Engels on the importance of Hegel to Marxism

Conrad Schmidt was a German economist and intellectual, an early follower of Marxism who corresponded with Engels during the 1890s. He was also older brother of the famed artist Käthe Kollwitz. Neo-Kantian by persuasion, Schmidt nevertheless asked Engels what the philosophical underpinnings of Marx’s thought were. Engels already had put out a book on the topic, Ludwig Feuerbach and the End of German Classical Philosophy (1885), but apparently the implications of this work were not clear enough. So he wrote this letter in reply.

Unfortunately, Schmidt did not take Engels’ advice. Like Eduard Bernstein, he deplored the supposed “Hegelian pitfalls” of Marx’s dialectical method, and soon succumbed to revisionism. Georg Plekhanov penned a good polemic against Schmidt on this point. I might expand on this in another post, but the influence of Hegel was crucial for the categorial framework of Marxism (and hence its rejection of empiricist doctrines). Regardless, enjoy this post for now and hopefully there will be more updates to follow. 

Letter to Conrad Schmidt

November 1, 1891
CW 49, 286-287

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You cannot, of course, do without Hegel. He’s another chap whom it will take you time to digest. The short paper on logic in the Encyklopädie would be quite good to start off with, but the edition you should have is that in Volume 6 of the Werke — not [Karl] Rosenkranz’s separate edition (1845) — since the former contains far more explanatory notes from the lectures, even if that idiot Henning himself frequently fails to understand the latter. Continue reading

Air Maoism

Goldner on Elbaum

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Commune
 has a new review out of the 2018 reissue of Max Elbaum’s Revolution in the Air, which recounts the trials and travails of the New Communist Movement in the US. Written by Colleen Lye, “Maoism in the Air” is very sympathetic to the book’s central thesis: namely, that three distinct strands of American Maoism (Cultural Revolutionary, Third World nationalism, and orthodox Marxism-Leninism) shaped the politics of the post-’68 generation in a novel and generally beneficial way. Lye even goes a step further than Elbaum, remarking on the NCM’s institutional legacy that “today’s academic field of critical ethnic studies might well be described as a space where anti-racism and anti-imperialism continue, in a different key and perhaps even unknowingly, the Marxist-Leninism of the ’68 generation.”

She may well be right about this, but I hardly think this is a legacy to be proud of. Usually the so-called “long march through the institutions” is seen as a political defeat held up as an intellectual victory. Marxism’s relegation to the academy is a sign of its neutralization, in other words. I can only speak to the field of Jewish Studies, which is what I’m most familiar with, but for the most part I find it a useless discipline — despite my persistent interest in the history of Jews. Regardless, I was somewhat surprised to see such a positive review of Elbaum’s book in the pages of Commune, a magazine that I am very excited about. (For any readers who haven’t already, I encourage you to check out Jay Firestone’s ethnographic survey of alt-Right NYC and Paul Mattick’s outstanding piece on the centenary of the German Revolution.)

Admittedly, I’ve never understood the appeal of Maoism for American communists, either in the seventies or today. Perhaps it possessed some exotic aura back then, or was maybe just a dope aesthetic. Either way, the theory and practice of the Chinese brand of Stalinism ought to have been long discredited by now. Virtually all of the national liberation movements that were supposed to destabilize global capitalism and pave the way for international socialist revolution have been seamlessly reintegrated into the world of commodities. Nowadays, of course, there is the added association of Maoist ideas with the Black Panther Party, which is still celebrated as a high point in the history of revolutionary politics in the US. How much of this is simply mythologization after the fact is difficult to say, but it was certainly influential.

But even in light of this association, the attraction of Maoism is difficult to grasp. It was recently revealed, in fact, that the person who introduced the Black Panthers to the writings of Mao was an FBI snitch. Richard Aoki, the Berkeley radical and leader of the ethnic studies strike, informed his Bureau contact: “The Maoist twist, I kind of threw that one in. I said so far the most advanced Marxists I have run across are the Maoists in China.” Despite this ideological straightjacket, BPP spokesmen like Fred Hampton were able to say fairly interesting things (all this before he was gunned down in Chicago at the age of 21). While it gave Hampton the perspective he needed to denounce the empty culturalism of Stokely Carmichael, whom he referred to as a “mini-fascist,” it otherwise limited the Panthers’ scope of inquiry into capitalist society.

Loren Goldner’s review, lightly edited and reproduced below, provides a much-needed corrective to the laudatory reception Revolution in the Air has met with so far. Goldner grounds his critique of Elbaum in the left communist and heterodox Trotskyist tradition he belonged to at the time, even though he likewise went to Berkeley and knew many of the same characters. Other Maoists, such as Paul Saba, have gently criticized Elbaum’s book over the last few months. Saba contends that the main fault of the NCM — of which he was also a veteran — was its theoretical poverty, and that it might have benefited from a more sophisticated Althusserian-Bettelheimian viewpoint. Quite the opposite holds for Goldner: the New Communist Movement was wrongheaded from the start.

