Can a homosexual be a communist? Harry Whyte’s letter to Stalin, 1934

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Editor’s Note. 
The following is an excerpt from
Moscow (Ugly Duckling Presse, Brooklyn, 2013), the new book by New York-based artist Yevgeniy Fiks. Moscow, which will be officially released on February 15, documents gay cruising sites in Soviet Moscow, from the early 1920s to the USSR’s dissolution in the early 1990s. Photographed in 2008 in a simple but haunting documentary style, these sites of the bygone queer underground present a hidden and forgotten Moscow, with a particular focus on Revolutionary Communist sites appropriated by queer Muscovites. The book concludes with the first English-language publication of a 1934 letter to Joseph Stalin in which British communist Harry Whyte presents a Marxist defense of homosexuality in light of its re-criminalization in the USSR.

Given post-Soviet Russia’s recent turn towards aggressive official homophobia, we thought it might be illuminating for our readers to read Whyte’s letter. We thank Yevgeniy Fiks and Ugly Duckling Presse for their permission to reprint it in full here.

See also “Cruising Past: Moscow’s Forgotten Gay History.”

P.S., the image at the top is André Gide speaking before a crowd atop Lenin’s tomb in Moscow, 1936. Molotov and Stalin stand behind him. I am ironically including images below from the 1950s, celebrating the short-lived friendship between the USSR and PRC. Not only to travesty the shamefully homophobic legacies of Stalin and Mao (though that also), but because they’re some of the most unconsciously homoerotic images I’ve ever seen.

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Can a homosexual be a member of the Communist Party?
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Harry Whyte
Moscow, USSR
May 1934

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Comrade STALIN,

The content of my appeal is briefly as follows. The author of this letter, a member of the Communist Party of Great Britain, requests a theoretical grounding of the March 7 decree of the USSR Central Executive Committee on [the institution of] criminal liability for sodomy.[1] Since he strives to approach this question from a Marxist viewpoint, the author of this letter believes that the decree contradicts both the facts of life itself and the principles of Marxism-Leninism.

Here is a summary of the facts that are discussed in detail in the attached letter:

  1. On the whole, the condition of homosexuals under capitalism is analogous to the condition of women, the colored races, ethnic minorities, and other groups that are repressed for one reason or another;
  2. The attitude of bourgeois society to homosexuality is based on the contradiction between:
    1. capitalism’s need for “cannon fodder” and a reserve army of labor (leading to repressive laws against homosexuality, which is regarded as a threat to birth rates);
    2. the ever-growing poverty of the masses under capitalism (leading to the collapse of the working-class family and an increase in homosexuality).
  3. This contradiction can be resolved only in a society where the liquidation of unemployment and the constant growth of the material well being of workers fosters conditions in which people who are normal in the sexual sense can enter into marriage.
  4. Science confirms that an insignificant percentage of the population suffers from constitutional homosexuality.
  5. The existence of this insignificant minority is not a threat to a society under the dictatorship of the proletariat.
  6. The new law on homosexuality has provoked the most various and contradictory interpretations.
  7. The March 7 law fundamentally contradicts the basic principle of the previous law on this question.
  8. The March 7 law essentially calls for “leveling” in the realm of sexual life.
  9. The March 7 law is absurd and unjust from the viewpoint of science, which has proven the existence of constitutional homosexuals and has no means at its disposal to change the sexual nature of homosexuals.

Dear Comrade Stalin:

Although I am a foreign communist who has not yet been promoted to the AUCP(b),[2] I nevertheless think that it will not seem unnatural to you, the leader of the world proletariat, that I address you with a request to shed light on a question that, as it seems to me, has huge significance for a large number of communists in the USSR as well as in other countries.

The question is as follows: can a homosexual be considered someone worthy of membership in the Communist Party?

The recently promulgated law on criminal liability for sodomy, which was affirmed by the USSR Central Executive Committee on March 7 of this year, apparently means that homosexuals cannot be recognized as worthy of the title of Soviet citizen. Consequently, they should be considered even less worthy to be members of the AUCP(b).

Since I have a personal stake in this question insofar as I am a homosexual myself, I addressed this question to a number of comrades from the OGPU and the People’s Commissariat for Justice, to psychiatrists, and to Comrade Borodin, the editor-in-chief of the newspaper where I work.[3]

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All that I managed to extract from them was a number of contradictory opinions which show that amongst these comrades there is no clear theoretical understanding of what might have served as the basis for passage of the given law. The first psychiatrist from whom I sought help with this question twice assured me (after verifying this with the People’s Commissariat for Justice) that if they are honest citizens or good communists, his patients may order their personal lives as they see fit. Comrade Borodin, who said that he personally took a negative view of homosexuality, at the same time declared that he regarded me as a fairly good communist, that I could be trusted, and that I could lead my personal life as I liked. Somewhat earlier, when the arrests of homosexuals had only just begun, Comrade Borodin was quite disinclined to view me as a potential criminal; he did not regard me as a bad communist, and this was confirmed by the fact that he promoted me at work by appointing me head of editorial staff, which is the highest-ranking supervisory position with the exception of members of the editorial board. Somewhat later, when the December 17 version of the law already existed, but before the March 7 decree, I contacted the OGPU in connection with the arrest of a certain person with whom I had had homosexual relations. I was told there that there was nothing that incriminated me.

All these statements produced the impression that the Soviet organs of justice were not prosecuting homosexuality as such, only certain socially dangerous homosexuals. If this is really the case, then is there a need for the general law?

On the other hand, however, after the law was issued on March 7, I had a conversation in the OGPU in which I was told that the law would be strictly applied to each case of homosexuality that was brought to light.

In connection with the lack of clarity that exists in this matter, I turn to you in the hope that you will find the time to give me an answer.

Allow me to explain to you this question as I understand it.

First and foremost, I would like to point out that I view the condition of homosexuals who are either of working-class origin or workers themselves to be analogous to the condition of women under the capitalist regime and the colored races who are oppressed by imperialism. This condition is likewise similar in many ways to the condition of the Jews under Hitler’s dictatorship, and in general it is not hard to see in it an analogy with the condition of any social stratum subjected to exploitation and persecution under capitalist domination.

When we analyze the nature of the persecution of homosexuals, we should keep in mind that there are two types of homosexuals: first, those who are the way they are from birth (moreover, if scientists disagree about the precise reasons for this, then there is no disagreement that certain deep-seated reasons do exist); second, there are homosexuals who had a normal sexual life but later became homosexuals, sometimes out of viciousness, sometimes out of economic considerations.

As for the second type, the question is decided relatively simply. People who become homosexuals by virtue of their depravity usually belong to the bourgeoisie, a number of whose members take to this way of life after they have sated themselves with all the forms of pleasure and perversity that are available in sexual relations with women. Amongst those who take to this way of life out of economic considerations, we find members of the petit bourgeoisie, the lumpenproletariat, and (as strange as it might seem) the proletariat. As a result of material necessity, which is particularly aggravated during periods of crisis, these people are forced temporarily to turn to this method of satisfying their sexual urges insofar as the absence of means deprives them of the possibility of marrying or at least contracting the services of prostitutes. There are also those who become homosexuals not in order to satisfy their urges, but in order to earn their keep by means of prostitution (this phenomenon has become especially widespread in modern Germany).

But science has established the existence of constitutional homosexuals. Research has shown that homosexuals of this type exist in approximately equal proportions within all classes of society. We can likewise consider as established fact that, with slight deviations, homosexuals as a whole constitute around two percent of the population. If we accept this proportion, then it follows that there are around two million homosexuals in the USSR. Not to mention the fact that amongst these people there are no doubt those who are aiding in the construction of socialism, can it really be possible, as the March 7 law demands, that such a large number of people be subjected to imprisonment?

Just as the women of the bourgeois class suffer to a significantly lesser degree from the injustices of the capitalist regime (you of course remember what Lenin said about this), so do natural-born homosexuals of the dominant class suffer much less from persecution than homosexuals from the working-class milieu. It must be said that even within the USSR there are conditions that complicate the daily lives of homosexuals and often place them in a difficult situation. (I have in mind the difficulty of finding a partner for the sexual act, insofar as homosexuals constitute a minority of the population, a minority that is forced to conceal its true proclivities to one degree or another.)

