write-ups

Le Corbusier painting in the nude at Eileen Gray’s Villa E-1027

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Plus, the story behind
his nasty leg scar

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Image: Le Corbusier painting a fresco in the nude
at Eileen Gray’s Villa E-1027 (Summer 1939)
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Shirtless Corbu relaxing at Villa E-1027

Shirtless Corbu relaxing at Villa E-1027

I didn’t know about this until just now.Le Corbusier apparently got the scar while swimming in Saint-Tropez bay in 1938. He’d been staying at the architect Eileen Gray’s Villa E-1027. He got trapped under a yacht’s propeller-blades as it passed over him. As he lated recounted the incident in a letter to his mother, in his characteristically clinical tone:

The motor going at 200 horsepower — a good clip.

Le Corbusier in Saint-Tropez bay (1938)

Le Corbusier in Saint-Tropez bay (1938)

Needless to say, his right leg got terribly mangled. Apparently he remained remarkably calm, however, even while losing a ton of blood. From that same letter:

After the first turn of the blades, I was thrown out of the circuit and seemed not to have been hurt. I reached the surface, and breathed air. I hadn’t swallowed a drop of water. I saw the boat gliding slowly away. I shouted: “Hey, wait a second, you went right over me, there may be some damage!” Quite automatically my hand went to my right thigh, my arm fitting nicely inside. I looked down: a big area of blood-red water, and half my thigh floating like a ray (the fish!), attached by a narrow strip of flesh: “Throw me a buoy, I’m badly hurt.”

The yacht headed toward me, throwing me a sort of rope knot too big to be held in one hand. The side of the yacht was too high for anyone to help me. “Throw a lifesaver.” It comes, and I sit inside it. And here are some fishermen coming into port; their boat is low, they hold out their hands, and I give them my left hand, because I’m holding my thigh together with my right; we reach the place I started from, on the breakwater; I get up on the jetty; a kind driver appears out of nowhere and helps me sit down beside him. The fisherman gets in the backseat. Hospital. They put me on the table and begin sewing me together. This lasts from six to midnight, in two sessions.

Le Corbusier and his wife along with Romanian architectural critic Jean Badovici at Villa E-1027, photographed by the Irish modernist Eileen Gray

Le Corbusier & wife w/ Romanian architecture critic Jean Badovici at Villa E-1027, photographed by Irish modernist Eileen Gray

After recovering, Le Corbusier set about making some “alterations” to Gray’s design at Villa E-1027. Gray was none too happy about the liberties he took with her visual and conceptual schematization of the villa. You can read more about it here.

Pod-people: Soviet disurbanism and individual housing units

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There actually were socialist proposals for something like the Futuro. Though he initially worked on a number of plans for communal housing, Moisei Ginzburg, along with Mikhail Okhitovich, Aleksandr Zelenko, and Aleksandr Pasternak (Boris’ brother), came close to this in their plans for “disurbanism” in late 1929 and early 1930. They opposed the existence of the traditional, centralized city as they viewed it as bound up with the capitalist social formation. Ginzburg, Okhitovich, & co. were much more interested in the development of personality and the free individual under socialism, rather than in the creation of vast collectivist dwellings. This was a welcome corrective to Leonid Sabsovich and others for whom communism meant merely the abstract negation of capitalism, and who wanted to substitute collectivism for individualism, which they associated with capitalism.

Anyway, the Disurbanists proposed small but accommodating individual housing units, or “pods,” which would moreover be mobile and collapsible. These spaces would aid in the cultivation of the individual personality, and would moreover allow each person the freedom to associate with others as he would like. If someone got married, he could “link” his pod to another’s. If the couple would then have children, they could “plant” more pods for each child to live in. Moreover, the Disurbanists believed that this would help solve the problem of divorce, housing space, and property, since a divorced couple would no longer have to fight over the space they shared or other proprietary issues. The two divorcees could simply uncouple their pod-houses from each other and go their separate ways.

