Journey back into the vampires’ castle: Mark Fisher remembered, 1968-2017

I nev­er met Mark Fish­er, but we cor­res­pon­ded of­ten via e-mail. And he was al­ways very en­cour­aging. Right after I wrote a scath­ing re­view of “con­fer­ence com­mun­ism” in early 2014, “The Ghost of Com­mun­ism Past,” Mark sent me the fol­low­ing: “Your piece on con­fer­ence com­mun­ism, sent to me by a fel­low ed­it­or, fairly well nails down what we hope Zer0 isn’t. We en­joyed it, happy new year.” Fish­er would of course de­part from Zer0, along with many of his peers, to found Re­peat­er Books later that same year. Nev­er­the­less, his com­mit­ment to an ac­cess­ible, non-aca­dem­ic but soph­ist­ic­ated Marx­ism was un­flag­ging.

Cap­it­al­ist Real­ism was his prin­cip­al achieve­ment in the realm of the­ory, the fruit of a long series of re­flec­tions and in­tro­spec­tion con­duc­ted largely on­line. In it he railed against “the slow can­cel­la­tion of the fu­ture” en­acted by post-com­mun­ist cap­it­al­ism. Tak­ing its cue from Jameson’s in­sight — no less true for hav­ing been quoted ad nauseam — that “it is easi­er to ima­gine the end of the world than it is to ima­gine the end of cap­it­al­ism,” Mark asked if there was “really no al­tern­at­ive” to the neo­lib­er­al re­gime of Re­agan and Thatch­er. Some of his mus­ings about men­tal health, which reg­u­larly fea­tured on his K-Punk blog, also ap­peared with cas­u­al bril­liance in this text:

The cur­rent rul­ing on­to­logy denies any pos­sib­il­ity of a so­cial caus­a­tion of men­tal ill­ness. The chemico-bio­lo­giz­a­tion of men­tal ill­ness is of course strictly com­men­sur­ate with its de­pol­it­i­ciz­a­tion. Con­sid­er­ing men­tal ill­ness an in­di­vidu­al chemico-bio­lo­gic­al prob­lem has enorm­ous be­ne­fits for cap­it­al­ism. First, it re­in­forces cap­it­al’s drive to­wards atom­ist­ic in­di­vidu­al­iz­a­tion (you are sick be­cause of your brain chem­istry). Second, it provides an enorm­ously luc­rat­ive mar­ket in which mul­tina­tion­al phar­ma­ceut­ic­al com­pan­ies can peddle their phar­ma­ceut­ic­als (we can cure you with our SS­RIs). It goes without say­ing that all men­tal ill­nesses are neur­o­lo­gic­ally in­stan­ti­ated, but this says noth­ing about their caus­a­tion. If it is true, for in­stance, that de­pres­sion is con­sti­tuted by low sero­ton­in levels, what still needs to be ex­plained is why par­tic­u­lar in­di­vidu­als have low levels of sero­ton­in. This re­quires a so­cial and polit­ic­al ex­plan­a­tion; and the task of re­pol­it­i­ciz­ing men­tal ill­ness is an ur­gent one if the left wants to chal­lenge cap­it­al­ist real­ism.

How much sad­der it all seems, read­ing these words now, in light of his sui­cide. Mark con­fessed in an art­icle for The Oc­cu­pied Times that he “suffered from de­pres­sion in­ter­mit­tently since [he] was a teen­ager.” Ob­vi­ously it would be pre­sump­tu­ous to con­clude that the miser­able state of left­ist dis­course had any­thing to do with his de­cision to end his life; too many oth­er factors might have been more im­me­di­ate or prox­im­ate. But it would be just as mis­guided to main­tain that this had noth­ing to do with Mark’s over­whelm­ing sense of des­pair in re­cent years, es­pe­cially since he so fre­quently lamen­ted the sorry place at which we’ve all ar­rived.

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L’affaire Ciccariello-Maher: “White genocide” and beyond

George Cic­car­i­ello-Ma­h­er’s “off-col­or” joke about gen­o­cide over the hol­i­days has eli­cited a range of re­ac­tions on so­cial me­dia. In the week or so that’s elapsed since he sent out those con­tro­ver­sial tweets, sev­er­al cycles of pub­lic opin­ion have already run their course. Fol­low­ing the ini­tial op­pro­bri­um, Cic­car­i­ello-Ma­h­er was even re­buked by his em­ploy­ers at Drexel Uni­versity. This in turn led his sup­port­ers to gath­er sig­na­tures, ur­ging the ad­min­is­tra­tion not to rep­rim­and him fur­ther. Some be­grudgingly offered their solid­ar­ity, more as a mat­ter of prin­ciple than out of ap­prov­al for what he said. While they did not en­dorse his mes­sage, they be­lieved that ex­tra­mur­al polit­ic­al speech should be pro­tec­ted. Oth­ers en­thu­si­ast­ic­ally leapt to de­fend the ori­gin­al “white gen­o­cide” re­mark, al­though Cic­car­i­ello-Ma­h­er in­sists he it made in jest, “not only on grounds of aca­dem­ic free­dom and free speech, but even more strongly on the basis of its polit­ic­al con­tent.” A few re­fused to provide him with any back­ing what­so­ever, cit­ing his fail­ure to do like­wise after the Charlie Hebdo murders in Par­is two years earli­er. Luck­ily, Cic­car­i­ello-Ma­h­er later re­vealed that he’d re­cently re­ceived ten­ure, so the whole af­fair proved rather a tem­pest in a tea­cup. His job was nev­er in ser­i­ous danger to be­gin with.