You can read a 2010 interview with Elbaum by clicking on the link, but otherwise enjoy Goldner’s blistering review. Maoism may still be “in the air,” as Lye contends, if the various Red Guard formations are any indication. According to Goldner, however, it might be in the air the same way smog and other pathogens are.

Didn’t see the same movie

Loren Goldner
August 2003

Review of Max Elbaum, Revolution in the Air: Sixties Radicals Turn to Lenin, Mao and Che. London/New York, Verso, 2002.

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The sleep of dialectical reason will engender monsters.

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Without exactly setting out to do so, Max Elbaum in his book Revolution In The Air, has managed to demonstrate the existence of progress in human history, namely in the decline and disappearance of the grotesque Stalinist/Maoist/“Third World Marxist” and Marxist-Leninist groups and ideologies he presents, under the rubric New Communist Movement, as the creations of pretty much the “best and the brightest” coming out of the American 1960s.

Who controls the past, Orwell said, controls the future. Read at a certain level, Elbaum’s book (describing a mental universe that in many respects out-Orwells Orwell), aims, through extended self-criticism, to jettison 99% of what “Third World Marxism” stood for in its 1970s heyday, in order to salvage the 1% of further muddled “progressive politics” for the future, particularly where the Democratic Party and the unions are concerned, preparing “progressive” forces to paint a new face on the capitalist system after the neoliberal phase has shot its bolt. Continue reading

Marx still haunts capitalism two hundred years on

“The bourgeoisie will remember my carbuncles until their dying day.”
— Marx to Engels, 1867

Indeed, it would seem they haven’t forgotten him. Over the last few weeks, major bourgeois news outlets have congratulated Marx for “being right” about capitalism: New York TimesGuardian, Financial TimesIndependent, and even Vice. Little consolation, all this posthumous praise, for while capitalism remains unstable as ever, the prospect of proletarian revolution feels far away. Perhaps it is less embarrassing than Jonathan Spargo, Marx’s first American biographer, taking to the pages of the New York Times a hundred years ago to enlist Marx to the side of the Entente: “Today Is the 100th anniversary of Marx’s birth: Bitterly opposed to Prussia and an ardent admirer of America, his record shows where he would have stood in the present war.”

You can download some relevant biographies and introductions to Marx’s work below:

  1. Franz Mehring, Karl Marx: The Story of His Life (1918)
  2. Max Beer, The Life and Teaching of Karl Marx(1920)
  3. Otto Rühle, Karl Marx: His Life and Work(1929)
  4. Boris Nikolaevsky & Otto Mänchen-Helfen, Karl Marx: Man and Fighter (1932)
  5. Karl Korsch, Karl Marx (1939)
  6. Isaiah Berlin, Karl Marx (1948)
  7. Werner Blumenberg, Portrait of Marx (1962)
  8. Maximilien Rubel, Marx: Life and Works(1965)
  9. Ernst Bloch, On Karl Marx (1968)
  10. David McClellan, Karl Marx: His Life and Thought (1973)
  11. Étienne Balibar, The Philosophy of Marx(1993)
  12. Rolf Hosfeld, Karl Marx: An Intellectual Biography (2009)
  13. Sven-Eric Liedman, A World to Win: The Life and Works of Karl Marx (2015)
  14. Gareth Stedman Jones, Karl Marx: Greatness and Illusion (2016)
  15. Marcello Musto, Another Marx: Early Manuscripts to the International (2018)

Herzlichen Glückwunsch zum Geburtstag Karl Marx, Enkel von Meier Halevi Marx und Chaje Eva Marx. Halte durch, du alter fetter Sack!

200 years on, Marx still haunts capitalism

Aurora 43
5.5.2018

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Karl Marx — political philosopher, historical materialist, economic analyst of capitalism and its class society; above all, revolutionary fighter — was born in Trier, Germany on 5 May 1818. For anyone today fighting for an end to capitalism his life is cause for celebration. Marx’s work enabled us to understand the basic dynamic of capitalism, its place in the history of civilizations, and learn from the historical ebb and flow of the class struggle. As Engels said at the graveside of his friend,

Before all else, Marx was a revolutionary. His real mission in life was to contribute, in one way or another, to the overthrow of capitalist society and of the state institutions which it had brought into being, to contribute to the liberation of the modern proletariat, to make it conscious of its situation and its needs, and conscious of the conditions for its own emancipation — that was his real life work.

Marx was not the first person to recognize the struggle between classes or to hold out the prospect of communism springing from the revolt of the oppressed against the powerful and wealthy who robbed them of the product of their toil. But when the Communist Manifesto was published in 1848 it was also revolutionary in a deeper sense. It took the age-old struggle for a classless society out of the realm of utopian dreams and millenarian uprisings and put it firmly onto historical, materialist ground. Continue reading

Antisemitism as a “blindspot” for the Left

Why anyone would want to support Jeremy Corbyn or join the Labour Party is beyond me. I don’t live in Great Britain, so at least I’m spared that grim imperative. From what I’m told, spontaneous adulation for “Jez” and “the absolute boy” broke out on the floor of the DSA convention this last year. A strange occurrence, considering that Corbyn has nothing whatsoever to do with the American political system. He was seen as the limey equivalent to Bernie Sanders’ insurgent candidacy in 2016, so I guess it makes some sense.

