Yuri Rozhkov’s photomontages for the Mayakovsky poem “To the Workers of Kursk” (1924)

 

In 1924, the self-taught artist Iurii Nikolaevich Rozhkov created a series of photomontages inspired by Vladimir Maiakovskii’s poem “To the Workers of Kursk” and the geological discovery of the Kursk Magnetic Anamoly (KMA). Rozhkov’s series for Maiakovskii’s ode to labor is both an example of the political propaganda of the reconstruction period of the NEP era and a polemical answer to all those who relentlessly attacked Maiakovskii and criticized avant-garde art as alien to the masses. The article introduces Rozhkov’s less-known photomontage series as a new model of the avant-garde photopoetry book, which offers a sequential reading of Maiakovskii’s poem and functions as a cinematic dispositive of the early Soviet agitprop apparatus (dispositif). Aleksandar Bošković argues that the photopoem itself converts into an idiosyncratic avant-garde de-mountable memorial to the working class: a dynamic cine-dispositive through which the the early agitprop apparatus is realized in lived experience, reproduced, and transformed, thus delineating its shift towards the new dispositif of the late 1920s — socialist realism.

Рабочим Курска, добывшим первую руду…

Было: 
  социализм – 
    восторженное слово! 
С флагом, 
  с песней 
    становились слева, 
и сама 
  на головы 
    спускалась слава. 
Сквозь огонь прошли, 
  сквозь пушечные дула. 
Вместо гор восторга – 
  горе дола. 
Стало: 
  коммунизм – 
    обычнейшее дело. 
Нынче 
  словом 
    не пофанфароните – 
шею крючь 
  да спину гни. 
На вершочном 
  незаметном фронте 
завоевываются дни. 
Я о тех, 
  кто не слыхал 
    про греков 
      в драках, 
кто 
  не читал 
    про Муциев Сцев_о_л, 
кто не знает, 
  чем замечательны Гракхи, – 
кто просто работает – 
  грядущего вол. 
Было. Мы митинговали. 
  Словопадов струи, 
пузыри идеи – 
  мир сразить во сколько. 
А на деле – 
  обломались 
    ручки у кастрюли, 
бреемся 
  стеклом-осколком. 
А на деле – 
  у подметок дырки, – 
без гвоздя 
  слюной 
    кле_и_ть – впустую! 
Дырку 
  не пос_а_дите в Бутырки, 
а однако 
  дырки 
    протестуют. 

Continue reading

Grigory Yudin on the antiwar protests in Russia

Image: Vasily Vereshchagin,
The Apotheosis of War
(1871)

My friend Maya Vinokour translated this piece and sent it to me the night before it went up for publication. It’s an interesting and insightful interview, complete with a quote from Adorno, about some of the sentiment surrounding the invasion. Meduza is an international site dedicated to Russia and the rest of the former USSR, which featured an article I relied on heavily in an essay written for the Swiss architectural journal archithese. The title, reproduced below, is a bit misleading: Yudin’s claim is precisely that there have been pretty significant demonstrations against the war already. Perhaps they will continue, perhaps not; the point is that the Russian public is far from uniformly supportive of Putin’s militarism.

Either way, I feel it’s important to amplify antiwar voices coming out of Russia itself. Karl Liebknecht put it well over a hundred years ago, in formulating the doctrine of revolutionary defeatism, when he wrote that “the main enemy is at home.” Various leftist outlets, from social-democratic Jacobin to the quasi-tankie Grayzone, have either been initially incredulous of the possibility of a Russian invasion to openly supportive once it was a fait accompli. Seeing this all play out over social media has been pretty demoralizing, I must say, as liberals and blue-checks of all stripes have added the Ukrainian flag to their username while Western tankies and rightwing nationalists added the Russian flag. Weirdly, wojak memes have been among the most poignant at expressing this impasse.

As far as political assessments of this dangerous situation go, my sympathies are (as ever) with the statement released by the ICT, which calls for communists to support neither Putin nor NATO. Some might claim that this response is formulaic or boilerplate, but I feel it’s correct nevertheless. European powers, not to mention the US, have been steadily escalating tensions with their sanctions and saber-rattling. Pavlos Roufos lambasted the newfound “unity” being celebrated by the press.

I really hope this is read as offensively as possible: those who rejoice in “EU unity” premised on accelerated militarisation and all out financial war against an authoritarian nuclear power are war mongering sociopaths and should be treated as such.

Other analyses I’ve found useful include Adam Tooze’s sobering analysis of the financial implications of the war in New Statesman. Alex Gendler has also gone on Antifada to discuss the invasion, so take a listen if you get the chance. Yudin has other articles on the current crisis which are worth checking out. Regardless, read the following interview.

