Karl Marx

Demonology of the working class

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One of the most common charges leveled at Marxists is that, for all their atheistic pretensions, they retain a quasi-religious faith in the revolutionary dispensation of working class dictatorship. “It’s become an almost compulsory figure of speech to refer to Marxism as a Church,” observed the French literary critic Roland Barthes in 1951. Barthes was reviewing a book by the surrealist author Roger Caillois, which had just been released, but if anything the use of this lazy metaphor has grown more frequent over time. Just a few years after Barthes’ review was published, the public intellectual Raymond Aron came out with a polemic cuttingly titled The Opium of the Intellectuals (1955). He’d lifted the title from a bon mot by the philosopher Simone Weil, who despite her youthful Bolshevism in the twenties had gone on to publicly debate Leon Trotsky during the thirties. Repeating this old anticommunist jibe, Aron quipped that “in Marxist eschatology, the proletariat is cast in the role of collective savior… that is, the class elected through suffering for the redemption of humanity.” Evidently, in Aron’s understanding, workers were held up as an object of mythic exaltation among the socialists.

To be sure, some of the language adopted by Marxists — e.g., heresies, dogma, sects, orthodoxy, schisms — is clearly borrowed from theological disputes. Furthermore, the recantations made by ex-communists at times seems to lend credence to this view. You need look no further than the famous 1949 essay collection The God that Failed for proof of this fact. Wolfgang Eckhardt’s newly-translated study of The First Socialist Schism (2016), on the split between Bakunin and Marx in the Workingmen’s International, is only the latest in a very long line of examples. André Gorz opened his Farewell to the Working Class (1980) with a chapter on “The Working Class According to Saint Marx,” riffing on the section of The German Ideology dedicated to a critique of “German socialism according to its prophets.” Gorz thus concluded that “orthodoxy, dogmatism, and religiosity are not accidental features of Marxism, since the philosophy of the proletariat is a religion.” More recently, the former Situationist TJ Clark confessed that his own Farewell to an Idea (1999) will likely be seen “as a vestige of early twentieth-century messianism.” Clark sardonically added that “if I can’t have the proletariat as my chosen people any longer, at least capitalism remains my Satan” (though he got this last part a bit mixed up, as we shall see).

Socialism, however, is not about worshiping but rather abolishing the worker. Karl Marx and Friedrich Engels, perhaps the two most prominent theorists of proletarian revolution during the nineteenth century, by no means deified the class they felt might lead to the socialization of humanity. In their first written collaboration, from 1845, the young firebrands maintained:

When socialist writers ascribe [a] world-historic role to the proletariat, it is not at all… because they regard the proletarians as gods. Rather the contrary. In the fully-formed proletariat the abstraction of all humanity, and even of the semblance of humanity, is practically complete. The conditions of life of the proletariat sum up all the conditions of life of society today in their most inhuman form; since man has lost himself in the proletariat, and at the same time has not only gained theoretical consciousness of that loss, but through urgent, no longer removable, no longer disguisable, absolutely imperative need — the practical expression of necessity — is driven directly to revolt against this inhumanity, it follows that the proletariat must emancipate itself. But it cannot emancipate itself without abolishing the conditions of its own life, and cannot abolish the conditions of its own life without abolishing all the inhuman conditions of life of society today which are summed up in its own situation.

Expanding on this passage, the French phenomenologist Maurice Merleau-Ponty insisted on the terrestrial foundations of the Marxist hypothesis. “If [Marxism] accords a privilege to the proletariat, it does so because on the basis of the internal logic of its condition… apart from any messianic illusion,” he claimed in Humanism and Terror (1947). “Proletarians, ‘who are not gods,’ are the only ones in a position to realize humanity. Marxists discern a mission in the proletariat — not a providential, but an historical one — and this means that, if we take the proletariat’s role in the present social constellation, it moves toward the recognition of man by man…” Nevertheless, in the meantime workers are hardly godlike; indeed, they’re barely even human, if Marx and Engels are to be believed. As the former would later explain in Capital (1867), “manufacture proper not only subjects the previously independent worker to the discipline and command of capital, but converts the worker into a crippled monstrosity.” His description is reminiscent of the lyrics to that old Tennessee Ernie Ford song “Sixteen Tons,” written about a Kentucky coal miner in 1947: “Some people say a man is made outta’ mud / A poor man’s made outta’ muscle and blood / Muscle and blood and skin and bones / A mind that’s a-weak and a back that’s strong / You load sixteen tons, what do you get? / Another day older and deeper in debt / Saint Peter don’t you call me ’cause I can’t go / I owe my soul to the company store.”

Over and above the image of the proletariat as divine redeemer, here emerges a picture of the proletariat as beyond redemption. Workers have sold their souls to the company store. Consider the following lines from Marx’s Capital on the topic of automation: “An organized system of machines, to which motion is communicated by the transmitting mechanism from an automatic center, is the most developed form of production by machinery. Here we have, instead of the isolated machine, a vast mechanical monster whose body fills whole factories, and whose demonic power [dämonische Kraft], at first hidden by the slow and measured motions of its gigantic members, finally bursts forth in the fast and feverish whirl of its countless working organs.” Little wonder that the Italian left communist Amadeo Bordiga drew upon these words in elaborating his own “Doctrine of the Body Possessed by the Devil,” from 1951. Quoting Marx, who in turn was quoting Goethe, Bordiga explained how, “by incorporating living labor into capital’s lifeless objectivity, the capitalist simultaneously transforms value, i.e. past labor in its objectified and lifeless form, into capital, value which can perform its own valorization process, an animated monster which begins to ‘work’, ‘as if possessed by the devil’.” The dispossessed (which is, after all, just another word for “proletariat”) are thus demonically possessed by the alienated products of their labor. For Marx, this was all part of “the magic and necromancy [der Zauber und Spuk] that surrounds the products of labor on the basis of commodity production.”

Gáspár Miklós Tamás, the Hungarian communist dissident turned born-again Marxist, is one of the only theorists in recent memory to have grasped the demonic character of the working class. In his brilliant 2006 essay “Telling the Truth About Class,” Tamás framed his view by contrasting it with that of the British cultural historian EP Thompson:

There is an angelic view of the exploited (that of Rousseau, Karl Polányi, E.P. Thompson) and there is a demonic, Marxian view. For Marx, the road to the end of capitalism (and beyond) leads through the completion of capitalism, a system of economic and intellectual growth, imagination, waste, anarchy, destruction, destitution. It is an apocalypse in the original Greek sense of the word, a “falling away of the veils” which reveals all the social mechanisms in their stark nakedness; capitalism helps us to know because it is unable to sustain illusions, especially naturalistic and religious illusions. It liberated subjects from their traditional rootedness (which was presented to them by the ancien régime as “natural”) to hurl them onto the labor market where their productive-creative essence reveals itself to be disposable, replaceable, dependent on demand — in other words, wholly alien to self-perception or “inner worth.” In capitalism, what human beings are, is contingent or stochastic; there is no way in which they are as such, in themselves. Their identity is limited by the permanent reevaluation of the market and by the transient historicity of everything, determined by — among other contingent factors — random developments in science and technology. What makes the whole thing demonic indeed is that in contradistinction to the external character, the incomprehensibility, of “fate,” “the stars,” participants in the capitalist economy are not born to that condition, they are placed in their respective positions by a series of choices and compulsions that are obviously manmade. To be born noble and ignoble is nobody’s fault, has no moral dimensions; but alienation appears self-inflicted.

Marx is the poet of that Faustian demonism: only capitalism reveals the social, and the final unmasking; the final apocalypse, the final revelation can be reached by wading through the murk of estrangement which, seen historically, is unique in its energy, in its diabolical force. Marx does not “oppose” capitalism ideologically; but Rousseau does. For Marx, it is history; for Rousseau, it is evil.

Here Tamás was somewhat unfair to Thompson — not to mention Rousseau — but his caricatured presentation served to throw their perspectives into sharper relief. Thompson may have been guilty, from time to time, of romanticizing the English working class, but he entertained no illusions as to the hellish conditions out of which it emerged. After all, it was Thompson who wrote of “the denizens of ‘Satan’s strongholds’ [inhabitants of proletarian neighborhoods in industrial cities], of the ‘harlots, publicans, and thieves’ whose souls the evangelists wrestled for in a state of civil war against the ale-houses.” Every religious doctrine of the age, stated Thompson, had to be “held up to a Satanic light and read backwards” so as to properly grasp their context. One popular Methodist refrain, which he noted in his Making of the English Working Class (1963), spoke of factories as follows: “There is a dreadful Hell, / And everlasting pains, / Where sinners must with devils dwell, / In darkness, fire, and chains.” Regarding “that monstrosity, the disposable working population held in reserve” (to quote Capital), Thompson echoed Marx’s military metaphor in describing “…an unsettling element in the formative working-class community, a seemingly inexhaustible flow of reinforcements to man the battlements.”

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Early Marxist criticisms of Freudian psychoanalysis: Karl Korsch and Georg Lukács

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Much has been written over the years about the similarity between and compatibility of Marxian sociology and Freudian psychology. Here is not the place to evaluate those claims. Suffice it to say, for now, that both social critique and psychoanalysis have seen better days. Both doctrines have lost whatever pretense they once had to scientific status and today are relegated mostly to the humanities. One is more likely to hear Marx and Freud mentioned in the halls of the academy than shouted in the streets or whispered in clinical settings.

Tomorrow or the next day I plan to post PDFs of the complete works of Wilhelm Reich in English, German, and possibly Spanish. I will perhaps devote a few lines to the question of Marxism and Freudism, to the way each approaches and interprets irrationality. Whether as social ideology or psychopathology, this is their shared concern and primary motivation. Each aims to render that which is unconscious conscious, to master the forces of nature (external or internal) in a more rationally ordered life. “Just as Marxism was sociologically the expression of humanity becoming conscious of the exploitation of a majority by a minority,” asserted Reich, “so psychoanalysis is the expression of humanity becoming conscious of the social repression of sex.”

Freudian analysis tends to fall back on biological explanations of irrational behavior, whereas Marxist theory places more emphasis on the historical dimension. Yet both of them ultimately fall under the heading of materialism, even if somewhat “idealistic” strains. Psychoanalysis gives too much priority to sexual factors, important though these doubtless are. Vulgar Marxism is quite often guilty of reducing everything to economic factors. Desires and drives are a major part of psychoanalysis, while needs and motivations are a major part of Marxism.

