Seventy-five years since the Warsaw Ghetto uprising

Yesterday marked the seventy-fifth anniversary of the Warsaw Ghetto uprising. Below you can download a number of histories and firsthand accounts of the revolt, and below that read an article Marcus Barnett wrote on the subject last year for Jacobin. Roughly 300,000 Jews from the Warsaw Ghetto were killed by gas or bullet over a six-week span in 1943, after 92,000 or so perished from starvation or disease the three years before.

About the authors below: Edelman and Goldstein were Bundists, while Rotem and Zuckerman were left-wing Zionists. Gutman was later an inmate of Auschwitz, where he narrowly survived. Berg was only a child when she lived in the Warsaw Ghetto, and refused to share further details of her experience or speak out after a translation of her diary (by Henri Lefebvre co-author and Frankfurt School fellow traveler Norbert Guterman) was serialized in American newspapers in 1944.

Daily life in the ghetto

 

Scenes from the uprising

Remembering the Warsaw ghetto uprising

Marcus Bennett
Jacobin Magazine
April 19th, 2017

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On the eve of Passover 1943 — the nineteenth of April — a group of several hundred poorly armed young Jews began the Warsaw Ghetto Uprising, one of the first insurrections against Nazism.

For a small group of fighters, realizing — in the lyrical words of one militant — that “dying with arms is more beautiful than without,” an isolated group of Jewish militants resisted for twenty-nine days against a much larger foe, motivated by a desire to kill as many fascists as they could before they themselves were killed. The uprising, etched into the collective memory of postwar Jewry, remains emotive and emboldening.

That their heroism was a crucial part of the war is disputed by nobody today. But less known is the extent to which the uprising, far from being a spontaneous one of the masses, was the product of planning and preparation from a relatively small — incredibly young — group of Jewish radicals. Continue reading

“Everyone’s a victim”: Relativizing Auschwitz with Adorno

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Aus­chwitz was lib­er­ated 72 years ago today. In hon­or of In­ter­na­tion­al Holo­caust Re­mem­brance Day, I am re­post­ing a re­cent art­icle by Ingo Elbe on a new book by Marc Nich­olas Som­mer. Elbe is au­thor of the ex­traordin­ar­ily thor­ough over­view Marx im West­en: Die neue Marx-Lek­tü­re in der Bun­des­rep­ub­lik seit 1965. The first chapter of this book has been trans­lated and pub­lished over at View­point, which every­one ought to read. He con­tac­ted me about this short re­view, and en­cour­aged me to re­pub­lish it.

Some brief com­ments of my own, be­fore pro­ceed­ing to Elbe’s art­icle. First of all re­gard­ing the act­ors. Read­ers of this blog will doubt­less be fa­mil­i­ar with Theodor Wiesen­grund Ad­orno, a mu­si­co­lo­gist and lead­ing crit­ic­al the­or­ist of the In­sti­tut für So­zi­al­for­schung. Günther An­ders, ali­as Stern, like­wise con­trib­uted to the In­sti­tut’s journ­al from time to time, though he was nev­er a mem­ber. An­ders was also the first hus­band of the fam­ous Ger­man-Amer­ic­an polit­ic­al philo­soph­er Han­nah Aren­dt. Like her (as well as Her­bert Mar­cuse, an­oth­er mem­ber of the Frank­furt School), he was a one­time stu­dent of the in­flu­en­tial Nazi pro­fess­or Mar­tin Heide­g­ger. In 1948, An­ders up­braided his former mas­ter in a scath­ing po­lem­ic “On the Pseudo-Con­crete­ness of Heide­g­ger’s Philo­sophy.”

Jean Améry, pseud­onym of Hanns Chaim May­er, was an Aus­tri­an es­say­ist based in Brus­sels, Bel­gi­um. Un­like either An­ders or Ad­orno, he sur­vived the Aus­chwitz death camp. Between 1962 and 1966, he wrote a series of re­flec­tions on his ex­per­i­ences there, com­piled un­der the title At the Mind’s Lim­its. It is a haunt­ing, angry col­lec­tion, not­able for its ab­so­lute un­will­ing­ness to for­give any­one com­pli­cit in per­pet­rat­ing the Judeo­cide. Philo­soph­ic­ally Améry in­clined to­ward Sartrean ex­ist­en­tial­ism rather than crit­ic­al the­ory. He was gen­er­ally un­im­pressed by Ad­orno, whose 1964 study of The Jar­gon of Au­then­ti­city he lam­pooned in his own 1967 tract, Jar­gon der Dia­lek­tik. Con­tem­por­ary the­or­ists who draw in­spir­a­tion from both Améry and Ad­orno — such as Gerhard Scheit, of the hard anti-Ger­man ISF and sans phrase — have at­temp­ted to re­con­cile the rift in rather tor­tur­ous fash­ion, seek­ing to es­tab­lish com­mon ground.