 

A dead soldier (covered by fresh snowfall) from the Russian Army, alongside a disabled and damaged MT-LB (APC) armored personnel carrier, near a road leading to the city of Kharkov, Ukraine. The Russian invasion of Ukraine, February 25th, 2022.

Why no mass protests in Russia?
An interview with Grigory Yudin

Svetlana Reiter
Meduza/Медуза
March 1, 2022
.

On February 24, Russia began a war with Ukraine. On that same day, protests broke out all over Russia. It is difficult to call them mass demonstrations in any real sense, although ultimately almost 6,500 people were arrested (in Russia, street gatherings of this type are practically forbidden, with the authorities persecuting even individuals who picket alone). Sociologist Grigory Yudin, too, was arrested and ended up hospitalized following an antiwar protest in Moscow. Meduza special correspondent Svetlana Reiter discussed with Yudin why it doesn’t make sense to call protests in Russia “small” — and why he thinks scholars have to take a principled stand.

When we were first arranging this interview, you objected to my statement that antiwar protests were small in number: “Not so small.” What made you say that?

We don’t live in Berlin, where participation in a protest gets you lots of pats on the back. You can end up with a concussion, or spend the night in jail, or be required to remove your underwear [for a cavity search], or [possibly] have a felony case opened against you. Given the current situation, we can’t exclude the possibility that protests will eventually be punishable by 20-year prison sentences or the death penalty. So, yeah, in my view, people are coming out in force.

At a recent protest, you were beaten to the point of sustaining a concussion. Can you give us some more details about that?

Honestly, I don’t really want to talk about it — ultimately, it’s insignificant against the background of the major disaster we’re confronting. But, yes, the evening ended with a concussion for me.

How are you feeling now?

So-so. I’m still recovering.

Has anyone been conducting sociological surveys in order to determine which segments of the population approve of the hostilities in Ukraine?

They’re in progress, but it’s too early to talk about results — there aren’t any numbers for us to rely on. I don’t have them, at any rate.

Is it possible that protests will escalate?

It’s possible, yes. The initial situation was largely unexpected, and in fact studies showed that people in Russia weren’t interested in the topic of Ukraine. Hence the certainty that there wouldn’t be any war.

The danger here is that, when you’re not interested in something, then after a shocking event you’re ready to accept any convenient interpretation on offer. Which is exactly what happened — many people are clinging to the most immediate explanation, courtesy of government propaganda. That’s the most comfortable choice: everyone wants to avoid problems, especially in wartime.

But already there’s a factor that introduces dissonance into the picture — it’s obvious that the blitzkrieg failed. It’s becoming harder and harder to pretend that all of this is happening somewhere far away and will soon be over — on the contrary, it’s already an obviously significant military conflict. Lots of people on the Russian side have already been killed or wounded, with many more to come. Russians have many relatives in Ukraine, and, according to numerous reports, the Russian air force has begun using cluster bombs, which means a lot of civilian deaths.

All of that is going to disturb the picture, and people will be forced to take a clear position. It will become impossible to bury yourself in everyday tasks. Plus, the reality we’re all used to is going to be destroyed by the consequences of economic collapse. Which is why I think that a rise in critical attitudes across different segments of society is likely.

But we’re not the only ones who have figured this out — and we should expect actions in the near future that seek to nip any kind of generalized protest in the bud. Continue reading

Early Soviet avant-garde journal of Contemporary Architecture, 1926-1930

I’ve been meaning to post these for a while, but have been very busy with work and whatnot. The archivists who run the outstanding Russian website Techne have compiled some high-resolution PDFs of the legendary Soviet avant-garde architectural journal Современная Архитектура, usually translated into English as Contemporary Architecture. As Jean-Louis Cohen explained in a 2019 interview I conducted with him, the reason the editors chose this title was because “modern architecture” in Russia was still associated then with the style moderne branch of Art Nouveau which flourished in that country around the turn of the twentieth century.

When the people who run Techne originally posted these resources back in 2014, they included some crude PDFs knitted together from photos I took (of uneven quality) ten years ago in the bowels of the Avery Architectural Library at Columbia. Recently these old files have been thoroughly superseded by direct scans from the Nekrasov Central Universal Scientific Library in Moscow, which I’ve attached below — further organized by year and enumerated beneath.

My view is that Современная Архитектура rivals, if not surpasses, any of the analogous publications of international modernism released in other countries during the period: De Stijl, the Bauhausbücher series, L’Architecture d’Aujourd’hui, etc. Edited by Moisei Ginzburg and the Vesnins over the first three years, and Roman Khiger over the last two, the journal was consistently cosmopolitan in scope and focus. Because its layout is so masterfully designed, I have also included images of the individual pages underneath links to the PDFs.