Nev­er­the­less, now that it’s over, it might be worth tak­ing a look at the vari­ous re­sponses to this im­broglio. Be­fore sur­vey­ing all these, however, I might as well lay my cards out on the ta­ble: I’m not a “free speech ab­so­lut­ist.” Un­der ex­traordin­ary con­di­tions — say, of re­volu­tion­ary civil war — some demo­crat­ic rights will likely have to be sus­pen­ded. Even un­der nor­mal cir­cum­stances, there are lim­its re­lated to li­bel, slander, and in­cit­ing a pan­ic. Gen­er­ally speak­ing, though, people should be able to say or write whatever the fuck they want. Trot­sky had it more or less right in his tract on “Free­dom of Press and the Work­ing Class” (1938). “Once at the helm [of the state],” wrote Dav­idovich, “the pro­let­ari­at may find it­self forced, for a cer­tain time, to take spe­cial meas­ures against the bour­geois­ie, if the bour­geois­ie as­sumes an at­ti­tude of open re­bel­lion against the work­ers’ state. In that case, re­strict­ing free­dom of the press goes hand in hand with all the oth­er meas­ures em­ployed in wa­ging a civil war: if you are forced to use ar­til­lery and planes against the en­emy, you can­not per­mit this same en­emy to main­tain his own cen­ters of news and pro­pa­ganda with­in the armed camp of the pro­let­ari­at… Yet in this in­stance, too, if the spe­cial meas­ures are ex­ten­ded un­til they be­come an en­dur­ing pat­tern, they in them­selves carry the danger of get­ting out of hand and of the work­ers’ bur­eau­cracy gain­ing a polit­ic­al mono­poly that would be one of the sources of its de­gen­er­a­tion.”

Colin Beckett, Corey Robin, and Richard Seymour

Verso Books published a con­cise sum­mary of the or­deal by Colin Beck­ett, which went over the timeline of events. Beck­ett con­cluded that “Drexel’s ini­tial re­sponse to com­plaints about Cic­car­i­ello-Ma­h­er il­lus­trates that un­prin­cipled, PR-con­scious ad­min­is­trat­ors are eas­ily ma­nip­u­lated by the slight­est hint of con­tro­versy,” and im­plored his read­ers to “re­main vi­gil­ant and make it more dif­fi­cult for uni­versit­ies… to cater to right-wing out­rage, real or fake, than po­lice the speech of its em­ploy­ees.” Jac­obin re­pos­ted Corey Robin’s call to “De­fend George Cic­car­i­ello-Ma­h­er” from his per­son­al blog, a reas­on­able enough piece, des­pite its praise for the as­so­ciate pro­fess­or’s “ex­cel­lent work on Venezuela and polit­ic­al the­ory.” With all due re­spect to Robin, Cic­car­i­ello-Ma­h­er’s stuff on Venezuela is lazy tripe. It amounts to little more than re­hash­ing the crudest talk­ing points pre­pared by the Bolivari­an re­gime. He once gran­ted an in­ter­view to Amy Good­man of Demo­cracy Now! in which jus­ti­fy Ma­duro’s jail­ing of Leo­poldo López, the mod­er­ate op­pos­i­tion lead­er, back in 2015. López was sen­tenced to four­teen years for fo­ment­ing un­rest and al­legedly plot­ting to over­throw the gov­ern­ment. Guess what evid­ence was presen­ted as proof of his crime? Yup, that’s right: prob­lem­at­ic tweets.

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circa 1960:  German born American architect Mies Van Der Rohe (1886 - 1969) on the rooftop of a skyscraper in Chicago.  (Photo by Slim Aarons/Getty Images)

Mies van der Rohe

Lud­wig Mies van der Rohe hardly needs any in­tro­duc­tion to read­ers of this blog, or in­deed to any­one more than cas­u­ally fa­mil­i­ar with the his­tory of twen­ti­eth cen­tury ar­chi­tec­ture. Still, a few words might be in­cluded here for those who haven’t yet had the pleas­ure. He was the third dir­ect­or of the le­gendary Bauhaus art school, after the pi­on­eer­ing mod­ern­ist Wal­ter Gropi­us and the con­tro­ver­sial Marx­ist Hannes Mey­er. Des­cen­ded from stone­ma­sons, Mies entered the build­ing trade at a young age. Pri­or to his ten­ure at the Bauhaus, he was an ap­pren­tice along with Gropi­us in the stu­dio of Peter Behrens, who also later su­per­vised a Swiss prodigy by the name of Charles-Édouard Jean­ner­et (ali­as Le Cor­busier). Un­der the Ger­man mas­ter’s tu­tel­age, Mies gained an en­dur­ing ap­pre­ci­ation for the Prus­si­an clas­si­cist Karl Friedrich Schinkel. Be­sides Behrens, the oth­er mod­ern in­flu­ence on Mies dur­ing this early phase of his ca­reer was the Dutch­man Hendrik Pet­rus Ber­lage, through whom Europe learned of the ground­break­ing designs of Frank Lloyd Wright in Amer­ica.