Elbe sides, some­what sur­pris­ingly, with Améry in this par­tic­u­lar dis­pute. That is to say, he be­lieves Améry is bet­ter able to grasp the spe­cificity of Aus­chwitz. Ad­orno is con­victed by Elbe of the very “iden­tity-think­ing” [Iden­ti­täts­den­ken] de­cried at length in Neg­at­ive Dia­lectics, set­ting up a false equi­val­ence between the de­lib­er­ate murder of European Je­w­ry by the Nazis at Aus­chwitz and the in­dis­crim­in­ate mas­sacre of Ja­pan­ese ci­vil­ians by the Amer­ic­ans at Hiroshi­ma. One aimed at an­ni­hil­a­tion, the oth­er at ca­pit­u­la­tion. Here I cer­tainly ac­know­ledge the valid­ity of the dis­tinc­tion Elbe is try­ing to make, but am less bothered by Ad­orno’s in­clu­sion of Hiroshi­ma along­side Aus­chwitz (one could men­tion any num­ber of oth­er at­ro­cit­ies) as an ex­ample of the un­par­alleled bar­bar­ism of the twen­ti­eth cen­tury, fol­low­ing the fail­ure to tran­scend cap­it­al in its open­ing dec­ades. Stal­in’s GU­Lag ar­chipelago dis­turbs me just as much, if not more, des­pite the fact they were nev­er meant to ex­term­in­ate the in­mates. For they rep­res­en­ted the be­tray­al of com­mun­ism, which was at least sup­posed to prom­ise a bet­ter world, as Primo Levi poin­ted out, where­as with fas­cism the con­cen­tra­tion camps fol­lowed from first prin­ciples.

Per­haps this is in­dic­at­ive of a broad­er dis­agree­ment between Elbe and my­self, and by ex­ten­sion Améry. While I am awake to the dangers of left an­ti­semit­ism, I do not be­lieve that any and all op­pos­i­tion to Is­rael is an­ti­semit­ic. Améry’s charge that anti-Zion­ism had be­come “the re­spect­able an­ti­semit­ism” by the 1970s may ring true in some in­stances, and he provides sev­er­al com­pel­ling ex­amples where this is the case. (Just a couple weeks ago, a Ger­man court ruled that torch­ing a syn­agogue near Düsseldorf is a le­git­im­ate form of anti-Zion­ist protest). Yet I be­lieve that it is pos­sible to op­pose the Zion­ism with­in an anti-na­tion­al­ist frame­work which does not view it as ex­cep­tion­al, the his­tor­ic­al pe­cu­li­ar­it­ies not­with­stand­ing. However, I do share Elbe’s dis­may at the cheer­lead­ing that fre­quently goes on among West­ern left­ists for Is­lam­ist groups that spout some brand of anti-im­per­i­al­ist rhet­or­ic. So there is prob­ably a great deal we’d agree on. En­joy his art­icle.

adorno-sitting-copy jean-amery-foto

“The world as a concentration camp”

Ingo Elbe
History-Net
1.27.2017
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…re­du­cing tor­ment­or and tor­men­ted to the com­mon de­nom­in­at­or “vic­tims,” by means of a dia­lect­ic­al pi­rou­ette.

— Jean Améry1

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In his book The Concept of Neg­at­ive Dia­lectics,2 Marc Nich­olas Som­mer claims to re­con­struct Theodor Ad­orno’s neg­at­ive philo­sophy of his­tory as a “philo­sophy of his­tory from the view­point of the vic­tims” (294). Som­mer sug­gests, fol­low­ing Ad­orno,3 that “since World War II every sub­ject” has be­come “a po­ten­tial vic­tim of his­tory” (295). “Every single one” could now “po­ten­tially” ex­per­i­ence him­self as a vic­tim of “the ut­most ex­treme” [„des Äu­ßers­ten“] (295). Con­cur­ring with Ad­orno, Som­mer defines “the ut­most ex­treme” as “‘de­lu­sion­al pre­ju­dice, op­pres­sion, gen­o­cide, and tor­ture.””4 Also in ac­cord­ance with Ad­orno, Som­mer some­times uses the phras­ing the “ever-present cata­strophe”5 (325) in­stead of the ut­most ex­treme. In­deed, Som­mer read­ily con­cedes “that not every single one ac­tu­ally ex­per­i­ences him­self as a po­ten­tial vic­tim” (325) and in­so­far per­haps people liv­ing in more or less func­tion­ing con­sti­tu­tion­al states have bet­ter pro­tec­tion against “the ut­most ex­treme” than those liv­ing in au­thor­it­ari­an states and un­der dic­tat­or­ships, but — and this is his main ar­gu­ment — “with the nuc­le­ar bomb a new power has ap­peared,” mak­ing the “ut­most ex­treme” pos­sible for every per­son. In agree­ment with Günther An­ders he refers to his dia­gnos­is that “‘the threat of nuc­le­ar war […] trans­forms the world in­to a hope­less con­cen­tra­tion camp‘“6(325). Som­mer uses the term “con­cen­tra­tion camps” for be­ing at the mercy of the “ar­bit­rar­i­ness of the guards,” for the ir­rel­ev­ance of one’s own be­ha­vi­or re­gard­ing the ques­tion of wheth­er one be­comes a vic­tim or not, and for a not fur­ther spe­cified ex­term­in­a­tion. Fur­ther de­tails are not giv­en. Else­where, he uses the term “Aus­chwitz” in­stead of “con­cen­tra­tion camp” (or simply “camp”). Som­mer defines the term Aus­chwitz — once again in ref­er­ence to Ad­orno — as “‘ad­min­is­trat­ive murder of mil­lions.””7 With the nuc­le­ar bomb the “ex­per­i­ence of camp in­mates” has been gen­er­al­ized, “that the dis­aster of the ar­bit­rar­i­ness of the guards can be­fall them at any giv­en time, re­gard­less of their be­ha­vi­or.” The nuc­le­ar bomb trans­forms the world in­to a con­cen­tra­tion camp be­cause it con­stantly threatens us with the pos­sib­il­ity of total ex­term­in­a­tion — re­gard­less of how we be­have.” (295f.)