What is the attitude of bourgeois society to homosexuals? Even if we take into account the differences existing on this score in the legislation of various countries, can we speak of a specifically bourgeois attitude to this question? Yes, we can. Independently of these laws, capitalism is against homosexuality by virtue of its entire class-based tendency. This tendency can be observed throughout the course of history, but it is manifested with especial force now, during the period of capitalism’s general crisis.

Capitalism, which needs an enormous reserve army of labor and cannon fodder in order to flourish, regards homosexuality as a factor that threatens to lower birth rates (as we know, in the capitalist countries there are laws that punish abortion and other methods of contraception).

Of course, the attitude of the bourgeoisie to the homosexual question is typical hypocrisy. Strict laws are the cause of few nuisances for the bourgeois homosexual. Anyone who is at all familiar with the internal history of the capitalist class knows of the periodic scandals that arise in this regard; moreover, members of the dominant class who are mixed up in these affairs suffer to an insignificant degree. I can cite a little-known fact in this connection. Several years ago, one of the sons of Lord and Lady Astor was convicted of homosexuality. The English and American press omitted to report this fact, with the exception of the Morning Advertiser. This newspaper is owned by beer manufacturers, and it was in its interests to compromise Lord and Lady Astor, who had been agitating for the introduction of prohibition. Thus the fact of [Astor’s conviction] became known thanks to contradictions within the dominant class.

Thanks to its wealth, the bourgeoisie can avoid the legal punishment that descends in all its severity on homosexual workers with the exception of those cases when the latter have prostituted themselves to members of the dominant class.

I have already mentioned that capitalism, which has need of cannon fodder and a reserve army of labor, attempts to combat homosexuality. But at the same time, by worsening the living conditions of workers, capitalism produces the objective conditions for an increase in the number of homosexuals who take to this way of life by virtue of material necessity.

This contradiction is reflected in the fact that fascism, which employed the pederast [Marinus] van der Lubbe[4] as a weapon in its provocation, at the same time brutally suppressed the liberal-intelligentsia “liberation” movement of homosexuals led by Dr. Magnus Hirschfeld.[5] (See the Brown Book, which cites the Hirschfeld case as an instance of the anti-cultural barbarism of the fascists.)[6]

Another reflection of this contradiction is the figure of André Gide, French homosexual writer, leader of the antifascist movement, and ardent friend of the USSR. The general public in France knows about Gide’s homosexuality, for he has written about it openly in his books. And despite this, his authority amongst the masses as a fellow traveller of the communist party in France has not been shaken. The fact that Gide has joined the revolutionary movement has not hindered its growth or the support of the masses for the leadership of the communist party. In my view, this shows that the masses are not intolerant of homosexuals. Continue reading

VKhUTEMAS exhibition in Berlin: Rediscovery of a Russian revolutionary art school

Sibylle Fuchs
Verena Nees

April 5, 2015
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“Vkhutemas: A Russian Laboratory of Modernity — Architectural Designs 1920-1930,” at the Martin-Gropius-Bau, Berlin, December 5, 2014 to April 6, 2015.

A remarkable exhibition, featuring the art and architecture of the early Soviet Union’s VKhUTEMAS [acronym in Russian for Higher Art and Technical Studios] school, is currently at Berlin’s Martin-Gropius-Bau museum, until April 6. For the first time, some 250 works — drawings, sketches, paintings, photographs and models, mainly in the field of architecture — created by the students and teachers of the Moscow workshops, which existed from 1920 to 1930, are on display.

Exhibition of student’s work on “Evidence and expression of mass and weight” School year 1927-1928 © The Schusev State Museum of Architecture Moscowia802601.us.archive.org-grerussi00schi_0302 copy 2

The exhibition was organized by the Shchusev State Museum of Architecture in Moscow, based on extensive research into numerous archives, as well as interviews with graduates of the school and the families of former teachers. Researchers were thus able to bring to light long-lost designs, construction plans and models. The exhibition provides a fascinating insight into a neglected school of art that revolutionized modern architecture.

The displayed works of the Vkhutemas students range from designs for residential buildings, theaters, kiosks, swimming pools, sports stadiums, workingmen’s clubs and entire cities to student research projects on theoretical questions such as “mass and weight,” “color and spatial composition,” and “geometric properties of a form.” The sketches of complex urban roofscapes, imaginatively conceived recreation centers in natural settings, seemingly weightless buildings with vibrantly curved features, aesthetic structuring and façades for industrial buildings—all testify to such a wealth of radicalism, experimentation and diversity of ideas that many Bauhaus [German art school, 1919-1933] creations fade in comparison.

All the designs, even the bold and less realistic ones like the floating skyscrapers attached to balloons, also evoke a sense of the seriousness with which architectural commissions assigned by the workers’ state were undertaken after the October Revolution.

M. Korshew- Abstrakte Aufgabe zur Ermittlung von Masse und Gewicht

On December 19, 1920, Lenin announced the Soviet government’s resolve to establish the Higher Artistic and Technical Workshops — VKhUTEMAS. The aim was to use the visual arts in the training of technically, politically and scientifically educated architects and designers in all disciplines. In the ten years of its existence, VKhUTEMAS became a laboratory of modern architecture and art, in which diverse artistic ideas and methods, such as classicism, constructivism, psychoanalytic approaches and even futurism came together.

Time and again, the media refers to VKhUTEMAS as the Russian Bauhaus. Many scholars in the West have insisted on seeing the Bauhaus movement in Weimar and Dessau as a model for the Russian architectural avant-garde. However, the exhibition throws this conception into question. Although VKhUTEMAS had close ties to Bauhaus and the latter held some concepts and ideas in common with the Soviet workshops, the relationship is rather the reverse. In her contribution to the catalog, Barbara Kreis writes that the works of the students and teachers are “unmatched, and later often served architects as templates and sources of inspiration.”

The sheer scope of the training and the vast number of students and teachers make it clear that the Moscow workshops mark a unique stage in the development of modern architecture. Some 2,000 students enrolled in the first year alone, while Bauhaus trained only about 150 in the same time frame.

Many famed Russian artists and avant-garde architects were at least temporarily VKhUTEMAS teachers. These included Alexander Rodchenko, Varvara Stepanova, Vladimir Tatlin, Vladimir Krinsky, Alexander Vesnin and his brothers Viktor and Leonid, Lyubov Popova, Naum Gabo, El Lissitzky, Nikolai Ladovsky, Konstantin Melnikov, Moisei Ginzburg, Alexei Shchusev, Wassily Kandinsky, Aleksandra Ekster, and Gustav Klutsis.

BookScanStation-2013-07-11-06-19-45-PM0001alq VKhUTEMAS faculty and professors

The VKhUTEMAS school’s reputation also spread internationally and reached New York, where the works of its students were exhibited. Alfred H. Barr, the founding director of the Museum of Modern Art, traveled specifically to visit the VKhUTEMAS in Moscow in 1928. The Soviet pavilion designed by Melnikov and Rodchenko’s Workers Club were accorded great recognition at the 1925 International Exposition of Modern Industrial and Decorative Arts in Paris.

The designs and sketches now shown in Berlin form eloquent testimony to the tremendous spirit of optimism that the October Revolution unleashed in architecture and other art forms. A documentary film, made by the German WDR broadcaster in 1984 and shown at the exhibition, features the comments of contemporaries, enthusiastically recalling their years of study in the VKhUTEMAS. Describing the atmosphere, one said he “always climbed stairs two steps at a time and, going down, in leaps and bounds.”

Curator Irina Tschepkunowa also writes in the introduction to the catalog that one can scarcely any longer imagine in today’s “pragmatically oriented” Russia the enthusiasm that broke out after the revolution. “Hunger and destruction during war communism, the ongoing civil war in the country’s border areas and the impoverished everyday life provoked in young people — as strange as this may seem today — not dejection, but an unprecedented creative enthusiasm and willingness to work.”

Establishing the VKhUTEMAS

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Training in the VKhUTEMAS was focused on the mobilization of all talents for the building of a socialist society. Immediately after the revolution, the academies and art schools, reserved for the privileged social elites, were abolished and artistic training procedures reformed with the introduction of free state art workshops. All who wanted to study art could enroll at such schools. This also initially applied to the VKhUTEMAS, where participation in preparatory courses of the RabFak workers’ university was obligatory in 1921 for workers and young people without qualifications. In 1925, an examination assessing artistic talent was also introduced as an entry requirement.