Still, since the subject keeps coming up, I might as well address the recurring charge of “antisemitism” that’s been leveled at Corbyn’s Labour. Many of his supporters reflexively suspect this is another attempted coup, an effort by the old Blairite wing of the Party to topple its Corbynite adversary and thereby reassert its dominance. Unfortunately, there’s a very good chance that this is indeed the case. This is unfortunate because antisemitism is a real blindspot for many on the Left, one which is only further occluded by cynical allegations.

Let me lay my cards on the table: I don’t think that Corbyn is a hardened antisemite or anything like that. Efforts to portray him as such are in my opinion transparently opportunistic. Yet again, this is a manufactured scandal resuscitated several years after the fact for political gain. Worst of all, this is leading people to dislike Corbyn for the wrong reasons. Jez sucks not because he’s “the absolute goy,” as some have pithily put it, but because he’s a milquetoast reformist leading a bourgeois political party, who wants to put more cops on the street and complains that foreigners are stealing British jobs.

One can make casually antisemitic, racist, or sexist comments, though, without necessarily being an ideologically committed antisemite, racist, or sexist. This is really the crucial takeaway from theories of structural antisemitism, racism, or sexism. In other words, these ideologies don’t rely on self-consciously antisemitic, racist, or sexist agents or individuals in order to be reproduced societally at an unconscious level. Continue reading

Moishe Postone, 1942-2018

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(Caricature depicting Postone on the left,
next to Karl Marx and Karl Liebknecht)

Yesterday morning I saw it announced across social media and on several sites, namely by Zer0 Books and Shades Magazine, that my former teacher Moishe Postone has died. I had known from friends close to his family that he was very ill, and heard they were taking him off life support this last weekend. So when news circulated that he had left us, I assumed it was fact and wrote the short tribute published here. Later, a fellow student of Moishe, Istvan Adorjan, contacted me to say the reports were false, and that he was still clinging to life (though probably not for much longer). Obviously, I did not intend to mislead anyone by passing along this information, since I believed it to be true, much less disrespect him or his loved ones.

As soon as I learned of the mistake, I tried to publicize as far as possible that Moishe was still alive. Many others had by then written premature obituaries, including Peter Frase of Jacobin, though he likewise went on to correct it. For some reason,Sebastian Budgen of Verso and Historical Materialism began alleging that that I’d invented the malicious rumor Moishe was dead, despite the fact Budgen had widely shared the false reports of his passing across multiple platforms hours before I even saw anything about it. Ironically, Budgen only learned Moishe was still alive at that point thanks to Brendan McGeever’s crosspost of my note. Nevertheless, he fulminated that I ought to be “boycotted like apartheid South Africa or Zionist Israel” (I can only imagine what Moishe would have said about that).

That the sad occasion of Moishe’s passing would be used by Budgen to perpetuate his silly beef with me is of course petty beyond belief, but it is not surprising, just as little as it should surprise anyone that sycophants hoping to get published by him would kiss his ass all over that status update. Regardless, I intend to dedicate the remainder of this post to the memory of Postone, without worrying about what these idiots might say. Jennifer Moran, a family friend, contacted me a couple hours ago to tell me she had just received a pastoral notice from the synagogue that the funeral will be held at Rodfei Zadek tomorrow. Goodbye, Moishe. You will be missed immensely.

When I attended his lectures on Capital almost ten years ago he was undergoing treatment for cancer, which was subsequently in remission. Apparently it came back. Still, if you haven’t read his groundbreaking contributions to the reinterpretation of Marx’s mature critique, you should do so without delay. His works in English and German can be downloaded below.

An interview with Postone, published almost exactly ten years ago, can be read following a photograph showing him visiting the grave of the Frankfurt School critical theorist Herbert Marcuse. For worthwhile critical engagements with Postone’s Time, Labor, and Social Domination, see Loren Goldner’s appreciative “Critique of Pure Theory: Moishe Postone’s Dialectic of the Abstract and Abstract” (2003), Michael Heinrich’s somewhat captious “Too Much Production: Postone’s New Interpretation of Marx’s Theory Provides a Categorical Critique with Deficits” (2004), Chris Arthur’s “Subject and Counter-Subject” (2004), Slavoj Žižek’s sustained reading of it in Living in the End Times (2009), and Chris Cutrone’s “When was the Crisis of Capitalism? Moishe Postone and the Legacy of the 1960s New Left” (2014).

Marx after Marxism:
An interview with Moishe Postone

Benjamin Blumberg & Pam Nogales
Platypus Review 3 | March 1, 2008

 

BB: We would like to begin by asking some questions about your early engagement with Marxism and the impetus for your contribution to it. Very basically, how did you come upon Marx?