Communal dwelling for comrades [товарищеская коммуна] № 17, Modern Architecture (1930)

Communal dwelling for comrades [товарищеская коммуна] № 17, Modern Architecture (1930)

The Disurbanists thus also hoped that this would help dissolve the traditional social unit of the family and more broadly “socialize” them. Like Sabsovich and the Urbanists, Ginzburg and his allies believed that the care of children in their upbringing should be primarily provided for by institutions established by society. But while familial bonds and affection would doubtless remain in many cases, one would not be forced by his involuntary association with his family to remain attached to it. Once a child would reach the age of maturity, it would be his right to dissociate himself from the rest of his natural family. Continue reading →

Ray Brassier on the speculative realist “movement”

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Including his reaction to my satiric
Manifesto of speculative realist/
object-oriented ontological blogging

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Image: Ray Brassier

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I first came across Dr. Brassier’s brutal excoriation of the Speculative Realist/Object-Oriented Ontological blogging “movement” after my own lighthearted sendup of the phenomenon was met with such disapproval by Tim Morton, Levi Bryant, and (seemingly) Nick Srnicek, although Srnicek was perhaps justifiably upset that I counterposed his e-mail to me to Bryant’s. In any case, I felt some sense of vindication upon seeing Ray Brassier’s own scathing commentary on SR movement in his interview with the Polish magazine Kronos:

The “speculative realist movement” exists only in the imaginations of a group of bloggers promoting an agenda for which I have no sympathy whatsoever: actor-network theory spiced with pan-psychist metaphysics and morsels of process philosophy. I don’t believe the internet is an appropriate medium for serious philosophical debate; nor do I believe it is acceptable to try to concoct a philosophical movement online by using blogs to exploit the misguided enthusiasm of impressionable graduate students. I agree with Deleuze’s remark that ultimately the most basic task of philosophy is to impede stupidity, so I see little philosophical merit in a ‘movement’ whose most signal achievement thus far is to have generated an online orgy of stupidity.

Now, Brassier’s unsparing invective against this trend within the theory blogosphere has already been widely circulated, and I must admit that I was something of a latecomer in discovering the sentiments he expressed. Most have probably been aware of these statements for much longer than me. Nevertheless, I’ve been slowly working through his recent book, Nihil Unbound: Enlightenment and Extinction, and must admit that I’ve enjoyed it so far more than anything I’ve read from Harman or Latour. I especially appreciate his engagement with Adorno and Horkheimer’s Dialectic of Enlightenment; his interpretation is really quite good. So there’s a level of respect I had for him that preceded my stumbling upon this little snippet.

Anyway, following my recent publication of the satyric Manifesto of Speculative Realist/Object-Oriented Ontological Blogging and subsequent discovery of Brassier’s somewhat similar (though no doubt deeper) position on the matter, I e-mailed him with a link to the satyric piece. With the largely mixed response to the post that I’d received from the rest of the theory blogosphere, I was curious as to what Brassier might make of it. He responded this morning, rather promptly. The correspondence ran as follows.

Cover to the volume The speculative turn

Cover to the volume The speculative turn

Continue reading →

The manifesto of Speculative Realist/Object-Oriented Ontological blogging

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…the infernal piping of those blasphemous flutes…

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Prologue: Of manifestoes and manifestoism

To launch a manifesto you have to want: A.B. & C., and fulminate against 1, 2, & 3.

work yourself up and sharpen your wings to conquer and circulate lower and upper case As, Bs & Cs, sign, shout, swear, organise prose into a form that is absolutely and irrefutably obvious, prove its ne plus ultra and maintain that novelty resembles life in the same way as the latest apparition of a harlot proves the essence of God.

We alone are the face of our Time. Through us the horn of Time blows in the art of the world.

Throw Pushkin, Dostoevsky, Tolstoy, etc., etc. overboard from the Ship of Modernity.

  1. Up to now literature has exalted contemplative stillness, ecstasy, and sleep. We intend to exalt movement and aggression, feverish insomnia, the racer’s stride, the mortal leap, the slap and the punch.
  2. We declare that the splendor of the world has been enriched by a new beauty: the beauty of speed. A racing automobile with its bonnet adorned with great tubes like serpents with explosive breath…a roaring motor car which seems to run on machine-gun fire, is more beautiful than Тhe Victory of Samothrace.
  3. We are on the extreme promontory of the centuries! What is the use of looking behind at the moment when we must open the mysterious shutters of the impossible? Time and Space died yesterday. We are already living in the absolute, since we have already created eternal, omnipresent speed.
  4. We intend to glorify war — the only hygiene of the world — militarism, patriotism, the destructive gesture of anarchists, beautiful ideas worth dying for, and contempt for woman. Continue reading →
Lev Rudnev’s “City of the Future” (1925), before his turn to Stalinist neo-Classicism

Modernist architecture archive

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IMAGE: Lev Rudnev’s City of the future (1925),
before his turn to Stalinist neoclassicism
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An update on the Modernist Architecture Archive/Database I discussed a couple posts ago.  I’ve begun work on it, and have uploaded almost half of the documents I intend to include.  Only a few of the Russian ones are up yet, but I’m hoping to post them over the next couple days.  There are many more on the way.