1926
.

  1. Современная архитектура (1926) № 1
  2. Современная архитектура (1926) № 2
  3. Современная архитектура (1926) № 3
  4. Современная архитектура (1926) № 4
  5. Современная архитектура (1926) № 5-6

1927
.

  1. Современная архитектура (1927) № 1
  2. Современная архитектура (1927) № 2
  3. Современная архитектура (1927) № 3
  4. Современная архитектура (1927) № 4-5
  5. Современная архитектура (1927) № 6

1928
.

  1. Современная архитектура (1928) № 1
  2. Современная архитектура (1928) № 2
  3. Современная архитектура (1928) № 3
  4. Современная архитектура (1928) № 4
  5. Современная архитектура (1928) № 5
  6. Современная архитектура (1928) № 6

1929
.

  1. Современная архитектура (1929) № 1
  2. Современная архитектура (1929) № 2
  3. Современная архитектура (1929) № 3
  4. Современная архитектура (1929) № 4
  5. Современная архитектура (1929) № 5
  6. Современная архитектура (1929) № 6

1930
.

  1. Современная архитектура (1930) № 1-2
  2. Современная архитектура (1930) № 3
  3. Современная архитектура (1930) № 4
  4. Современная архитектура (1930) № 5
  5. Современная архитектура (1930) № 6

 

Современная архитектура (1926) № 1

Continue reading

Lazar Khidekel’s aerial city of the future (1925-1932)

.
I’ve posted about Lazar Khidekel before. A few years ago, I met some of his descendants who live here in New York. Regina Khidekel, his daughter-in-law, has written some very interesting articles about Khidekel’s speculative architecture, one of which you can read in this collection. Khidekel was a student of the great suprematist painter Kazimir Malevich, and was involved with his group Unovis. Later on, in 1928, he reflected on his path from painting to architecture in a brief “Biography”:

From 1920 to 1922, I participated in the publication of Unovis collections, contributing a series of articles on questions of art and its relationship to production. I spent the last two years at the Vitebsk Artistic and Practical Institute; in addition to coursework assignments, I was engaged with questions concerning the ties between constructive art (cubism, the “relief,” constructivism, suprematism) and architecture. I presented my findings — work that involved not only a painterly but also an architectural content — at the Second Unovis Exhibition in Moscow.

Assuming that my only possible involvement in architecture would occur through the assimilation of the [technical] knowledge on which it is based, in 1922 I enrolled in the Department of Architecture at the Institute of Civil Engineers. I am now a student on the final course. Between the time of my arrival in Leningrad in 1922 and the present, I participated in the Fifth-Year Exhibition at the Academy of Arts in 1923. In 1923, I became a member of the Art and Literature Department of the literary and artistic journal Vulcan [Vulkan], published by Leningrad State University. I served as the head of tours in the Painting Department of the Russian Museum (formerly the Museum of Painterly Culture).

Some images of the Unovis set at Vitebsk and Khidekel from his days in the group appear below.

Over the second half of the twenties, Khidekel became obsessed with the idea of a flying city. Georgii Krutikov’s proposal for a “Flying City” may be more famous, but Khidekel’s fantastic renderings are also worth taking a look at. Recently I came across a cache of images stored on one of my favorite Russian-language websites, Togda Zine, a repository of the heroic Soviet avant-garde. You can view them all below.

Paired with these images is an excerpt from Selim Khan-Magomedov’s encyclopedic account of the Pioneers of Soviet Architecture. I will post the full PDF of that book sometime soon. While not as theoretically ambitious as his student Vladimir Paperny, or the brilliant (if perverse) Boris Groys, Khan-Magomedov was a giant — the ultimate authority of early architectural modernism in the USSR. Enjoy!

Khidekel’s experimental designs

Selim Khan-Magomedov
From Pioneers of Soviet
Architecture
(1983)

.
A set of interesting experimental town-planning designs produced by Khidekel during the 1920s develop some aspects of the aero-city concept, and also reveal the influence of other experimental town-planning ideas of that period, such as vertical zoning. Taken as a whole, in fact, all these designs represent variations, and developments of the latter concept. As distinct, however, from the proposals by [Anton] Lavinsky, [El] Lissitzky, and [Konstantin] Melnikov, Khidekel’s projects for a vertical zoning of cities involve a global approach to this town-planning concept: insofar as he was concerned, it was not merely a matter of organizing the area of habitation within a city’s boundaries in a rational way, but of the interaction between human settlement and the environment as a whole. This broad approach accounts for the way in which the architectural complexes in his sketches interact with levels below ground, stretches of water, a virgin environmen,t and supraterrestrial space.