Continue reading

The Marxism of Wilhelm Reich

Or, the social function
of sexual repression

Bertell Ollman
Social and Sexual
Revolution (1979)
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“Just as Marxism was sociologically the expression of man’s becoming conscious of the laws of economics and the exploitation of a majority by a minority, so psychoanalysis is the expression of man becoming conscious of the social repression of sex.”1 How does sexual repression occur? What forms does it take? What are its effects on the individual? And, above all, what is its social function? Freud deserves credit for first raising these questions, but it is Wilhelm Reich who went furthest in supplying answers. In so doing, he not only developed Freud’s own insights but immeasurably enriched both the theory and practice of Marxism.

Reich’s writings fall into three main categories: 1) that of an analyst and co-worker of Freud’s, 2) that of a Marxist, and 3) that of a natural scientist. In this essay I am only concerned with Reich the Marxist, though excursions into these other fields will occasionally be necessary since the division between them is often uncertain both in time and conception. Reich’s Marxist period runs roughly from 1927, when he joined the Austrian Social Democratic Party, to 1936, when he finally despaired of affecting the strategy of working-class movements. From 1930 to 1933 he was a member of the German Communist Party.

Marx had said, “It is not the consciousness of men that determines their existence, but on the contrary, their social existence determines their consciousness.”2 This formula has been hotly attacked and defended, but seldom explored. Marxists have generally been content to elaborate on aspects of social existence and to assume a sooner or later, somehow or other, connection of such developments with the mental life of the people involved. Reich is one of the few who took this formula as an invitation to research. How does everyday life become transformed into ideology, into types and degrees of consciousness? What works for such transformation and what against? Where do these negative influences come from, and how do they exert their effect?

Reich believed that psychoanalysis has a role to play in answering these questions. Marxists, however, have always had a particularly strong aversion to Freud’s science. On the practical level, psychoanalysis is carried on by rich doctors on richer patients. Conceptually, it starts out from the individual’s problems and tends to play down social conditions and constraints. It seems to say that early traumatic experiences, especially of a sexual nature, are responsible for unhappiness, and that individual solutions to such problems are possible. It also appears to view the individual’s conscious state as being in some sense dependent on his or her unconscious mental life, making all rational explanation — including Marxism — so much rationalization. In short, in both its analysis and attempts at cure, psychoanalysis takes capitalist society for granted. As if this weren’t enough to condemn it in the eyes of Marxists, psychoanalysis adds what seems to be a gratuitous insult in suggesting that Marxists in their great desire for radical change are neurotic. Continue reading

Walter Benjamin’s writings in German and in English

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Besides studying Soviet history, reading Walter Benjamin was what got me hooked on all this commie crap. It was probably “On the Concept of History” that first did it. Enigmatic, baffling, simple yet sophisticated — these were my initial impressions of it. The rest is history, or a storm blowing in from the Absolute.

Of course, I was fortunate to be introduced to Benjamin the way I did. Following a few of his texts in Illuminations, I started in on Adorno and read Gershom Scholem’s Story of a Friendship. At least to some extent this immunized me to the different “readings” offered over the years by postmodernists, poststructuralists, hermeneuticists, and beyond. No one can pretend to be surprised that the secondary literature on Benjamin has become so voluminous, or all the uses to which his thought has been put. Because the Marxist component of his writing is muted, or methodologically opaque, theorists have been able to sidestep or otherwise evade critical engagement with Benjamin’s Marxism.