A. Wesnin- Entwurf zur Gestaltung der Außenfassade der WChUTEMAS zum 10. Jahrestag der OktoberrevolutionLissitzky_Proun-Street_celebration_design_2786-08

The VKhUTEMAS were divided into eight faculties that included three art workshops: painting (panel, monumental and decorative painting), sculpture and architecture, as well as five production workshops: graphics, textiles, ceramics, metal and wood working. Lidia Komarova, an architect and a 1929 graduate of the VKhUTEMAS described the overall orientation of the workshops as follows: “The goal was to unite art with production, science with technology, and the new content of socialist life with the needs of the people.”(1) Continue reading

Adorno’s Leninism

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Lenin and Adorno are not often placed side by side, conceptually or historically. More often than not they are counterposed — the former was a revolutionary man of action, while the latter ruminated most of his life on a revolution that never came to pass. It therefore came as a surprise to many when it came to light that Adorno insisted on “a strictly Leninist manifesto” in 1956, during his recorded conversation with Horkheimer. Even Martin Jay, who long sought to distance Frankfurt School critical theory from Leninism, was forced to acknowledge this passing remark, though it was immediately downplayed as an uncharacteristic bit of exuberance (“a brief paroxysm of enthusiasm”). Other critics, such as Todd Cronan, held that Adorno regressed behind Marx in following Lenin, since being determines consciousness and not the other way around. Chris Cutrone, my old mentor/nemesis of Platypus fame, has already criticized this view, so I won’t reprise his comments here.

The majority of Adorno’s public pronouncements regarding Lenin were deprecatory, if appreciative, playing coy with his authority on questions of materialist epistemology. Brecht had wondered why Adorno would bother reexamining philosophers like Mach or Husserl, especially since Lenin had dealt with them so roughly in Materialism and Empiricriticism (1908). Adorno objected that Lenin’s critique of empiriocriticism remained purely transcendental — i.e. rejecting it on the basis of false premises rather than provisionally accepting these false premises and immanently working through them. “When Lenin, rather than go in for epistemology, opposed it in compulsively reiterated avowals of the noumenality of cognitive objects, he meant to demonstrate that subjective positivism is conspiring with the powers that be,” wrote Adorno. “His political requirements turned him against the goal of theoretical cognition. A transcendent argumentation disposes of things on the basis of its claim to power, and with disastrous results: the unpenetrated target of criticism remains undisturbed as it is, and not being hit at all, it can be resurrected at will in changed constellations of power.”

“[D]ialectics as critique implies the criticism of any hypostasization of the mind as the primary thing, the thing that underpins everything else,” he recalled in his 1966 Lectures on Negative Dialectics. “I remember how I once explained all this to Brecht when we were together in exile. Brecht reacted by saying that these matters had all been settled long since — and what he had in mind was the materialist dialectic — and that there was no point in harking back to a controversy that had been superseded by the unreal course of history. I am unable to agree with this. On the one hand, it seems to me that the book whose authority he relied on, Lenin’s book on empiriocriticism, in no way succeeds in delivering what it undertakes to perform, namely a philosophical critique of the hypostasization of the mind or of idealism. It remains a thoroughly dogmatic work which simply presents a specific thesis with a torrent of abuse and in endless variations, without at all attempting a fundamental explanation.”

Just going on these statements, Adorno would seem to be lukewarm toward Lenin at best. Yet Adorno’s references to Lenin made in private, repeatedly in his letters from the 1930s and then again in his taped conversation two decades later, paint a different picture. There are several likely reasons for this. Lars Quadfasel speculates that public mention of Lenin during the 1930s, particularly after the Nazi seizure of power, would have been extremely unwise unless one was heaping scorn upon the Bolshevik leader’s memory. Similarly, after World War II, it was illegal for anyone living in West Germany to belong to the communist party. Moreover, since Lenin’s successors had transformed his teachings, along with those of Marx, into an unmoving set of dogmas collectively referred to as “DiaMat,” it is understandable that Adorno would hesitate to invoke the great revolutionary.

Detlev Claussen’s 2003 biography of Adorno, One Last Genius, perhaps provides the richest picture of Lenin’s enduring influence on Adorno. Claussen writes:

It was [Adorno’s] collaboration with Horkheimer [during the 1930s] that enabled him to shed these intellectual infantile disorders. His letters are full of bizarre references to Lenin, as if he wanted to outdo the “orthodox Marxism” advocated in Lukács’s History and Class Consciousness. Adorno’s original politicization took place when he was still very young, evidently in the course of his readings with Kracauer. This supplied him with key terms that expanded his horizon beyond his artistic and aesthetic concerns. This habit of thinking in keywords recurs in the taped records of the 1950s, when he would refer to Lenin, in the middle of the cold war, at a time when the Communist Party was banned and even party members scarcely dared to mention his name. It was at this time that he proposed to Horkheimer that they should produce a reworked Communist Manifesto that would be “strictly Leninist.” Behind the closed doors of the Institute, Adorno’s aim in 1956 was not to go back to Marx, but to go beyond him. He told Horkheimer that “I always wanted to try to produce a theory that would be faithful to Marx, Engels and Lenin, while not lagging behind the achievements of the most advanced culture.” Paradoxically, summing up the course of his life to that point in 1956, Adorno mentions his road toward politicization. He had arrived at Lenin, he claimed, via music. Using one of his key ideas, the idea that all knowledge is socially mediated, Adorno once again confirmed the importance of Lenin: “Marx was too harmless; he probably imagined quite naïvely that human beings are basically the same in all essentials and will remain so. It would be a good idea, therefore, to deprive them of their second nature. He was not concerned with their subjectivity; he probably didn’t look into that too closely. The idea that human beings are the products of society down to their innermost core is an idea that he would have rejected as a milieu theory. Lenin was the first person to assert this.”

In reality it was only Lenin’s contemporary Freud who noticed people’s subjectivity. Horkheimer and Adorno’s original idea of writing something jointly, the original seed of Dialectic of Enlightenment, was concerned with a critique of the individual. It was the attitude toward psychoanalysis that revealed the split in the material which produced critical theory, on the one hand, and revisionist psychoanalysis, as pioneered by Erich Fromm, on the other. The directness of the political vocabulary that was retained until well into the fifties becomes clear from a letter of Adorno’s to Horkheimer dated 21 March 1936. Adorno complains that Fromm has placed him in the “paradoxical situation of having to defend Freud. He is both sentimental and false, a combination of social democracy and anarchism; above all, there is a painful absence of dialectical thinking. He takes far too simple a view of authority, without which, after all, neither Lenin’s vanguard nor his dictatorship is conceivable. I would urgently advise him to read Lenin.”

Below are two long articles, each titled “Adorno’s Leninism.” The first, by Cutrone, presents a number of parallels between Lenin, Trotsky, and Adorno, some passages being virtual paraphrases. It’s a bit quote-heavy, in that almost Benjaminian style that presents long blocks of quoted texts followed by brief commentary, but it’s quite good. After that, there’s an article by Quadfasel in German (“Adornos Leninismus”) where he touches on several of the matters discussed in this introduction, as well as ongoing textual controversies about the compatibility or incompatibility of Adornian theory with Leninist practice — again, mostly in German. Quadfasel’s article includes a rather long fragment by Adorno from 1935 titled “The Fulcrum,” which I’ve attempted to translate below. Claudia Dallek assisted in the translation:

To learn from Lenin: Shouldn’t that really mean more than taking over methods of illegal work that were appropriate for the police state of Prussia? Such methods are not appropriate for a dictatorship whose power to rule [Herrschgewalt] strikes with even greater precision (insofar as it is able to con people, not based on democracy, but on a population of willing servants, informants, and pimps). Instead of sacrificing our best workers in the distribution of flyers — which publish about revolutionary developments that are simultaneously hindered by the arrest of these very same agitators — it is preferable to study Lenin’s attitude toward the revolution of Kerensky [in February 1917]: his ability to discover and use the fulcrum [Hebelpunkt, leverage point] of society to lift the measureless weight of the state with minimal energy. The proletariat was too weak to take on tsarist state authority; only the bourgeoisie could do that, by hastily bringing in the harvest of its revolutionary century. But this late bourgeoisie was like the bourgeoisie of other countries, sworn to war and therefore unable to keep its mass basis [Massenbasis] in a subordinate state. It was numerically spread too thin to fill the sphere of power and too ideologically divided to shape it, so it had to yield to the push that was made in the name of peace. To deliberately intervene in the concatenation of all these was necessary on Lenin’s part. He could have never defeated the autocracy, but certainly [could defeat] the democracy of the Brusilov offensive [the government that took over following the disastrous “June advance” of 1916]. He was able to recognize this beforehand and managed to master this blind violence by planning for it, the way cunning defeats the monster in fairy tales. That’s what made the immortal dialectical moment of his act the starting point and the prototype of every genuine communist state and revolution. The fate of the German working class, maybe that of humankind, depends on finding such a point, if it’s still indeed possible to find. There is no other hope to avoid war than this. Those who prophesy communism as the certain end of war, and therefore let things take their course, should remember that nobody knows (let alone the generals) what productive forces and means of production will be left to begin establishing the world.