Mies’ turn to full-fledged mod­ern­ism came in the 1920s, after he came in­to con­tact with Kurt Schwit­ters and oth­er mem­bers of the in­ter­na­tion­al av­ant-garde. Al­though his com­mis­sions earli­er in the dec­ade still came from cli­ents whose taste was rather more tra­di­tion­al, Mies nev­er­the­less began writ­ing bold art­icles and mani­fes­tos for the con­struct­iv­ist journ­al G. Oth­er con­trib­ut­ors to this peri­od­ic­al were artists and crit­ics such as El Lis­sitzky, Wern­er Gräff, and Wal­ter Ben­jamin. Jean-Louis Co­hen, au­thor of The Fu­ture of Ar­chi­tec­ture (2012), de­tails the vari­ous ex­per­i­ments Mies con­duc­ted around this time. In 1926, he was se­lec­ted to design the monu­ment to Rosa Lux­em­burg and Karl Lieb­knecht in Ber­lin. Fol­low­ing the suc­cess of the 1927 Wießenhof ex­hib­i­tion, spear­headed by Mies, a num­ber of more dar­ing projects now opened them­selves up to him. Villa Tu­gend­hat in Brno, Czechoslov­akia and the Wolf House in Gu­bin, Po­land were only the most fam­ous of these projects. In 1929, Mies was chosen to design the Ger­man pa­vil­ion for the world’s fair in Bar­celona, which re­ceived wide­spread ac­claim. You can read more about these works in an ex­cerpt taken from Alan Colquhoun’s his­tor­ic­al sur­vey Mod­ern Ar­chi­tec­ture (2002).

portriat-of-german-born-american-architect-ludwig-mies-van-der-rohe-1886-1969-as-he-sits-in-a-chair-in-his-home-chicago-illinois-1956 mies-van-der-rohe_casa-de-campo-de-ladrillo-1924-mies-van-der-rohe portriat-of-german-born-american-architect-ludwig-mies-van-der-rohe-1886-1969-as-he-peers-from-between-a-model-of-his-26-story-twin-apartment-buildings-located-at-860-on-the-right-and-880-lake

In any case, just as Mies was be­gin­ning to make a name for him­self, Gropi­us asked Mies to step in and re­place Mey­er over at the Bauhaus in Des­sau. At the time, Mey­er was em­broiled in a scan­dal con­cern­ing his com­mun­ist sym­path­ies. He ex­ited, along with many of his left-wing stu­dents, to plan new cit­ies in the USSR. (Eva For­gacs has writ­ten ex­cel­lently about the polit­ics that sur­roun­ded this de­cision). With the rise of Hitler in 1933, Gropi­us’ icon­ic Des­sau build­ing was com­mand­eered by the Nazis and the school moved to Ber­lin. Mies’ choice to stay in Ger­many, and in­deed col­lab­or­ate with the fas­cist au­thor­it­ies, has been chron­icled at length by Elaine Hoch­man in her 1989 study Ar­chi­tects of For­tune. Co­hen dis­misses this book as a bit of journ­al­ist­ic sen­sa­tion­al­ism, but its charges are worth tak­ing ser­i­ously. Sibyl Mo­holy-Nagy, for her part, nev­er for­gave him for this. “When [Mies] ac­cep­ted the com­mis­sion for the Reichs­bank in Ju­ly 1933, after the com­ing to power of Hitler, he was a trait­or to all of us and to everything we had fought for,” she wrote. In a 1965 let­ter, she fur­ther re­but­ted the his­tor­i­an Henry-Rus­sell Hitch­cock:

Mies van der Rohe seemed to be wholly a part of that slow death when he fi­nally ar­rived in this coun­try in 1937. His first scheme for the cam­pus of the Illinois In­sti­tute of Tech­no­logy is pain­fully re­min­is­cent of his deadly fas­cist designs for the Ger­man Reichs­bank, and the Krefeld Fact­ory of 1937 proved the old Ger­man pro­verb that he who lies down with dogs gets up with fleas. Yet he was the only one of the di­a­spora ar­chi­tects cap­able of start­ing a new life as a cre­at­ive de­sign­er fol­low­ing World War II, be­cause to him tech­no­logy was not a ro­mantic catch­word, as it had been for the Bauhaus pro­gram, but a work­able tool and an in­es­cap­able truth.

Per­son­ally, I am in­clined to agree with the judg­ment of Man­fredo Tafuri and his co-au­thor Francesco Dal Co. Mies was for the most part apolit­ic­al; i.e., “not con­nec­ted with any polit­ic­al ideo­logy.” Either way, as Mo­holy-Nagy her­self noted, he en­joyed great fame and prestige throughout the post­war peri­od, in which he con­sol­id­ated the form­al prin­ciples of the in­ter­na­tion­al style of the twen­ties and thirties, des­pite his op­pos­i­tion dur­ing those dec­ades to form­al­ism or “prob­lems of form.” However, Tafuri was right to deny this ap­par­ent vari­ance: “There is noth­ing more er­ro­neous than the in­ter­pret­a­tion of Mies van der Rohe in his late works as con­tra­dict­ing the Mies of the 1920s, or the read­ing of his late designs as re­nun­ci­at­ory in­cur­sions in­to the un­ruffled realm of the neoaca­dem­ic.” In many ways, it was only dur­ing this later phase of his ca­reer that Mies was able to real­ize the pro­gram­mat­ic vis­ion he laid out between 1921 and 1923. One need only take a look at the apart­ments he de­signed in Chica­go or Lake Point Tower, posthum­ously real­ized by his pu­pils John Hein­rich and George Schip­por­eit, to see the em­bod­i­ment of the spec­u­lat­ive of­fice build­ing and the sky­scraper he en­vi­sioned back in the 1920s. Really, it is a shame that Mies’ sig­na­ture style has lent it­self so eas­ily to im­it­a­tion, be­cause the fea­tures which seem rep­lic­able con­ceal the subtler secret of their pro­por­tions.