A word about these texts. Korsch’s article first appeared in the councilist periodical Living Marxism in February 1938. Its main point of reference, besides Freud’s work, is Wilhelm Reich, whose writings were virtually unknown in America at the time. Reuben Osborn’s 1937 book on Marx and Freud: A Dialectical Study is also dealt with, but Reich is the one Korsch for the most part has in mind. He is generally appreciative of both Freud, whose postulates about the unconscious Korsch calls a “genuine discovery,” as well as Reich’s efforts to understand the rise of fascism on its basis. Oddly, Korsch — who by then had long since abandoned Leninism and increasingly considered Marxism a lost cause — had recourse to Lenin’s arguments against the Economists in defending Marxist methodology.

Lukács’ review of Group Psychology by Sigmund Freud appeared even earlier, in the German communist paper Die rote Fahne [The Red Flag] in 1922. For whatever reason, Lukács never struck me as someone interested in Freud. Victor Serge had described him as “a philosopher steeped in the works of Hegel, Marx, and Freud” in Memoirs of a Revolutionary, so maybe I just forgot. Either way, Lukács makes very clear that he considers Freud “a researcher of integrity,” and even after criticizing psychoanalytic interpretations of military psychology insists: “We did not quote this example in order to expose an otherwise meritorious researcher to deserved ridicule.” Interesting stuff.
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Capital as civilization

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Few words arouse such controversy as “civilization,” which calls to mind the self-appointed mission civilisatrice undertaken by great colonial empires of Europe in the nineteenth and early twentieth centuries. The word’s origins, however, prove far more benign. Etymologically the word derives from the Latin civilis, denoting a higher degree of urbanity and politesse. It is thus historically tied to the sporadic growth of cities, population centers separate from the countryside which often doubled as the seat of political power. Amadeo Bordiga had this in mind when he briefly sketched the meaning of civilization in his polemical letter to the post-Trotskyist group Socialisme ou Barbarie, “Doctrine of the Body Possessed by the Devil” (1951), initially defining civilization by way of contrast. “Barbarism is the opposite of civilization and also of bureaucracy,” wrote Bordiga. “Our barbarian ancestors, lucky them, did not have organizational apparatuses based (old Engels!) on two elements: a defined ruling class as well as a defined territory. Under barbaric conditions there were clans and tribes but not the civitas, meaning city as well as state. Civilization is the opposite of barbarism and means state organization, therefore necessarily bureaucracy; this is what Marxism says.” Henri Lefebvre, a French dissident Marxist, located “the political city at the point of origin on the space-time axis of total urbanization, populated primarily by priests, warriors, princes, ‘nobles,’ and military leaders, but also administrators and scribes.” (The Urban Revolution, pg. 8). Later the political city was supplanted by the mercantile city in Lefebvre’s schema, and this in turn was supplanted by the industrial city.

All this squared neatly with the Marxist classics, as Bordiga alluded to above. Friedrich Engels claimed in his work on Origins of the Family, Private Property, and the State (1884) that “the fixation of the antithesis between town and country as the basis of the entire social division of labor [is one of the] marks of civilization” (MECW 26, pg. 275). Karl Marx jotted down in one of many barely-legible polyglot scribblings that “about 850 BC civilization began unter the Asiatic Greeks.” Commenting on John Lubbock’s 1870 The Origin of Civilization and Lewis Morgan’s 1877 Ancient Society: Research in the Lines of Human Progress from Savagery through Barbarism to Civilization, Marx noted the historic passage from gentility to civility: “Griechische society first comes under notice around time of… legislation of Cleisthenes, vorgehend Übergang von gentile in political (or civil) Organisation… Er hätte sagen sollen dass political hier Sinn des Aristoteles hat = städtisch und politisches animal = Stadtbürger, ζῷον πολιτικόν. Der Township, mit der fixed property it contained und people who inhabited for the time being, was to become the unit of organization; gentilis transformed into civis” (Ethnographic Notebooks, pgs. 196-197). Vere Gordon Childe, like Lefebvre, considered civilization the result of an urban revolution, calling the very notion of prebourgeois “civilization” a contradictio in adjecto. “There was never such a thing as neolithic civilization,” argued Childe (Man Makes Himself, pg. 65). Lefebvre, for his part, maintained that “cities have always been a place of civilization.” In another text, he continued: “By excluding the urban from groups, classes, and individuals, one also excludes them from civilization, if not society itself” (Writings on Cities, pg. 195).

While the word is rooted in these ancient Latin words, “civilization” as a neologism dates only from around the age of Enlightenment. The timing of its coinage is no mere coincidence. “Civilization” is an invention of the bourgeois epoch. Like “society,” it is a concept of the Third Estate, as Adorno liked to point out. Émile Benveniste, a French semiotician, discovered the term first appeared in print in a 1757 book by the Marquis de Mirabeau. In its post-1765 usage, Benveniste observed that “civilisation meant the original, collective process that made humanity emerge from barbarity, and this use was even then leading to the definition of civilisation as a state of civilized society.” From there the concept was imported to Britain by Scottish Enlightenment philosophers like Ferguson, Millar, and Smith, likely through their contact with the physiocrats Quesnay, Necker, and Turgot in France. Anticipating Sigmund Freud’s later conceit that the civilization of society resembles the maturation of the individual, Ferguson in his Essay on the History of Civil Society postulated: “Not only does the individual advances from infancy to manhood, but the species itself from rudeness to civilization.” See Freud in his Civilization and Its Discontents: “The development of civilization is a special process comparable to the normal growth of individuals.” Millar and Smith each felt civilization was marked by a complex division of labor, wherein “the human mind can be fully cultivated and expanded; man thereby rises to the highest pitch of civilization and refinement.” Once again, this lined up with the earlier gloss on the word provided by Victor Riqueti, alias Mirabeau. “If I was to ask most people of what civilization consists,’ he began, ‘they would reply, “the civilization of a people is a softening of its manners, an urbanity, politeness and a spreading of knowledge so that the observation of decencies takes the place of laws of detail.”

Following the European discovery and conquest of the New World, maritime commerce expanded as cities again came to dominate the countryside. Seigneurial virtues like courage, magnanimity, and noblesse oblige gave way to entrepreneurial virtues such as cunning, austerity, and philanthropy. Contracts took the place of oaths. Norbert Elias has forcefully argued that certain conventions from prebourgeois European court life (manners, etiquette, dress codes, behavioral norms) were carried into bourgeois society out of the collapse of the feudal order. Although moral philosophers like Hume and Smith did much to displace aristocratic selflessness with bourgeois self-love, these courtly vestiges in civic life account for the high premium placed on “courtesy” [courtoisie, cortesia] as well as “civility” [civilité, civiltà, Zivilität] among representatives of the rising middle class. Yet this legacy passed down from medieval court society was only part of what Elias called “the civilizing process.” More broadly, the process entailed a transition from external restraints imposed from without to internal restraints imposed from within; one of the defining features of civilization for Elias was precisely this new regime of self-restraint. Some have suspected a similarity between Elias’ notion of civilized “restraint” and Michel Foucault’s concept of “discipline” through correct training, but this similarity is only apparent. Elias’ concept of self-restraint for Elias has far more in common with Freud’s psychoanalytic category of repression. Apart from these aristocratic frills and ruffles adorning bourgeois civilization, there were several forms of self-restraint peculiar to the modern world. As Elias was quick to acknowledge, these usually had to do with vocational norms or expectations associated with the workplace, rather than the banquet hall, the baronial court, or the curia regis. The primary locus of modern civilization would thus seem to reside in labor.

Jean Starobinski, the Swiss philologist and literary critic, definitively showed that “the word civilization, which denotes a process, entered the history of ideas at the same time as the modern sense of the word progress.” Denis Diderot, Marx’s favorite political author, was already using the term in exactly this sense around 1775, declaring that “civilization follows from the inclination which leads every man to improve his situation.” Lucien Febvre of the Annales school of historiography wrote in his 1930 essay “Civilization: Evolution of a Word and a Group of Ideas” François Guizot,

“The idea of progress, of development, appears to me the fundamental idea contained in the word, civilization. What is this progress? what this development? Herein is the greatest difficulty of all. The etymology of the word would seem to answer in a clear and satisfactory manner: it says that it is the perfecting of civil life, the development of society, properly so called, of the relations of men among themselves.”

Freud, Future of an Illusion: “Human civilization [Kultur], by which I mean all those respects in which human life has raised itself above its animal status and differs from the life of beasts — and I scorn to distinguish between civilization and culture — presents, as we know, two aspects to the observer.” Pg. 2.

Marx, Grundrisse: “all the progress of civilization, or in other words every increase in the powers of social production [gesellschaftische Produktivkräfte], if you like, in the productive powers of labor itself — such as results from science, inventions, division, and combination of labor, improved means of com­munication, creation of the world market, machinery etc. — en­riches not the worker but rather capital; hence it only magnifies again the power dominating over labor; increases only the pro­ductive power of capital.” (Pg. 308)

Spengler, Decline of the West: “the period of Civilization is that of the victory of city over country, whereby it frees itself from the grip of the ground, but to its own ultimate ruin” (Volume 2, Pg. 107)

“The word ‘Capital’ signifies the center of this thought — not the aggregate of values, but that which keeps them in movement as such. Capitalism comes into existence only with the world-city existence of a Civilization.” (Volume 2, pg. 493)

Humboldt: “In every survey of world history there is a progress… With the rise of man, the seed of civilization is also planted, and grows as his existence evolves. This humanization we can perceive in advancing stages.” On Language (1835)

Gilles Dauvé, “Crisis of Civilization”

Capitalism is driven on by a social and productive dynamism, and by an unheard-of regenerative ability, but it has this weakness: by its very strength, by the human energy and the technical power it sets into motion, it wears out what it exploits, and its productive intensity is only paralleled by its destructive potential, as proved by the first civilization crisis it went through in the twentieth century.

No value judgement is implied here. We do not oppose civilized people to savages (even noble ones) or barbarians. We do not celebrate “great civilizations” which would have been witness to the progress of mankind. On the other hand, we do not use the word in the derogatory sense it has with writers like Charles Fourier, who called “civilization” a modern society plagued by poverty, trade, competition and the factory system. Neither do we refer to those huge geohistorical sociocultural constructs known as Western, Judeo-Christian, Chinese, or Islamic civilizations.

