Man and Nature, Part I: The Shifting Historical Conceptions of Nature in Society

Caspar David Friedrich, "Sunset" (1835)

History proves again and again

How Nature points out the folly of man…

— Blue Oyster Cult, “Godzilla”

With recent events in Japan and images of Hurricane Katrina and the 2004 tsunami still fresh in our minds, it seems appropriate to revisit the old issue of humanity’s relationship to nature.  The proper exposition of the problem would require a great deal of space; therefore, I propose to divide my treatment of the issue into three separate blog entries, each of which builds on the results of those that precede it.  After all, the problem of man’s relation to nature has been conceived in a number of distinct ways over the ages, many of which survive into the present day, in various mutations.

So perhaps it might be useful to begin with an overview, a genealogy of sorts, so that these different conceptions and their relation to one another can be clarified.  The presentation will be dialectical, but not out of any obligation to some artificially preconfigured format.  It will be dialectical because the subject at hand is itself really dialectical, as the various conceptions of nature interweave and overlap in their progress through history.  For man’s orientation to nature has by no means been the same over time; and by that same token are no later conceptions of nature that do not bear the traces of those that came before it.

And so, to begin at the beginning:

At some points, nature was viewed as an adversary to be feared, bringing plague, catastrophe, and famine to ravage mankind.  Often these elemental forces were either animistically, naturalistically, or totemistically embodied as divine powers in themselves,[1] or anthropomorphized as gods who commanded these forces as they saw fit.  When cataclysms occurred, it was because the gods or spirits had somehow been enraged by the misdeeds of men, and thus they unleashed their fury upon the mass of fear-stricken mortals.  In Christian times, this same logic persisted,[2] with periods of plenty seen as signs of God’s providence and grace, while periods of blight were viewed as God’s wrath, brought on by the sinfulness and iniquity of men.

Later, at the dawn of the Enlightenment, nature was reenvisioned as dead matter, abiding by a set of mechanical but unknown laws, which could be discovered and mastered through careful study and observation under controlled conditions.  As the Baconian dictum went, contra Aristotle: “the secrets of nature reveal themselves better through harassments applied by the arts [torture] than when they go on in their own way.”[3] Thus began the “conquest” of nature, the quest to harness its forces so that they may serve the ends of mankind.  Robbed of their mysterious properties, natural objects therefore became “disenchanted,” in the Weberian sense.[4] With the arrival of the Enlightenment, as Hegel recognized, “the intellect will cognize what is intuited as a mere thing, reducing the sacred grove to mere timber.”[5]

Romanticism responded to this alienation from nature with a sense of tragic loss, and sought to regain what they saw as the fractured unity of man and nature.  The Romantics exalted the primitive, celebrating the charming naïveté of the ancient Greeks or their modern-day counterparts, who appeared in the form of “noble savages.”  The playwright Friedrich Schiller even dedicated an essay to the distinction between the “naïve”[6] and “sentimental” in poetry.  For modern man, he asserted, “nature has disappeared from our humanity, and we can reencounter it in its genuineness only outside of humanity in the inanimate world.  Not our greater naturalness [Naturmäßigkeit], but the very opposite, the unnaturalness [Naturwidrigkeit] of our relationships, conditions, and mores forces us to fashion a satisfaction in the physical world that is not to be hoped for in the moral world.”[7] The Romantics thus preferred the bucolic simplicity of the small old village to the sprawling chaos of the modern city.  Vitalistic explanations of nature, like Goethe’s and Schelling’s, were offered as alternatives to the Democritean-Newtonian vision of the universe as composed of dead matter and obeying a changeless set of mechanical laws.