At any rate, you can down­load a num­ber of texts which deal with the work of Mies van der Rohe be­low. Fol­low­ing these there are a num­ber of im­ages, sketches and de­lin­eations of vari­ous proven­ance (most come from MoMA’s col­lec­tion), as well as pho­to­graphs of both Mies and build­ings which were real­ized. Texts on Mies writ­ten by Co­hen, Colquhoun, and Tafuri/Dal Co fin­ish these off.

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Wilhelm Reich illustration by Pat Linse (copyright 1994)

Wilhelm Reich’s synthesis of Marxism and psychoanalysis

Back in June, in a post fea­tur­ing cri­tiques Karl Korsch and Georg Lukács wrote on Freu­di­an psy­cho­ana­lys­is, I an­nounced that I’d shortly be post­ing a num­ber of works by the Marxi­an psy­cho­ana­lyst Wil­helm Reich. A couple days earli­er, of course, I’d pos­ted an ex­cel­lent piece by Ber­tell Oll­man on Reich from his 1979 es­say col­lec­tion So­cial and Sexu­al Re­volu­tion. Need­less to say, this post is long over­due.

Some brief re­marks are there­fore ap­pro­pri­ate, in passing, to frame Reich’s rel­ev­ance to the present mo­ment.

First of all, Reich is rel­ev­ant to con­tem­por­ary dis­cus­sions of fas­cism. His work on The Mass Psy­cho­logy of Fas­cism re­mains one of the most in­nov­at­ive and pro­found Marx­ist ef­forts to un­der­stand ideo­logy as a ma­ter­i­al force that has ap­peared to date.

Moreover, this forms a pivotal point of de­par­ture for a host of sub­sequent at­tempts to the­or­ize re­volu­tion­ary sub­jectiv­ity — both in terms of con­scious­ness and of de­sire. To­mor­row or the next day I hope to jot down some of my own thoughts on the mat­ter, us­ing Reich for ref­er­ence.

Last but not least, Reich’s thoughts on sexu­al eman­cip­a­tion are con­sid­er­ably ahead of their time. Con­sider, for ex­ample, this ex­cerpt from one of his journ­al entries dated 1939, while in Oslo:

The past few nights I wandered the streets of Oslo alone. At night a cer­tain type of per­son awakes and plies her trade, one who these days must view each bit of love with great fear but who will someday hold sway over life. Today prac­tic­ally a crim­in­al, to­mor­row the proud bear­er of life’s finest fruits. Whores, os­tra­cized in our day, will in fu­ture times be beau­ti­ful wo­men simply giv­ing of their love. They will no longer be whores. Someday sen­su­al pleas­ure will make old maids look so ri­dicu­lous that the power of so­cial mor­al­ity will slip out of their hands. I love love!

While some of his views on ho­mo­sexu­al­ity might seem an­ti­quated or back­wards today — he saw it as a de­vi­ant be­ha­vi­or, linked to lat­ent au­thor­it­ari­an tend­en­cies — the fact re­mains that Reich favored de­crim­in­al­iz­a­tion and pro­tested adam­antly against its re­crim­in­al­iz­a­tion in the So­viet Uni­on un­der Stal­in.

In­cid­ent­ally, this is why I find it so ab­surd that left­ists look to ex­cuse Castro’s ho­mo­phobic policies pri­or to 1980. Eduard Bern­stein was pro­mot­ing gay rights dur­ing the 1890s, and Au­gust Bebel ad­voc­ated the re­peal of laws against sod­omy as early as 1898.

Re­gard­less, here are the prom­ised PD­Fs, along with some rare im­ages and a trans­lated art­icle by the Itali­an Trot­sky­ist Aless­andro D’Aloia. I have taken the liberty of de­let­ing some need­less asides about the Big Bang, a pe­cu­li­ar hangup the In­ter­na­tion­al Marx­ist Tend­ency re­tains with re­spect to the­or­et­ic­al phys­ics des­pite none of its mem­bers be­ing qual­i­fied enough to judge the mat­ter.

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Jan Tschichold and the new typography

Like many of his con­tem­por­ar­ies, Jan Tschich­old ad­hered to a kind of “apolit­ic­al so­cial­ism” dur­ing the 1920s. Wal­ter Gropi­us, Lud­wig Mies van der Rohe, and nu­mer­ous oth­ers shared this out­look. He helped design books for the left-wing “Book Circle” series from 1924 to 1926. Tschich­old quoted Trot­sky’s Lit­er­at­ure and Re­volu­tion (1924) with ap­prov­al in the in­aug­ur­al is­sue of Ty­po­graph­is­che Mit­teilun­gen, pub­lished that same year:

The wall di­vid­ing art and in­dustry will come down. The great style of the fu­ture will not dec­or­ate, it will or­gan­ize. It would be wrong to think this means the de­struc­tion of art, as giv­ing way to tech­no­logy.

Dav­id Crow­ley and Paul Job­ling sug­gest that “Tschich­old had been so en­am­ored of the So­viet Uni­on that he had signed his works ‘Iwan [Ivan] Tschich­old’ for a peri­od in the 1920s, and worked for Ger­man trade uni­ons.” Some of this en­thu­si­asm was doubt­less the res­ult of his con­tact with El Lis­sitzky and his Hun­gari­an dis­ciple László Mo­holy-Nagy, a le­gend in his own right.