The civilization we speak of does not replace the notion of mode of production. It merely emphasizes the scope and depth of a world system that tends to be universal, and is also capable of disrupting and then reshaping all kinds of societies and ways of life. The hold of wage-labor and commodity over our life gives them a reality and dynamics that were unknown in the past. Capitalism today is the only all-encompassing network of social relationships able to expand geographically and, with the respective differences being considered, to impact on Jakarta as well as Vilnius. The spread of a world capitalist way of life is visible in similar consumer habits (McDonald’s) and architecture (skyscrapers), but has its deep cause in the dominance of value-production, of productivity, of the capital-wage labor couple.

The identity of capital and civilization

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“Capital is only another name for civilization.” Marx quoted this dictum by John Wade repeatedly in the economic manuscripts, and with approval each time. Another quotation was usually situated nearby, this one by the Swiss Sismondian Antoine-Elisée Cherbuliez, whose writings on political economy Marx generally held in high esteem: “The capitalist is the social man par excellence; he represents civilization.” His reason for citing these remarks is opaque. Often they just hang there, like epigraphs awaiting excogitation. Reminders are attached: “Wade’s explanation of capital. Labor mere agency of capital… Civilization, together with my remarks about it” (Grundrisse, pg. 584). A clue is contained in another section of the Grundrisse, with suggestive allusions to free time: “Since all free time is time for free development, the capitalist usurps free time created by the workers for society, i.e. civili­zation, and Wade is again correct in this sense, insofar as he posits capital = civilization” (Grundrisse, pg. 34). Echoing this in his notebooks from 1861-1863, Marx later wrote that “surplus labor is on the one hand the basis of society’s free time, and on the other hand, by virtue of this, the material basis of its whole development and of civilization in general. Insofar as it is capital’s compulsion which enforces on the great mass of society this labor over and above its immediate needs, capital creates civilization, and performs a sociohistoric function.” Lenin similarly stressed the “luxury” generated by labor under capitalism: “The proletariat showed by deeds that modern civilization owes its existence to it and to it alone, that its labor creates wealth and luxury.”

Despite its uniform pattern, capitalism maps unevenly onto preexisting cultures, producing multiform results. While this does entail peripheral variations on the central theme of capitalist production — which is, as always, the antagonism between labor and capital in the constitution of value — this surface heterogeneity belies a fundamental homogeneity. Marx called this “the great civilizing influence of capital, its production of a stage of society in comparison to which all earlier ones appear as mere local developments of humanity and as nature-idolatry.” “For the first time, nature becomes purely an object for humankind, purely a matter of utility,” he continued. “Capital drives beyond national barriers and prejudices as much as beyond nature worship, as well as traditional, confined, complacent, encrusted satisfactions of present needs, and reproductions of old ways of life. It is destructive towards all of this, constantly revolutionizes it, tearing down the barriers which hem in the development of the forces of production, the expansion of needs, …and the exploitation and exchange of natural and mental forces.” (Grundrisse, pgs. 409-410). All parochial relations brought into its fold are either swiftly dissolved or irrevocably modified. “It compels all nations, on pain of extinction, to adopt the bourgeois mode of production,” wrote Marx and Engels in the Manifesto, “introducing what it calls civilization into their midst — in a word, it creates a world after its own image.”

Elsewhere, in The Poverty of Philosophy (1847), Marx dealt with this twin tendency of capital to both create and destroy, or create new conditions by destroying old ones. Later, the Austrian economist Joseph Schumpeter dubbed this double-edged property of capitalist production “creative destruction.” Polemicizing against Proudhon, who wanted to simply get rid of the bad byproducts of bourgeois society while retaining the good ones, Marx assigned priority to the negative or destructive moment of the value-relation. Famously, he argued that “history progresses according to the bad side” (the left communist group Il Lato Cattivo takes its name from the Italian translation of this passage). Destructiveness, negativity is what drives progress. Read now the following line from Marx’s Grundrisse in light of this: “It is precisely this side of the relation of capital and labor which is an essential civilizing moment, and on which the historic justification, but also the contemporary power of capital rests” (Grundrisse, pg. 287). Marx returns to this motif once more toward the end of volume three of Capital, in chapter on the trinity formula. Just before passing on to his discussion of socialism as the “realm of freedom,” he explained that “one of the civilizing aspects of capital is that it extorts surplus labor in a manner and in conditions that are more advantageous to social relations and to the creation of elements for a new and higher formation than was the case under the earlier forms of slavery, serfdom, etc.” (Capital, Volume 3, pg. 958).

On this last point, Marx announced in an 1867 speech to Polish delegates of the First International in London that “Russia, by the emancipation of the serfs, has entered the family of civilized nations” (MECW 20, pgs. 199-200). Rosa Luxemburg almost five decades later welcomed the 1905 revolution in Russia with similar sentiments: “All lovers of civilization and freedom, that is, the international working class, can rejoice from the bottom of their hearts… For on this day the Russian proletariat burst on the political stage as a class for the first time; for the first time the only power which historically is qualified and able to cast tsarism into the dustbin and to raise the banner of civilization in Russia and everywhere has appeared on the scene of action.” Her comrade August Bebel affirmed that same year that “it is not our object to destroy civilization… We do not wish to throw humanity back into barbarism; on the contrary, we desire to lift the whole of humanity to the highest thinkable plane of civilization.” This simply restated what Wilhelm Liebknecht stated thirteen years prior: “Socialism presupposes modern civilization. It does not run counter in any way — far from being the enemy of civilization, socialism wishes to extend it to all humanity.” Bebel died in 1913 and Liebknecht in 1900, before the wholesale relapse of capitalist society into barbarism, but Karl Liebknecht carried their message forward in an address to workers for May Day 1916. “Let us fight for everything that means the future triumph of the working classes, the future of humanity and civilization,” declared Liebknecht before he was arrested for agitation.

Postcolonial critiques

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Marx’s identification of capital with civilization, so often overlooked, has given rise to many misunderstandings. Postcolonial theorists such as Edward Said, for example, have taken exception to some of Marx’s journalistic writings on India from the 1850s. “England has to fulfill a double mission in India,” Marx wrote for the New York Tribune, “one destructive, the other regenerative — the annihilation of the Asiatic society, and the laying of the material foundations of Western society in Asia. The British were the first conquerors superior, and therefore, inaccessible to Hindu civilization” (MECW 12, pgs. 217-218). On this passage, Said disparagingly remarked that “Marx’s economic analyses are perfectly fitted thus to a standard Orientalist undertaking” (Orientalism, pg. 154). “In article after article he returned with increasing conviction to the idea that even in destroying Asia, Britain was making possible there a real social revolution,” added Said (ibid., pg. 153). Aijaz Ahmad has already highlighted Said’s “anti-Marxism,” as well as his attempt to define “a postmodern kind of anti-colonialism” (In Theory, pg. 222) — in other words, a relativist anti-colonialism. However, it is enough to turn to Marx’s follow-up article on “The Future Results of British Rule in India” to understand the sweeping scope and grandiose scale of the history he sought to articulate. Note his implicit association of civilization with urban centers:

The centralization of capital is essential to the existence of capital as an independent power. The destructive influence of that centralization upon the markets of the world does but reveal, in the most gigantic dimensions, the inherent organic laws of political economy now at work in every civilized town. The bourgeois period of history has to create the material basis of the new world: on the one hand universal intercourse founded upon the mutual dependency of mankind, and the means of that intercourse; on the other hand the development of the productive powers of man and the transformation of material production into a scientific domination of natural agencies. Bourgeois industry and commerce create these material conditions of a new world in the same way as geological revolutions have created the surface of the earth. When a great social revolution shall have mastered the results of the bourgeois epoch — the market of the world and the modern powers of production — and subjected them to the common control of the most advanced peoples, then only will human progress cease to resemble that hideous, pagan idol, who would not drink the nectar but from the skulls of the slain. (MECW 12, pg. 222)

Sadik Jalal al-’Azm perhaps came closest to grasping this underlying “civilizational” theme in Marx’s theory of capital, even if he did not explicitly name it as such. Capital’s civilizing effect consists precisely in its “development of the productive powers of man” and so forth. In his 1981 review of Said for the Marxist journal Khamsin, “Orientalism and Orientalism in Reverse,” al-’Azm unequivocally upheld the superiority of British civilization at this historical juncture: “That nineteenth century Europe was superior to Asia and much of the rest of the world in terms of productive capacities, social organization, historical ascendency, military might and scientific and technological development is indisputable as a contingent historical fact,” he asserted. “Orientalism, with its ahistorical bourgeois bent of mind, did its best to eternalize this mutable fact, to turn it into a permanent reality — past, present, and future. Hence Orientalism’s essentialistic ontology of East and West. Marx, like anyone else, knew of the superiority of modern Europe over the Orient. But to accuse a radically historicist thinker such as Marx of turning this contingent fact into a necessary reality for all time is simply absurd.” Al-’Azm went further than this, even, claiming that “the fact that he utilized terms related to or derived from the Orientalist tradition does not turn him into a partisan of the essentialistic ontology of East and West any more than his constant use of pejorative epithets like ‘nigger’ and ‘Jew’ (to describe foes, class enemies, despised persons, and so on) could turn him into a systematic racist and antisemite.”

Kevin Anderson, whose 2010 book Marx at the Margins grapples with postcolonial criticisms leveled at Marx, concedes too much to Said on this matter. “Marx repeatedly extols the beneficial impact of Britain’s ‘higher’ civilization on India’s ‘lower’ one,” Anderson laments. “This problem needs to be acknowledged” (Marx at the Margins, pg. 20). Anderson is far too keen a scholar not to have noticed Marx’s equation of capital and civilization in his mature economic texts, and the greater nuance implied. He thus reluctantly granted the point raised by Spencer Leonard in their 2012 interview, regarding the relationship of these two terms. Leonard contended:

When Marx says England represents a higher civilization [than India], he is not really talking about the “Englishness” of England, much less anything “authentically Western.” Capitalism for Marx is not a superior civilization. Rather, capitalist society is “civilization,” per se, in such a way that the past can only be said to be so by analogy with it. Thus, in the Communist Manifesto, he uses the language of “civilization,” and terms everything else barbaric, as for instance in the passage where he talks about the battering down of Chinese walls by British imports. The issue is the universality of the form realizing itself at the level of world history. So, it seems that when he is using that language, he is talking about a social form, one that just happens to have emerged in Europe.