He was not a political writer. And many of his references are esoteric or willfully obscure. From this derives the denseness of so many of his texts. Jewish mysticism certainly figures into Benjamin’s conceptual and theoretical apparatus, largely nourished by his friendship with Scholem. Still, I despise nothing more than interpretations which seek to make Benjamin into some sort of communist rabbi, à la Moses Hess (Marx used to disparagingly refer to the proto-Zionist Hegelian in this manner, before Engels cuckolded the man’s wife). Reading his notes and correspondence it is clear that the allusions to Jewish mysticism in his writings are metaphorical or allegorical, and possess no religious content.

You can download all of Benjamin’s work in German and in English below, along with some biographies and introductions to his work. Beneath the picture gallery I’ve reposted an article Michael Löwy wrote for the Platypus Review ages ago. Enjoy.

German
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  1. Walter Benjamin, Gesammelte Schriften I
  2. Walter Benjamin, Gesammelte Schriften II
  3. Walter Benjamin, Gesammelte Schriften III
  4. Walter Benjamin, Gesammelte Schriften IV
  5. Walter Benjamin, Gesammelte Schriften V
  6. Walter Benjamin, Gesammelte Schriften VI
  7. Walter Benjamin, Gesammelte Schriften VII
  8. Walter Benjamin, Gesammelte Briefe, 6 Bände

English
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  1. Walter Benjamin, Early Writings, 1910-1917
  2. Walter Benjamin, Selected Writings, Volume 1: 1913-1926
  3. Walter Benjamin, Selected Writings, Volume 2: Part 1, 1927-1930
  4. Walter Benjamin, Selected Writings, Volume 2: Part 2, 1931-1934
  5. Walter Benjamin, Selected Writings, Volume 3: 1935-1938
  6. Walter Benjamin, Selected Writings, Volume 4: 1938-1940
  7. Walter Benjamin, Correspondence, 1910-1940
  8. Walter Benjamin, Correspondence with Gershom Scholem, 1932-1940
  9. Walter Benjamin, Understanding Brecht
  10. Walter Benjamin, The Writer of Modern Life: Essays on Charles Baudelaire
  11. Walter Benjamin, The Work of Art in the Age of Its Technological Reproducibility and Other Writings on Media
  12. Walter Benjamin, Radio Benjamin
  13. Walter Benjamin, Moscow Diary
  14. Walter Benjamin, One-Way Street and Other Writings
  15. Walter Benjamin, The Arcades Project

Secondary sources
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  1. Esther Leslie, Walter Benjamin
  2. Howard Eiland, Walter Benjamin: A Critical Life
  3. Esther Leslie, Walter Benjamin: Overpowering Conformism
  4. Uwe Steiner, Walter Benjamin: An Introduction to His Work
  5. György Markus, “Walter Benjamin, or, The Commodity as Phantasmagoria”
  6. Fredric Jameson, “Walter Benjamin, or Nostalgia”
  7. Georg Lukács, “On Walter Benjamin”
  8. Eli Friedlander, Walter Benjamin: A Philosophical Portrait
  9. Ferenc Feher, “Lukács and Benjamin: Parallels and Contrasts”
  10. Howard Caygill, Walter Benjamin: The Color of Experience
  11. Susan Buck-Morss, The Dialectics of Seeing: Walter Benjamin and the Arcades Project

Walter Benjamin

Michael Löwy

Platypus Review 5
May-July 2008

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Walter Benjamin occupies a unique place in the history of modern revolutionary thought: he is the first Marxist to break radically with the ideology of progress. His thinking has therefore a distinct critical quality, which sets him apart from the dominant and “official” forms of historical materialism, and gives him a formidable methodological superiority.

This peculiarity has to do with his ability to incorporate into the body of Marxist revolutionary theory insights from the Romantic critique of civilization and from the Jewish messianic tradition. Both elements are present in his early writings, particularly in “The Life of the Students” (1915), where he already rejects “a conception of history, whose confidence in the infinity of time only distinguishes the speed by which men and epochs roll, quicker or slower, along the track of progress” — a conception characterized by the “inconsistency, the lack of precision and force of the demands it addresses at the present” — opposing it to utopian images such as the messianic kingdom or the French Revolution.

Benjamin’s first reference to communism appears in 1921, in his “Critique of Violence,” where he celebrates the “devastating and on the whole justified” critique of the Parliament by the Bolsheviks and the anarcho-syndicalists. This link between communism and anarchism will be an important aspect of his political evolution: his Marxism will to a large extent take a libertarian color.

Continue reading

No, Žižek did not attribute a Goebbels quote to Gramsci

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After I debunked Molly Klein’s baseless claim that Žižek was the editor of the Ljubljana student zine Tribuna when it printed a translation of The Protocols of the Elders of Zion, a few of her dimwitted supporters kept saying that I was focusing too much on this one claim and ignoring the mountain of other “evidence” she’d compiled regarding the Slovenian philosopher. So I figured I’d have a crack at another of her outrageous claims.