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Francois Laruelle Non-Philosophy

Thoughts on François Laruelle’s Preface and Introduction to Principles of Non-Philosophy (as translated by Fractal Ontology’s Taylor Adkins)

Taylor Adkins, from Fractal Ontology, has graciously shared with me some advanced rough drafts of his continuing translations of François Laruelle’s work from French into English. This morning I read one of the more introductory, programmatic pieces he sent — the preface and introduction to Principles of Non-Philosophy. This outlines in broad strokes Laruelle’s notion of “non-philosophy,” which, from what I gather, is one of the central themes of his work. The work exhibits an uncommon originality in its interpretations of traditional philosophical (and extra-philosophical) problems, accompanied by a casual erudition which appeals to my tastes greatly. Personally, I do foresee problems (or at least significant obstacles) which will present themselves to Laruelle’s enterprise, which may be dealt with more or less adequacy. Given the competence and ingenuity he displays in this short piece, however, I have no doubt that he will make an honest go of it. It would be ridiculous, in any case, to demand an exhaustive treatment or solution to these problems from a work which he openly admits is propaedeutic in its function (i.e., it only aims to be “the most complete introduction to non-philosophy in the absence of its realization”).

What follows are my initial thoughts in response to this piece. I will refrain from idle speculation into those sections which exceed my topical familiarity at present, and focus mostly on some of the references and implications which I take to be most plainly evident in the text. In this way I might perform some small service of gratitude to Taylor for offering his work for discussion, contributing the occasional insights my background makes available for those who are interested. It is quite possible that my own take on what Laruelle is trying to say is mistaken; aware of this fact, I welcome criticism and correction from all sides.

Departing from the continental orientation toward questions of ontology (the logic of Being) and its differential corollary of alterity which has predominated in recent years, Laruelle grounds his exposition of “non-philosophy” in its (ontology’s) traditional rival, henology (the logic of the One). This classification is misleading, however. For Laruelle’s conception of the One is highly idiosyncratic. It differs in many respects from the object of the classical Platonic, Stoical, and Spinozistic henologies — the One(s) which philosophically ground(s) the order of appearances in their modal correspondence and community with one another.

On this point we may elaborate. Specifically, Laruelle seems to take issue with the place the One occupies within philosophies and mystical tradition, as something which is accomplished or realized through the relation of its subsidiary modes. This holds whether the One is reached by speculative/dialectical ascent (as in transcendental and Hegelian logic) or through revelation or religious vision (as in mysticism). This is why categorizing Laruelle’s thought as henological is potentially confused, because any “logic” which is thought to articulate the One cannot be conceived as literal. It can appear only in scare-quotes, since the One “is immanent (to) itself rather than to a form of thought, to a ‘logic.’”

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The relation of ancient skepticism to Hegel’s problem of the criterion in the Phenomenology of Spirit

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Image: Pierre-Narcisse Guérin’s
Le retour de Marcus Sextus (1799)
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In introducing the method by which his Phenomenology of Spiritis to proceed, G.W.F. Hegel addresses the epistemological “problem of the criterion.” [1] The criterion problem, it turns out, inheres in all finite determinations of truth. For Hegel, the internal contradictions it engenders serve to demonstrate the essential inadequacy of all relative (versus absolute) forms of cognition. It thus facilitates the dialectical unfolding of consciousness as it speculatively approaches Absolute Spirit. This, put simply, is the stated goal of Hegel’s Phenomenology. Beyond examining its merely functional role in this work, however, the reader might observe the way in which the problem of the criterion directly emerges from the context of a discussion of skepticism,[2] which appears in the Introduction. Hegel’s procession from the topic of skepticism to criticism is no accident; indeed, its logic can be seen to mirror his understanding of their historical relation. Did not the historic problem of the criterion arise out of the resolute skepticisms of Pyrrho and Sextus Empiricus, after all? Comparing the remarks in Hegel’s Introduction with some of the pertinent philosophical digressions in his later Lectures on the History of Philosophy, the connection between the logical order of his argument and the history of the event may be further established. Reflexively, this then has recourse to his phenomenological treatment of Skeptical self-consciousness in the second section of the earlier work, in which Hegel dismantles its principle of one-sided negativity by applying the critical method which ancient Skepticism had itself inspired.