Anyway, anyone interested in taking a look at this archive (arranged as a continuous text) can access it here.

However, this might not be the most convenient way to browse through it all.  For a more manageable overall view of each of the individual articles (detailing the author, title, and year of publication), click here.

Репринт Журнала Современная Архитектура [Reprint of the Journal Modern Architecture] (1926-1930)

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I came across this advertisement yesterday while searching online for any articles on the early Soviet periodical Modern Architecture.  For those who don’t spend their time painstakingly researching long-dead avant-garde movements, this publication might not mean much.  However, it’s of great historical and theoretical importance — a project featuring a truly spectacular cast of characters.  The main organ for the OSA group of architectural Constructivists, Modern Architecture was edited first by the legendary theoreticians and architects Moisei Ginzburg and Aleksandr Vesnin, later coming under the editorship of Roman Khiger, after 1928.  Its layout was designed by Aleksei Gan, author of the seminal text on Constructivism in art, Конструктивизм (1922).  A number of young Soviet modernists contributed pieces to the journal: Mikhail Barshch, Ivan Leonidov, Nikolai Krasil’nikov, Kazimir Malevich, etc.  Articles by some of the most extraordinary foreign avant-garde architects and artists were also included: Le Corbusier, Walter Gropius, Ludwig Mies van Der Rohe, and Fernand Léger.

Needless to say, I was immediately overcome with excitement. You see, last winter I spent weeks at the New York Public Library, poring over their microfiche collection of the 1927-1930 editions of Modern Architecture (they didn’t have the volume for 1926).  I sat there using their clumsy old machines, struggling to center the pages exactly and bring them into focus by using the different microscopic lenses, only to make poor-quality printouts in the end.  So now that Tatlin press is re-releasing it in full, 80 years after Stalin’s government forced them to cease its publication, I can honestly say I’m stoked.  Here’s the description included in the ad:

ISBN 978-5-903433-12-4

редактор составитель — Эдуард Кубенский
вступительная статья — Жан-Луи Коэн
5 томов, 1076 стр., 24.0х34.0 см,
мягкая обложка, футляр, рус./фр./нем./англ.

Современная архитектура — иллюстрированный журнал «Государственного издательства», выходивший в Москве с 1926 по 1930 годы 6 раз в год. Журнал освещал вопросы современного градостроительства, жилой, промышленной и сельской архитектуры, типового проектирования, истории и теории архитектуры и строительства. Несмотря на короткий срок своего существования, журнал Современная архитектура — журнал-эпоха. В его реализации принимали участие ведущие мастера эпохи авангарда. Среди выдающихся имен, имевших отношение к журналу, можно назвать архитектора и бессменного редактора журнала Моисея Гинзбурга, автора проекта Дома Наркомфина; художников Алексея Гана и Варвару Степанову, занимавшихся версткой и дизайном издания и других. На его страницах публиковали свои работы Иван Леонидов и братья Веснины, Ле Корбюзье и Мисс Ван дер Роэ. Отдельной темой выступает в издание его графический строй, являющийся образцом передового дизайна своего времени. Сегодня эти журналы стали библиографической редкостью: растет цена информации, размещенной на их страницах. Об актуальности всего, что связано с эпохой русского авангарда в мире, не приходится говорить, это давно сформировавшаяся позиция. Анализ этого явления и его актуализация сегодня поможет еще раз осознать место России в мировом архитектурном пространстве.

Iakov Chernikhov’s Principles of Modern Architecture (1930)

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Browsing the Russian search engine Яндекс for information about Iakov Chernikhov, I came across an online copy of his 1930 book, Principles of Modern Architecture (Основы современной архитектуры). It’s free to browse in its entirety.

Enjoy!