In 1927, a pen man­u­fac­turer ac­cused Tschich­old of be­ing a com­mun­ist, which promp­ted fel­low ty­po­graph­er Stan­ley Mor­is­on to rise to his de­fense. From that point for­ward, his work be­came even less overtly polit­ic­al.


Yet he re­mained cog­niz­ant of the re­volu­tion­ary ori­gins of mod­ern or­tho­graphy. “At the same time that he was pro­mul­gat­ing the de­pol­it­i­cized func­tion­al­ism of the New Ty­po­graphy,” writes Steph­en Eskilson. “Tschich­old still re­cog­nized his debt to Con­struct­iv­ism’s Rus­si­an, com­mun­ist roots.” Chris­toph­er Burke thus also writes in his study of Act­ive Lit­er­at­ure: Jan Tschich­old and the New Ty­po­graphy that

Tschich­old’s com­pil­a­tion con­tains the Con­struct­iv­ists’ Pro­gram in an ed­ited and abridged — one might even say adul­ter­ated — Ger­man ver­sion ad­ap­ted by Tschich­old him­self. The Marx­ist-Len­in­ist rhet­or­ic of the ori­gin­al is sig­ni­fic­antly toned down: for ex­ample, the pro­clam­a­tion in the ori­gin­al that reads “Our sole ideo­logy is sci­entif­ic com­mun­ism based on the the­ory of his­tor­ic­al ma­ter­i­al­ism: loses its ref­er­ence to sci­entif­ic com­mun­ism in Tschich­old’s ver­sion. He was ob­vi­ously tail­or­ing the text for his read­er­ship in Ger­many, where the Novem­ber Re­volu­tion im­me­di­ately after the First World War had been ruth­lessly sup­pressed. The Ger­man Com­mun­ist Party lead­ers, Karl Lieb­knecht and Rosa Lux­em­burg, were murdered in cold blood on 15 Janu­ary 1919 by right-wing, coun­ter­re­volu­tion­ary troops with the ta­cit ac­cept­ance of the So­cial Demo­crat gov­ern­ment of the Wei­mar Re­pub­lic it­self.

Tschich­old him­self called for an ob­ject­ive, im­per­son­al, col­lect­ive work destined for all, es­pous­ing a vaguely left-wing but not overtly com­mun­ist point of view com­mon to many state­ments from this peri­od of In­ter­na­tion­al Con­struct­iv­ism in Ger­many. Des­pite quot­ing Trot­sky in Ele­ment­are Ty­po­graph­ie, Tschich­old did not be­long to the Ger­man Com­mun­ist Party, nor was he as­so­ci­ated with any par­tic­u­lar “-ism” or group, apart from the Ring neue Wer­begestal­ter later in the 1920s and 1930s, which had no polit­ic­al di­men­sion.

Re­gard­less, the Nazis sus­pec­ted Tschich­old of har­bor­ing com­mun­ist sym­path­ies. Continue reading


Early Soviet children’s books, 1924-1932

The Young Polytechnician: Housing

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Out with bourgeois crocodiles!
How the Soviets rewrote children’s books

Stuart Jeffries
The Guardian
May 4, 2016

In 1925, Galina and Olga Chichagova il­lus­trated a two-pan­el poster that called for a re­volu­tion in chil­dren’s il­lus­tra­tion in the new So­viet Uni­on. The left pan­el fea­tured tra­di­tion­al char­ac­ters from Rus­si­an fairytales and folk­lore — kings, queens, the Fire­bird, the witch Baba Yaga and, my fa­vor­ite, a cro­codile in el­eg­ant night­cap and dress­ing gown. “Out,” read the cap­tion, “with mys­ti­cism and fantasy of chil­dren’s books!!” Continue reading


Fear trumps love

One sign, waved by someone some­how #Still­With­H­er, reads: “Not my pres­id­ent.” An­oth­er echoes the pop­u­lar chant: “We re­ject the pres­id­ent elect.” Fi­nally, and most ubi­quit­ously: “Love trumps hate.”

Such are the slo­gans seen and heard at anti-Trump ral­lies since elec­tion res­ults rolled in. Call­ing them ri­ots is push­ing it; these are pretty pro­sa­ic af­fairs. I usu­ally don’t put too much stock in the mot­toes and phrases mind­lessly re­peated at rituals of dis­sent, but here the last ex­ample men­tioned at the out­set in­struct­ive. Does love in­deed trump hate? Per­haps. Read­ers of Ma­chiavelli will re­call that there’s an­oth­er sen­ti­ment, however, more power­ful than love or hate: fear. More on this a bit later; for now, let’s ex­am­ine the forms of mo­bil­iz­a­tion that have cropped up in re­sponse to the pro­spect of a Trump pres­id­ency.

Hysterical liberalism and protest politics

Lib­er­als know that people are angry, so they’ve brought in their ap­poin­ted “com­mu­nity lead­ers,” preach­ers, and vari­ous oth­er “peace­keep­ers” to pre­vent these protests from be­ing any­thing oth­er than im­pot­ent cry-ins. M. Har­lan Hoke was for­tu­nate enough to at­tend a de­mon­stra­tion in Philly or­gan­ized by So­cial­ist Al­tern­at­ive, rather than by dis­gruntled Dems. He com­ments that SAlt at least man­aged to stay on point by fo­cus­ing on val­id eco­nom­ic griev­ances and the need for com­pre­hens­ive so­cial re­form, while also ac­know­ledging the con­cerns of groups frightened by Trump’s in­flam­mat­ory rhet­or­ic on im­mig­ra­tion, re­li­gious dis­crim­in­a­tion, and abor­tion.

