Society, totality, and history

Dia­lectics elude straight­for­ward defin­i­tion. No doubt it is easi­er to say what dia­lectics is not, rather than to say what it is. Against Ferdin­and Las­salle, Marx re­marked in a let­ter to En­gels that “Hegel nev­er de­scribed as dia­lectics the sub­sump­tion of vast num­bers of ‘cases’ un­der a gen­er­al prin­ciple,” and there­fore con­cluded that “the dia­lect­ic­al meth­od is wrongly ap­plied.”1 Vladi­mir Len­in like­wise poin­ted out that Geor­gii Plekhan­ov, the founder of Rus­si­an Marx­ism, erred in treat­ing dia­lectics as “the sum-total of ex­amples,” a mis­take from which even En­gels was not fully ex­empt.2

Still less is dia­lectics re­du­cible to an ab­stract for­mula or ste­reo­typed pro­ced­ure of thes­is-an­ti­thes­is-syn­thes­is. James re­garded this series as “a ru­in­ous sim­pli­fic­a­tion” in his 1948 Notes on Dia­lectics,3 while Len­in fol­lowed Hegel in con­sid­er­ing “the ‘tripli­city’ of dia­lectics… [as] its ex­tern­al, su­per­fi­cial side.”4 In sim­il­ar fash­ion, the Frank­furt School the­or­ist Theodor Ad­orno re­called that “Hegel ex­pressed the most cut­ting ob­jec­tions to the claptrap tripli­city of thes­is, an­ti­thes­is, and syn­thes­is as a meth­od­o­lo­gic­al schema.”5 Early in his ca­reer, Len­in up­braided the pop­u­list Nikolai Mikhail­ovsky for his fatu­ous por­tray­al of the ma­ter­i­al­ist dia­lectic as some sort of par­lor trick which “proves” cap­it­al­ism must col­lapse. “Marx’s dia­lect­ic­al meth­od does not con­sist in tri­ads at all,” ex­plained Len­in in 1894, “but pre­cisely in the re­jec­tion of ideal­ism and sub­ject­iv­ism in so­ci­ology.”6

How can this meth­od be re­tained in so­ci­ology, however, while at the same time get­ting rid of its ideal­ist residues? Ob­vi­ously, if the dia­lectic is to be any­thing more than a sub­ject­ive ad­di­tion, an ar­bit­rary “way of think­ing” about the world, its lo­gic has to be dis­covered in the ob­ject (i.e., so­ci­ety) it­self. The ma­ter­i­al­ist in­ver­sion of Hegel’s dia­lectic can only be jus­ti­fied if its con­tours ap­pear at the level of so­cial real­ity. “Dia­lect­ic­al un­der­stand­ing is noth­ing but the con­cep­tu­al form of a real dia­lect­ic­al fact,” wrote Georg Lukács in his 1924 mono­graph Len­in: A Study in the Unity of His Thought.7 Lukács’ con­tem­por­ary, the Bolshev­ik re­volu­tion­ary Le­on Trot­sky, main­tained that the meth­od should not be ap­plied to just any sphere of know­ledge “like an ever-ready mas­ter key,” since “dia­lectics can­not be im­posed upon facts, but must be de­duced from their char­ac­ter and de­vel­op­ment.”8 Re­flect­ing on his con­ver­sion to Marx­ism, Trot­sky wrote that “the dia­lect­ic­al meth­od re­vealed it­self for the first time, not as an ab­stract defin­i­tion, but as a liv­ing spring found in the his­tor­ic­al pro­cess.”9

Trot­sky’s meta­phor of the spring re­curs fre­quently in his art­icles and speeches. “Marx­ism without the dia­lectic is like a clock without a spring,” he later de­clared.10 Wound tightly in­to the shape of a spir­al, the ma­ter­i­al­ist dia­lectic simply mir­rors the dy­nam­ic ten­sion of cap­it­al­ism it­self. “Cycles ex­plain a great deal,” Trot­sky main­tained in 1923, “form­ing through auto­mat­ic pulsa­tion an in­dis­pens­able dia­lect­ic­al spring in the mech­an­ism of cap­it­al­ist so­ci­ety.”11 Earli­er in the year he stressed that an ad­equate so­ci­olo­gic­al ac­count must be both strong and flex­ible, since “dia­lect­ic­al thought is like a spring, and springs are made of tempered steel.”12

Continue reading

Verdun 1918

The charnel-house

Literary & historical extracts

Image: Human skull at Verdun (1918)

Hegel, The Spirit of Christianity. Pg. 232:

The pricks of conscience have become blunt, since the deed’s evil spirit has been chased away; there is no longer anything hostile in the man, and the deed remains at most as a soulless carcass lying in the charnel-house of actualities, in memories.

Karl Marx, “English-French Mediation in Italy.” Pg. 480:

The death’s head of diplomacy grins after every revolution and particularly after the reactions which follow every revolution. Diplomacy hides itself in its perfumed charnel-house as often as the thunder of a new revolution rumbles.

Georg Lukács, Theory of the Novel. Pg. 64:

[S]econd nature is not dumb, sensuous and yet senseless like the first: it is a complex of senses — meanings — which has become rigid and strange, and which no longer awaken interiority; it is a charnel-house of long-dead interiorities. Continue reading