Though civilization is certainly a loaded term, selections from Engels lend credence to this interpretation of Marx’s view: “Civilization is that stage of development of society at which division of labor, the resulting exchange between individuals, and commodity production reach their full development and revolutionize the whole of hitherto existing society.” Marx in his 1863 economic manuscripts chided the prerevolutionary French author Simon-Nicholas Henri Linguet, who had criticized Voltaire, Rousseau, and the phisolophes, preferring Oriental tributary states to European absolutism. “Linguet is not a socialist,” wrote Marx. “His polemics against the bourgeois-liberal ideals of the Enlighteners, his contemporaries, against the dominion of the bourgeoisie then beginning, are thus given — half-seriously, half-ironically — a reactionary appearance, defending Asiatic despotism against the civilized European forms of despotism; thus he defends slavery against wage-labor.”

Relapse into barbarism

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After the revolutionary cycle of 1917-1923 drew to a close without spreading westward, the USSR was surrounded, encircled, and besieged. The Bolshevik seizure of power in October 1917 attempted to transform the world war between nations into an international civil war, the idea being that relatively backward countries like Russia represented the weakest link in the imperialist chain. Everything depended on successful revolution in the advanced capitalist core, however, especially in Germany. Uprisings broke out across Europe, but all of them save the Russian Revolution were eventually crushed. Lenin recognized the desperate situation in which the fledgling Soviet Union now found itself, and framed the possibility of socialism’s victory as resting on civilization. “To ensure our existence until the next military conflict between the most civilized countries of the world and the Orientally backward countries which, however, compromise the majority, this majority must become civilized,” wrote Lenin in 1923. “We, too, lack enough civilization to enable us to pass straight on to socialism, although we do have the political requisites for it [Нам тоже не хватает цивилизации для того, чтобы перейти непосредственно к социализму, хотя мы и имеем для этого политические предпосылки].” Here again civilization signifies a certain level of economic development brought about by capital, which constitutes an objective conditio sine qua non for socialist transition.

Nevertheless, Marx and his followers were never blind to the violence of capitalist accumulation, particularly along its periphery. “The profound hypocrisy and inherent barbarism of bourgeois civilization lies unveiled before our eyes,” he declared in 1853, “turning from its home, where it assumes respectable forms, to the colonies, where it goes naked” (MECW 12, pg. 221). Barbarism is in no sense extrinsic to civilization, qua capital. It is an ever-present possibility intrinsic to its development from the start, and exists in dialectical tension with capital’s civilizing qualities. Lenin conceptualized this dialectical tension as “civilized barbarism” in a 1913 article. Discussing the proposal to connect England and France via an underwater tunnel, amidst fears of invasion, he remarked that “the civilized nations have driven themselves into the position of barbarians. Capitalism has brought about a situation in which the bourgeoisie, in order to hoodwink the workers, is compelled to frighten the British people with idiotic tales about ‘invasion,’ …in which a whole group of capitalists who stand to lose ‘good business’ from the tunnel are doing their utmost to wreck this plan and to hold up technical progress. On all sides, at every step one comes across problems which man is quite capable of solving immediately, but capitalism is in the way; capitalist barbarism is stronger than civilization.” As Marx and Engels had before him, Lenin recognized in 1913 that capitalism had actually become an impediment to further progress.

Following Lenin’s lead, Adorno would also write of “civilized barbarism” in his 1951 essay on Kulturkritik: “Were mankind to possess the wealth of goods [produced by capitalism], it would shake off the chains of that civilized barbarism which cultural critics ascribe to the advanced state of the human spirit, rather than to the retarded state of society.” Along with Horkheimer, he endeavored to “the reversion of enlightened civilization to barbarism” (Dialectic of Enlightenment, pg. xvi). Civilization itself, they maintained, had relapsed into a sort of barbaric state.

this was one of Marx’s and Engels’ most original and devastating insights. After all, it was not only civilization that they discerned in liberal bourgeois society. Contained within these very same forms of social organization there also lurked the possibility of a new and untold barbarism. The issue at hand here is the one Adorno and Horkheimer dealt with as  Three decades earlier, Engels noticed this tendency of bourgeois society — that is, civilization — to increasingly move to conceal the traces of its own steady barbarization. “[T]he more civilization advances,” he asserted, “the more it is compelled to cover the ills it necessarily creates with the cloak of love, to embellish them, or to deny their existence.”59 But of all the variations on this theme in the annals of Marxist literature, none approaches the poetry of Rosa Luxemburg’s Junius Pamphlet: The Crisis of German Social Democracy:

Friedrich Engels once said, “Capitalist society faces a dilemma, either an advance to socialism or a reversion to barbarism.” What does a “reversion to barbarism” mean at the present stage of European civilization? We have read and repeated these words thoughtlessly without a conception of their terrible import. At this moment one glance about us will show us what a reversion to barbarism in capitalist society means. This world war means a reversion to barbarism…This is the dilemma of world history, its inevitable choice, whose scales are trembling in the balance awaiting the decision of the proletariat. Upon it depends the future of humanity. In this war imperialism has been victorious. Its sword of murder has dashed the scales, with overbearing brutality, down into the abyss of shame and misery.

The naked barbarity that was seen in the trenches of Europe in World War I was simply the homecoming of what post-1848 European liberalism hoped to confine to its colonies. “The profound hypocrisy and inherent barbarism of bourgeois civilization lies unveiled before our eyes,” commented Marx, in an 1853 article on India, “turning from its home, where it assumes respectable forms, to the colonies, where it goes naked.” Still, this inherent barbarism of bourgeois society did not first show its face in the colonies. It had actually emerged several years prior, as Engels wrote in 1849, in the core of old Europe: “On the one side the revolution, on the other the coalition of all outmoded estate-classes and interests; on the one side civilization, on the other barbarism.”

August Bebel

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From James Joyce to Howdy Doody: Deconstruction and deindustrialization after 1968

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Loren Gold­ner was an angry is­land of Marxi­an cri­tique sur­roun­ded in the 1980s and 1990s by a sea of post­struc­tur­al­ist and post­co­lo­ni­al hogshit. Even os­tens­ibly Marx­ist parties like the ISO in­tern­al­ized a lot of the re­lat­iv­ist garbage of this peri­od, however much they might claim to re­ject it.

I think Gold­ner is a bit un­fair in lump­ing the Frank­furt School in with all the oth­er stuff he dis­cusses in this es­say, but in terms of its re­cep­tion by the Anglo­phone academy he has a point. One might quibble with Gold­ner’s char­ac­ter­iz­a­tion of this or that thinker, or some of his gen­er­al­iz­a­tions, but this is de­lib­er­ate and cal­cu­lated for po­lem­ic­al ef­fect.

This es­say was ori­gin­ally pub­lished in 2001, and can be read over at his web­site. I’ve taken the liberty of cor­rect­ing the vari­ous mis­spellings that ap­pear in it, and ad­ded first names of au­thors who might oth­er­wise seem a bit ob­scure. You should also check out his es­say on “The Uni­ver­sal­ity of Marx” re­pos­ted by Com­in Situ a few months back, an in­cis­ive cri­tique of Ed­ward Said and Samir Amin.

Foucault Deleuze SartreDeconstruction and deindustrialization
Ontological “difference” and the neoliberal war
on the social

Loren Goldner
Queequeg Press
January 2001
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Art without know­ledge is noth­ing.
[Ars sine sci­en­tia ni­hil.]

— Jean Mignot

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It was 1971. We were in our early twen­ties and we were mad. After the seem­ing pre­lude to apo­ca­lypse we had just lived through, who, at the time, would have be­lieved that we were at the be­gin­ning of three dec­ades (and count­ing) in which, in the U.S. at least, mass move­ments would all but dis­ap­pear from the streets? Even today, the evan­es­cence of the world-wide mood of 1968 seems slightly in­cred­ible. The funk of 1971 turned Wordsworth on his head: “Ter­rible in that sun­set to be alive, but to be young was hell it­self.”

The “six­ties,” in their pos­it­ive im­pulse, were over. In the U.S., the mass move­ment in the streets of 1965 to 1969 was quickly turn­ing co­matose. The ul­tra-Sta­lin­ist Pro­gress­ive Labor Party cap­tured SDS (Stu­dents for a Demo­crat­ic So­ci­ety), but cap­tured only a corpse made up only of its own rap­idly-dwind­ling mem­bers. The stock mar­ket crashed, Penn Cent­ral went bank­rupt, and the fin­an­cial mar­kets seized up in a gen­er­al li­quid­ity crisis (it would not be the last). Not many people of the 1960s New Left paid much at­ten­tion to these eco­nom­ic de­vel­op­ments at the time, and few­er still un­der­stood that they signaled the end of the post­war boom. But a sense of the end of something was in the air. The Decem­ber 1969 Alta­mont con­cert of the Rolling Stones had turned ugly, as the Hell’s An­gels guard­ing the band­stand had beaten a young black man to death with pool cues. The Chica­go po­lice murdered Black Pan­ther Fred Hamp­ton in his sleep. Charles Man­son’s col­lect­ive had earli­er murdered preg­nant act­ress Shar­on Tate and oth­er party­go­ers in the Hol­ly­wood hills, leav­ing a fork in Tate’s stom­ach, and the Weather­men made the fork in­to a sym­bol of struggle at their next con­fer­ence. Some Weather­men, in turn, blew them­selves up in a Green­wich Vil­lage pent­house, though Ber­nad­ine Dohrn and the oth­ers would con­tin­ue to plant more bombs and to put out their de­men­ted mani­fes­tos for some time af­ter­ward. The postal work­ers struck mil­it­antly and the gov­ern­ment sent the Na­tion­al Guard — fu­tilely — to de­liv­er the mail be­fore cav­ing to the strike. Nix­on and the U.S. mil­it­ary in­vaded Cam­bod­ia; the Team­sters wild­cat­ted in Clev­e­land and else­where; the Na­tion­al Guard unit which had con­fron­ted the Team­sters went on to Kent State with little sleep and killed four anti-war stu­dents. A na­tion­al stu­dent strike fol­lowed, but it was (sig­ni­fic­antly) taken over in many places, for the first time in years, by left-lib­er­als who tried to turn its en­ergy to lib­er­al Demo­crat­ic polit­ics for the fall 1970 elec­tions. Huey New­ton, head of the Black Pan­ther Party (BPP), was re­leased from jail in sum­mer 1970, an­noun­cing at the en­su­ing press con­fer­ence his in­ten­tion to “lead the struggle of the people to a vic­tori­ous con­clu­sion,” ap­par­ently un­aware (after serving 2½ years on man­slaughter charges for killing an Oak­land cop) that the “struggle of the people” in the U.S. was, for the fore­see­able fu­ture, fold­ing up the tent. The sleaze and rot of the end of the six­ties were not a pretty sight: Tim Leary, the former P.T. Barnum of LSD, held pris­on­er by the break­away Eldridge Cleav­er fac­tion of the BPP in Al­gi­ers; the burnt-out meth freaks scroun­ging spare change; the grim de­term­in­a­tion, in dour New Left mi­lieus, to “smash” everything bour­geois.