By the way, I swear to god this is the last one of these things I’m going to write. Klein’s modus operandi seems to go something like this:

  1. Make as many ridiculous and poorly researched, half-literate claims as possible.
  2. If anyone disputes one of your claims or clearly demonstrates that it’s incorrect, either ignore him/her or
    1. accuse them of ignoring all the other “legitimate” criticisms she’s advanced.
    2. simply continue making same ridiculous claims despite direct evidence disproving them.
  3. Repeat.

For bonus points, call everyone a “fascist” or suggest that they’re a “psyop.” Žižek doesn’t really need my help. Still, it’s fun to beat up on feeble-minded frauds like Klein. Enjoy the carnage below.

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Another spurious claim Molly has repeatedly made is that Žižek deliberately conflated a pair of quotes by two quite distinct individuals. Namely, the Nazi propaganda minister, Joseph Goebbels, and the Italian Marxist, Antonio Gramsci. It so happens that the quote in question is one of Žižek’s favorites. He likes to use it a lot. So it appears in several of his texts, not just the article he wrote for New Left Review. At any rate, the quote Žižek attributes to Gramsci runs as follows: “The old world is dying, and the new world struggles to be born: now is the time of monsters.”

Recent photo of myself alongside fellow Twitter proles doing battle with Molly Klein the foul monster pictured at the top

Recent photo of myself alongside other nameless Twitter proles doing battle with Molly Klein the grotesque monster pictured at the top

Klein is convinced for some unknown reason that Žižek is in fact quoting Goebbels, with slight modifications added to throw readers off the scent. She laid it all out in a blog post a few years back. “Needless to say,” remarked Klein, “Gramsci said no such thing.” Following this there is a long quotation from the original Italian, though only one line from it was relevant: La crisi consiste appunto nel fatto che il vecchio muore e il nuovo non può nascere: in questo interregno si verificano i fenomeni morbosi piú svariati. Rendered more literally into English, as the 1971 International Publishers edition does, it reads: “The crisis consists precisely in the fact that the old is dying and the new cannot be born, in this interregnum a great variety of morbid symptoms appear.”

Indeed, from this it would seem that Žižek either translated Gramsci very loosely, or is substituting a different quote for Gramsci’s entirely. Where could Žižek have gotten it from? Naturally, Klein’s first instinct is to look for some source in the annals of Nazism that resembles the one Žižek supposedly put in the mouth of Gramsci. A few keyword searches on Google and there you have it — gold, jackpot, Goebbels! “We know today that the old world is dying and that we are seeing the struggle for a new world,” the propaganda minister wrote in 1939, a few months before his country plunged Europe into war. Somewhat similar, sure. “Old world” and “new world” vs. “the old” and “the new.” Klein concludes: “that is Goebbels via Žižek passed off as Gramsci.” Continue reading

Anti-fascism: Its problematic history and meaning

       Manuel Kellner | Henning Mächerle
Wolf Wetzel | Jan Gerber
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Platypus Review 63
February 1, 2014
Image: Antifascist
conference (1922)
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Since the Nazi seizure of power eighty years ago anti-fascism has been integral to left-wing politics. The struggle against fascists and Nazis is morally self-evident, so that political anti-fascism seems to be similarly self-evident. Yet in past periods of history, the politics of anti-fascism was completely different, as was the understanding of what it contributed to leftist politics more generally. Still certain continuity can be discerned in anti-fascism’s retention of anti-capitalist claims. Where does this come from? What was anti-fascism and how has it changed? How do the category and concept of anti-fascism help us to understand both historical and contemporary political realities? What does anti-fascism mean today in the absence of fascism as a mass movement?

What follows is an edited transcript of an event organized by The Platypus Affiliated Society in Frankfurt on April 30, 2013. The discussion addressed the different historical and political implications of anti-fascist politics in order to throw into relief the underlying questions and problems of left-wing politics in the present.
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Opening remarks

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Wolf Wetzel:
This discussion is itself an historical event. The Left is at present so fractured, that it is impossible, even forbidden, to have discussions with each other.  We would normally never see a group like this on a platform together. Yet the problem of the Left is also one of anti-fascism.  Many people from the “Antifa” [anti-fascist movement] here in Frankfurt have refused to attend this discussion, since on the evening before an anti-Nazi march, they can only meet to discuss plans of action. They cannot allow themselves to discuss anti-fascism itself because for them to do so on the day before an action would be demobilizing.  This is remarkable given that formerly such discussions of political substance were commonplace.

The other issue is the intense mutual criticism of the different positions represented on this platform. Who can speak with whom? When is it a betrayal? When is it bourgeois, even counterrevolutionary? The assemblage here — representing anti-German, Trotskyist, German Communist Party (DKP), and Autonomist positions — could meet nowhere else in the Federal Republic. Even though I oppose many of the views represented here, these meetings are valuable because they show where these political differences come from and what lessons can be drawn from them.

