The spatiotemporal dialectic of capitalism

Introduction

To understand the history of architectural modernism and eclecticism as they emerged out of the late nineteenth and early twentieth centuries, one must take into account the broader development of architecture over the course of the latter half of the nineteenth century. This development, in turn, must be seen as emerging out of the dynamic of late nineteenth-century capitalism, which had by that point extended to encompass the whole of Europe. For it was the unique spatiotemporal dialectic of the capitalist mode of production — along with the massive social and technological forces it unleashed — that formed the basis for the major architectural ideologies that arose during this period. Before the story of the academicians or the avant-garde can be told, then, some background is necessary to explain both their origin and the eventual trajectory they would take into the early twentieth century.

So while my aim is to eventually account for how a single social formation, capitalism, can give birth to these two opposite tendencies within architectural thought, the space required to give an adequate exposition of the spatiotemporal dialectic of capitalism is such that it deserves to function as a standalone essay. Certainly other trends, both cultural and social, could be understood as reflections of this underlying socioeconomic dynamic. It is thus my intention to post this as its own piece, before then proceeding to detail the way in which architectural modernism and eclecticism mirrored these dynamics. Continue reading

Man and Nature, Part III: An Excursus into the Structuralist Opposition of Nature and Culture

Still from Stanley Kubrick’s 2001: A Space Odyssey

The basic distinction between “nature” and “culture” — that fundamental opposition so central to Lévi-Strauss’ structuralist anthropology[1] — has been denied, deconstructed, and dissolved countless times by post-structuralist scholars and intellectuals.  But in this respect, it is hardly the only binary to have been so challenged — man/woman, inside/outside, and self/other have all similarly come under attack.  The reality of such distinctions, they say, is far less certain, and far more ambiguous, than the structuralists would have us believe.  An absolute division between any of these pairs, they argue, cannot therefore be established.

And there is undeniably something to the blurring of this distinction: after all, is man (historically associated with culture and civilization) not also an animal? Darwin’s theory of evolution proved definitively man’s derivation from more primitive animal species.  It could thus not be denied that man is simply one species amongst many.  Humanity can claim no special status separate from these other species, by dint of some sort of divine creation or other fantasy.  And so also can humanity not maintain any sort of special dominion over all the rest of nature, as suggested by Judeo-Christian mythology.[2] By what right, then, ask the environmentalists, can mankind dominate and exploit the whole of nature? Humans have no special privilege — at an ethical level — over and above any other sentient animals.  It is unethical, therefore, to live at the expense of other sentient beings, or to intrude upon their natural environment.  Would this not constitute a form of speciesism?

But this argument cuts both ways.  For how is it that the actions of this animal, mankind, be considered so wholly unnatural? After all, it might be justifiably pointed out that all biological organisms exploit their environment, to the extent that they can.  Those species that do not adequately exploit their environment or find their way into an environment in which they can, simply go extinct.  So when environmental activists protest the exploitation of nature by human beings, the argument could be made that we are simply doing what all other organisms do.  We just happen to be especially good at it.  Might it not even be human “nature” to ruthlessly exploit and dominate the rest of nature? In the end, human beings are exceptionally gifted in terms of their ability to think systematically, understand the relationship between means and ends, and contrive complex devices to use as tools to manipulate the environment.  It is as if evolution produced an animal capable of conquering nature in its entirety, and that mankind is merely exercising the gifts bestowed on it by nature.

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The relation of ancient skepticism to Hegel’s problem of the criterion in the Phenomenology of Spirit

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Image: Pierre-Narcisse Guérin’s
Le retour de Marcus Sextus (1799)
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In introducing the method by which his Phenomenology of Spiritis to proceed, G.W.F. Hegel addresses the epistemological “problem of the criterion.” [1] The criterion problem, it turns out, inheres in all finite determinations of truth. For Hegel, the internal contradictions it engenders serve to demonstrate the essential inadequacy of all relative (versus absolute) forms of cognition. It thus facilitates the dialectical unfolding of consciousness as it speculatively approaches Absolute Spirit. This, put simply, is the stated goal of Hegel’s Phenomenology. Beyond examining its merely functional role in this work, however, the reader might observe the way in which the problem of the criterion directly emerges from the context of a discussion of skepticism,[2] which appears in the Introduction. Hegel’s procession from the topic of skepticism to criticism is no accident; indeed, its logic can be seen to mirror his understanding of their historical relation. Did not the historic problem of the criterion arise out of the resolute skepticisms of Pyrrho and Sextus Empiricus, after all? Comparing the remarks in Hegel’s Introduction with some of the pertinent philosophical digressions in his later Lectures on the History of Philosophy, the connection between the logical order of his argument and the history of the event may be further established. Reflexively, this then has recourse to his phenomenological treatment of Skeptical self-consciousness in the second section of the earlier work, in which Hegel dismantles its principle of one-sided negativity by applying the critical method which ancient Skepticism had itself inspired.

Our investigation can thus be understood to contain two integrally related parts. The first claims that Hegel’s movement from the issue of skepticism to the problem of the criterion in the Introduction to the Phenomenology is tacitly modeled after their historical succession. Evidence supporting this assertion will be gathered from his interpretation of Skeptical philosophy in the History of Philosophy. This part of the inquiry is thus of a hermeneutic aspect. Conversely, the second part is oriented critically (one might say “autocritically”) back to Hegel’s answer to the problem of the criterion in the Phenomenology. We will assess the way in which the distinctive brand of self-relating skepticism he develops therein is then applied to the Skeptical self-consciousness as its object, both phenomenologically and historically.

It must be noted from the start that the two parts of this study simultaneously follow from and ground one another. At first glance, the reciprocity of this relation is bound to confuse the reader. But this operation is not as confounding as it may initially seem, and demands no great dialectical rigor. To begin with, Hegel’s methodological solution to the criterion problem presupposes his high regard for ancient Skepticism’s critical enterprise, as well as his concurrent dissatisfaction with its epistemological nihilism. If he did not take seriously the implications of skepticism’s problem of the criterion, he could forego the negativity of dialectic altogether. Hegel would have no reason not to relapse into the dogmatic metaphysical positivism that held sway before the appearance of the Kantian philosophy. On the other hand, if he had not objected to ancient Skepticism’s stubborn disbelief, he would have been comfortable with its purely negative result. Hegel’s critical method, which we seek to apply back to his own system, would thus seem to require that our prior hermeneutic claim be accurate. Oppositely, however, his historical interpretation of skepticism, on which our hermeneutic is based, can equally be seen to presume the critical apparatus he develops in the Introduction to the Phenomenology. Whatever the actual order in which they fell, for the purposes of this essay their logic will coincide. As such, the consequences of each will be borne in mind throughout. Continue reading