Another friend, Sebastian Vetter, tells me that Adorno’s student Helmut Dahmer is preparing an essay on the influence of Leon Trotsky on Walter Benjamin. Dahmer is a specialist in psychoanalysis and critical theory, who hasn’t had much of his work translated into English since the 1970s, so I’m hoping it comes out soon and is good enough to merit a wider, Anglophone readership.

Adorno in 1935

Adorno’s Leninism

Chris Cutrone
Platypus Review
April 21, 2010
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Adorno’s political relevance

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Theodor W. Adorno, who was born in 1903 and lived until 1969, has a continuing purchase on problems of politics on the Left by virtue of his critical engagement with two crucial periods in the history of the Left: the 1930s “Old” Left and the 1960s “New Left.” Adorno’s critical theory, spanning this historical interval of the mid-20th century, can help make sense of the problems of the combined and ramified legacy of both periods.

Adorno is the key thinker for understanding 20th century Marxism and its discontents. As T.J. Clark has put it (in “Should Benjamin Have Read Marx?,” 2003), Adorno “[spent a lifetime] building ever more elaborate conceptual trenches to outflank the Third International.” The period of Adorno’s life, coming of age in the 1920s, in the wake of the failed international anticapitalist revolution that had opened in Russia in 1917 and continued but was defeated in Germany, Hungary and Italy in 1919, and living through the darkest periods of fascism and war in the mid-20th century to the end of the 1960s, profoundly informed his critical theory. As he put it in the introduction to the last collection of his essays he edited for publication before he died, he sought to bring together “philosophical speculation and drastic experience.” Adorno reflected on his “drastic” historical experience through the immanent critique, the critique from within, of Marxism. Adorno thought Marxism had failed as an emancipatory politics but still demanded redemption, and that this could be achieved only on the basis of Marxism itself. Adorno’s critical theory was a Marxist critique of Marxism, and as such reveals key aspects of Marxism that had otherwise become buried, as a function of the degenerations Marxism suffered from the 1930s through the 1960s. Several of Adorno’s writings, from the 1930s-1940s and the 1960s, illustrate the abiding concerns of his critical theory throughout this period. Continue reading

The Jews and Europe

Max Horkheimer
Zeitschrift für Sozialforschung
December 1939

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Whoever wants to explain anti-Semitism must speak of National Socialism. Without a conception of what has happened in Germany, speaking about anti-Semitism in Siam or Africa remains senseless. The new anti-Semitism is the emissary of the totalitarian order, which has developed from the liberal one. One must thus go back to consider the tendencies within capitalism. But it is as if the refugee intellectuals have been robbed not only of their citizenship, but also of their minds. Thinking, the only mode of behavior that would be appropriate for them, has fallen into discredit. The “Jewish-Hegelian jargon,” which once carried all the way from London to the German Left and even then had to be translated into the ringing tones of the union functionaries, now seems completely eccentric. With a sigh of relief they throw away the troublesome weapon and turn to neohumanism, to Goethe’s personality, to the true Germany and other cultural assets. International solidarity is said to have failed. Because the worldwide revolution did not come to pass, the theoretical conceptions in which it appeared as the salvation from barbarism are now considered worthless. At present, we have really reached the point where the harmony of capitalist society along with the opportunities to reform it have been exposed as the very illusions always denounced by the critique of the free market economy; now, as predicted, the contradictions of technical progress have created a permanent economic crisis, and the descendants of the free entrepreneurs can maintain their positions only by the abolition of bourgeois freedoms; now the literary opponents of totalitarian society praise the very conditions to which they owe their present existence, and deny the theory which, when there was still time, revealed its secrets.

No one can demand that, in the very countries that have granted them asylum, the émigrés put a mirror to the world that has created fascism. But whoever is not willing to talk about capitalism should also keep quiet about fascism. The English hosts today fare better than Frederick the Great did with the acid-tongued Voltaire. No matter if the hymn the intellectuals intone to liberalism often comes too late, because the countries turn totalitarian faster than the books can find publishers; the intellectuals have not abandoned hope that somewhere the reformation of Western capitalism will proceed more mildly than in Germany and that well-recommended foreigners will have a future after all. But the totalitarian order differs from its bourgeois predecessor only in that it has lost its inhibitions. Just as old people sometimes become as evil as they basically always were, at the end of the epoch class rule has taken the form of the “folk community” [Volksgemeinschaft]. The theory has destroyed the myth of the harmony of interests [between capital and labor]; it has presented the liberal economic process as the reproduction of power relations by means of free contracts, which are compelled by the inequality of the property. Mediation has now been abolished. Fascism is that truth of modern society which has been realized by the theory from the beginning. Fascism solidifies the extreme class differences which the law of surplus value ultimately produced.

volksgemeinschaft

No revision of economic theory is required to understand fascism. Equal and just exchange has driven itself to the point of absurdity, and the totalitarian order is this absurdity. The transition from liberalism has occurred logically enough, and less brutally than from the mercantile system into that of the nineteenth century. The same economic tendencies that create an ever higher productivity of labor through the mechanism of competition have suddenly turned into forces of social disorganization. The pride of liberalism, industry developed technically to the utmost, ruins its own principle because great parts of the population can no longer sell their labor. The reproduction of what exists by the labor market becomes inefficient. Previously the bourgeoisie was decentralized, a many-headed ruler; the expansion of the plant was the condition for every entrepreneur to increase his portion of the social surplus. He needed workers in order to prevail in the competition of the market. In the age of monopolies, the investment of more and more new capital no longer promises any great increase in profits. The mass of workers, from whom surplus value flows, diminishes in comparison to the apparatus which it serves. In recent times, industrial production has existed only as a condition for profit, for the expansion of the power of groups and individuals over human labor. Hunger itself provides no reason for the production of consumer goods. To produce for the insolvent demand, for the unemployed masses, would run counter to the laws of economy and religion that hold the order together; no bread without work.

Even the façade betrays the obsolescence of the market economy. The advertising signs in all countries are its monuments. Their expression is ridiculous. They speak to the passers-by as shallow adults do to children or animals, in a falsely familiar slang. The masses, like children, are deluded: they believe that as independent subjects they have the freedom to choose the goods for themselves. But the choice has already largely been dictated. For decades there have been entire spheres of consumption in which only the labels change. The panoply of different qualities in which consumers revel exists only on paper. If advertising was always characteristic of the faux frais of the bourgeois commodity economy, still, it formerly performed a positive function as a means of increasing demand. Today the buyer is still paid an ideological reverence which he is not even supposed to believe entirely. He already knows enough to interpret the advertising for the great brand-name products as national slogans that one is not allowed to contradict. The discipline to which advertising appeals comes into its own in the fascist countries. In the posters the people find out what they really are: soldiers. Advertising becomes correct. The strict governmental command which threatens from every wall during totalitarian elections corresponds more exactly to the modern organization of the economy than the monotonously colorful lighting effects in the shopping centers and amusement quarters of the world.