In an attempt to preserve nature intact among the city complexes, Khidekel’s project of 1922 relegated main transport lines to tunnels, and allowed them to surface only in cuttings in the vicinity of buildings. In another project dating from the same year, he designed a building floating above ground and only tenuously linked to it. In 1926, he drew a building at a great height above the Earth and wholly detached from it. Continue reading

Remembering Rosa Luxemburg, 150 years after her birth

The great Polish Marxist and revolutionary Rosa Luxemburg was born 150 years ago today. In honor of her life and legacy, I thought I’d post some of her works and texts about her along with an introduction to her 1918 polemic The Russian Revolution by Onorato Damen.

Luxemburg was a heroic, larger than life figure, a champion of the working class dedicated to the overthrow of the capitalist order. From a young age, she became steeped in the discourse of Marxism and involved herself in socialist causes. Along with Leo Jogiches, she founded the Social Democratic Party of Poland and Lithuania. When the “revisionist controversy” broke out in the late 1890s, Luxemburg penned what was easily the best response to Eduard Bernstein’s reformism, Reform or Revolution?.

During the next couple decades, Luxemburg became professionally trained in economics and contributed to a number of theoretical debates within international Marxism. Becoming more involved in the German Social-Democratic Party, she initially sided with orthodoxy but by 1910 found herself at odds with its main spokesman, Karl Kautsky. Thereafter she increasingly locked horns with the party’s leadership, until in August 1914 the outbreak of world war led to a world-historic crisis.

Unlike many of her prominent comrades, Luxemburg was unequivocally opposed to the war and took a stand publicly against it. For this she was jailed for several years, as was the firebrand Karl Liebknecht, who would soon become one of her closest cothinkers in opposition to bourgeois militarism. After the November Revolution of 1918, the two were freed and immediately threw themselves into the struggle, agitating for proletarian revolution. Tragically, they were murdered by the Freikorps under orders from the Social-Democratic government.

Of course, Luxemburg was not perfect. She and Liebknecht should have split from the Second and Second-and-a-Half Internationals sooner, and her critique of Marx’s “reproduction schemas” in Volume 2 of Capital was based on mistaken premises. Her theory of periodic crisis was underconsumptionist, moreover. Other Marxist theorists, such as Henryk Grossman, took Luxemburg to task on this score. Nevertheless, she remained an “eagle,” as Lenin put it in a rejoinder to Paul Levi:

We shall reply to [Levi] by quoting two lines from a good old Russian fable: “Eagles may at times fly lower than hens, but hens can never rise to the height of eagles.” Rosa Luxemburg was mistaken on the question of the independence of Poland [I would argue she was right here]; she was mistaken in 1903 in her appraisal of Menshevism; she was mistaken on the theory of the accumulation of capital; she was mistaken in July 1914, when, together with Plekhanov, Vandervelde, Kautsky and others, she advocated unity between the Bolsheviks and Mensheviks; she was mistaken in what she wrote in prison in 1918 (she corrected most of these mistakes at the end of 1918 and the beginning of 1919 after she was released). But in spite of her mistakes she was — and remains for us — an eagle. And not only will Communists all over the world cherish her memory, but her biography and her complete works (the publication of which the German Communists are inordinately delaying, which can only be partly excused by the tremendous losses they are suffering in their severe struggle) will serve as useful manuals for training many generations of Communists all over the world. “Since August 4, 1914, German Social-Democracy has been a stinking corpse” — this statement will make Rosa Luxemburg’s name famous in the history of the international working class movement. And, of course, in the backyard of the working-class movement, among the dung heaps, hens like Paul Levi, Scheidemann, Kautsky and all that fraternity will cackle over the mistakes committed by the great Communist. To every man his own.

You can download a number of works by or about Luxemburg below. I wouldn’t recommend all of these books, especially the secondary literature, but there’s useful stuff to be found in many of these selections. Also, be sure to check out the ICT’s article on “Rosa Luxemburg and the Early Days of the Socialist Movement in Poland.”

Works by Luxemburg

  1. Selected Writings
  2. Complete Works, Volume 1: Economic Writings 1
  3. Complete Works, Volume 2: Economic Writings 2
  4. Complete Works, Volume 3: Political Writings 1, On Revolution (1897-1905)
  5. The Accumulation of Capital (1913)
  6. “May Day” (1913)
  7. The Russian Revolution and Leninism or Marxism (1918, 1903) [highly misleading title added by the translator]
  8. “My Idea of Bolshevism” (1918)