MP: I went through various stages. My first encounter was, as is the case with many people, the Communist Manifesto, which I thought was… rousing, and not really relevant. For me, in the 1960s, I thought it was a kind of a feel-good manifesto, not that it had been that in its own time, but that it no longer was really very relevant. Also, hearing the remnants of the old Left that were still around campus — Trotskyists and Stalinists arguing with one another — I thought that most of it was pretty removed from people’s concerns. It had a museum quality to it. So, I considered myself, in some vague sense, critical, or Left, or then the word was “radical,” but not particularly Marxist. I was very interested in issues of socialism, but that isn’t necessarily the same as Marxism.

Then I discovered, as did many in my generation, the 1844 Manuscripts. I thought they were fantastic… At that point, however, I still bought into the notion, very widespread then, that the young Marx really had something to say and that then, alas, he became a Victorian and that his thought became petrified. A turning point for me was an article, “The Unknown Marx,” written by Martin Nicolaus while translating the Grundrisse in 1967. Its hints at the richness of the Grundrisse blew me away. Continue reading

CLR James, critical theory, and the dialectic

The writings of the Trinidadian Marxist and revolutionary Cyril Lionel Robert James contain some of the noblest reflections on human freedom ever put to page. Obviously the present author does not agree with all of James’ arguments, especially those concerning national self-determination as a step toward global emancipation. Eventually this mistaken belief led him to extend his “critical support” to Fidel Castro’s Cuba and Mao Tse-Tung’s China, as Matthew Quest has amply shown for Insurgent Notes. Nevertheless, there is much to be gained from reading the works of James.

Postcolonial theorists in particular would do well to learn from his appreciation of the universal achievements of capitalist modernity. “I denounce European colonialism,” he wrote in 1980. “But I respect the learning and profound discoveries of Western civilization.” Similarly, James always insisted that “the race question is subsidiary to the class question in politics.” He stressed in his landmark study of The Black Jacobins that “to think of imperialism in terms of race would be disastrous.” Whiteboy academic Chris Taylor, who blogs under the handle Of C.L.R. James, ought to take note.

James might well be denounced as a “class reductionist” these days for his 1960 speech before an audience in Trinidad. “The great problem of the United States,” he declared, “with all due respect to the color of the majority of my audience, is not the ‘negro question’… If the question of workers’ independent political organization were solved, the ‘negro question’ would be solved. As long as this is not solved the ‘negro question’ will never be solved.” From first to last, James remained a Marxist in his strict emphasis on the primacy of working-class autonomy.

Even as the yoke of colonial oppression was finally being lifted, in 1958, he maintained: “We are breaking the old connections, and have to establish new ones… Let us not repel [onlookers] by showing them that we are governed by the same narrow nationalist and particularist conceptions which have caused so much mischief in Europe and elsewhere… Help [from the rest of the world] is precious and, far from being a purely economic question, is a social and political necessity. Industrial expansion is not merely a question of material forces but of human relations.”

Zimbabwe is only the latest example of a failed postcolonial state. Apart from a few stray tankies like Caleb Maupin — who somehow still contends that Mugabe was not a dictator, despite having ruled the country for 37 years straight — not too many tears have been shed on account of the African leader’s sudden downfall. No one, except for brazen racists and white nationalists, longs for a return to colonial times or the restoration of Rhodesia. Yet Zimbabwe is proof that underdevelopment was not solely due to colonialism. The once-rich nation has plummeted into poverty over the past couple decades.

Moreover, I feel vindicated by James’ skepticism toward cultural studies programs. Jewish studies, to speak only of the discipline that’s grown up around my culture of origin, have always seemed to me a colossal waste of time. “I do not know, as a Marxist, black studies as such,” James told students in 1968, “but simply the struggle of people against tyranny and oppression in a certain social and political setting [capitalism]. During the last two hundred years, in particular, it’s impossible to separate black studies from white studies in any theoretical point of view.”

Regardless, enough from me already. You can download the following works by James by clicking on the links below:

  1. At the Rendezvous of Victory: Selected Writings, 1931-1981
  2. The Life of Captain Cipriani: An Account of British Government in the West Indies (1932)
  3. Toussaint Louverture: The Story of the Only Successful Slave Revolt in History; A Play in Three Acts (1934-1936)
  4. World Revolution, 1917-1936 (1937)
  5. A History of Pan-African Revolt (1938)
  6. The Black Jacobins: Toussaint L’Ouverture and the Haitian Revolution (1938)
  7. On the “Negro Question” (1939-1950)
  8. “Historical Retrogression or Socialist Revolution?” (1946)
  9. with Raya Dunayevskaya, A New Notion: The Invading Socialist Society and Every Cook Can Govern (1947, 1956)
  10. Notes on Dialectics: Hegel, Marx, Lenin (1948)
  11. with Grace Lee Boggs and Raya Dunayevskaya, State Capitalism and World Revolution (1950)
  12. Mariners, Renegades, and Castaways: The Story of Herman Melville and the World We Live In (1952)
  13. The Nobbie Stories for Children and Adults (1953-1956)
  14. Modern Politics (1960)
  15. Beyond a Boundary (1963)
  16. Marxism for Our Times: On Revolutionary Organization (1963-1981)
  17. “Wilson Harris and the Existentialist Doctrine” (1965)
  18. Lectures on The Black Jacobins (1970)
  19. with Grace Lee and Cornelius Castoriadis, Facing Reality (1974)