Our investigation can thus be understood to contain two integrally related parts. The first claims that Hegel’s movement from the issue of skepticism to the problem of the criterion in the Introduction to the Phenomenology is tacitly modeled after their historical succession. Evidence supporting this assertion will be gathered from his interpretation of Skeptical philosophy in the History of Philosophy. This part of the inquiry is thus of a hermeneutic aspect. Conversely, the second part is oriented critically (one might say “autocritically”) back to Hegel’s answer to the problem of the criterion in the Phenomenology. We will assess the way in which the distinctive brand of self-relating skepticism he develops therein is then applied to the Skeptical self-consciousness as its object, both phenomenologically and historically.

It must be noted from the start that the two parts of this study simultaneously follow from and ground one another. At first glance, the reciprocity of this relation is bound to confuse the reader. But this operation is not as confounding as it may initially seem, and demands no great dialectical rigor. To begin with, Hegel’s methodological solution to the criterion problem presupposes his high regard for ancient Skepticism’s critical enterprise, as well as his concurrent dissatisfaction with its epistemological nihilism. If he did not take seriously the implications of skepticism’s problem of the criterion, he could forego the negativity of dialectic altogether. Hegel would have no reason not to relapse into the dogmatic metaphysical positivism that held sway before the appearance of the Kantian philosophy. On the other hand, if he had not objected to ancient Skepticism’s stubborn disbelief, he would have been comfortable with its purely negative result. Hegel’s critical method, which we seek to apply back to his own system, would thus seem to require that our prior hermeneutic claim be accurate. Oppositely, however, his historical interpretation of skepticism, on which our hermeneutic is based, can equally be seen to presume the critical apparatus he develops in the Introduction to the Phenomenology. Whatever the actual order in which they fell, for the purposes of this essay their logic will coincide. As such, the consequences of each will be borne in mind throughout. Continue reading

Adorno’s critique of Hegel’s theodical philosophy of history in Negative Dialectics

“Our intellectual striving aims at realizing the conviction that what was intended by eternal wisdom, is actually accomplished in the domain of existent, active Spirit, as well as in that of mere Nature. Our mode of treating the subject is, in this aspect, a Theodicaea — a justification of the ways of God — which Leibnitz [sic] attempted metaphysically, in his method, i.e., in indefinite abstract categories — so that the ill that is found in the World may be comprehended, and the thinking Spirit reconciled with the fact of the existence of evil.”[1]

— Hegel, Introduction to The Philosophy of History

“The earthquake of Lisbon sufficed to cure Voltaire of the theodicy of Leibniz, and the visible disaster of the first nature was insignificant in comparison with the second, social one, which defies human imagination as it distills a real hell from human evil.”[2]

— Adorno, “After Auschwitz,” Negative Dialectics

It has often been remarked that the twentieth century saw an end to the time-honored genre of theodicy. The senseless destruction of world war, the systematic genocide of peoples, and the advent of nuclear weaponry — all these conspired to cast doubt on the theodical belief in God’s redemption of creation, as well as the congruent Enlightenment belief in the inherent perfectibility of man.[3] Of these horrific events, Auschwitz became the modern synecdoche for man’s capacity for moral evil. For the Frankfurt philosopher and critical theorist Theodor W. Adorno, it served to “cure” him of Hegel’s optimistic philosophy of history, perhaps the most grandiose of the philosophical theodicies. Moreover, the historical event of Auschwitz shattered his faith in Hegel’s logical (atemporal) correlate: the speculative reconciliation or amelioration of dialectical contradiction. The idea of a logical progress to the absolute fueled by the annihilation of non-identical (metaphysical) concepts and an historical progress built on similar (only physical) premises – in which the violent means of both are justified by the absolute telos they help facilitate – seemed to Adorno morally perverse. His opposition to the theodical logic of totality would thus structure much of the thought expressed in his later work, especially Negative Dialectics. Or so it will be argued.