Else­where, in the more “spon­tan­eous” marches — quickly com­mand­eered by pro­fes­sion­al act­iv­ists and NGO rep­res­ent­at­ives loy­al to the Demo­crat­ic Party — their pur­pose was much less clear. In a post on his new blog, Im­per­i­um ad In­fin­itum, Hoke ob­serves that “in oth­er cit­ies, the theme of the protests is ba­sic­ally angry ob­li­vi­ous Demo­crats. Their mes­sage is what? Vote Demo­crat in the 2018 and 2020 midterms? Just keep protest­ing Trump?” Protest polit­ics are fairly lim­ited to be­gin with, and I have my cri­ti­cisms even of pop­u­lar front co­ali­tions formed by parties and or­gan­iz­a­tions fur­ther to the left (I’ll get to this later). For now it’s enough to em­phas­ize that lib­er­al­ism is a total dead end.


Woke celebrit­ies like Lena Dun­ham, Beyoncé Knowles, and Aman­da Mar­cotte are also out in force, of course, ex­press­ing their sanc­ti­mo­ni­ous dis­may. Katy Perry is pro­claim­ing open re­volu­tion in widely-shared tweets. But these are un­likely to carry over in­to the real world. Pop sing­er and Ary­an god­dess Taylor Swift has re­mained con­spicu­ously si­lent throughout all of this. Then again, she’s un­wit­tingly be­come the darling Valkyrie of the al­tern­at­ive right, so maybe it’s in her best in­terest to hang back for a bit and see how things play out. Ri­ot grrrl pi­on­eers Le Tigre hope­fully re­gret that cringe-in­du­cing video en­dorse­ment of the would-be Ma­dame Pres­id­ent. Continue reading


Reap the whirlwind

But muh rain­bow co­ali­tion of mar­gin­al­ized iden­tit­ies will smash the kyri­archy as we sprinkle ma­gic di­versity pix­ie dust over every­one and cre­ate a shiny lib­er­al Star­bucks uto­pia. Yes­ter­day was 18 Bru­maire CCXXV ac­cord­ing to the French Re­pub­lic­an cal­en­dar, by the way. Just a happy co­in­cid­ence, I’m sure.

Left-lib­er­al “pro­gress­ives” did this to them­selves. This is ex­actly what re­treat­ing in­to cul­tur­al (i.e., iden­tity) polit­ics, while abandon­ing class as the basis for a so­cially trans­form­at­ive co­ali­tion, gets you. If you make no at­tempt to ap­peal to work­ers qua work­ers, the Right will in­ev­it­ably make in­roads with­in that group. As they in­deed have. So I don’t pity any­one who is ser­i­ously dis­traught by these res­ults. Blame for Trump can­not be laid solely at the door­step of “crack­ers” and hicks; he did sig­ni­fic­antly bet­ter among blacks and Lati­nos than Rom­ney, his Re­pub­lic­an pre­de­cessor.

Most anti-af­firm­at­ive ac­tion shit is totally right-wing, so I will be­gin by say­ing that I in no way share the polit­ics of most people who look to cri­ti­cize it. But it’s ul­ti­mately a cos­met­ic meas­ure, which cre­ates a black and minor­ity bour­geois­ie and polit­ic­al elite (“black faces in high places,” etc.). When coupled with gen­er­al eco­nom­ic stag­na­tion and wage de­pres­sion, grow­ing in­come in­equal­ity and job loss, it’s a re­cipe for re­vanchist ma­jor­it­ari­an back­lash. Edu­cated lib­er­al elites ex­pressed noth­ing but con­tempt for the work­ing poor in fly­over coun­try, whom they vil­i­fied as “one re­ac­tion­ary mass” — i.e., a “bas­ket of de­plor­ables” — of ig­nor­ant ra­cists.

In such an at­mo­sphere, even the slight­est over­ture to the work­ing class was bound to res­on­ate enorm­ously. Here, of course, the ap­peal was made us­ing xeno­phobic and hate­ful rhet­or­ic, ex­ploit­ing long­stand­ing ra­cial di­vi­sions and cap­it­al­iz­ing on deeply-felt anxi­et­ies. Plus, the lack of any ap­peal to the work­ing class by the Demo­crats also meant that poor minor­it­ies were not en­er­gized to vote for them. Smug, latte-sip­ping lib­er­als just res­ted on their laurels, se­cure in their be­lief that vic­tory was as­sured by simple demo­graph­ic shifts. All this while of­fer­ing noth­ing to work­ing blacks or Lati­nos, and prom­ising con­tin­ued war on those parts of the globe from which the refugee crisis first arose. Continue reading


Class, segmentation, racialization: Reading notes

Théorie Communiste
Lucha No Feik Club
(October 26, 2016)