From Kant’s Critiques to the “Spinoza Controversy”

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Today I finished reading Kant’s Critique of Judgment.  This was my first reading of this work in its entirety; it has been my goal (now accomplished) in the last three weeks to read all three Critiques from start to finish, chronologically, interrupted only by reading his essays “What is Enlightenment?”, “Perpetual Peace,” and “Speculative Beginning of Human History.”  While all these works are excellent, the third Critique might be my favorite.  Kant didn’t even realize how good it is.

Now I plan to begin exploring in earnest the famous “Spinoza controversy” that involved Lessing, Mendelssohn, Jacobi and others in the 1780’s and, along with the presentation of Kant’s critical philosophy, dominated the philosophical scene therein.  As a preliminary measure, I’ve been brushing up on Spinoza’s Ethics.  From there, I hope to finally familiarize myself with Jacobi’s work from this period.

Quite happily, my reacquaintance with Spinoza might complement nicely the project that I have been asked to join with regard to Laruelle’s notion of “non-philosophy.”  In revisiting Spinoza’s concept of the One, I might better be able to understand Laruelle’s non-philosophical emendation pf it.

Speculative Heresy

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Taylor Adkins from Fractal Ontology has invited me to participate in a new blog, Speculative Heresy, which will deal with issues of non-philosophy.  “Non-philosophy” refers to a position that has been expounded in the last few decades by prominent French thinkers such as Laruelle.  Authors from the blogs Naught Thought and Accursed Share will be contributing to this effort as well.  I am excited to have received this opportunity, and hope to do my part in this collaboration.

Francois Laruelle Non-Philosophy

Thoughts on François Laruelle’s Preface and Introduction to Principles of Non-Philosophy (as translated by Fractal Ontology’s Taylor Adkins)

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Taylor Adkins, from Fractal Ontology, has graciously shared with me some advanced rough drafts of his continuing translations of François Laruelle’s work from French into English. This morning I read one of the more introductory, programmatic pieces he sent — the preface and introduction to Principles of Non-Philosophy. This outlines in broad strokes Laruelle’s notion of “non-philosophy,” which, from what I gather, is one of the central themes of his work. The work exhibits an uncommon originality in its interpretations of traditional philosophical (and extra-philosophical) problems, accompanied by a casual erudition which appeals to my tastes greatly. Personally, I do foresee problems (or at least significant obstacles) which will present themselves to Laruelle’s enterprise, which may be dealt with more or less adequacy. Given the competence and ingenuity he displays in this short piece, however, I have no doubt that he will make an honest go of it. It would be ridiculous, in any case, to demand an exhaustive treatment or solution to these problems from a work which he openly admits is propaedeutic in its function (i.e., it only aims to be “the most complete introduction to non-philosophy in the absence of its realization”).

What follows are my initial thoughts in response to this piece. I will refrain from idle speculation into those sections which exceed my topical familiarity at present, and focus mostly on some of the references and implications which I take to be most plainly evident in the text. In this way I might perform some small service of gratitude to Taylor for offering his work for discussion, contributing the occasional insights my background makes available for those who are interested. It is quite possible that my own take on what Laruelle is trying to say is mistaken; aware of this fact, I welcome criticism and correction from all sides.

Departing from the continental orientation toward questions of ontology (the logic of Being) and its differential corollary of alterity which has predominated in recent years, Laruelle grounds his exposition of “non-philosophy” in its (ontology’s) traditional rival, henology (the logic of the One). This classification is misleading, however. For Laruelle’s conception of the One is highly idiosyncratic. It differs in many respects from the object of the classical Platonic, Stoical, and Spinozistic henologies — the One(s) which philosophically ground(s) the order of appearances in their modal correspondence and community with one another.

On this point we may elaborate. Specifically, Laruelle seems to take issue with the place the One occupies within philosophies and mystical tradition, as something which is accomplished or realized through the relation of its subsidiary modes. This holds whether the One is reached by speculative/dialectical ascent (as in transcendental and Hegelian logic) or through revelation or religious vision (as in mysticism). This is why categorizing Laruelle’s thought as henological is potentially confused, because any “logic” which is thought to articulate the One cannot be conceived as literal. It can appear only in scare-quotes, since the One “is immanent (to) itself rather than to a form of thought, to a ‘logic.’”

Continue reading →