Beyond fulfilling a merely hermeneutic duty, however, we shall bracket our exposition of Adorno’s critique of Hegel, framing some pertinent metacritical questions along the way. For instance, the following questions will be asked: How apt is Adorno’s criticism? Is it fair for him to accuse Hegel of failing to give a proper account of the suffering endured throughout history? Was it not Hegel, after all, who so famously described history as “the slaughter-bench at which the happiness of peoples, the wisdom of States, and the virtue of individuals have been victimized”?[4] Finally, is it valid to suggest that a methodological procedure used in determination (Hegel’s so-called “positive dialectic”) gives rise to the political logic of extermination? Continue reading

The absolution of Spirit: Hegel and the speculative infinite

How does one think infinity? The question seems at first to place an unreasonable demand for provisioning an answer; the structure of the human mind immediately appears finite, conditioned. Yet one soon discovers that it is reason itself which places this demand. Man is irrepressibly driven by his rational faculty to apprehend the infinitely unconditioned ground(s) upon which the finite phenomena of experience are grounded. Limitation is anathema to the most primordial desire of humanity. For nothing is more human than to reject the human — to reject finitude and become God.
The spiritual epic of man is thus guided by his cognitive romance with the Absolute, qua true infinity. In the course of its unfolding, philosophers have variously located the metaphysical domain of infinity as either belonging to the structure of the world or the mind. Classical (pre-Kantian) metaphysics naïvely sought infinity in the predicate structure of the world, a world it had imparted with universality by virtue of its deductions. In other words, infinity was for this metaphysics a mere predicate in its determinations, and bore no necessary relation to its subject apart from its copular attachment (God is infinitely powerful, infinitely knowledgeable, etc.). Rationalist ontology, pneumatology, cosmology, and theology were borne of its efforts. But cracks began to emerge in its objective edifice, and soon Hume arose to shatter the great deductive systems of philosophy. Only with Kant was universality rehabilitated, and even then only at a price. The phenomenal world was recognized for its objective finitude, but infinity was subjectively retained in the pure (a priori) faculties of the understanding. Within this categorical matrix, objectivity was granted to judgments which arranged the manifold of intuition under the twin categories of universality and necessity.[2] Objective laws could be hoped to have infinite application to finite phenomena. But even then this infinity was strictly formal, hence empty, having been methodologically stripped of empirical (a posteriori) content.[3] The philosophers of subjectivity (Kant, Jacobi, Fichte) had correctly diagnosed the dogmatism of the objective infinite, but the infinite they had replaced it with remained definite in its separation from the finite.

Both such conceptions of infinity (objective and subjective alike) ultimately fell short for Hegel. The objective infinity of being and the subjective infinity of thought each failed in its non-relation to finitude, i.e. its abstract isolation from infinity’s negative. The former thought the world all too gracious in its accommodation of the human mind; the latter, by contrast, “sen[t] man to feed upon husks and chaff.”[4] Always seeking some mediating ground between two dialectical opposites, Hegel hoped to recast abstract infinity and abstract finitude into the concrete unity of the speculative infinite, or the infinitum actu of Spinoza. The notion of the “true” or “good” infinity of speculation recurs throughout Hegel’s mature works, from his early collaboration with Schelling in Faith and Knowledge (1802) to the final edition of his Encyclopedia Logic (1831), his last published work. This is hardly a coincidence. For in Hegel’s estimation, “the true infinite is [my italics] the absolute Idea” — the grounding principle of all genuinely philosophical knowledge.[5] As such, a grasp of this immanent feature of Hegel’s thought is central to an appreciation of his philosophy. With reference to the pertinent texts that deal with this topic, its fine points might be thoroughly excogitated. As the concept takes shape, the speculative implications of its particulars will be briefly discussed, wherever appropriate.

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