Editorial note

Ori­gin­ally pub­lished by Théorie Com­mun­iste as «Classe/seg­men­ta­tion/raci­sa­tion. Notes». Trans­lated from the French by LNFC, with sub­stan­tial re­vi­sions by Ross Wolfe. I can’t take cred­it for the ma­jor­ity of this trans­la­tion, as I worked from the one pos­ted by the Lucha No Feik Club. Nev­er­the­less, I found this trans­la­tion al­most un­read­able, and so de­cided to go over it again with my (ad­mit­tedly quite poor) French and make some modi­fic­a­tions. Right now it’s prob­ably still un­read­able, but hope­fully a little less so. Just to point out some of my own ed­its, and give a sense of my reas­ons for mak­ing them, a few words might be ad­ded here. For ex­ample, I changed cho­si­fiée from “thingi­fied” to “re­ified.” Un­doubtedly the former is used from time to time, but it comes across here as clunky and in­el­eg­ant. Also, I rendered face à face as “faceoff,” rather than the dread­fully lit­er­al “face-to-face.” Vari­ous oth­er minor cor­rec­tions were made, some of them slight over­sights. Part of the prob­lem is in the ori­gin­al text, however, as there are a couple places where there are word-for-word re­pe­ti­tions of en­tire sen­tences. These were no doubt un­in­ten­tion­al, and have been ex­cised from the present ver­sion.

As re­gards the con­tent, I am quite in­ter­ested in see­ing how Théorie Com­mun­iste relates the phe­nomen­on of “ra­cial­iz­a­tion” [raci­sa­tion] to the struc­tur­al lo­gic of cap­it­al and its his­tor­ic un­fold­ing. Clearly, the art­icle takes race to be a more ar­bit­rary con­struc­tion than gender. Gender is rooted in the sexu­al di­vi­sion of labor with­in the oikos, wherein the fam­ily is the fun­da­ment­al eco­nom­ic unit. There are more bio­lo­gic­al de­term­in­ants for gender, at least ini­tially. Some of this is sketched out in an­oth­er short art­icle pub­lished by Théorie Com­mun­iste, “Uter­us vs. Melan­in,” which as yet re­mains un­trans­lated. However, while race is more re­cent and based on ac­ci­dent­al fea­tures, it is no less real than gender. Théorie Com­mun­iste loc­ates ra­cial­iz­a­tion with­in the seg­ment­a­tion of the work­force, where su­per­fi­cial dis­tinc­tions such as skin col­or and dif­fi­culties of com­mu­nic­a­tion (mul­tiple lan­guages, etc.) be­come mark­ers of dif­fer­ence. Deni­al of these dif­fer­ences, in the name of some norm­at­ive ideal of what class should be, is sharply cri­ti­cized for ig­nor­ing the seg­men­ted real­ity of so­cial­ized labor. Loren Gold­ner put this quite nicely a while back, when he wrote that “the ‘col­orblind’ Marx­ism of many left com­mun­ist cur­rents — a pro­let­ari­an is a pro­let­ari­an is a pro­let­ari­an — is simply… blind Marx­ism.”

Of course, race does not op­er­ate every­where uni­formly. It doesn’t al­ways fall along a col­or spec­trum run­ning from “white” to “black.” To be sure, the leg­acy of ra­cial­ized slavery in the United States over­shad­ows most oth­er his­tor­ic­al de­term­in­a­tions of race. But xeno­pho­bia to­ward vari­ous poor im­mig­rant groups — the Ir­ish in the 1850s, the Chinese in the early 1900s, Itali­ans in the 1920s-1930s, Lati­nos today — also plays a ma­jor role. Para­noia about Is­lam also in­forms a great deal of the hate­ful rhet­or­ic we’ve seen spouted against refugees since 2001. An­ti­semit­ism is less pro­nounced in the United States than in con­tin­ent­al Europe, cer­tainly, but it’s not al­to­geth­er un­known. Ra­cial dy­nam­ics work them­selves out a bit dif­fer­ently in France, with its his­tory of co­lo­ni­al­ism. However, I’m heartened to read that Théorie Com­mun­iste has no pa­tience for the re­ac­tion­ary polit­ics of race peddled by groups like the Parti des indigènes de la République and its lead­er, Houria Bouteldja. Roughly two years ago I cri­ti­cized the cul­tur­al re­lativ­ism of this par­tic­u­lar group, which per­vades de­co­lo­ni­al dis­course in gen­er­al, its “tac­tic­al ho­mo­pho­bia” and “lat­ent an­ti­semit­ism” (as the fol­low­ing art­icle puts it). Later I re­pos­ted an ex­cel­lent piece writ­ten by Ma­lika Amaouche, Yas­mine Kateb, and Léa Nic­olas-Te­boul.. «Classe/seg­men­ta­tion/raci­sa­tion» lam­bastes the PIR, who Théorie Com­mun­iste calls the “en­tre­pren­eurs of ra­cial­iz­a­tion.” I don’t blame Bouteldja et al. for pur­su­ing this en­ter­prise, though; someone had to tap the mar­ket left un­touched by Bloc Iden­titaire.