More dif­fusely but with more of a fu­ture, at least in the pro­fes­sion­al middle classes, the “new so­cial move­ments” were gath­er­ing mo­mentum: wo­men re­jec­ted their second-class roles every­where in so­ci­ety, in­clud­ing in the 1960s New Left; gays rode the mo­mentum of the 1969 Stone­wall ri­ots; an im­port­ant minor­ity of blacks and Lati­nos moved in­to the middle class through af­firm­at­ive ac­tion pro­grams, the Club of Rome re­port on Lim­its to Growth and the Rock­e­feller-backed Zero Pop­u­la­tion Growth gave the eco­logy and en­vir­on­ment­al move­ments (and more dif­fusely, a good part of so­ci­ety) the Malthu­s­i­an agenda they have nev­er really shaken off.

The fol­low­ing es­says were writ­ten over more than two dec­ades, yet they form a con­tinu­ous whole, even if it is one that only fully emerged over time. They were writ­ten “against the grain” of much of the ideo­logy of the past fifty years, above all in its left and far left guises, that might be sum­mar­ized with the term “middle-class rad­ic­al­ism.” While much of middle-class rad­ic­al­ism may have seemed, over the course of the 20th cen­tury, to over­lap with the Marxi­an project of com­mun­ism, they are as ul­ti­mately op­posed as Max Stirner and Mikhail Bak­un­in on one hand and Karl Marx and Rosa Lux­em­burg on the oth­er. One might use the Hegel­i­an term “neg­a­tion of the neg­a­tion” to de­scribe the former and the Feuerba­chi­an term “self-sub­sist­ing pos­it­ive” to de­scribe the lat­ter. The “fault line” between one and the oth­er is pre­cisely Marx’s re­lo­ca­tion of the “cre­at­ive act of trans­form­a­tion” with­in man’s re­la­tion­ship to nature, what the “Theses on Feuerbach” call sinn­liche umwälzende Tätigkeit or “sen­su­ous trans­form­at­ive activ­ity.” The fault line is moreover between Hegel’s view of nature as the realm of “re­pe­ti­tion,” as “bor­ing,” and Marx’s view of hu­man his­tory, and man’s his­tory in the trans­form­a­tion of nature, as the trans­form­a­tion of the laws of nature them­selves in his cri­tique of Malthus’ the­ory of pop­u­la­tion. In the lat­ter view, nature and nat­ur­al laws them­selves be­come his­tor­ic­al. “An an­im­al only pro­duces its own nature,” Marx wrote in 1844, “but hu­man­ity re­pro­duces all of nature.” An an­im­al is a tool; a hu­man be­ing uses tools. Hegel epi­tom­ized the “state civil ser­vant” view of his­tory, with his idea that the Prus­si­an mon­arch and his bur­eau­crats per­formed uni­ver­sal labor, where­as Marx pre­cisely trans­poses the idea of uni­ver­sal labor, i.e. cre­ativ­ity, to man’s sen­su­ous activ­ity with­in nature, an ex­ten­sion of nat­ur­al his­tory. This “uni­ver­sal labor” of course ex­ists only frag­ment­ar­ily and ab­stractly with­in cap­it­al­ism, scattered among the dif­fer­ent parts of the (pro­duct­ive) work­ing class, and some parts of the sci­entif­ic and tech­nic­al strata. But these frag­ments, along with oth­ers from in­tel­lec­tu­al and cul­tur­al life, are in­dis­pens­able fu­ture parts of a fu­ture activ­ity “as all-sided in its pro­duc­tion as in its con­sump­tion” which Marx, in the Grundrisse, sees as the su­per­ses­sion of the cap­it­al­ist work/ leis­ure an­ti­nomy in com­mun­ism.

Fol­low­ing in the same vein, one might just as suc­cinctly coun­ter­pose middle-class rad­ic­al­ism and Marxi­an so­cial­ism as fol­lows: middle-class rad­ic­al­ism con­ceives of free­dom as “trans­gres­sion,” as the break­ing of laws, the “re­fus­al of all con­straints,” as the Situ­ation­ist In­ter­na­tion­al put it more than thirty years ago, where­as the Marxi­an project of com­mun­ism con­ceives of free­dom as the prac­tic­al solu­tion of a prob­lem­at­ic which evolved the­or­et­ic­ally from Spinoza and Leib­n­iz to Kant, Hegel, and Feuerbach as the trans­form­a­tion of laws, up to and in­clud­ing the phys­ic­al laws of the uni­verse, man’s unique “Pro­methean” ca­pa­city. More than 150 years ago, Marx, in his cri­tique of the middle-class rad­ic­al­ism of the Young Hegel­i­ans, said that for Bauer, Hess, and Stirner the sci­ence, tech­no­logy, and hu­man his­tory of prac­tic­al activ­ity in nature was only “mass, mere mass,” to use the jar­gon of the day. For most of the West­ern left, far left, and ul­traleft which emerged from the 1960s, these phe­nom­ena are shown the door with the up­dated (and es­sen­tially Weberi­an) Frank­furt School man­tra “dom­in­a­tion, mere dom­in­a­tion.” For the middle-class rad­ic­al, “neg­a­tion of the neg­a­tion” view, the prob­lems are “hier­archy,” “au­thor­ity,” “dom­in­a­tion,” and “power”; for the Marxi­an com­mun­ist view, the prob­lems are the project of the ab­ol­i­tion of value, com­mod­ity pro­duc­tion, wage labor, and the pro­let­ari­at (the lat­ter be­ing the com­mod­ity form of labor power with­in cap­it­al­ism). From these lat­ter the “neg­a­tion of the neg­a­tion” prob­lem­at­ic is en­tirely re­cast, re­formed and su­per­seded, and its heavy over­lay of bour­geois ideo­logy — free­dom con­ceived without the trans­form­a­tion of ne­ces­sity — dis­carded.

What is truly ap­palling today in large swaths of the left and far-left in the West is the will­ful il­lit­er­acy in the cri­tique of polit­ic­al eco­nomy. Per­haps even more ap­palling, and closely re­lated, is the will­ful il­lit­er­acy, bore­dom and hos­til­ity where sci­ence and nature are con­cerned. It is cer­tainly true that the “cri­tique of polit­ic­al eco­nomy” can some­times be al­most as bor­ing as polit­ic­al eco­nomy it­self, bet­ter known today un­der its still more ideo­lo­gic­ally con­tem­por­ary name of “eco­nom­ics.” We re­call Marx writ­ing to En­gels (in 1857!) say­ing that he hoped to have done with the “eco­nom­ic shit” with­in a year or two. I my­self have stud­ied “eco­nom­ic ques­tions” for years, and have also spent years in re­cov­ery from the no­vo­cained, ashes-in-the mouth feel­ing brought on by ex­cess­ive ex­pos­ure to the “dis­mal sci­ence” — or even to its cri­tique.

But this is something rather dif­fer­ent than a cer­tain mood of the past thirty-five years, a mood whose cul­min­a­tion to date is the post­mod­ern, “cul­tur­al stud­ies” scene that has filled up book­stores with its ni­hil­ist pun­ning, its “white males nev­er did any­thing but rape, pil­lage, and loot” the­ory of his­tory, and its ig­nor­ant “everything and every­one is tain­ted” pro­jec­tions onto everything and every­one in some pot­ted no­tion of the West­ern “tra­di­tion.” This is the world view of de­mor­al­ized up­per middle-class people en­sconced in fash­ion­able uni­versit­ies, largely ig­nor­ant of the real his­tory of the fail­ure (to date) of the com­mun­ist project for a high­er or­gan­iz­a­tion of so­ci­ety, as­sum­ing that the his­tor­ic­al and in­tel­lec­tu­al back­wa­ter en­gulf­ing them is the fi­nal product of hu­man his­tory.

All this can be cri­tiqued and re­jec­ted on its own terms. It goes hand-in-hand with an ever-linger­ing “mood” which as­serts that there was nev­er any­thing his­tor­ic­ally pro­gress­ive about cap­it­al­ism, a mood so per­vas­ive that it does not even both­er to ar­gue the case, since it re­jects out of hand the idea of pro­gress — lin­ear, non-lin­ear, or oth­er­wise — and there­fore the ques­tion is fore­closed be­fore it even comes up. Once the idea of an or­gan­iz­a­tion of so­ci­ety su­per­i­or to cap­it­al­ism is re­pu­di­ated, cap­it­al­ism it­self ap­pears to the post­mod­ern­ists as un­prob­lem­at­ic, just as it is to the rest of bour­geois ideo­logy. While some post­mod­ern­ists might stop short (though God knows why) of one French Heide­g­geri­an’s call to “bring the in­hu­man in­to the com­mons” [don­ner droit de cit(c) a l’in­hu­main], their un­der­ly­ing world out­look eas­ily moves to­ward the same re­pu­di­ation of the tired word “hu­man­ism.” This coun­ter­pos­i­tion sur­faced in the 1987-1988 Heide­g­ger and De Man con­tro­ver­sies in such for­mu­la­tions as “Is Nazism a Hu­man­ism?” [Le Nazisme est-il un Hu­man­isme?] The ar­gu­ment was as fol­lows. Hu­man­ism was the West­ern meta­phys­ic of the “sub­ject,” cul­min­at­ing in Hegel and re­shaped by Marx. Trapped in and con­sti­tuted by the meta­phys­ics of “pres­ence,” the re­duc­tion of everything to a “rep­res­ent­a­tion” (im­age), hu­man­ism was the ideo­logy of the sub­jec­tion — the PoMos would of course write (sub­ject)ion — of the en­tire earth to “rep­res­ent­a­tion,” in what Heide­g­ger called the world­wide dom­in­a­tion of “tech­no­lo­gic­al ni­hil­ism.” Ni­et­z­sche had already ar­rived at im­port­ant an­ti­cip­a­tions of this ana­lys­is. For a cer­tain, “post-1945” (!) Heide­g­ger, Nazism had cul­min­ated this drive to “tech­no­lo­gic­al ni­hil­ism.” (When he was a Nazi, up to 1945, Heide­g­ger had gamely ar­gued that lib­er­al cap­it­al­ism was the cul­min­a­tion of “tech­no­lo­gic­al ni­hil­ism.”) The French Heide­g­geri­ans thus ar­gued that Nazism was a hu­man­ism in its drive to com­plete West­ern “tech­no­lo­gic­al ni­hil­ism,” and that the ap­par­ently Nazi Heide­g­ger, by at­tempt­ing to “de­con­struct” hu­man­ism, was thereby “sub­vert­ing” Nazism. Mean­while, of course, the op­pon­ents of Nazism, of whatever polit­ic­al stripe, were trapped in “hu­man­ism” and there­fore trapped on Nazism’s ter­rain, sim­il­arly fa­cil­it­at­ing the world­wide vic­tory of “tech­no­lo­gic­al ni­hil­ism.” One could pre­sum­ably count an old hu­man­ist such as Lux­em­burg (had she not been murdered in 1919 by proto-Nazis, abet­ted by So­cial Demo­crats) as someone else con­fusedly trapped in “tech­no­lo­gic­al ni­hil­ism,” hav­ing died a bit too early to ap­pre­ci­ate Heide­g­ger as the real op­pon­ent of Nazism. Continue reading →