And you can download the following pieces of secondary literature:

  1. Louise Cripps, C.L.R. James: Memories and Commentaries (1997)
  2. Aldon Lynn Nielsen, C.L.R. James: A Critical Introduction (1997)
  3. Frank Rosengarten, Urbane Revolutionary: C.L.R. James and the Struggle for a New Society (2008)
  4. Ornette D. Clennon, The Polemics of C.L.R. James and Contemporary Black Activism (2017)
  5. Beyond Boundaries: C.L.R. James and Postnational Studies (2006)
  6. C.L.R. James’ Caribbean (1992)
  7. The Black Jacobins Reader (2017)
  8. Christian Høgsbjerg, C.L.R. James in Imperial Britain (2014)

What follows is an exploration of the affinities between James and the Frankfurt School critical theorist Theodor Adorno, written by the Italian Marxist Enzo Traverso as part of his new book Left-Wing Melancholia: Marxism, History, and Memory (2016). It adopts the speculative form of a “missed encounter,” or desencuentro, which Bruno Bosteels has theorized as obeying a logic of “structural-historical antagonism or constitutive discontent.” Oddly, however, the two men actually met on more than one occasion, as Traverso begins by pointing out.

Traverso is more than a bit unfair to Adorno in characterizing, really caricaturing, him as “an aristocratic Marxist ‘mandarin’ affected by an incurable phobia of images and popular music.” Colonial racism was never the focus of Adorno’s thought, to be sure, but neither was metropolitan antisemitism the focus of James’ thought. Still, the former made clear in a late work that “even the old theories of imperialism have not been rendered obsolete by the great powers’ withdrawal from their colonies. The process they described survives today in the conflicts between the two monstrous power blocs.”

James and Adorno do indeed share many similarities, as Traverso otherwise skillfully elaborates.

Trinidad-born journalist Cyril Lionel Robert James (1901 ? 1989), 1989. (Photo by Steve Pyke/Getty Images)

A missed dialogue

Enzo Traverso
New York: 2016
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Let us go ahead… and compare two thinkers who embody the legacy of Marx. Adorno depicted the “dialectic of Enlightenment,” abandoning the idea of progress and extracting from Marx’s theory of reification a critique of instrumental reason. His melancholy, analytical gaze focused on Western totalitarianism and completely ignored the colonial world. C.L.R. James, on the other hand, scrutinized modernity as imperial domination, shifting its core from the West to the South and emphasizing the emancipatory potentialities of the colonized subjects. Both of them developed and enriched some premises of Marx’s theory. Western Marxism and anticolonial Marxism, nevertheless, remained two separate intellectual continents.

The name of C.L.R. James never appears in the Gesammelte Schriften of Theodor W. Adorno, or the name of the Frankfurt philosopher in the impressive work of the author of Black Jacobins. Thus, it is quite surprising to discover that they met a couple of times during the 1940s.1 They met for lunch in New York, near the New School for Social Research — probably thanks to their common friend Herbert Marcuse — when Manhattan was a crossroads between the trajectories of German-Jewish exiles and the Black Atlantic.2 There is no doubt that it was a failed encounter, and we can legitimately suppose that they met only to acknowledge their mutual dislike and incomprehension. We should try to explain why a dialogue between them did not take place — why it was, perhaps, impossible — adding that nevertheless this wasted opportunity was damaging for both of them. We are compelled to think in terms of counterfactual intellectual history in order to imagine the possible results of a dialogue that did not take place. Continue reading

Victor Serge, chronicler of revolution

A week ago, the centenary of the October Revolution came and went. For this week’s post, I thought I’d share the works of one of its most important witnesses and participants. Victor Serge was a Belgian-Russian anarchist who repatriated to Russia shortly after the Bolshevik seizure of power, joining Lenin and Trotsky in their historic effort to overthrow capitalism. You can download PDFs of Serge’s major works by clicking on the following links:

  1. Anarchists Never Surrender: Essays, Polemics, and Correspondence on Anarchism, 1908-1938
  2. Revolution in Danger: Writings from Russia, 1919-1921
  3. Witness to the German Revolution: Writings from Germany, 1923
  4. “Is a Proletarian Literature Possible?” (1925)
  5. Men in Prison (1929)
  6. Year One of the Russian Revolution (1930)
  7. Conquered City (1930-1931)
  8. Birth of Our Power (1931)
  9. Midnight in the Century (1936-1938)
  10. From Lenin to Stalin (1937)
  11. Russia Twenty Years After and Thirty Years After the Russian Revolution (1937, 1947)
  12. The Case of Comrade Tulayev (1940-1942)
  13. Mexican Notebooks, 1940-1947
  14. Unforgiving Years (1946)
  15. Life and Death of Leon Trotsky (with Natalia Sedova, 1946)
  16. Memoirs of a Revolutionary (1947)
  17. A Blaze in the Desert: Selected Poems

Most of the secondary literature on Serge is comprised of rather short essays, articles, and reviews. The only book-length studies in English are Suzi Weissman’s Victor Serge: The Course is Set on Hope (2001) and Paul Gordon’s Vagabond Witness: Victor Serge and the Politics of Hope (2013). Hopefully a more Bolshevik book on Serge will appear at some point. Back in 1994, the Trotskyist scholarly journal Revolutionary History dedicated an issue to Serge under the title Century of the Unexpected, which is probably worth checking out.