The economic programs of the good European statesmen are illusory. In the final phase of liberalism they want to compensate with government orders for the disintegrating market economy’s inability to support the populace. Along with the economically powerful they seek to stimulate the economy so that it will provide everyone with a living, but they forget that the aversion to new investments is no whim. The industrialists have no desire to get their factories going via the indirect means of taxes they must pay to an all-too-impartial government simply to help the bankrupt farmers and other draft animals out of a jam. For their class such a procedure does not pay. No matter how much progovernmental economists may lecture the entrepreneurs that it is for their own benefit, the powerful have a better sense of their interests and have greater goals than a makeshift boom led with strikes and whatever else belongs to the proletarian class struggle. The statesmen who, after all this, still wish to run liberalism humanely, misunderstand its character. They may represent education and be surrounded by experts, but their efforts are nonetheless absurd: they wish to subordinate to the general populace that class whose particular interests by nature run contrary to the general ones. A government that would make the objects of welfare into subjects of free contracts by garnering the taxes of employers, must fail in the end: otherwise it would involuntarily degenerate from the proxy of the employers into the executive agency of the unemployed, indeed, of the dependent classes in general. Nearly confiscatory taxes, such as the inheritance tax, which are forced not only by the layoffs in industry, but also by the insoluble agriculture crisis, already threaten to make the weak into the “exploiters” of the capitalists. Such a reversal of circumstances will not be permitted in the long run by the employers in any empire. In the parliaments and all of public life, the employers sabotage neoliberal welfare policies. Even if these would help the economy, the employers would remain unreconciled: economic cycles are no longer enough for them. The relations of production prevail against the humanitarian governments. The pioneers from the employers’ associations create a new apparatus and their advocates take the social order into their hands; in place of fragmented command over particular factories, there arises the totalitarian rule of particular interests over the entire people. Individuals are subjected to a new discipline which threatens the foundations of the social order. The transformation of the downtrodden jobseeker from the nineteenth century into the solicitous member of a fascist organization recalls in its historical significance the transformation of the medieval master craftsman into the protestant burgher of the Reformation, or of the English village pauper into the modern industrial worker. Considering the fundamental nature of this change, the statesmen pursuing moderate progress appear reactionary.

b_250241 Berlin, Ged‰chtnisfeier f¸r Rathenau

The labor market is replaced by coerced labor. If over the past decades people went from exchange partners to beggars, objects of welfare, now they become direct objects of domination. In the prefascist stage the unemployed threatened the order. The transition to an economy which would unite the separated elements, which would give the people ownership of the idle machines and the useless grain, seemed unavoidable in Germany, and the world-wide danger of socialism seemed serious. With socialism’s enemies stood everyone who had anything to say in the Republic. Governing was carried out by welfare payments, by former imperial civil servants, and by reactionary officers. The trade unions wished to transform themselves from organs of class struggle into state institutions which distribute governmental largesse, inculcate a loyal attitude in the recipients, and participate in social control. Such help, however, was suspect to the powerful. Once German capital had resumed imperialist policies, it dropped the labor bureaucrats, political and trade unions, who had helped it into power. Despite their most honest intentions, the bureaucrats could not measure up to the new conditions. The masses were not activated for the improvement of their own lives, not to eat, but to obey — such is the task of the fascist apparatus. Governing has acquired a new meaning there. Instead of practiced functionaries, imaginative organizers and overseers are needed; they must be well removed from the influence of ideologies of freedom and human dignity. In late capitalism, peoples metamorphose first into welfare recipients and then into followers [Gefolgschaften].

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The (anti-)German ideology: Towards a critique of anti-German “communism”

Raph Schlembach
Interface journal
November 2010
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The specter of the anti-Germans has easily become the Feindbild for activists of the Anglophone Left; yet rarely does this translate into a fundamental or informed criticism of the anti-German premise. This article, then, offers an introductory description and a critical analysis of pro-Israeli, anti-German communism in its context within the post-war German Left and as a contemporary protest movement that sits oddly on the fringes of radical politics. Its origins and politics are examined to depict the radicalization of a broad anti-nationalist campaign against German re-unification, and its evolution into a small but coherent anti-German movement, controversial for its pro-Israel polemics and provocations. Current debates within the anti-fascist German Left are reviewed to explore anti-German positions on the Holocaust, Israel, Islam, anti-imperialism, and Germany’s foreign policy. Theoretical works that have heavily influenced anti-German communism are discussed to comprehend the movement’s intellectual inspirations. The purpose of the article is to introduce one of Germany’s most controversial protest movements to an English-speaking audience and to hint at the formulation of a critique that is more than a knee-jerk reaction to pro-Israeli agitation.

Introduction

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Anti-German communism is a political tendency that grew from within the German radical Left, and that has adopted a pro-Western/pro-Israel discourse and critiques of post-Nazi Germany and Islamic antisemitism as its defining ideological characteristics. Despite being intellectually inspired by the writings of Karl Marx and the critical theory of the Frankfurt School, the subsequent reinterpretation and political contortion of these texts by the “anti-Germans” has fueled an antagonistic relationship with large parts of the German (and global) Left. The common left-wing premises of anti-imperialism and anti-Zionism are regarded by the anti-Germans as expressions of a continuation of the “logic of Auschwitz” that reflects totalitarian, fascistic thought in the national mindsets of most Germans, Europeans, and beyond.

Talking about the anti-Germans is a bit anachronistic, of course. Anti-German communism as a movement, in the sense of informing the practical and strategic politics of German anti-fascism, is connected to the decade or so immediately after German re-unification. In its more narrow sense, as a theoretically distinct but practically irrelevant contrarian position, anti-German communism has also seen its heyday. Anti-German ideas still persist nonetheless, in a number of periodicals and communist organizations, and continue to have some influence on the German anti-fascist movement and some unorthodox Marxist circles. It is also rather unhelpful to speak of “the anti-Germans” as if they represented a homogenous movement. This is even more so as the ideas and positions of anti-German authors, activists and groups have tended to undergo rapid development in an effort to gain “avant-garde” status in the radical Left. A first categorization is often used in German-language debates to distinguish between various “hardcore” and “softcore” trends. Hardcore anti-Germans, around the journal Bahamas and the Freiburg Initiative Sozialistisches Forum, have now mostly taken leave from left-wing political movements; yet it is they who often remain the object of controversy. Bahamas and their supporters in particular have made a point of declaring both left-wing and Islamist anti-imperialism as their enemy, often descending into vitriolic attacks against Muslims and Arabs in Europe — to such an extent that the tendency might now be best described as an “anti-Islam materialism.” The various softcore anti-German projects continue to exert some theoretical influence especially on anti-fascist politics. The journal Phase 2 for example has emerged from the German “Antifa” movement and now combines anti-German thought with elements from critical theory and post-structuralism to form a political perspective that is sometimes described as “post-Antifa.” Now defunct is the journal 17 Grad, which was based on Foucauldean theory and discourse analysis. The longstanding magazine Konkret has evolved from a more orthodox Marxist analysis but has also supported and developed anti-German positions in the past. The widely-read weekly newspaper Jungle World regularly publishes anti-German authors, but actually prints articles from a variety of radical political perspectives. However, it has been years since anti-German publications regularly sparked controversy and sometimes violent conflict amongst the German Left. Now, many writers, publishers and activists who had spearheaded the anti-German movement have retreated from left-wing circles and discussion. Nonetheless, in the English-speaking Left in particular, the anti-Germans are still subject to polemical controversy and outrage, often resulting from a fascination with the waving of American, British, and Israeli national flags by German anti-fascists. There are very few substantial English-language texts available however (Grigat 2005; Radke 2004 are amongst the more illuminating introductions), although whenever the topic is raised on left-wing online forums, blogs or in face-to-face conversation it is sure to generate long discussions. To date, there is only one academic publication about the anti-Germans in English language. The article in the Jewish Political Studies Review is largely descriptive and focuses on the pro-Israel stance of the movement. Keeping in mind the somewhat sketchy information so far available to the English-language reader, what I offer here is primarily a historical overview of the origins and political formation of the anti-Germans and, secondly, a suggestion towards a more fundamental critique of their politics.

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Events in the recent history of the extra-parliamentary Left in Germany are crucial to understanding why anti-German currents play a prominent role in it. I trace the development of anti-German communist thought in four steps. First, I look at some of the influences that can be found in the work of pre-unification writers, such as Jean Améry or Eike Geisel. Second, the movement against German political reunification will be discussed as the immediate “trigger” or springboard for the emergence of anti-German communism as protest movement. Third, the anti-German response to events such as the Kosovo war and 9/11 illustrate how parts of the movement have severed their ties with the politics of the Left. In a final section, I indicate how the anti-German ideology remains firmly stuck in nationalist and identity politics.