Art into life

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Marx once declared, critiquing Hegel, that the historical task confronting humanity was “to make the world philosophical.” Hegel had completed philosophy, effectively brought it to a close. Now all that was left was to make this philosophy real by transforming the world according to its dictates. As he put it:

It is a psychological law that the theoretical mind, once liberated in itself, turns into practical energy, and, leaving the shadowy empire of Amenthes as will, turns itself against the reality of the world existing without it. (From a philosophical point of view, however, it is important to specify these aspects better, since from the specific manner of this turn we can reason back towards the immanent determination and the universal historic character of a philosophy. We see here, as it were, its curriculum vitae narrowed down to its subjective point.) But the practice of philosophy is itself theoretical. It’s the critique that measures the individual existence by the essence, the particular reality by the Idea. But this immediate realization of philosophy is in its deepest essence afflicted with con­tradictions, and this its essence takes form in the appearance and imprints its seal upon it.

When philosophy turns itself as will against the world of appearance, then the system is lowered to an abstract totality, that is, it has become one aspect of the world which opposes another one. Its relationship to the world is that of reflection. Inspired by the urge to realize itself, it enters into tension against the other. The inner self-contentment and completeness has been broken. What was inner light has become consuming flame turning outwards. The result is that as the world becomes philosophical, philosophy also becomes worldly, that its realization is also its loss, that what it struggles against on the outside is its own inner deficiency, that in the very struggle it falls precisely into those defects which it fights as defects in the opposite camp, and that it can only overcome these defects by falling into them. That which opposes it and that which it fights is always the same as itself, only with factors inverted.

Reflecting on these lines nearly a century later, in the aftermath of the stillborn October Revolution, Karl Korsch famously concluded that “[p]hilosophy cannot be abolished without being realized.” In other words, it is vital not to cast philosophy unceremoniously aside simply because its time has passed. One must come to terms with it, and critically engage it, before doing away with it completely. Theodor Adorno’s Negative Dialectics, in many ways a sequel to Korsch’s essay on “Marxism and Philosophy,” thus begins with the sobering observation: “Philosophy, which once seemed obsolete, lives on because the moment to realize it was missed. The summary judgment that it had merely interpreted the world, that resignation in the face of reality had crippled it in itself, becomes a defeatism of reason after the attempt to change the world miscarried.”

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Alfred Sohn-Rethel, who corresponded for decades with Adorno, explained at the outset of his monumental work on Intellectual and Manual Labor, provided a clue as to what this might have meant:

[Work on the present study] began towards the end of the First World War and in its aftermath, at a time when the German proletarian revolution should have occurred and tragically failed. This period led me into personal contact with Ernst Bloch, Walter Benjamin, Max Horkheimer, Siegfried Kracauer, and Theodor W. Adorno, and the writings of Georg Lukács and Herbert Marcuse. Strange though it may sound I do not hesitate to say that the new development of Marxist thought which these people represent evolved as the theoretical and ideological superstructure of the revolution that never happened. In it re-echo the thunder of the gun battle for the Marstall in Berlin at Christmas 1918, and the shooting of the Spartacus rising in the following winter.

Korsch’s insight into this theme from the early thought of Karl Marx, reaffirmed subsequently by Adorno and his best followers, can be extended to encompass art and religion as well. For Hegel, of course, art and religion each provided — in their own, particular way — privileged access to the Absolute. Art reigned supreme in the ancient world, while religion dominated medieval thought (with its “great chain of being”). By the time Hegel was writing, however, these modes of apprehending the Absolute had been surpassed by philosophy, which rationally comprehended the Absolute Idea in its spiritual movement. Intuition and belief had been supplanted by knowledge. Science, or Wissenschaft, had been achieved.

Yet this achievement did not last long. After Hegel’s death, his successors — Left and Right, Young and Old — battled for possession of the master’s system. Only Marx succeeded in carrying it forward, precisely by realizing that philosophy itself must be overcome. The same may perhaps be said for those older forms of life which had the Absolute as their object, art and religion. Feuerbach’s religion of humanity, which read theology as secret anthropology, perhaps found its most revolutionary articulation in the writings of Bogdanov, Gorky, and Lunacharsky, who promoted a project of “God-building” [богостроиетльство]. Lenin rightly scolded them for their excessive, premature exuberance, but they were on the right track. Similarly, the avant-garde project of dissolving art into life, in hopes of bringing about the death of art, can be read as an effort to make the world artistic (“to make the world philosophical”). Or, better, to make the world a work of art.

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Capitalism and bourgeoisie: The sorcerer’s apprentice

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The magic and necromancy
of commodity production

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Goethe’s famous 1797 ballad Der Zauberlehrling [The Sorcerer’s Apprentice] provides probably the best allegory for Marx’s own conception of capitalism, which he memorably described as partaking of a kind of sorcery — “the magic and necromancy that surrounds the products of labor as long as they take the form of commodities.”

Under the capitalist mode of production, the producer is ruled by the products of his labor rather than the other way around. Living labor in the present serves the accumulated dead labor of the past. “We suffer not only from the living, but from the dead. Le mort saisit le vif! [The dead holds the living in its grasp!]“

An illustration of a poem by Johann Wolfgang von Goethe, found on nucius.org

In the Manifesto, Marx and Engels implicitly allude to Goethe’s poem, comparing society’s relation to capital to “the sorcerer who is no longer able to control the powers of the nether world whom he has called up by his spells.” Marshall Berman, the late Marxist critic, reflected on this line at some length in his 1982 masterpiece All that is Solid: The Experience of Modernity:

This image evokes the spirits of that dark medieval past that our modern bourgeoisie is supposed to have buried. Its members present themselves as matter-of-fact and rational, not magical; as children of the Enlightenment, not of darkness. When Marx depicts the bourgeois as sorcerers — remember, too, their enterprise has “conjured whole populations out of the ground,” not to mention “the specter of communism” — he is pointing to depths they deny. Marx’s imagery projects, here as ever, a sense of wonder over the modern world: its vital powers are dazzling, overwhelming, beyond anything the bourgeoisie could have imagined, let alone calculated or planned. But Marx’s images also express what must accompany any genuine sense of wonder: a sense of dread. For this miraculous and magical world is also demonic and terrifying, swinging wildly out of control, menacing and destroying blindly as it moves. The members of the bourgeoisie repress both wonder and dread at what they have made: these possessors don’t want to know how deeply they are possessed.

All this ought to be perfectly familiar to attentive readers of Marx. Remarking on this peculiar double aspect, by which all things seem to engender their own negation, Marx observed: “In our days, everything seems pregnant with its contrary: Machinery, gifted with the wonderful power of shortening and fructifying human labor, we behold starving and overworking it. The newfangled sources of wealth, as if by some weird spell, are turned into sources of want. The victories of art seem bought by the loss of character.”

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To illustrate this, here is Walt Disney’s animated epic Fantasia, starring Mickey Mouse. (Walter Benjamin and Sergei Eisenstein already recognized Mickey as a revolutionary in the early 1930s). Capital appears here as a spell to alleviate necessary labor, the bewitched broomsticks as automata. But it works too well. It overwhelms its putative master, resulting in serial overproduction, overflowing basins of water, etc.

Marxism and biography

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Here I have assembled some biographies of preeminent Marxists, radicals, and other random intellectuals that have been written in the last hundred or so years. You can download them here:

Many have noted that the biography is an undertheorized literary genre: Mikhail Bakhtin, Lewis Mumford, and Leo Löwenthal, to name a few. Below is an abridged version of an essay by Löwenthal, a literary theorist associated with the Frankfurt School. Obviously, his view of the biography — focusing on the popular biography, a form perfected by authors like Emil Ludwig and Stefan Zweig — is fairly bleak. This was only fitting, however, given the quality that life itself had acquired under capitalism grown overripe. As Adorno wrote appreciatively to Löwenthal,

Ultimately, the very concept of life as a self-developing and meaningful unity has as little reality today as the concept of the individual, and it is the ideological function of the biographies to conjure up the fiction on arbitrarily selected models that there is still such a thing as life…Life itself in its completely abstract appearance has become mere ideology.

If anyone could scan and upload the Monthly Review biography of Lenin (done!!) by Tamás Krausz, it’d be greatly appreciated. Quite good. Enjoy.

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Theory of biography

Leo Löwenthal
Essays in honor of
Marcuse (1973)
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The biography (we are here excluding scholarly works of history) reminds us of the interior in large department stores. There in the rambling basements, heaps of merchandise have been gathered from all sections of the establishment. These goods have become outdated and now whether they were originally offered for sale on the overcrowded notion counters or in the lofty silence of the luxury-furniture halls, are being indiscriminately remaindered for relatively little money. In these basements we find everything; the only common principle is the necessity for fast sales. The biography is the bargain basement of all fashionable cultural goods; they are all a bit shop-worn, they no longer quite fulfill their original purpose, and it is no longer particularly important whether there is relatively much or little of one or the other item.

With almost statistical accuracy, the same material has been collected and displayed in about the same package. To be sure, from the outside it looks quite different. The biographies are presented as if in the intellectual realm they represent that which the exclusive and specialty stores represent in the realm of consumer goods. This comparison designates the social atmosphere in which the popular biography belongs: one of apparent wealth. It lays claim to the philosopher’s stone, as it were, for all contingencies of history of life situations, but it turns out that the motley mixture of generalizations and recipes is actually an expression of utter bewilderment.