Letters of Luxemburg

  1. Letters (1891-1919)
  2. Selected Letters
  3. Comrade and Lover: Letters to Leo Jogiches

Biographies of Luxemburg

  1. Paul Frölich, Rosa Luxemburg: Her Life and Work (1928)
  2. J.P. Nettl, Rosa Luxemburg, Volume 1: 1895-1911 (1962)
  3. J.P. Nettl, Rosa Luxemburg, Volume 2: 1911-1919 (1962)
  4. Paul Mattick Sr., “Review of Rosa Luxemburg by J.P. Nettl” (1967)
  5. Klaus Gietinger, The Murder of Rosa Luxemburg (2008)

Works about Luxemburg’s theory and practice

  1. Tadeusz Kowalik, Rosa Luxemburg: Theory of Accumulation and Imperialism (1971)
  2. Raya Dunayevskaya, Rosa Luxemburg, Women’s Liberation, and Marx’s Philosophy of Revolution (1981)
  3. Hillel Ticktin, “Rosa Luxemburg’s Concept of Crisis in a Contemporary Theoretical Context” (2012)
  4. Daniel Gaido and Manuel Quiroga,  “The Early Reception of Rosa Luxemburg’s Theory of Imperialism” (2013)
  5. Jason Schulman (ed.), Rosa Luxemburg: Her Life and Legacy (2013)
  6. Jan Toporowski, Ewa Karwowski, Riccardo Bellofiore (eds.), The Legacy of Rosa Luxemburg, Oskar Lange, and Michal Kalecki: Volume 1 of Essays in Honour of Tadeusz Kowalik (2014)
  7. Jan Toporowski, Ewa Karwowski, Riccardo Bellofiore (eds.), The Legacy of Rosa Luxemburg, Oskar Lange, and Michal Kalecki: Volume 2 of Essays in Honour of Tadeusz Kowalik (2014)
  8. Engin Delice, “The Dialectic Whole Between Theory and Reality in Rosa Luxemburg” (2015)
  9. Jon Nixon, Rosa Luxemburg and the Struggle for Democratic Renewal (2018)
  10. Ankica Čakardić, Like a Clap of Thunder: Three Essays on Rosa Luxemburg (2019)

Novels about Luxemburg

  1. Alfred Döblin, Karl and Rosa: November 1918, A German Revolution (1950)

Introduction to Rosa Luxemburg’s The Russian Revolution

.
It is fashionable these days to quote Luxemburg’s ideas and positions, especially in her polemics with Lenin. However this return to theoretical and critical Luxemburgism has mainly been carried out by those who have learned nothing from her real thinking or her heroic militancy. They reinterpret her formulations on freedom and democracy in their own way, and mostly for devious motives, whilst for Luxemburg these expressions serve only as a catalyst for the growth of revolutionary consciousness in the masses as they struggle for emancipation. However, on the lips of some enlightened bourgeois and renegade socialists such ideas are useful for dragging the proletariat into the capitalist mindset and the political and economic structures of the ruling class.

The attempt to use Luxemburg’s polemics as a front for the most decrepit and dishonest anti-communism stemming from the Second International and the Two and a Half International, does not deserve special attention. On the other hand, having another look at this same material, a product of the polemics with Lenin, and of the key problems of the party and of the dictatorship of the proletariat as presented and confirmed in the Russian experience, is very timely and fruitful.

At the root of her disagreement with Lenin were the same ideas that are reemerging today in the politics of the vanguard of the international labour movement, except that today they are sharper and more dramatic given the defeat of that burning test of socialism which was the Soviet experience. Continue reading

Noel Ignatiev, 1940-2019

Yesterday I learned that my friend and comrade Noel Ignatiev passed away. He’d been in poor health for some time, diagnosed with a rare form of gastrointestinal cancer that made it difficult for him to swallow properly or digest, but it still caught me off guard. A couple weekends ago I’d seen him at the Hard Crackers release party, which I’d gone to with my friends Kaspar, Arianna, Joseph, and Chelsea. Once a few contributors to the latest issue finished speaking, Noel got up there and gave a rousing summary of what the project is about.

To me, at least, he seemed in good spirits. About a year or so ago, after chatting frequently via social media, Noel asked for my number. We talked now and then over the phone, which I barely do with anyone anymore, where he explained to me his condition. But when I saw him at this event, he came off as lively and even optimistic. The doctors apparently had told him there was a good chance they could operate, since the rest of his body was quite strong. So hearing of his death last night came as a shock to me. What a shame we can’t have him around another decade or two.

Most people know Noel from his book How the Irish Became White, or from the journal Race Traitor that he helped edit back in the nineties and early aughts. Ignatiev was a pupil of Theodore Allen, whose epic treatise on The Invention of the White Race was a landmark in the field. Though deeply indebted to Allen, which he was always the first to acknowledge, he eventually broke with his former master. Against the emerging academic field of “whiteness studies,” Ignatiev fulminated that the point was not to study whiteness but abolish it.