Post-Holocaust origins

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The anti-German self-understanding is one that combines criticism of German nationalism and political Islam with a more general critique of nation and state. It explicitly sees itself in contrast to the anti-imperialist and autonomous Left of the 1970s and 80s with its strong support for national liberation movements and vocal opposition to American and Israeli militarism. Put very simply, for the anti-Germans, anti-fascism in a world divided into states is synonymous with solidarity with Israel. The Israeli state is seen as the necessary reaction to the fascist barbarism of the Third Reich and that continues to rear its head in the Bundesrepublik. This inversion of the anti-imperialist premise is certainly at odds with left-wing politics in Anglo-Saxon countries and elsewhere outside this context. However, calls for solidarity with Israel and distrust of anti-Zionism are more commonplace in the German radical Left. Some of the most fervent critics of the anti-Germans would go to length to defend Zionism as the basis of the Israeli state (for example Robert Kurz 2003). Also many anti-fascist groups that do not belong to the anti-German spectrum practice and demonstrate solidarity with Israel and focus strongly on the continuing antisemitism in neo-Nazi movements.

The specificity of its National Socialist history has always been a central point of reference for the (West-)German Left. Concerned with “explaining the unexplainable,” the Left subscribed to a politics of remembrance. The “lessons” drawn from the terror of National Socialism and the Holocaust thereby remain fundamental to a radical theory and practice. Concepts and ideologies that had been paramount to the Third Reich, such as “the German people,” “nation,” or antisemitism are thus important points of reference. Radical left-wing criticism of anti-Zionism in Germany also emerged long before one could speak of an anti-German movement. Even texts from an armed anti-militarist group (Revolutionäre Zellen 1991) and an autonomist group (Autonome LUPUS-Gruppe 2001) criticized some aspects of anti-Zionism and anti-imperialism. The question of antisemitism had thus taken a prominent place in the internal discussion of the German Autonome movement already in the 1970s and 1980s. Critical voices were often the result of the failures of national liberation movements. A striking example was a failed attempt to liberate a number of Palestinian prisoners and members of the Red Army Faction, including Andreas Baader and Ulrike Meinhof. In 1976, a commando group of Palestinians and members of the Revolutionäre Zellen had hijacked a plane leaving Israel, demanding the release of political prisoners. The hijackers eventually let non-Jewish and non-Israeli hostages disembark from the grounded aircraft, while Israeli Jews were kept hostage until their liberation by anti-terror units. Nevertheless, accusations that anti-imperialist politics had slipped into overt antisemitism were voiced by only a few in the radical Left (see Hanloser 2004b).

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Isaak Babel, writer and revolutionary (1894–1940)

Isaak Babel

Jorge Luis Borges
El Hogar [Home]
December 1938
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He was born in the jumbled catacombs of the stair-stepped port of Odessa, late in 1894. Irreparably Semitic, Isaak was the son of a rag merchant from Kiev and a Moldavian Jewess. Catastrophe has been the normal climate of his life. In the uneasy intervals between pogroms he learned not only to read and write but to appreciate literature and enjoy the work of Maupassant, Flaubert, and Rabelais. In 1914, he was certified a lawyer by the Faculty of Law in Saratov; in 1916, he risked a journey to Petrograd. In that capital city “traitors, malcontents, whiners, and Jews” were banned: the category was somewhat arbitrary, but — implacably — it included Babel. He had to rely on the friendship of a waiter who took him home and hid him, on a Lithuanian accent acquired in Sevastopol, and on an apocryphal passport.

His first writings date from that period: two or three satires of the Czarist bureaucracy, published in Annals, [Maksim] Gorky’s famous newspaper. (What must he think, and not say, about Soviet Russia, that indecipherable labyrinth of state offices?). Those two or three satires attracted the dangerous attention of the government. He was accused of pornography and incitement of class hatred. From this catastrophe he was saved by another catastrophe: the Russian Revolution.

In early 1921, Babel joined a Cossack regiment. Those blustering and useless warriors (no one in the history of the universe has been defeated more often than the Cossacks) were, of course, anti-Semitic. The mere idea of a Jew on horseback struck them as laughable, and the fact that Babel was a good horseman only added to their disdain and spite. A couple of well-timed and flashy exploits enabled Babel to make them leave him in peace. By reputation, though not according to the bibliographies, Isaak Babel is still a homo unius libri.

His unmatched book is titled Red Cavalry.

The music of its style contrasts with the almost ineffable brutality of certain scenes.

One of the stories — “Salt” — enjoys a glory seemingly reserved for poems, and rarely attained by prose: many people know it by heart.

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Isaak Babel was Leon Trotsky’s favorite Soviet author. He was purged by Stalin in the late 1930s. To  download a PDF of his complete works, click here.

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New York Trotskyism in the 1930s

The Trotskyists

Geoffrey Hellman
The New Yorker
December 16, 1939
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The political group familiarly known either as the Trotskyists of the Trotskyites is officially called the Socialist Workers Party. A lot of its members feel this name is confusing, since the Party has just about as little patience with the Socialists as it has with the Stalinists, the Lovestonites, President Roosevelt, and Father Coughlin, all of whom the Trotskyists would like to blow up. It regards itself as the orthodox Marxist Party and it looks upon the regular Communist Party as at best a rather contemptible reformist group. During the eleven years of its existence it has consistently maintained direct contact with Trotsky and an uncompromising policy of world revolution against all existing forms of government, every one of which it considers too far to the right. Despite the amount of noise which its members make and the frequency with which they come up in conversation, there are only some two thousand Trotskyists in the country, of whom around six hundred are in New York.

The Trotskyists, who prefer this term to “Trotskyites,” came into being on October 27, 1928, when three members of the Central Committee of the Communist Party in New York — James P. Cannon, Martin Abern, and Max Shachtman — were expelled for spreading Trotsky’s doctrines instead of Stalin’s. Trotsky was advocating worldwide revolution while Stalin was insisting on confining the revolution to Russia for the time being. Trotsky had been banished to Turkestan the year before for holding the views he did and was subsequently expelled from the Party. In July, 1928, when the Sixth World Congress of the Communist Party was held in Moscow, Trotsky, still in Turkestan, prepared a detailed criticism of Stalin’s national political program. Translated into the various languages of the delegates attending the Congress, copies of this were distributed by the Party to the twenty-odd members of the Congress’s Program Commission, one of whom was Cannon. Although his copy was plainly marked “confidential” and was to be returned to the convention officials, Cannon was so impressed by it that he not only failed to give it back, a gross breach of Party etiquette, but smuggled it into this country and showed it to his friends, including Abern and Shachtman. These men also concluded that Trotsky’s plumping for universal revolution was a sounder idea than Stalin’s plan of concentrating on Russia itself, and they sought to bring other American Party members around to their point of view. Expelled, after a trial, by Jay Lovestone, then head of the Communist Party in America, the three rebels formed a Trotskyist group, known first as the Communist League of America. Lovestone himself was expelled from the Party six months later, for objecting to Russia’s domination of Communist policies in other countries, and founded the Independent Labor League of America, which opposes both Trotsky and Stalin. As the Cannon-Abern-Shachtman offshoot grew in size and began to win over many Stalinists, the hostility of the mother Communist Party toward it became increasingly bitter. In 1934, the League, by then an affair of several hundred members, changed its name to the Workers Party of the US. In 1936 and 1937 it enjoyed an extended flirtation with the left wing of Norman Thomas’s Socialists. It joined the Socialist Party, took over the left-wing Socialist magazine, the Appeal, and called itself the Appeal Group of the Socialist Party. At the end of 1937 the Socialists kicked out the group because they considered it too radical. With it went a good many regular Socialists. The group then adopted its present name, the Socialist Workers Party [SWP].

The Trotskyists and the Stalinists have been calling each other reptiles, jackals, and general no-goods for so many years in their papers, magazines, and speeches that when the Soviet-Nazi [Molotov-Ribbentrop] pact was signed a couple of months ago I supposed the Socialist Workers, pleased at the discomfiture of the American communists, would be going around with broad grins and a great I-told-you-so air. To check up on this and find out about the party in general, I got in touch with a college classmate of mine who is now a leading Socialist Worker intellectual and a regular contributor to the Socialist Appeal and the New International, respectively the Socialist Workers’ semi-weekly newspaper and monthly magazine. To help me gain the proper perspective, he took me to the party’s headquarters at Thirteenth Street and University Place, the street entrance to which is marked by a discreet sign reading, “Labor bookshop. Books of all publishers. Second floor.” We walked up a rickety flight of wooden stairs and entered a room containing a couple of bare wooden tables, two or three chairs, and seven or eight young men, one of them a Negro, who were arguing violently whether Russia should be regarded as a communist or a fascist country.