There has al­ways been seg­ment­a­tion with­in labor power. We must take it, then, as an ob­ject­ive de­term­in­a­tion of labor power un­der cap­it­al that nat­ur­ally leads to a di­vi­sion of labor. Here we have noth­ing more than a di­vide between a ho­mo­gen­eous ma­ter­i­al and a simple quant­it­at­ive grad­a­tion of the value of labor power. (Both simple and com­plex work un­der­go a kind of os­mos­is with­in the cap­it­al­ist mode of pro­duc­tion, from the gen­er­al­ized con­straint of sur­plus labor to spe­cial­ized labor un­der co­oper­at­ive man­age­ment, etc.). However, this seg­ment­a­tion would not be so if it were not but a qual­it­at­ive di­vide with­in an oth­er­wise ho­mo­gen­eous ma­ter­i­al. Two pro­cesses in­ter­vene as they weave to­geth­er: On the one hand the cap­it­al­ist mode of pro­duc­tion is glob­al, cap­able of ap­pro­pri­at­ing and des­troy­ing all oth­er modes of pro­duc­tion while con­serving for it­self the char­ac­ter­ist­ics of those it has re­defined. On the oth­er hand the value of labor power rep­res­ents a mor­al, cul­tur­al, and his­tor­ic­al com­pon­ent. Since cap­it­al­ist ex­ploit­a­tion is uni­ver­sal — i.e., be­cause cap­it­al can take over oth­er modes of pro­duc­tion or make them co­ex­ist along­side it, ex­ploit labor power to­geth­er with those oth­er modes or de­tach them from their former ex­ist­en­tial con­di­tions — cap­it­al­ism is thus an his­tor­ic­al con­struc­tion that brings about the co­ex­ist­ence of all the dif­fer­ent strata of his­tory in a single mo­ment. Seg­ment­a­tion is not merely “ma­nip­u­la­tion.” It ex­ists as the vol­un­tary activ­ity of the cap­it­al­ist class and its pro­fes­sion­al ideo­logues, which forms and an­im­ates an ob­ject­ive pro­cess, a struc­tur­al de­term­in­a­tion of the mode of pro­duc­tion.

If the work­ing class has al­ways been seg­men­ted, it is still ne­ces­sary to con­tex­tu­al­ize this seg­ment­a­tion. That is to say, it must be situ­ated in the gen­er­al form of the con­tra­dic­tion between pro­let­ari­at and cap­it­al with­in a giv­en cycle of struggles. Without this, the op­pos­i­tion to iden­tit­ies — iden­tit­ies wrongly as­so­ci­ated with com­munit­ies — would be solely norm­at­ive. Even if we were to con­fer great cir­cum­stan­tial im­port­ance on this seg­ment­a­tion, its be­ing lies else­where, with­in a pur­ity that is either ac­cess­ible or not. We do not es­cape the mutually ex­clus­ive op­pos­i­tion to iden­tit­ies simply by pit­ting what is against what should be.

Re­gard­ing the re­la­tion between seg­ment­a­tion and ra­cial­iz­a­tion [raci­sa­tion], there ex­ist two uni­lat­er­al stances fa­cing one an­oth­er. Ac­cord­ing to the first, ma­ter­i­al­ism boils down to re­du­cing iden­tity to its found­a­tion — without tak­ing its ef­fect­ive­ness or its lo­gic in­to ac­count. The second, equally ma­ter­i­al­ist stance but­tresses it­self on a re­fus­al to con­sider the facts. It says that if ra­cial­ identity is reduced in toto to its found­a­tion, it’s noth­ing but an arbitrary [volon­taire] and det­ri­ment­al con­struct. Hence, those who turn it in­to an ob­ject merely di­vide the class and pro­mote bar­bar­ism. (I’m hardly dis­tort­ing their po­s­i­tion). What always es­capes both of these stances is the ques­tion of ideo­logy, which is not a re­flec­tion [of the base] but an en­semble of prac­tic­al and be­liev­able re­sponses. Beneath these operate cer­tain prac­tices. Iden­tity comes in­to be­ing wherever there is a sep­ar­a­tion and auto­nom­iz­a­tion of a proper sphere of activ­ity. Each identity or ideo­logy — in the sense of the term em­ployed here — has its own his­tory and mod­us op­erandi, which can be ascertained with reference to the prac­tices op­er­at­ing be­neath the ideo­logy in ques­tion. Iden­tity is therefore an es­sen­tial­iz­a­tion which defines an in­di­vidu­al as a sub­ject.

A norm­at­ive deni­al of ra­cial­ized seg­ment­a­tion does not seek con­tra­dic­tions with­in that which ex­ists, but is rather content to po­s­ition it­self in con­tra­dic­tion to that which ex­ists: class against its seg­ment­a­tion, without con­sid­er­ing that class only ex­ists with­in this seg­ment­a­tion (i.e., with­in the con­tra­dic­tion of pro­let­ari­at and cap­it­al that provides for its re­pro­duc­tion). Norm­at­ive op­pos­i­tion to the real seg­ment­a­tion of the pro­let­ari­at leads to an ideo­lo­gic­al ec­lipse of this real­ity — something the Parti des indigènes de la République [PIR] does in­versely, in its own way. Continue reading


Red leaves of red books (1935)

Richard Wright
The New Masses
(April 30, 1935)

….Red leaves of red books

….In white palms and black palms

….Slowly in the mute hours of the night

….In the fingers of women and the fingers of men
….In the fingers of the old and the fingers of the young

….Under the nervous flickering of candles
….Under yellow gas sputterings
….Under dim incandescent globes

….In the North and in the South
….…In the East and in the West

….…Ceaselessly and reveal your printed hope

….Until your crispness leaves you
….Until you are dog-eared
….…Until the calloused hands that grip you

Are hardened to the steel of unretractable purpose!


Note: Credit goes to Clara Everbeck for tracking down this poem and bringing it to my attention. She suggested that I publish it on my blog along with a short bio or introduction to Wright and the issues he was looking to address. My familiarity with his work is unfortunately limited to the recollections featured in The God that Failed, alongside contributions by Arthur Koestler, André Gide, and Ignazio Silone.

Continue reading