One of Susan Sontag’s last works, “Unextinguished: The Case for Victor Serge,” is roughly thirty pages long and appears as the foreword to The Case of Comrade Tulayev, above. Andras Gyorgy’s “But Who, After All, was Victor Serge?” (2008) offers a nice corrective to the aforementioned writings of Sontag and Weissman, both of whom are far more liberal in their politics than Serge ever was. Something similar could be said of Richard Greeman, to be honest, though his translations of Serge redeem him somewhat.

Doug Enaa Greene, an incel Trot historian who hates my guts for some reason, wrote a piece for Red Wedge “Victor Serge: On the Borders of Victory and Defeat” in 2015. Rather pedestrian, on the whole, but nevertheless a serviceable introduction to Serge’s work. Finally, my former teacher Sheila Fitzpatrick wrote a nice review of Serge’s memoirs for The Guardian a few years back. Weissman and others exchanged some critical remarks on Serge in the US socialist magazine Against the Current, which were subsequently compiled and published over at Links.

Philippe Bourrinet’s 2002 essay on Serge, which traces the evolution of his thought vis-à-vis the Soviet Union and relates it concurrent left communist views, is reproduced below. A couple words on this piece: Bourrinet seems to be unfamiliar with Evgenii Preobrazhensky’s concept of “socialist primitive accumulation,” doubtless the source of Serge’s own conception. Obviously, criticisms can and should be made of this notion, but it is not as if it was an original coinage by Serge or an insight into the bloodiness of forced collectivization.

I’ve recently been reading Paresh Chattopadhyay’s book on The Marxian Concept of Capital and the Soviet Experience (1991), which compellingly argues that only the juridical existence of capital was suspended in the USSR while its economic existence remained intact. Serge recognized this fact, Bourrinet alleges, in writing that “where there are wage workers, there is capital.” While I plan to reread the works of Hillel Ticktin to finally determine where I come down on the whole “state capitalism” debate, I must confess I’m more open to this category than previously.

 

Victor Serge:
Totalitarianism and state capitalism

Philippe Bourrinet
Collective Action
January 1, 2002
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Night heralds the advent of a morning so radiant and so full of promise we cannot even conceive of it.

Let us not be discouraged.

— Victor Serge

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Russia’s transition towards a relative democratization, based on a private capitalist sector, poses three questions: how did so-called “Soviet totalitarianism” take power and endure for such a long time, only to finally collapse; how was it that the transition from state capitalism, which some have called “collectivist planned economy,” to a private capitalist sector was so easily accomplished; and also how can a socialist alternative for the twenty-first century1 be realized that responds to the needs of a new autonomous social movement whose goal is to free man from his economic and political chains.

Victor Serge’s testimony is of unique value for the new social movement for the purpose of addressing these crucial questions in the wake of the disappearance of Stalinism. Victor Serge has bequeathed a valuable legacy to succeeding generations. His works, both political and literary, and his talents, constitute a rich mine for understanding the origin of totalitarianism in Russia as well as how its economic infrastructure functioned for almost seventy years. Continue reading

Typology and ideology: Moisei Ginzburg revisited

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In­tro­duc­tion

Ig­or Dukhan
Be­lor­usian State
University, 2013
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Vic­tor Car­pov be­longs to that rare breed of con­tem­por­ary schol­ars who have pre­served the “pure prin­ciples” of such Rus­si­an art the­or­ists as Al­ex­an­der Gab­richevskii, Vassilii Zubov, and Aleksandr Rap­pa­port and linked them with the West­ern meth­od­o­logy of ar­chi­tec­tur­al ty­po­logy, drawn from the work of Joseph Ryk­wert, Gi­ulio Carlo Ar­gan and oth­ers. He is a seni­or fel­low of the In­sti­tute for the The­ory and His­tory of Ar­chi­tec­ture and Urb­an Plan­ning in Mo­scow and one of the lead­ing ar­chi­tec­tur­al thinkers in Rus­sia today.