Unfortunately, some of the concepts he helped to popularize took on a life of their own after working their way into liberal online discourse. None has been so abused as the notion of “white skin privilege,” which Ignatiev et al. never meant to function as some sort of individualized guilt complex. During an interview with Orchestrated Pulse, he told Vincent Kelley:

John Garvey and I began Race Traitor with the goal of breaking up the white race, as a contribution to working-class solidarity. We never used, endorsed or promoted identity politics; we railed against multiculturalism and “diversity”; we were scornful of those who wanted to preserve the “good aspects” of “white culture” or to “re-articulate” or “decenter” whiteness. We wanted nothing to do with the growing academic field of “whiteness studies.” We did share some vocabulary with individuals and organizations that were traveling on different roads to different places.

The most significant instance of this was the word “privilege.” In light of the political travesties that have developed under the term since, we wish we had differentiated ourselves more categorically from those who wanted to make careers in journalism, social work, organizational development, education and the arts, and who insist that the psychic battle against privilege must be never-ending; instead of challenging institutions they scrutinize every inter-personal encounter between black people and whites to unearth underlying “racist” attitudes and guide people in “unlearning” them. Hectoring people about their privileges was never our approach; it is an annoyance rather than a challenge.

Indeed, though he deftly avoided the question Kelley posed to him about the work of Adolph Reed, Noel told an online discussion group that he’d corresponded with Reed back in the mid-aughts. Reed eventually stopped responding to his repeated queries, so the dialogue sadly came to naught. Though he sympathized with Reed’s critique of identity politics, he feared (quite rightly) that all Reed was offering was warmed-over social-democratic trade unionism. Ignatiev identified far more with the left communist positions of Loren Goldner, who also contributed to Race Traitor.

Others adopted positions on race vaguely similar to Ignatiev’s, but he did not hesitate to criticize or distance himself from their work when they diverged. For example, he wrote a very harsh criticism of fellow STO veteran J. Sakai for his book Settlers: Mythology of the White Proletariat, which I reposted on my blog (this set off a fresh storm of controversy). More of his notes on Sakai can be accessed here. Ignatiev certainly appreciated the early work of David Roediger on The Wages of Whiteness, and wrote a favorable review of that book in 1992, but was less impressed by Roediger’s recent stuff on intersectionality. Continue reading

Bauhaus: Evolution of an Idea

Theodore Lux Feininger
Criticism, Summer 1960
.

I grew up with and at the Bauhaus. I was nine years old when my father was invited to join the founding staff in 1919, which necessitated our family’s removal from Berlin to Weimar. In my memory, the moving was attended by cheery circumstances. In the first spring since the cessation of hostilities a great upsurge of hope was evident everywhere.

I liked the town and surroundings of Weimar, and best of all was the Bauhaus atmosphere itself. A boy does not trouble his head about the origin and history of things, and I accepted the interesting people and their works, and the attention they paid to me and my works, as something which might have been there always, but which was certainly very agreeable and delightfully different from the musty disciplines of the Gymnasium. The Bauhaus population was fond of gaiety and given to playing and the celebrating of feasts; a paper lantern serenade under our windows on my father’s birthday remains an unforgettable experience.

In the following years, as was inevitable, other preoccupations intruded upon the Arcadian felicity of the beginning, and when, seven years later, I became a student at the Bauhaus myself (the youngest ever admitted), I could probably have dimly remembered the childish participation but was engrossed in so new and different a situation that it seemed like a new world altogether.

Thirty-three years have gone by since that time; and the more I ponder now what has always seemed so familiar, the more material for wonder I find opening to me. These findings are of a dual, intertwining nature. I am impressed with the effect and forming power the school has had on my own development, but especially with the uniqueness, the scope, the bold novelty of inception, of a community into which I had wandered, when young, as unquestionably as I might have strolled casually into some ancient church; something that “had always been there.” I discover that it had not always been there and that soon it was not to be there any more at all. I must attempt to separate the strands of personal recollection and gradual enlightenment as to the social meaning of what is known as “The Bauhaus,” an organization born out of the collaboration of many minds. At the beginning of it all, with his strong spirit of devotion, stands the vision and the genius of Walter Gropius. Continue reading

Varlam Shalamov versus Aleksandr Solzhenitsyn

Few authors are so commonly cited in anticommunist literature as Aleksandr Solzhenitsyn. Since the appearance of The Gulag Archipelago in the early seventies, it has been invoked at every turn by everyone from the “new philosophers” of France to the Canadian self-help guru Jordan Peterson. No doubt Solzhenitsyn is a great author, from a purely literary standpoint. His reactionary politics are quite separate from this consideration, but ought to have been of much more concern to Jewish ex-Maoists like Bernard-Henri Lévy and Alain Finkielkraut (who are constantly on the lookout for signs of left antisemitism, yet seem to ignore Solzhenitsyn’s numerous antisemitic statements).