An analysis of the popular biography is first of all an analysis of its reading public, and as such it comprises a critique of late European liberalism. Arbitrariness and contradiction have destroyed any claim to theory; ultimately this literature is a caricature of theory. During the ascendancy of the middle classes, when the educational novel characterizes narrative literature, the individual vacillated between his own potentials and the demands of his environment. The author drew material, which represented the substance of each individual destiny, from imagination; in only rare exceptions were data used for surface decoration and coloration. But, while imaginative, the educational novel was at the same time exact, because, as a product of poetic imagination, social and psychological reality were mirrored as they were observed within the social stratum of the author and his public. Wilhelm Meister, Illusions Perdues, David Copperfield, Éducation Sentimentale, Der Gruene Heinrich, Anna Karenina — these novels not only evoked the readers’ experience of déjà vu, but confirmed the salvation of the individual by demonstrating the burdens and good fortunes of an invented individual existence in such a way as to permit the reader to experience them for himself. In these works, specific individuals, consistent within themselves and living within a concrete world, are represented as a complex of subjects closely connected with the fate of living and reading contemporaries. This is “reality” conceived as historians have conceived it since the Enlightenment, and in this sense there exists a direct relation between scientific and literary realism and the theory of society: one formulates the concern about the individual, the other tries to sketch the conditions for his happiness.

The biography is both a continuation and an inversion of the novel. Documentation in the middle-class novel had the function of background — raw material as it were. Quite otherwise in the popular biography: there documentation, the pompous display of fixed dates, events, names, letters, etc., serves in lieu of social conditions. The individual who is fettered by these paraphernalia is reduced to a typographical element which winds itself through the narrative as a convenient device for arranging material. Whatever the biographies proclaim about their heroes, they are heroes no longer. They have no fate, they are merely variables of the historic process.

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History and time have become reified in biography — as in a kind of petrified anthropology.

Consider, e.g., “The stronger will of history is indifferent to the innermost will of individuals, often involving persons and powers, despite themselves, in her murderous game,” or else: “the sublime breaths of history sometimes determine the rhythm of a period at times even contrary to the will of the genius that animates it,” or history, “the sternest of the goddesses, unmoved and with an incorruptible glance” looks over “the depths of the times and …with an iron hand, without a smile or compassion” brings “events into being,” or history, “possibly the most terrible and most depriving sea journey, …the eternal chronicle of human sufferings,” “almost always justifies the victor and not the vanquished,” when she “in the ultimate sense is based on force; or, history acts “neither morally nor immorally”; “0ne comes to term with her,” so decrees the biographer personifying world-reason which, however, does not deter him from occasionally calling history also “the supreme judge of human actions.” At times history even permits herself to choose “from the million-masses of humanity a single person in order to demonstrate plastically with him a dispute of Weltanschauungen.” Continue reading →

The historical project

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Manfredo Tafuri
The Sphere and the
Labyrinth (1979)
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There comes a moment (though not always) in research when all the pieces begin to fall into place, as in a jigsaw puzzle. But unlike the jigsaw puzzle, where all the pieces are near at hand and only one figure can be assembled (and thus the correctness of each move be determined immediately), in research only some of the pieces are available, and theoretically more than one figure can be made from them. In fact, there is always the risk of using, more or less consciously, the pieces of the jigsaw puzzle as blocks in a construction game. For this reason, the fact that everything falls into place is an ambiguous sign: either one is completely right or completely wrong. When wrong, we mistake for objective verification the selection and solicitation (more or less deliberate) of the evidence, which is forced to confirm the presuppositions (more or less explicit) of the research itself. The dog thinks it is biting the bone and is instead biting its own tail.[1]

In this way Carlo Ginzburg and Adriano Prosperi synthesize the labyrinthine path of historical analysis and the dangers with which it is fraught, in one of the few recent volumes that have had the courage to describe, not the Olympian and definitive results of research, but rather its tortuous and complex iter. But why should we propose, at the beginning of a volume dedicated to the adventures of architectural language, the problem of the “jigsaw puzzles” characteristic of historical research? In the first place, we could answer that our intention is to follow an indirect path. Contrary to those who pose the theme of architectural writing — the term “language” should, it seems to us, be adopted only as a metaphor[2] — we shall present the theme of critical writing: is it not the function of criticism to constitute the historical (and thus the real) specificity of artistic writings? Does not historical work possess a language that, entering perpetually into conflict with the multiple techniques of environmental formation, can function like litmus paper to verify the correctness of discourses on architecture?

Only in appearance, then, will we speak of something else. For how often, when probing what is on the fringes of a given problem, do we discover the most useful keys for dealing with the problem itself — particularly if it is as equivocal as the one that we are about to examine.

Let us further define our theme. Architecture, language, techniques, institutions, historical space: are we simply lining up on a wire stretched over a void a series of problems, each with its own intrinsic characteristics, or can we legitimately contest the “terms” used here to trace these problems back to an underlying or hidden structure, in which these words can find a common meaning on which to rest? It is no accident that we have reduced to “words” the density of historically stratified disciplines. Every time, in fact, that the critic’s zeal causes his guilty conscience to erupt, constructing linear routes that force architecture to migrate into language, language into institutions, and institutions into the all-encompassing universality of history, one feels the need to ask how such a totally illegitimate simplification could gain currency.

After the persuasive demonstrations of the untranslatability of architecture into linguistic terms, after Saussure’s discovery that language itself is a “system of differences,” after the calling into question of the conspicuous features of institutions, historical space appears to dissolve, to disintegrate, to become a justification for disordered and elusive multiplicity, a space of domination. Is this not the final outcome reached by a good part of the “Lacanian left” or by an epistemology of pure registration? And after all, is not architectural writing (this phantasm that we now recognize as divided and multiplied into techniques incommunicable among one another) itself an institution, a signifying practice — an ensemble of signifying practices — a multiplicity of projects of domination?

Is it possible to make a history from such “projects” without breaking away from them, without abandoning the multiple perspectives of history itself, and without inquiring into that which permits the very existence of history? Is it still necessary to remember that the totality of the capitalist means of production is a condition for both the cohesion and the diffraction of techniques, that the “mystical character of the commodity” breaks up and multiplies the relationships that are at the base of its own reproduction?

A series of questions confronts the historian who discovers the dishomogeneity of the materials of his work. These questions go to the very roots of historiographical work, uniting indissolubly the question of languages, of techniques, of sciences, of architecture, with that of the languages of history. But which history? Toward what productive ends? With what long-term objectives?

The questions that we are posing arise from a precise assumption. History is viewed as a “production,” in all senses of the term: the production of meanings, beginning with the “signifying traces” of events; an analytical construction that is never definite and always provisional; an instrument of deconstruction of ascertainable realities. As such, history is both determined and determining: it is determined by its own traditions, by the objects that it analyzes, by the methods that it adopts; it determines its own transformations and those of the reality that it deconstructs. The language of history therefore implies and assumes the languages and the techniques that act and produce the real: it “contaminates” those languages and those techniques and, in turn, is “contaminated” by them. With the fading away of the dream of knowledge as a means to power, the constant struggle between the analysis and its objects — their irreducible tension — remains. Precisely this tension is “productive”: the historical “project” is always the “project of a crisis.”[3] Franco Rella writes:

Interpretive knowledge has a conventional character and is a production, a positing of a meaning-in-relation and not an uncovering of the meaning. But what is the limit of this operari, of this activity? What is the locus of this relationship? What lies behind the Fiktion of the subject, of the thing, of the cause, of the being? What, then, can bear this “awful plurality”? The body. “The phenomenon of the body is the richest, the most significant [deutlichere], the most tangible phenomenon: to be discussed first [voranzustellen] methodologically, without coming to any decision about its ultimate meaning.”[4] This, then, is the limit of interpretation, that is to say the locus of the description… In fact, through criticism and the “plurality of interpretation” we have acquired the strength “not to want to contest the world’s restless and enigmatic character,” and in this way genealogy has proved itself to be a critique of values, for it has discovered the material origin of them, the body.[5]

Thus emerges the problem of the “construction” of the object — disciplines, techniques, analytical instruments, long-term structures — to be put in crisis. Immediately the historian is confronted with the problem of the “origins” of the cycles and phenomena that are the objects of his study. But is it not precisely in the study of long-term phenomena that the theme of the origin seems mythological? However much Weber’s “ideal types” or Panofsky’s conceptual structures appear to be instrumental abstractions, is it not precisely in them that the fundamental difference between beginning and origin is posed? And why a beginning? Is it not more “productive” to multiply the “beginnings,” recognizing that where everything conspires to make one recognize the transparency of a unitary cycle there lies hidden an intertwining of phenomena that demands to be recognized as such?

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There is no criticism, only history

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Manfredo Tafuri
Design Book Review
No. 9: Spring 1986

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Manfredo Tafuri is a prolific author on a wide variety of subjects ranging from 16th-century Venice (L’armonia e I conflitti, coauthored with Antonio Foscari) to more alien topics such as The American City (coauthored with Giorgio Ciucci and Francesco Dal Co). Each of his works serves as a platform for questioning the methods of architectural history, which, as he so emphatically states below, is not to be distinguished from criticism. In Theories and History of Architecture, he identified a major problem of “operative criticism,” endemic to architects who write about architecture. His suggestion to counteract this tendency to impose contemporary standards on the past was to shift the discourse away from the protagonists and individual monuments and consider architecture as an institution. His most widely read book in America, Architecture and Utopia, advanced this position, proposing an ideological analysis of architecture. His disconcerting message for those who had hopes of a “progressive” architecture was that there can be no class architecture which can revolutionize society, but only a class analysis of architecture. In his most recent theoretical work, La sfera e il labirinto, he has outlined a method of history called the progetto storico. This historical project, which is deeply indebted to Michel Foucault’s “archeologies of knowledge” and Carlo Ginzburg’s “micro-histories,” seeks to study the “totality” of a work, disassembling it in terms of iconology, political economy, philosophy, science, and folklore. His goal is to penetrate the language of architecture through non-linguistic means. At the core he still finds the problem of “the historic role of ideology.” The job of the Tafurian critic-historian is to “reconstruct lucidly the course followed by intellectual labor through modern history and in so doing to recognize the contingent tasks that call for a new organization of labor.” In November, 1985, we interviewed Professor Tafuri on the subject of criticism.