The pa­per “Ty­po­logy and Ideo­logy: Moi­sei Gin­zburg Re­vis­ited” was pub­lished in 2013 in the magazine Aka­demia: Arkhitek­tura i Stroitel­stvo [Aca­demia: Ar­chi­tec­ture, and Con­struc­tion] and was based on a lec­ture, first presen­ted at the con­fer­ence “Style and Epoch,” which was or­gan­ized by the Aleksei Shchu­sev State Mu­seum of Ar­chi­tec­ture in co­oper­a­tion with the In­sti­tute for the The­ory and His­tory of Ar­chi­tec­ture and Urb­an Plan­ning, and ded­ic­ated to the cen­ten­ary of Moi­sei Gin­zburg’s birth. This pa­per is closely con­nec­ted with Vic­tor Car­pov’s en­tire re­search in­to the evol­u­tion of ar­chi­tec­tur­al ty­po­logy, which cel­eb­rated an im­port­ant step in con­tem­por­ary post-Heide­g­geri­an ar­chi­tec­tur­al the­ory.

Already in his dis­ser­ta­tion of 1992, the au­thor con­sidered the his­tory of ty­po­lo­gic­al think­ing in ar­chi­tec­ture from Vit­ruvi­us to the late twen­ti­eth-cen­tury ar­chi­tects and the­or­ists (Saverio Mur­atori, Gi­ulio Carlo Ar­gan, Aldo Rossi, Joseph Ryk­wert, Rob and Léon Kri­er and oth­ers). Later, an in­terest in ty­po­lo­gic­al (that is, on­to­lo­gic­al and pre-lin­guist­ic) think­ing in ar­chi­tec­ture — which might be called ar­chi­tec­ton­ic think­ing per se — led him to Al­berti and oth­er her­oes of ty­po­lo­gic­al think­ing in ar­chi­tec­ture in es­says in­clud­ing “Tip-an­ti­tip: k arkhitek­turnoi ger­me­nevtike” [Type-An­ti­type: To­wards Ar­chi­tec­tur­al Her­men­eut­ics] of 1991 (re­vised in 2012).

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Leon Trotsky, “demon” of the revolution

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Com­rades, we love the sun that gives us light, but if the rich and the ag­gressors were to try to mono­pol­ize the sun, we should say: “Let the sun be ex­tin­guished, let dark­ness reign, etern­al night…”

— Le­on Trot­sky (Septem­ber 11, 1918)

То­ва­ри­щи, мы лю­бим солн­це, ко­то­рое да­ет нам жизнь, но если бы бо­га­чи и аг­рес­со­ры по­пы­та­лись за­хва­тить се­бе солн­це, мы бы ска­за­ли: «Пусть солн­це по­гас­нет, пусть во­ца­рит­ся тьма, веч­ная ночь…»

— Лев Троц­кий (11 сен­тяб­ря 1918 г.)

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Dmitrii Volko­gonov, former court his­tor­i­an of Sta­lin­ism turned ra­bid an­ti­com­mun­ist, fam­ously dubbed Trot­sky the “de­mon” of the Oc­to­ber Re­volu­tion. When he com­manded the Red Army, dur­ing the Civil War, this was in­deed the im­age en­emies of the So­viet Uni­on had of him. He would ap­pear in Theodor Ad­orno’s dreams, and Wal­ter Ben­jamin de­voured his auto­bi­o­graphy and His­tory of the Rus­si­an Re­volu­tion. The psy­cho­ana­lyst Helmut Dah­mer, a stu­dent of Ad­orno, has writ­ten on the vari­ous in­tel­lec­tu­al res­on­ances and par­al­lels between Trot­sky’s Left Op­pos­i­tion and Horkheimer’s In­sti­tute of So­cial Re­search. I’ve poin­ted out both the ten­sions and con­nec­tions of Trot­sky with the Itali­an com­mun­ist lead­er Amedeo Bor­diga, if not Trot­sky­ism and Bor­di­gism (which are much fur­ther apart than their re­spect­ive founders).

Some of his works could already be found in a pre­vi­ous post, but here are a few more titles:

  1. Le­on Trot­sky, 1905 (1907)
  2. Le­on Trot­sky, Ter­ror­ism and Com­mun­ism: A Reply to Karl Kaut­sky (1920)
  3. Le­on Trot­sky, Mil­it­ary Writ­ings, 1920-1923
  4. Le­on Trot­sky, Lit­er­at­ure and Re­volu­tion (1923)
  5. Le­on Trot­sky, The Chal­lenge of the Left Op­pos­i­tion: Writ­ings, 1923-1925
  6. Le­on Trot­sky, My Life (1928)
  7. Le­on Trot­sky, The Third In­ter­na­tion­al After Len­in (1928)
  8. Le­on Trot­sky, His­tory of the Rus­si­an Re­volu­tion, Volume 1: The Over­throw of Tsar­ism (1929)
  9. Le­on Trot­sky, His­tory of the Rus­si­an Re­volu­tion, Volume 2: At­tempt at Coun­ter­re­volu­tion (1930)
  10. Le­on Trot­sky, His­tory of the Rus­si­an Re­volu­tion, Volume 3: The Tri­umph of the So­vi­ets (1931)

Here are some bio­graph­ies and mem­oirs by his friends, as well:

  1. Vic­tor Serge and Nat­alia Se­dova, Life and Death of Le­on Trot­sky (1946)
  2. Jean van Heijenoort, With Trot­sky in Ex­ile: From Prinkipo to Coyoacán (1978)
  3. Dmitrii Volko­gonov, Trot­sky: The Etern­al Re­volu­tion­ary (1992)
  4. Ian D. Thatch­er, Trot­sky (2002)
  5. Joshua Ruben­stein, Le­on Trot­sky: A Re­volu­tion­ary’s Life (2011)

More be­low.