My companion disappeared into an adjoining office to arrange for me to meet Mr. Shachtman, and I studied various printed slogans hanging on the walls of the room, among them “The time to apply our action program is now!”, “Every class struggle fighter a two-a-week subscriber!”, “Open the doors to Nazi victims,” and “There is work to be done!” In one corner of the room hung an oil painting showing Trotsky, Lenin, and several other people, with the phrase “Workers of the world, unite!” lettered on the top. While I was looking around, the loud conversation in the room ceased and everyone began to stare at me. A clean-cut young man in a brown tweed suit came up and asked me whom I was looking for, but before I could reply, my guide came out with Shachtman, a shortish, snub-nosed man of thirty-five with a tiny mustache and an air of great jollity. I was struck by his resemblance to one of the figures in the painting, and he informed me that it did indeed represent him and that the picture was the work of Diego Rivera, who had given it to the Party in 1933, when he came here to do the Rockefeller Center mural that was subsequently destroyed. In addition to Trotsky, Lenin, and himself, Shachtman pointed out likenesses of Marx, Engels, Rosa Luxemburg, James P. Cannon, and two or three other people whose names I didn’t catch. I gathered that these persons hadn’t posed together and that the picture was a symbolic one.

We went into another room, which was decorated with a second sign saying “There is work to be done!” and a painting by Rivera, depicting Lenin, Trotsky, and six or seven other people. Shachtman pointed to one of them and said, “That’s the man who took the Winter Palace in 1917.” I found out later that Rivera had, in 1933, been considerably more generous to the Lovestonites than to the Trotskyists, having presented them with twenty-one large murals, most of which portray the history of the United States in a way that would never help anyone pass an examination at Groton. These are located at the Lovestonite headquarters on West Fourteenth Street. Rivera must have been above small Leftist differences, for one of his paintings there shows, among others, Stalin, Trotsky, Lovestone, Cannon, and William Z. Foster. Foster, with Earl Browder, assumed the leadership of the American Communist Party after Lovestone was expelled.

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New normal: The Left and the growth of religious reaction

Paul Demarty
Weekly Worker 1046
February 19, 2015

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There are many stories that can be told about last weekend’s shootings in Copenhagen, of which the most plainly obvious is that it was a copycat attack, inspired by killing sprees in Paris last month.

Though the motives of the suspect, Omar El-Hussein, are still the subject of fevered speculation, it would be a quite remarkable coincidence if he had dreamed up the scheme entirely independently of Amedy Coulibaly and Said and Chérif Kouachi. Like the admittedly much more efficient Paris gunmen, El-Hussein selected as his targets blasphemous artists and Jews, carried out his assaults with automatic weapons, and chose a martyr’s death by forcing a shootout with police.

El-Hussein began his rampage at a café hosting a symposium on free speech and blasphemy, to mark 25 years since the Iranian clerisy’s death sentence against Salman Rushdie. The event saw many militantly irreligious types discussing, in part, the atmosphere in the wake of the Kouachi brothers’ massacre of Charlie Hebdo cartoonists. A Femen activist was speaking when the gunfire began. Film director Finn Nørgaard had stepped outside, and was killed immediately.

The most attractive target was probably Lars Vilks, a Swedish artist who attracted controversy some years ago for his portraits of Mohammed as a human head on a dog’s body. He has been the object of bungled assassination plots originating as far afield as Ireland and the United States, and lives under the protection of the Danish security services, promoting his and others’ freedom to blaspheme. (A foundation in his name awarded Stéphane Charbonnier, the late Charlie Hebdo editor, a “freedom prize” last year.) Al Qa’eda offered a bounty of $100,000 for his murder; Islamic State recently upped the bidding to $150,000. Apparently the noble cause alone is not reward enough.

El-Hussein fled, and traveled by stolen car and taxi to his home neighborhood (two men were later arrested for abetting his attempts to dispose of weapons and evidence), before showing up at an east Copenhagen synagogue after midnight, still open for a young woman’s bat mitzvah. Another shootout ensued, with several injuries and the death of a volunteer security guard. Eventually, cornered in his flat the next day, he opened fire on police and was shot dead.

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Tensions

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If the inspiration for El-Hussein’s rampage is pretty plain, the broader consonances between his case and that of the French gunmen are more significant. While he was a young man, with no apparent history of Islamist activism (as opposed to the hardened jihadis who conducted the Paris attacks with military precision — he appears like them to have become radicalized in prison, and the wider social background is similar.

El-Hussein lived on a deprived estate in the north-west of the city, described by one anonymous resident as a place where “foreign-origin families have all been lumped together…by politicians” (The Guardian, February 16). His biography sounds like that of many dislocated migrant youths across Europe: failure to complete school, apparent activity with hash-dealing gangs, and prison sentences.

Tensions over immigration are running high in Denmark, and anti-Islamic sentiment along with it. The third largest parliamentary fraction belongs to the far-right People’s Party. With such tension, unsurprisingly, comes the attraction of radical Islam. At least 100 Danes have made their way to the Middle East to fight for Islamist insurgent groups, one of the highest per capita figures in Europe. Denmark is also, naturally, in the sights of Islamist militants for the publication of cartoons of Mohammed in the right-wing daily Jyllands Posten in 2006.

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Natan Altman’s proletarian futurism

Pages from Bolshevik Festivals, 1917-1920 Natan Altman, monument for the anniversary of the October Revolution 1918a

“Futurism” and proletarian art

Natan Al’tman
Iskusstvo kommuny
October 1918
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Certain art circles and private individuals who not so long ago abused us in various “cultural publications” for working with the Soviet government and who knew no other name for us than “bureaucrats” and “perfunctory artists” would now rather like to take our place.

And so a campaign has begun against futurism, which, they say, is a millstone around the worker’s neck and whose claims to “being the art of the proletariat” are “ridiculous,” etc.…

But are they so ridiculous?

Why did it need a whole year of proletarian government and a revolution that encompassed half the world for the “silent to speak up”?

Why did only revolutionary futurism march in step with the October Revolution?

Is it just a question of outward revolutionary fervor, just a mutual aversion to the old forms, that joins futurism with the proletariat?

Not even they deny that futurism is a revolutionary art that is breaking all the old bonds and in this sense is bringing art closer to the proletariat.

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We maintain that there is a deeper link between futurism and proletarian creation.

People naïve in matters of art are inclined to regard any sketch done by a worker, any poster on which a worker is depicted, as a work of proletarian art.

A worker’s figure in heroic pose with a red flag and an appropriate slogan — how temptingly intelligible that is to a person unversed in art and how terribly we need to fight against this pernicious intelligibility.

Art that depicts the proletariat is as much proletarian art as the Chernosotenets who has gotten into the Party and can show his membership card is a Communist.

Just like anything the proletariat creates, proletarian art will be collective:

The principle that distinguishes the proletariat as a class from all other classes.

We understand this, not in the sense that one work of art will be made by many artists, but in the sense that while executed by one creator, the work itself will be constructed on collectivist bases.

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Take any work of revolutionary, futurist art. People who are used to seeing a depiction of individual objects or phenomena in a picture are bewildered.

You cannot make anything out. And indeed, if you take out any one part from a futurist picture, it then represents an absurdity. Because each part of a futurist picture acquires meaning only through the interaction of all the other parts; only in conjunction with them does it acquire the meaning with which the artist imbued it.

A futurist picture lives a collective life:

By the same principle on which the proletariat’s whole creation is constructed.

Try to distinguish an individual face in a proletarian procession.

Try to understand it as individual persons — absurd.

Only in conjunction do they acquire all their strength, all their meaning.

How is a work of the old art constructed — the art depicting reality around us?

Natan Altman, The Alexander Column Lit Up at Night, Crayons and chalk on paper, The Tretyakov Gallery, Moscow Uritzky-square-general-view-design-sketch-for-the-celebration-of-the-first-anniversary-of-1918

Does every object exist in its own right? They are united only by extrinsic literary content or some other such content. And so cut out any part of an old picture, and it won’t change at all as a result. A cup remains the same cup, a figure will be dancing or sitting pensively, just as it was doing before it was cut out.

The link between the individual parts of a work of the old art is the same as between people on Nevsky Prospekt. They have come together by chance, prompted by an external cause, only to go their own ways as soon as possible. Each one for himself, each one wants to be distinguished.

Like the old world, the capitalist world, works of the old art live an individualistic life.

Only futurist art is constructed on collective bases.