I want to raise the question of the role Nazism plays today and how to understand the Nazis. This is a big question, one that is too often avoided by anti-fascists themselves. But one must ask: How threatening are they? Are they dangerous materially, politically, or ideologically? Also the historical question must be raised: Who in the ruling apparatus and state institutions of the 1930s when the Nazi Party was on the rise had an interest in their program? If the system itself is in crisis and the political elite hit rock bottom, what prevents the Left from coming to power (something much more likely in the 1930s than it is today)? At that time, it was an existential crisis for the political and business class: Would the conflict arising in the capitalist crisis be answered in a rightwing, fascistic way, or in a socialist way? Might not the crisis conclude with the bursting apart and transcendence of the capitalist system itself?

When we demonstrate against the Nazis we should ask what significance they have, not how many of them there are — 200 or 500. Such figures anyway sometimes get exaggerated in order to inflate the sense of the threat the Nazis pose.

We must discuss what role neo-fascist organizations, their parties, and their armed groups play. My view is that conditions today are massively different from the 1930s. The fascist movement then and today cannot be equated. The political class and the political system have become something quite different. It is absolutely necessary to ask where the true menace lies. I do not believe that the neo-Nazis are the driving protagonists of German racism and nationalism. Racism and nationalism are mainstream and have the support of the majority.  These arrived a long time ago at the center of society. They are represented by political power. The National Democratic Party (NPD) and the other, less organized neo-Nazi groups only express consistently what is already established as mainstream.

Swastika mass ornament, Nuremberg 1933

Swastika mass ornament, Nuremberg 1933

Henning Mächerle: What we are discussing here today depends on the fact that the German workers’ movement of the 1920s and 1930s failed. The Communist Party of Germany was defeated. At the time, it was the biggest Communist Party outside the Soviet Union and it failed without organizing any significant armed resistance or, indeed, interfering with the functioning of the Nazi Party on a large scale. The dilemma of the German Left is that we drag this historical burden along with us. That we are mortgaged to history in this way is the occasion for this debate on anti-fascism. To advance our discussion first we need to understand fascism. That is only possible when we describe society as a class society and understand that it is one in which the owners of the means of production — the ruling class — have a compelling interest in the maximization of profit for which a large number of people must sell their labor power. Because of this, the workers’ movement formed and, through its decisive battle with the capitalist class, shaped the last 150 years. For Eric Hobsbawm, the October Revolution was the decisive point of the “short 20th century” that first showed the possibility of establishing a non-capitalist, perhaps socialist society of free and equal people.  The Left was then — unlike today — a truly serious social movement. It was comprised of people who were not primarily ensconced in universities, but had normal wage work and social interests. The big problem of the Communist Party was it only represented a specific milieu within the workers’ movement. Continue reading

On the Marxism of Rosa Luxemburg

Greg Gabrellas
Platypus Review

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This piece was originally published about two years ago in the Platypus Review. Greg Gabrellas, its author, was at that point a leading member of the organization in Chicago. He and the group have since parted ways, as happened in my case as well. I repost it here not only because it’s a good piece (it is), but also because it touches on the marginalization of Marxism within leftist politics in recent decades. Beginning in the 1960s an 1970s, Marxism came to be regarded, for better or worse, as just one strategy for emancipation among many. Some of this is quite understandable, insofar as revolutionary Marxism — not just in its Stalinist and Maoist but also its Trotskyist and left communist forms — had been vulgarized to such a point that it became little more than glorified class reductionism. Today, syncretistic approaches such as “intersectionality” have been anointed as the latest word in praxis. For his part, Greg devoted much of his own attention to problems of race relations in the US today and the persistent question of sexual liberation. Yet it’s my suspicion that it was his very dissatisfaction with these discourses that led him to the historical project of Marxism as offering a more radical vision of human freedom.

At the Marxist Literary Group’s Institute on Culture and Society 2011, held on June 20-24, 2011 at the Institute for the Humanities, University of Illinois at Chicago, Platypus explored “The Marxism of Second International Radicalism: Lenin, Luxemburg, and Trotsky.” What follows is an edited version of Greg’s opening remarks.

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Despite the contrary assertions of conservatives, Marxism as a body of thought is widely known and disseminated among activists, academics, and political intellectuals. They take Marxism to mean a theory of what is wrong in the world, and how it can be practically changed — essentially a normative political philosophy with a radical disposition. Marxism takes its seat next to feminism, queer theory, and critical race studies as a philosophy of liberation. But this view is insufficient, and would have been unthinkable to the radicals of the Second International. Moreover, Marxism today is not only practically ineffectual. It stands in the way of future developments within Marxism, and with it the possibility of socialism.