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A revolutionary impulse: Russian avant-garde at the MoMA

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Four months back, the Mu­seum of Mod­ern Art opened an ex­hib­it en­titled A Re­volu­tion­ary Im­pulse: Rise of the Rus­si­an Av­ant-Garde. The show re­ceived mostly fa­vor­able write-ups in lib­er­al out­lets like New York Times and New York­er as well as art/cul­ture mags like Stu­dio In­ter­na­tion­al, Seca Art, and He­don­ist. Marx­ist and left­ish pub­lic­a­tions such as World So­cial­ist Web­site (or­gan of the So­cial­ist Equal­ity Party) and Brook­lyn Rail also ran ap­pre­ci­at­ive re­views of the ex­hib­i­tion.

Per­haps my fa­vor­ite crit­ic­al re­flec­tion on the show came from Caesura, an off­shoot from the Platy­pus Af­fil­i­ated So­ci­ety ex­clus­ively fo­cused on art, mu­sic, and lit­er­at­ure. It fea­tured a fairly char­ac­ter­ist­ic but nev­er­the­less poignant ob­ser­va­tion:

Of the stag­ger­ing num­ber of ob­jects on dis­play, most strik­ing was film­maker Dziga Vertov’s 1925 col­lab­or­a­tion with Rod­chen­ko, Kino-Pravda no.21, a pro­pa­ganda film (the title trans­lates to cinema-truth) track­ing the fail­ing health, death and fu­ner­al of Len­in. Black and white graph­ics con­trib­uted by Rod­chen­ko de­pict­ing, without com­ment, the med­ic­al stat­ist­ics of the ail­ing re­volu­tion­ary lead­er cre­ated a palp­able sense of worry as they edge, at an ex­cru­ci­at­ingly slow pace, to­wards the res­ult we all know already: Len­in’s death in 1924. The film showed the massive long-faced pro­ces­sion of mourn­ers at his fu­ner­al, ded­ic­at­ing por­trait shots and name plates to party lead­ers: a hunched over, tear stricken Clara Zetkin, a somber Le­on Trot­sky and Joseph Stal­in stead­fastly look­ing ahead. The lat­ter was ut­terly chilling — a glimpse of a fu­ture yet un­known to the film­makers but known all too well today. Stand­ing, in 2017, in the Amer­ic­an Mu­seum of Mod­ern Art in a mo­ment of ut­ter polit­ic­al con­fu­sion, the tragedy of this mo­ment was cut­ting. Could the mourn­ers have pos­sibly known that they had wit­nessed both the be­gin­ning and the end of a mo­ment of tre­mend­ous his­tor­ic­al po­ten­tial? Did Vertov and Rod­chen­ko real­ize that in their mont­age of party lead­ers it would be Stal­in who would take power? Did they know that, after the crip­pling de­feat of the Ger­man Left the year pri­or, 1924 would mark a clos­ing and not an open­ing of his­tory?

Caesura’s re­view­er fur­ther spec­u­lates that “if the art of the Rus­si­an av­ant-garde has a time­less qual­ity, it is be­cause of its unique his­tor­ic­al ori­gin. Nev­er be­fore or since have artists op­er­ated un­der the thrall of three so­ci­et­ies — crum­bling czar­ist Rus­sia, the dy­nam­ic bour­geois west, and the ad­van­cing specter of so­cial­ism — so dif­fer­ent. It ex­presses all three but be­longs to none.” A sim­il­ar sen­ti­ment is cap­tured by a line in the New York­er: “His­tory is not a con­stant march for­ward; it can stand still for dec­ades and then, as it did in Rus­sia a hun­dred years ago, ex­plode in a flash.” This line it­self merely para­phrases a quip at­trib­uted to Len­in, to the ef­fect that “there are dec­ades where noth­ing hap­pens, but then there are weeks where dec­ades hap­pen.”

I my­self at­ten­ded the ex­hib­it, and was im­pressed by what I saw. Some of the same pieces had ap­peared in spe­cial gal­ler­ies across the city over the last few years, but the sheer wealth of ma­ter­i­al con­cen­trated in one space was breath­tak­ing. Fur­ther­more, the way this ma­ter­i­al was or­gan­ized and form­ally ar­ranged was skill­ful. You can see a pic­ture of me stand­ing next to Lis­sitzky’s “new man of com­mun­ism,” taken from his series for Vic­tory over the Sun. Be­low you can read a fine med­it­a­tion on the show writ­ten by Bloom Correo, a young ul­traleft au­thor who vis­ited NYC just to see it.

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