“Architecture is a social manifestation and is thus indissolubly linked with the structure of society at a given point of time. Once separated from the society of its age, it becomes an empty sham and a toy for the infatuated followers of vulgar fashion.” Hannes Meyer, 1933 Continue reading →
What has remained largely unexamined in the study of avant-garde architecture and urbanism in the USSR is the activity of a large number of foreign technicians who went to work after 1928. Continue reading →
“The outcome of the competition for the Palace of the Soviets has filled all radical architects in the West with indignation and disbelief.” Hans Schmidt, 1932. Continue reading →
“Atop the building, the test track is like a king’s crown, and just as a crown symbolizes some essential and dominating idea, so here the car and its speed are celebrated in a form that presides over the work of the factory below.” Continue reading →
Hi-resolution scans of plans, sketches, and photographs from JJP Oud’s pioneering Spangen municipal housing project (1920-1923), along with a translation of his seminal 1918 essay “The Monumental Townscape.” Continue reading →
The socialist revolution calls for terrifying windowless towers, desolated lots and plazas, massive concrete slabs thrown into the earth. Continue reading →
Seeing as I recently published a post on Suetin’s ceramic Suprematism, and since Murphy mentions the “desperately tragic face-off between Albert Speer and Boris Iofan (Paris 1937)” — that is, between architectural Nazism and architectural Stalinism — I thought it might be fitting to post the above, bizarre image of Nikolai Suetin’s model for the proposed setup of the Soviet Pavilion that year. Truly strange stuff. Continue reading →
“An architecture of the future will be concretely and practically possible only when the future has arrived, that is to say, after a total social revolution, a systemic transformation of this mode of production into something else.” — Fredric Jameson, on Manfredo Tafuri Continue reading →