This judgment might seem surprising, perhaps even shocking, to the activists, academics, and intellectuals who consider themselves Marxists or at least sympathizers. There exist Marxist political organizations, journals, reading groups, and conferences. Activist projects continue to arise, countering imperialist war and punitive sanctions against the poor and working class, and Marxists play a definitive role in all forms of contemporary activism. But the historical optimism implicit in activism for its own sake, manifest by the slogan “the struggle continues,” condemns itself to impotence. Marxism is different from radical political theory only insofar as it is an active recognition of possibility amidst social disintegration and calamity. Marxists have forgotten that self-critical politics is the form in which progressive developments within Marxist theory take place.

At first this inward orientation might seem misplaced. But just as modern painting recovers and transforms the aesthetic conventions of previous generations, so the radicals of the Second International understood socialism to be exclusively possible through the self-criticism and advancement of the actually-existing-history of the movement. Understandably, the splotches on a Jackson Pollock painting, or the overlapping figures of a de Kooning, might confuse first-time visitors to any museum of modern art. With its historical link severed, Marxism too risks becoming unintelligible amid the chatter of contemporary theory.

For example, in The Crisis of German Social Democracy, written under the pseudonym Junius while imprisoned for her opposition to world war in 1914, Rosa Luxemburg wrote,

Unsparing self-criticism is not merely an essential for its existence but the working class’s supreme duty. On our ship we have the most valuable treasures of mankind, and the proletariat is their ordained guardian! And while bourgeois society, shamed and dishonored by the bloody orgy, rushes headlong toward its doom, the international proletariat must and will gather up the golden treasure that, in a moment of weakness and confusion in the chaos of the world war, it has allowed to sink to the ground.[1]

The “most valuable treasures of mankind” to which Luxemburg refers may be necessarily cryptic, but her phrase illuminates objective social sensibilities that have since vanished. Socialism was seen by the radical masses of workers and intellectuals alike as the fulfillment of humanity’s highest social and cultural achievements. Marxism was itself a historical achievement rendered possible by the organized politics of the working class. The task of Marxist theory was the criticism of socialist politics as a means of developing Marxism itself, and with it the possibility for new social freedoms. For Luxemburg, the project of political Marxism was not simply a matter of ideology or a political program that could be right or wrong. Socialism was, as she put it in the same pamphlet, “the first popular movement in world history that has set itself the goal of bringing human consciousness, and thereby free will, into play in the social actions of mankind.” In the wake of this movement’s crisis and ultimate collapse in the twentieth century, we must struggle to discern why and how this nearly forgotten generation of workers, intellectuals, and students came closest to achieving a real utopia. Continue reading

(Anti-)fascist propaganda props

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May Day, Leningrad 1931. A constructivist set design depicting the global forces of reaction — a capitalist with a Howitzer coming out of his hat, an Orthodox priest mounted on top, a policeman straddling a swastika — serves as the centerpiece for a parade outside the Winter Palace in Leningrad. One can see from the pictures in the gallery below that these sets were mobile, adaptable, and collapsible, with different fitted parts allowing for various juxtapositions and transformations.

The group responsible for this monstrous mise-en-scène was IZORAM (the Young Workers’ Visual Arts [Изобразительное искусство рабочей молодежи]), a Leningrad collective that combined theatrical constructivism with strong Proletkult overtones. It was led by the rather brilliant Moisei Solomonovich Brodskii, who’d begun his career as a popularizer of cubism in Russia. Didn’t last long, though; founded in 1928, IZORAM would dissolve by the end of 1931. Presumably, this coincided with the forced unionization of the different independent art organizations throughout the USSR, a measure that allowed the Stalinist regime to impose its prescribed brand of “socialist realism” on practitioners.

Credit must go to Architecture of Doom and Semiotic Apocalypse for bringing this to my attention. Naturally, the image was discovered in the course of trawling through Russian Livejournal websites.

If the swastika was “mobilized” toward antifascist ends for Soviet parades (though this should not be mistaken for détournement avant la lettre), then it could quite easily be “mobilized” toward fascist ends as well. Principally by the fascists themselves. Seems the Nazis took to the idea of using the swastika as a gigantic mobile prop, as can be seen from a photograph taken in Hamburg during a speech in 1933. Behold:

Bizarre example of Nazi mobile architecture, a kind of "walking swastika" in Hamburg, 1933a

Bizarre example of Nazi mobile architecture, a
kind of “walking swastika” in Hamburg, 1933

The swastika could be positively “mobilized” by yet another means — namely, as mass ornament. Continue reading

Nikolai Suetin's crypto-Suprematist model for the 1937 Soviet Pavilion, featuring Iofan's Palace of the Soviets

Nikolai Suetin’s crypto-Suprematist model for the Paris 1937 Soviet Pavilion, featuring Iofan’s Palace of the Soviets

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IMAGE: Suetin’s model
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From the first chapter of Douglas Murphy‘s Architecture of Failure (if you haven’t checked this book out by now, you really should):