— Richard Ingersoll

%22On Theory%22 conference with Manfredo Tafuri, as part of the %22Practice, Theory and Politics in Architecture%22 lecture series organized by Diana Agrest, Spring 1974. Courtesy of Princeton School of Architecture Archives Round table at ETSAB with Manfredo Tafuri, José Muntañola, Pep Bonet and Josep Quetglas, February 1983. Manfredo Tafuri lecturing at ETSAB, February 1983

There is no such thing as criticism; there is only history. What usually is passed off as criticism, the things you find in architecture magazines, is produced by architects, who frankly are bad historians. As for your concern for what should be the subject of criticism, let me propose that history is not about objects, but instead is about men, about human civilization. What should interest the historian are the cycles of architectural activity and the problem of how a work of architecture fits in its own time. To do otherwise is to impose one’s own way of seeing on architectural history.

What is essential to understanding architecture is the mentality, the mental structure of any given period. The historian’s task is to recreate the cultural context of a work. Take for example a sanctuary dedicated to the cult of the Madonna, built sometimes in the Renaissance. What amazes us is how consistently these buildings have a central plan and an octagonal shape. The form cannot be explained without a knowledge of the religious attitudes of the period and a familiarity with the inheritance from antiquity — a reproposal of the temple form devoted to female divinities. Or take the case of Pope Alexander VII, whose interest in Gothic architecture at the cathedral of Siena [mid-17th century] compared to his patronage of Bernini in Rome can only be explained through a knowledge of the Sienese environment and traditions. The historian must evaluate all the elements that surround a work, all of its margins of involvement; only then can he start to discover the margins of freedom, or creativity, that were possible for either the architect or the sponsor.

The problem is the same for comprehending current work. You ask how the historian might gain the distance from a new work to apply historical methods. Distance is fundamental to history: the historian examining current work must create artificial  distance. This cannot be done without a profound knowledge of the times — through the differences we can better understand the present. I’ll give you a simple example: you can tell me with precision the day and year of your birth, and probably the hour. A man of the 16th century would only be able to tell you that he was born about 53 years ago. There is a fundamental difference in the conception of time in our own era: we have the products of mass media that give us instantaneous access to all the information surrounding our lives. Four centuries ago it took a month to learn of the outcome of a battle. An artist in the 15th century had a completely different reference to space-time; every time he moved to a new city (which was very rarely) he would make out his will. In earlier centuries, time was not calculated but was considered to be a gift from God. Knowledge was also considered to be God-given and thus teachers in the Middle Ages could not be paid; only later was their payment justified as a compensation for time. These factors belong to the mental web of another era. The way for us to gain distance from our own times, and thus perspective, is to confront its differences from the past.

One of the greatest problems of our day is dealing with the uncontrollable acceleration of time, a process that began with 19th-century industrializations; it keeps continually disposing of things in expectation of the future, of the next thing. All avant-garde movements were in fact based on the continual destruction of preceding works in order to go on to something new. Implicit in this is the murder of the future. The program of the “modern” artist was always to anticipate the next thing. It’s just like when you see a “coming attraction” ad for a film, essentially you have already consumed the film and the event of going to see the film is predictably disappointing and makes you anxious for something new. Continue reading →

Towards a theory of the development of the world market and the world economy

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Isaak Dashkovskii
Under the Banner of
Marxism (№ 1, 1927)
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Translated by Noa Rodman with light edits by Ross Wolfe. Still waiting on a full copy of the Russian to go over some of the rougher sections. English is not Noa’s first language, to my knowledge. He’s a mysterious figure in general, who sometimes comments on my blog and occasionally Chris Cutrone’s, while also haunting the LibCom forums. Anyway, I’ve done what I can to clean it up.

First of three articles. Under the Banner of Marxism, 1927, № 1 , 86-117. See part two and three.1
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The most fundamental and dominant facts of modern economic life are the world market and the world economy. This is observed in countless written works, devoted to recent history of the economy and its modern situation. Even those authors, who, like [Werner] Sombart, tend to defend the paradoxical idea, that “the single national economy increasingly is becoming a completed microcosmos, and the internal market gradually outweighs for all industries the significance of the foreign market,”2 nevertheless have to recognize, that an essential condition for the growth of the domestic market is a “permanent and continuous extensive expansion of world economic relations.”

The development of international economic relations is a kind of dialectical process. As is known, exchange and trade historically occur “on the margins of social organisms.” International, intertribal trade is the starting point of the development of exchange, with which the capitalist economy also develops. 3 Later on capitalism gradually clears for itself a required “field of exploitation” inside the country, disintegrating the remnants of the natural order, paving the way of commodity economy throughout and transforming the latter into capitalist economy. During this period there occurs an intensive “formation of the internal market” for capitalism. When this work is done in enough depth and breadth, there comes the turn again of international exchange, on no longer primitive foundations, but on the basis of large-scale production and manufacture technology. Capitalism “pulls” all nations one after the other into the world economic orbit. The epoch of world economy arrives.

As troubadours of this international exchange act always the economists of those countries, which occupy a dominant position in the world market. Since the era of development of bourgeois political economy coincided with the dominance of England in the world market, it is only natural that the theory of the classics became the fighting banner of bourgeois “cosmopolitanism,” which essentially was the only adequate form of expression of the national interests of British capital. In the development of the “cosmopolitan” theory one can mention two stages: the first period associated with the names of Smith and Ricardo, characterizing the predominance of the interests of international trade in the strict sense, i.e., in terms of export of goods. Praising the benefits of international exchange both Smith and Ricardo refer negatively to the tendency to transfer capital and entrepreneurship abroad.

But in relation to this already Mill takes a step forward, pointing out that the export of capital is a powerful force for expanding the field of employment of remaining capital. It is quite fair to say that the more, to a certain extent, we will send capital out, the more we will have it and the greater the amount of it we will be able to keep in the fatherland.4 This evolution of the classical theory was closely related to changes in the economic environment. From export of goods British capital turned, after the Napoleonic Wars, to the export of capital. The pursuit of higher profits got the better over “attachment to the fatherland,” and Mill only registered a fait accompli. True, he has not yet completely done away with the old ideology and proves the benefits of export of capital by the consideration that the export contributes to increasing the amount of capital remaining in the fatherland. But this was already a simple tribute to prejudices, from which the later generation of economists managed to entirely escape.

In the theory of international economic relations as well as in all other matters of political economy, the classics remained true to their main method — to issue the specific laws of bourgeois economy to a natural order of things, to a pre-established harmony. The moving force of the development of world trade they saw in physical conditions of production, and not in the social form, which they take under capitalism. International trade spreads the frame of the division of labor, increasing its productivity. Growth of productivity is a simple consequence of technical factors — the division of labor, which therefore is the most natural order of things. Natural laws inevitably must forge a way through the artificial barriers created by the wrong policies of social organizations — the state, etc. Therefore the development of international trade is inevitable.

From the natural order of things proceeded, incidentally, also a prominent opponent of the classical school on the continent of Europe — Friedrich List. But he, in contrast to the classics, argued that the greatest economic benefits are obtained not from the division of labor between countries, but from the conjunction of labor within the same country, in particular from the conjunction of industrial and agricultural production. A clear case of how the meaning of “natural laws” is modified when they need to express opposing interests of different groups of bourgeoisie, in this case the bourgeoisie of England and Germany in the first half of the 19th century. True, also List did not depart from “cosmopolitanism” in relation to more or less distant future, when circumstances permit “universal” struggle. He also considered it necessary to flirt with “universal” considerations. “That the civilization of all nations, the culture of the whole globe is the mission of mankind, is a consequence of those immutable laws of nature, according to which civilized nations are driven by irresistible power to carry over their productive forces to the less civilized countries.”5

“Natural laws” unconsciously for their interpreters spoke in the purest language of bourgeois categories in those cases, for example, when the benefits of the international exchange strengthened arguments on the profit rate or wages. But since these categories in the representation of bourgeois economy had “antediluvian existence,” these same forces of development of the world market appeared independent of any form of social organization. They were rooted in the “immutable laws of nature.”

In his comments on Ricardo Diehl correctly notes that “​​Ricardo’s idea about foreign trade policy is closely connected with his theory of distribution of national income; he is in favor of free trade because it has the most favorable influence upon the distribution of wealth within the national economy” (K. Diehl, Erläuterungen, Bd. III, II Theil, 326 p.).

Only Marx put the question of the world market on a real scientific ground. He showed that the creation of the world market was not a function of “laws of nature” as such, but a function of capital, and moved, in this way, study on the ground of social laws, peculiar to a determined era. “What is free trade under the present condition of society?” Marx asks. “Freedom of capital. When you have overthrown the few national barriers which still restrict the progress of capital, you will merely have given it complete freedom of action.”6

And further, revealing the essence of protectionism, Marx finds it in a strong growth, despite the apparent contrast, with the system of free trade:

The protectionist system is nothing but a means of establishing large-scale industry in any given country, that is to say, of making it dependent upon the world market, and from the moment that dependence upon the world market is established, there is already more or less dependence upon free trade.

In this way, both seemingly mutually exclusive, systems of economic policy, lead, according to Marx, to the same result: the expansion of the scope of capital’s activity, the expansion of world economic relations.

A theory of the world market had no fortune in Marxist literature. Marx himself assumed to devote a significant part of his research to the analysis of foreign trade, international market and international economy. He mentions this in the first lines of his Contribution to the Critique of Political Economy: “I examine the system of bourgeois economy in the following order: capital, landed property, wage-labor; the State, foreign trade, world market.” The incompleteness of Capital is reflected precisely in the last three parts of Marx’s plan. In particular the theory of international economic relations is represented there only in the form of passing remarks, which, however, are themselves of an enormous scientific worth and allow in general outlines to build a system of Marx’s views on this question.

Regarding post-Marxian economic literature, although questions of world economy also were and are paid a lot of attention, a general theory of international exchange remained poorly developed. The dispute about the importance of foreign markets for capitalism between Marxists and populists, renewed in our days around the theory of Rose Luxemburg, revolves mainly around the problem of realization, or the complication of specific questions of modern imperialism, involving the highly advanced monopolization of important sectors of the world economy, the strong influence of “supra-economic” factors , etc., conditions interfering with the economic laws of capitalism “in its pure form.” Meanwhile, without a “pure theory” of the global market one cannot understand the real binding of global economic phenomena, just as without a “pure theory” of commodity and capitalist economy one cannot understand the general course of economic life, relations, classes, etc. The theory of “realization” is only a part of this pure theory. The question about realization of surplus value cannot be separated from the question about prices, for it is only through prices that potential surplus value is converted into real profit. The formation of price in international exchange is impossible to understand, without having a general theory of international exchange, and international exchange is part of a wider field of international economic relations (including the migration of capitals, the so-called “exchange of services,” the movement of labor forces, etc.). In short, here is an untouched region of theoretical research, in which Marxist science has made only first steps. Continue reading →