Alain Badiou, who has a bone to pick with the nouveaux philosophes, often contrasts the work of Solzhenitsyn with another chronicler of the gulags. Varlam Shalamov was an adherent of the Left Opposition in Russia, and as such was arrested as a Trotskyist — first in 1929 and then again in 1937. (Perhaps significantly, the Maoist Badiou fails to so much as mention Shalamov’s Trotskyism.) Without question, Shalamov is more redeemable at a political level than Solzhenitsyn. But his prose is no less moving, and in its spareness may in fact be stylistically superior.

You can read below an essay by Valerii Esipov from the Shalamov website, originally written in 2002. Quite good. Even includes a quote from Adorno, which is relatively rare among Russian intellectuals. Right now I’m preparing to review the new translation of Kolyma Stories, so it helps.

Cerebration or Genuflection?
Varlam Shalamov and Aleksandr Solzhenitsyn

Valerii Esipov
Russkii Sever №4
January 23, 2002

 

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It was almost twenty years ago, back when Brezhnev’s era was coming to a close. A small crowd, some forty people, were paying their last respects to a writer nearly forgotten by his contemporaries.

Many thought he had already died. “Varlam Shalamov is dead,” Alexander Solzhenitsyn declared to the whole world from America. Meanwhile, Shalamov still walked the streets of Moscow. He could be seen on Tverskaya, when he ventured out from his hole to buy groceries. He was a ghastly sight, reeling down the street like a drunk, falling over. The police force of the “model communist city,” always on guard, would lift him off the ground, and Shalamov, perfectly sober, would present a doctor’s note about his illness, Ménière’s disease, a disorder which affected his balance and had been exacerbated by years of camps. (This note, which the writer always had on him during the last years of his life, is kept in the Shalamov Museum in Vologda).

On top of that he was also almost blind and deaf, and in 1979, when he was already 72, he was put into a nursing home for the disabled. He was alone, without a family, and he was visited only by a few friends and acquaintances, as well as foreign journalists. This kept the KGB ever on the watch. At the hospital, he kept on writing poetry. It contained no politics, only Shalamov’s characteristic stubbornness:

As before, I’ll do without a candle.
And I’ll lift myself without a jack.1

Plainclothes officers were present even at the cemetery during Shalamov’s funeral. But then, only forty people attended in all.

Why bring this up now? Many details are, after all, well known. These details made anyone who has read Shalamov’s Kolyma Tales and appreciated his greatness as a writer and a human being feel personally ashamed for Shalamov’s fate. Just as one felt ashamed for the lives destroyed or crippled by Stalin’s regime. Then, back in the first years of perestroika, we believed that this shame could be cathartic to our society.

Unfortunately, this has not been the case. The two sad facts I would like to relate here are entirely unconnected, but each could epitomize Russia’s current demoralization and its recent history. Continue reading

Engels on the importance of Hegel to Marxism

Conrad Schmidt was a German economist and intellectual, an early follower of Marxism who corresponded with Engels during the 1890s. He was also older brother of the famed artist Käthe Kollwitz. Neo-Kantian by persuasion, Schmidt nevertheless asked Engels what the philosophical underpinnings of Marx’s thought were. Engels already had put out a book on the topic, Ludwig Feuerbach and the End of German Classical Philosophy (1885), but apparently the implications of this work were not clear enough. So he wrote this letter in reply.

Unfortunately, Schmidt did not take Engels’ advice. Like Eduard Bernstein, he deplored the supposed “Hegelian pitfalls” of Marx’s dialectical method, and soon succumbed to revisionism. Georg Plekhanov penned a good polemic against Schmidt on this point. I might expand on this in another post, but the influence of Hegel was crucial for the categorial framework of Marxism (and hence its rejection of empiricist doctrines). Regardless, enjoy this post for now and hopefully there will be more updates to follow. 

Letter to Conrad Schmidt

November 1, 1891
CW 49, 286-287

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You cannot, of course, do without Hegel. He’s another chap whom it will take you time to digest. The short paper on logic in the Encyklopädie would be quite good to start off with, but the edition you should have is that in Volume 6 of the Werke — not [Karl] Rosenkranz’s separate edition (1845) — since the former contains far more explanatory notes from the lectures, even if that idiot Henning himself frequently fails to understand the latter. Continue reading

Air Maoism

Goldner on Elbaum

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Commune
 has a new review out of the 2018 reissue of Max Elbaum’s Revolution in the Air, which recounts the trials and travails of the New Communist Movement in the US. Written by Colleen Lye, “Maoism in the Air” is very sympathetic to the book’s central thesis: namely, that three distinct strands of American Maoism (Cultural Revolutionary, Third World nationalism, and orthodox Marxism-Leninism) shaped the politics of the post-’68 generation in a novel and generally beneficial way. Lye even goes a step further than Elbaum, remarking on the NCM’s institutional legacy that “today’s academic field of critical ethnic studies might well be described as a space where anti-racism and anti-imperialism continue, in a different key and perhaps even unknowingly, the Marxist-Leninism of the ’68 generation.”

