the pro­spect of a Trump pres­id­ency.

Hysterical liberalism and protest politics

.
Lib­er­als know that people are angry, so they’ve brought in their ap­poin­ted “com­mu­nity lead­ers,” preach­ers, and vari­ous oth­er “peace­keep­ers” to pre­vent these protests from be­ing any­thing oth­er than im­pot­ent cry-ins. M. Har­lan Hoke was for­tu­nate enough to at­tend a de­mon­stra­tion in Philly or­gan­ized by So­cial­ist Al­tern­at­ive, rather than by dis­gruntled Dems. He com­ments that SAlt at least man­aged to stay on point by fo­cus­ing on val­id eco­nom­ic griev­ances and the need for com­pre­hens­ive so­cial re­form, while also ac­know­ledging the con­cerns of groups frightened by Trump’s in­flam­mat­ory rhet­or­ic on im­mig­ra­tion, re­li­gious dis­crim­in­a­tion, and abor­tion.

Else­where, in the more “spon­tan­eous” marches — quickly com­mand­eered by pro­fes­sion­al act­iv­ists and NGO rep­res­ent­at­ives loy­al to the Demo­crat­ic Party — their pur­pose was much less clear. In a post on his new blog, Im­per­i­um ad In­fin­itum, Hoke ob­serves that “in oth­er cit­ies, the theme of the protests is ba­sic­ally angry ob­li­vi­ous Demo­crats. Their mes­sage is what? Vote Demo­crat in the 2018 and 2020 midterms? Just keep protest­ing Trump?” Protest polit­ics are fairly lim­ited to be­gin with, and I have my cri­ti­cisms even of pop­u­lar front co­ali­tions formed by parties and or­gan­iz­a­tions fur­ther to the left (I’ll get to this later). For now it’s enough to em­phas­ize that lib­er­al­ism is a total dead end.

 

Woke celebrit­ies like Lena Dun­ham, Beyoncé Knowles, and Aman­da Mar­cotte are also out in force, of course, ex­press­ing their sanc­ti­mo­ni­ous dis­may. Katy Perry is pro­claim­ing open re­volu­tion in widely-shared tweets. But these are un­likely to carry over in­to the real world. Pop sing­er and Ary­an god­dess Taylor Swift has re­mained con­spicu­ously si­lent throughout all of this. Then again, she’s un­wit­tingly be­come the darling Valkyrie of the al­tern­at­ive right, so maybe it’s in her best in­terest to hang back for a bit and see how things play out. Ri­ot grrrl pi­on­eers Le Tigre hope­fully re­gret that cringe-in­du­cing video en­dorse­ment of the would-be Ma­dame Pres­id­ent. Continue reading

donald-trump-middle-finger-to-the-lord

Reap the whirlwind

.
But muh rain­bow co­ali­tion of mar­gin­al­ized iden­tit­ies will smash the kyri­archy as we sprinkle ma­gic di­versity pix­ie dust over every­one and cre­ate a shiny lib­er­al Star­bucks uto­pia. Yes­ter­day was 18 Bru­maire CCXXV ac­cord­ing to the French Re­pub­lic­an cal­en­dar, by the way. Just a happy co­in­cid­ence, I’m sure.

Left-lib­er­al “pro­gress­ives” did this to them­selves. This is ex­actly what re­treat­ing in­to cul­tur­al (i.e., iden­tity) polit­ics, while abandon­ing class as the basis for a so­cially trans­form­at­ive co­ali­tion, gets you. If you make no at­tempt to ap­peal to work­ers qua work­ers, the Right will in­ev­it­ably make in­roads with­in that group. As they in­deed have. So I don’t pity any­one who is ser­i­ously dis­traught by these res­ults. Blame for Trump can­not be laid solely at the door­step of “crack­ers” and hicks; he did sig­ni­fic­antly bet­ter among blacks and Lati­nos than Rom­ney, his Re­pub­lic­an pre­de­cessor.

Most anti-af­firm­at­ive ac­tion shit is totally right-wing, so I will be­gin by say­ing that I in no way share the polit­ics of most people who look to cri­ti­cize it. But it’s ul­ti­mately a cos­met­ic meas­ure, which cre­ates a black and minor­ity bour­geois­ie and polit­ic­al elite (“black faces in high places,” etc.). When coupled with gen­er­al eco­nom­ic stag­na­tion and wage de­pres­sion, grow­ing in­come in­equal­ity and job loss, it’s a re­cipe for re­vanchist ma­jor­it­ari­an back­lash. Edu­cated lib­er­al elites ex­pressed noth­ing but con­tempt for the work­ing poor in fly­over coun­try, whom they vil­i­fied as “one re­ac­tion­ary mass” — i.e., a “bas­ket of de­plor­ables” — of ig­nor­ant ra­cists.

In such an at­mo­sphere, even the slight­est over­ture to the work­ing class was bound to res­on­ate enorm­ously. Here, of course, the ap­peal was made us­ing xeno­phobic and hate­ful rhet­or­ic, ex­ploit­ing long­stand­ing ra­cial di­vi­sions and cap­it­al­iz­ing on deeply-felt anxi­et­ies. Plus, the lack of any ap­peal to the work­ing class by the Demo­crats also meant that poor minor­it­ies were not en­er­gized to vote for them. Smug, latte-sip­ping lib­er­als just res­ted on their laurels, se­cure in their be­lief that vic­tory was as­sured by simple demo­graph­ic shifts. All this while of­fer­ing noth­ing to work­ing blacks or Lati­nos, and prom­ising con­tin­ued war on those parts of the globe from which the refugee crisis first arose. Continue reading