Only futurist art is right now the art of the proletariat.

russian-revolution-34 natan-altman1 Nathan-Altman

Against religious fanaticism, against the state

Mouvement Communiste and
Kolektivně proti kapitálu on
irrationalism and the caliphate

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Neither God nor master! [Ni dieu ni maître!]

— Auguste Blanqui

Communism begins from the outset with atheism; but atheism is at first far from being communism; indeed, that atheism is still mostly an abstraction.

— Karl Marx

Whatever were the aims of those responsible for the massacre at Charlie Hebdo, the consequence was to terrorize the whole population. To terrorize so as to prevent understanding, so as to set up even higher artificial barriers between people on the basis of religious belief. Religion has become a veritable arm of political Islam everywhere in the world. In France this is opposed by the religion of state, said to be secular and republican. In presenting itself as the guardian of civil peace, the state calls for national unity around itself. It demands that the population delegates to it the defense of freedom and democracy. It’s a defense which comes at the price of the preventive restriction of individual and collective liberties and an increased repression of all anti-state dissent. For the defenders of “white identity” like the Front Nationale the attack confirmed that “civil war has already started” against an already identified enemy — the Muslims. All Muslims: whether they share the views of the fanatics, whether they fight them, or whether they simply silently submit to them. The foreigner, “the other” from here or wherever, is the target for the fanatics on all sides. The despicable attack on Charlie Hebdo plays the game of the state and weakens the only class, the working class, which can concretely fight religious fanaticism where it is rooted, where it seeks searches for its potential soldiers, in working class neighborhoods and in workplaces. This fight is indispensable if we are not to give up the asserting the need for the exploited and oppressed to organize themselves independently against the state, against all states. As for violent political Islam, its objective is to force Muslims to isolate themselves and to serve as cattle to be sacrificed in Syria, or even right here. What matters is to understand this phenomenon so as to be able to fight it without mercy, and without becoming bound hand and foot to the state.

Irrationalism and the caliphate

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Political Islam has become a global subject of debate and of polarization of civil society into illusory opposed communities. Each one of these illusory communities claims to fight in the name of a certain idea of civilization, only being able to fully express itself in the complete defeat of the other, identified as the enemy because of the faith it professes, including the faith in secularism and the state. In the name of such and such a belief in the supernatural, almost anything can be ignored: the question of the millennia-old oppression of women; the family; international migration; jobs; housing; food, etc.

The deforming and mystifying prism of religion becomes the supposed justification for irrationality, rejection of the reality-principle, and more generally the denial of the humanity to enemies of the faith. This specific mystification of social relations penetrates deeply into the heads of numerous proletarians here, in the advanced capitalist countries, as well as into those of their brothers and sisters on the periphery of the most developed capitalist world.

Because of their incontestable success, these reactionary fideist ideas become a powerful material force adding to those that already shape the surface of the capitalist globe. The extension of fideism in all its forms overturns priorities and redefines capitalist camps in all regions of the planet. But, like every ideology, this long wave of obscurantism is not able to hold back the determinism of matter and the social relations which the ideology claims to replace. Capitalism is not threatened by faith any more than the class societies which preceded it. Fideism is nothing other than a particular ideological expression of class submission.

Fideism is a Catholic theological term, linked to traditionalism. According to it the truth can only be known by tradition, not by reason. All knowledge is founded on a primitive revelation that prolongs and enriches Christian revelation. Only faith, the illuminating intelligence (itself intuitive, thus distinct from reason, which is analytical), makes us know the basis of things, that is to say, spiritual realities. More precisely, fideism excludes the possibility that the truths of faith can consist of rational preambles, resting on proof, including a kernel of rationality which could be absorbed into an autonomous philosophy. In another sense, also theological, fideism makes faith consist of trust in God, not in adhesion to dogmas. In all cases, the term fideism implies a defiance of reason; that’s why it had a pejorative flavor to it. In the same way that rationalism tends to overestimate reason to the point of professing that science is the only source of truth (so rejecting in advance any belief), fideism tends to overestimate faith to the point of professing that revelation is the only guarantee of truth (so discrediting the efforts of all rational activity).1

The revolutionary proletariat must first of all fight fideism in itself and treat it as what it is: an instrument of class division which reinforces the dictatorship of capital and states and which is used to recruit the exploited and oppressed into new wars which benefit the dominant classes. In particular, the fideism of the Book (Bible) — but also that of Hinduism along with the vast majority of religious beliefs — is dedicated to God, patriarchy and family. The caliphate, the reactionary fideist ideology which seems to be achieving the greatest success right now, is worthy of our attention particularly as it drapes itself in the colors of anti-capitalism and anti-imperialism and, above all, constitutes a central element of the aggravation of the geostrategic crisis of the Middle East. This is why we’re devoting a specific text to it, composed of four points.

First point

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The partisans of the caliphate try to establish an order which will be favorable to them in regions where capitalism rules but where it has not (or very little) dissolved the social relations inherited from the class societies which preceded it. Some 10,000 Sunni tribes in Iraq are the clearest example of it. The archaic tribal social structure has survived on the margins of modern capital, feeding itself from oil rent and petty commodity trading, often illegal. The Iraqi Sunni tribe has been transformed by the extension of the domination of capital but the ancestral patriarchal ties have not been broken. The tribe administers its territory. It is a little world closed towards the exterior and the interior, except when it has to accumulate means of survival by clientelism and haggling. Today, a large number of Sunni tribes in Iraq pledge allegiance to the IS.2 This bloody group guarantees the permanence of the tribal structure. More than that, the self-proclaimed caliphate sanctifies them.

The other face of the present caliphate is represented by people like Mokhtar Belmokthar, known as “one eye,” a Salafist from the beginning who became celebrated from 2013 because of his attack on the refinery at Amenas in Algeria. Also known as “Mister Marlboro,” this sinister character is also at the head of a vast traffic in cigarettes amounting to around a billion US dollars per year in the whole of Saharan Africa. It’s a traffic which has been able to develop thanks to the blood ties with the Tuareg tribes. Smugglers, day-to-day chicken thieves, traders in human beings (prostitution, trafficking of migrants), drug dealers, all these participants in illegal business find in the caliphate a means of consolidating their lucrative activities and a way to develop others, “whitewashed” by adherence to the faith.

IS itself is an important commercial enterprise in Syria and Iraq which trades in oil, women and consumer goods. Its program can be summarized as “who has weapons has bread and women.” This gang presents no danger for capitalism, which can perfectly well accommodate rentiers and traffickers, and, what’s more, creates them. Boko Haram in Nigeria, the Cameroons and Niger, Al-Shabab in Somalia, Al-Qaida in the Islamic Maghreb (AQIM) in Sahel, Al-Qaida in the Arab peninsula (AQAP) in Yemen and Saudi Arabia, the Talibans in Afghanistan and Pakistan along with Abu Sayyaf in the Philippines, Indonesia and Malaysia — and those are just the best known ones — replicate the same social relations expressed by IS.

These considerations don’t apply to Shi’a Islam, whose centralized internal organization, similar to fascism, has allowed it to adapt to modern capitalism. Not unlike the Catholic Church.

Second point

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IS was born from the rubble of an Arab nationalism founded on the model of previous popular democracies based on an alliance between a single party (Ba’athist in the cases of Iraq and Syria), the army and a single union. This model aimed at creating modern postcolonial economies, equipped with strong industry, a unified internal market and an effective secular state. This project was smashed from the outside by the progressive collapse of the Russian bloc, and internally by the emergence from the ruins of national liberation of a parasitic ruling caste, corrupt, despotic, and inefficient.

On this basis, the caliphate of IS is in perfect continuity with the Arab regimes which it claims to oppose. Its sources of survival are trade and plunder; its organization is clientelist and stuffed with incompetents. The IS diverges from the Sunni regimes only in terms of geostrategic positioning. And this is from the simple fact that its regime tries to impose itself on the other states of the region, including those for which Sunni fideism is the official religion.

The US has benefited from the fall of the Russian empire and extended its influence over the Arab regimes whose vague desires for capitalist development have been seriously revised over the last few decades. An important new stage was reached by Washington with the active support for the Taliban in the war against Russia in Afghanistan and then with the first Iraq war. These two episodes marked the adoption by the US administration of an aggressive diplomacy in this area, so as to make the US once again into a power to be reckoned with in the Middle East. The Arab Spring gave Washington the opportunity to also occupy a leading role in the whole of North Africa. The attempt has still not produced a conclusive result.

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