Industrial exhibitions of one kind or another had been held for at least half a century before 1851.  However, as the Great Exhibition would be the first that was international in any sense, and as it would also be an event on a scale that dwarfed any previous exhibition, then it is not unreasonable to think of it in terms of a ‘first of its kind.’  Moreover, it set in motion a massive cultural movement; the Great Exhibition is often said to be the birth of modern capitalist culture, both in terms of the promotion of ideologies of free trade and competitive display but also in the new ways in which objects were consumed, and how they were seen. Benjamin refers to how the exhibitions were ‘training schools in which the masses, barred from consuming, learned empathy with exchange value,’ while more recently Peter Sloterdijk would write that with the Great Exhibition, ‘a new aesthetic of immersion began its triumphal procession through modernity.’  The financial success of the Great Exhibition was swiftly emulated: both New York and Paris would hold their own exhibitions within the next five years, and there would be a great many others held throughout the century all over the world.  As time went on, the event would slowly metamorphose into what is now known as the ‘Expo’, a strange shadow counterpart to the events of so long ago, but one that still occurs, albeit fitfully, and with a strange, undead quality to it.  By the time the first half-century of exhibitions was over the crystalline behemoths of the early exhibitions had been replaced by the ‘pavilion’ format, whereby countries, firms and even movements would construct miniature ideological edifices to their own projected self-identities. The 1900 Paris exhibition was the first to truly embrace this format, and in future years one could encounter such seminal works of architecture such as Melnikov’s Soviet Pavilion and Le Corbusier’s Pavilion Esprit Nouveau (Paris 1925), Mies van der Rohe’s Barcelona Pavilion (Barcelona 1929), Le Corbusier & Iannis Xenakis’ Phillips Pavilion (Brussels 1958), or witness the desperately tragic face-off between Albert Speer and Boris Iofan (Paris 1937). Continue reading

A Concrete Illustration of the Völkisch Undertones of Nazi Ecologism

Heidegger in the Black Forest

The following text is a translation of an address that Heidegger gave to his students commemorating the tenth anniversary of the the “heroic” death of Albert Leo Schlageter, a young German student at Freiburg who was executed by firing squad in 1923 for attempting to sabotage elements of the French occupation army in the Ruhr.  After the Nazis’ rise to power, Schlageter was immortalized as a patriot and a hero, celebrated for his noble sacrifice.  Throughout, Heidegger appeals to the notion of the Volk, singing maudlin hymns to the notions of courage and the will, to struggle and sacrifice.  But also notice Heidegger’s pastoral references to the natural landscape of surrounding Freiburg as he tries to stir up feelings of one’s ties to “blood and soil.”  All this is part and parcel of Nazi ecologism.

“Schlageter”

(May 26, 1933)

In the midst of our work, during a short break in our lectures, let us remember the Freiburg student Albert Leo Schlageter, a young German hero who a decade ago died the most difficult and the greatest death of all.

Let us honor him by reflecting, for a moment, upon his death in order that this death may help us to understand our lives.

Albert Leo Schlageter (1894-1923)

Schlageter died the most difficult of all deaths. Not in the front line as the leader of his field artillery battery, not in the tumult of an attack, and not in a grim defensive action — no, he stood defenseless before the French rifles.

But he stood and bore the most difficult thing a man can bear.

Yet even this could have been borne with a final rush of jubilation, had a victory been won and the greatness of the awakening nation shone forth.

Instead — darkness, humiliation, and betrayal.

And so, in his most difficult hour, he had also to achieve the greatest thing of which man is capable. Alone, drawing on his own inner strength, he had to place before his soul an image of the future awakening of the Volk to honor and greatness so that he could die believing in this future.

Whence this clarity of heart, which allowed him to envision what was greatest and most remote?

Student of Freiburg! German student! When on your hikes and outings you set foot in the mountains, forests, and valleys of this Black Forest, the home of this hero, experience this and know: the mountains among which the young farmer’s son grew up are of primitive stone, of granite.

They have long been at work hardening the will.

The autumn sun of the Black Forest bathes the mountain ranges and forests in the most glorious clear light. It has long nourished clarity of the heart.

As he stood defenseless facing the rifles, the hero’s inner gaze soared above the muzzles to the daylight and mountains of his home that he might die for the German people and its Reich with the Alemannic countryside before his eyes.

With a hard will and a clear heart, Albert Leo Schlageter died his death, the most difficult and the greatest of all.

Student of Freiburg, let the strength of this hero’s native mountains flow into your will!

Student of Freiburg, let the strength of the autumn sun of this hero’s native valley shine into your heart!

Preserve both within you and carry them, hardness of will and clarity of heart, to your comrades at the German universities.

Schlageter walked these grounds as a student. But Freiburg could not hold him for long. He was compelled to go to the Baltic; he was compelled to go to Upper Silesia; he was compelled to go to the Ruhr.

He was not permitted to escape his destiny so that he could die the most difficult and greatest of all deaths with a hard will and a clear heart.

We honor the hero and raise our arms in silent greeting.