She may well be right about this, but I hardly think this is a legacy to be proud of. Usually the so-called “long march through the institutions” is seen as a political defeat held up as an intellectual victory. Marxism’s relegation to the academy is a sign of its neutralization, in other words. I can only speak to the field of Jewish Studies, which is what I’m most familiar with, but for the most part I find it a useless discipline — despite my persistent interest in the history of Jews. Regardless, I was somewhat surprised to see such a positive review of Elbaum’s book in the pages of Commune, a magazine that I am very excited about. (For any readers who haven’t already, I encourage you to check out Jay Firestone’s ethnographic survey of alt-Right NYC and Paul Mattick’s outstanding piece on the centenary of the German Revolution.)

Admittedly, I’ve never understood the appeal of Maoism for American communists, either in the seventies or today. Perhaps it possessed some exotic aura back then, or was maybe just a dope aesthetic. Either way, the theory and practice of the Chinese brand of Stalinism ought to have been long discredited by now. Virtually all of the national liberation movements that were supposed to destabilize global capitalism and pave the way for international socialist revolution have been seamlessly reintegrated into the world of commodities. Nowadays, of course, there is the added association of Maoist ideas with the Black Panther Party, which is still celebrated as a high point in the history of revolutionary politics in the US. How much of this is simply mythologization after the fact is difficult to say, but it was certainly influential.

But even in light of this association, the attraction of Maoism is difficult to grasp. It was recently revealed, in fact, that the person who introduced the Black Panthers to the writings of Mao was an FBI snitch. Richard Aoki, the Berkeley radical and leader of the ethnic studies strike, informed his Bureau contact: “The Maoist twist, I kind of threw that one in. I said so far the most advanced Marxists I have run across are the Maoists in China.” Despite this ideological straightjacket, BPP spokesmen like Fred Hampton were able to say fairly interesting things (all this before he was gunned down in Chicago at the age of 21). While it gave Hampton the perspective he needed to denounce the empty culturalism of Stokely Carmichael, whom he referred to as a “mini-fascist,” it otherwise limited the Panthers’ scope of inquiry into capitalist society.

Loren Goldner’s review, lightly edited and reproduced below, provides a much-needed corrective to the laudatory reception Revolution in the Air has met with so far. Goldner grounds his critique of Elbaum in the left communist and heterodox Trotskyist tradition he belonged to at the time, even though he likewise went to Berkeley and knew many of the same characters. Other Maoists, such as Paul Saba, have gently criticized Elbaum’s book over the last few months. Saba contends that the main fault of the NCM — of which he was also a veteran — was its theoretical poverty, and that it might have benefited from a more sophisticated Althusserian-Bettelheimian viewpoint. Quite the opposite holds for Goldner: the New Communist Movement was wrongheaded from the start.

You can read a 2010 interview with Elbaum by clicking on the link, but otherwise enjoy Goldner’s blistering review. Maoism may still be “in the air,” as Lye contends, if the various Red Guard formations are any indication. According to Goldner, however, it might be in the air the same way smog and other pathogens are.

Didn’t see the same movie

Loren Goldner
August 2003

Review of Max Elbaum, Revolution in the Air: Sixties Radicals Turn to Lenin, Mao and Che. London/New York, Verso, 2002.

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The sleep of dialectical reason will engender monsters.

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Without exactly setting out to do so, Max Elbaum in his book Revolution In The Air, has managed to demonstrate the existence of progress in human history, namely in the decline and disappearance of the grotesque Stalinist/Maoist/“Third World Marxist” and Marxist-Leninist groups and ideologies he presents, under the rubric New Communist Movement, as the creations of pretty much the “best and the brightest” coming out of the American 1960s.

Who controls the past, Orwell said, controls the future. Read at a certain level, Elbaum’s book (describing a mental universe that in many respects out-Orwells Orwell), aims, through extended self-criticism, to jettison 99% of what “Third World Marxism” stood for in its 1970s heyday, in order to salvage the 1% of further muddled “progressive politics” for the future, particularly where the Democratic Party and the unions are concerned, preparing “progressive” forces to paint a new face on the capitalist system after the neoliberal phase has shot its bolt. Continue reading