Red leaves of red books (1935)

Richard Wright
The New Masses
(April 30, 1935)
.

Turn
….Red leaves of red books

Turn
….In white palms and black palms

Turn
….Slowly in the mute hours of the night

Turn
….In the fingers of women and the fingers of men
….In the fingers of the old and the fingers of the young

Turn
….Under the nervous flickering of candles
….Under yellow gas sputterings
….Under dim incandescent globes

Turn
….In the North and in the South
….…In the East and in the West

Turn
….…Ceaselessly and reveal your printed hope

Turn
….Until your crispness leaves you
….Until you are dog-eared
….…Until the calloused hands that grip you

Are hardened to the steel of unretractable purpose!

.

Note: Credit goes to Clara Everbeck for tracking down this poem and bringing it to my attention. She suggested that I publish it on my blog along with a short bio or introduction to Wright and the issues he was looking to address. My familiarity with his work is unfortunately limited to the recollections featured in The God that Failed, alongside contributions by Arthur Koestler, André Gide, and Ignazio Silone.

Continue reading

The nihilism of socialism

Robert Rives La Monte
Socialism: Positive and
Negative
(NYC: 1908)
.

Introduction
.

For a while now I’ve been contemplating writing an essay on “proletarian nihilism.” By this I don’t mean the nihilisme prolétarien Vercesi wrote about in the Bordigist journal Bilan, a pejorative term he applied to German and Dutch council communists who denied the October Revolution had been anything more than bourgeois. Rather, proletarian nihilism would be the listlessness, apathy, and self-destructive instinct that gave rise to punk rock, or else that odd mixture of fatal resignation and reckless abandon that underlies so much of mass psychology.

Of course this is all a bit too simple, grounding the self-abolition and self-realization [Selbstaufhebung] of the working class in some sort of subjective mentalité. Self-overcoming, a term used by both Hegel and Nietzsche, is a key term for any adequate Marxist theory of the transition to a classless society. Marxism’s truth depends on the self-directed negativity of the proletariat, whose interest it is to do away with class altogether. This is why its particular interest is simultaneously universal, in the best interest of all society, which is central to Marx’s conception of the proletariat as the “universal class”:

Just as the condition for the liberation of the third estate, of the bourgeois order, was the abolition of all estates and all orders, so the condition for the emancipation of the working class is the abolition of every class. The working class in the course of its development will substitute for the old civil society an association which will exclude classes and their antagonism, and there will be no more political power properly so-called, since political power is precisely the official expression of antagonism in civil society. Meanwhile the antagonism between the proletariat and the bourgeoisie is a struggle of class against class, a struggle which carried to its highest expression is a total revolution. And indeed, is it at all surprising that a society founded on the opposition of classes should culminate in brutal contradiction, the shock of body against body, as its final denouement?

Incidentally, this is also why it’s so misguided to conceive of class as just another identity alongside gender and race. The world-historic significance of the proletariat is not at all its permanent position within capitalist society, but its negation of that society. Negation of identity is not identical to the affirmation of difference. Only on its basis is the dissolution of religion, family, and the state imaginable. Robert Rives La Monte, whose work I mentioned in my last post, formulated this essentially annihilative aim of Marxism as “the nihilism of socialism.”

As La Monte explained, “…‘nihilism’ is not used in strict technical or philosophical sense, but simply as a convenient term by which to designate the aggregate of those aspects of socialism which, viewed from the standpoint of the existing regime, appear as negative and destructive.” Marx famously described this corrosive nihilism as the “rational kernel” of dialectical methodology in the 1871 postface to the second edition of Capital:

In its mystified form, the dialectic became the fashion in Germany, because it seemed to transfigure and glorify what exists. In its rational form it is a scandal and an abomination to the bourgeoisie and its doctrinaire spokesmen, because it includes in its positive understanding of what exists a simultaneous recognition of its negation, its inevitable destruction; because it regards every historically developed form as being in a fluid state, in motion, and therefore grasps its transient aspect as well; and because it does not let itself be impressed by anything, being in its very essence critical and revolutionary.

Engels later counterposed the revolutionary method of Hegel’s philosophy with its conservative system, writing in Ludwig Feuerbach and the End of German Classical Philosophy that “all that is real in the sphere of human history becomes irrational in the process of time, is irrational by its very destination, tainted beforehand with irrationality… In accordance with all the rules of the Hegelian method of thought, the proposition of the rationality of everything which is real resolves itself into the opposite proposition.” Quoting Goethe, Engels wrote: “All that exists deserves to perish.”

La Monte’s essay, which follows, is concerned above all with three negations: “the atrophy of religion, the metamorphosis of the family, and the suicide of the state.” He locates “the nihilism of socialism” in the materialist conception of history. I would do him one better, and locate it in the historical formation of the proletariat. For as La Monte himself says: “the nihilism of socialism has no deterrent terrors for him, for as Marx said long ago, ‘he has nothing to lose but his chains, and a whole world to gain’.”

Positive ideals
.

.

In their negative proposals the socialists and anarchists are fairly agreed. It is in the metaphysical postulates of their protest and in their constructive aims that they part company. Of the two, the socialists are more widely out of touch with the established order. They are also more hopelessly negative and destructive in their ideals, as seen from the standpoint of the established order.

— Thorstein Veblen, The Theory of Business Enterprise. Pg. 338.

.
To label a truth a truism is too often regarded as equivalent to placing it in the category of the negligible. It is precisely the salient obviousness, which makes a truth a truism, that places it in the direst peril of oblivion in the stress of modern life. Such a truth was well stated by Enrico Ferri, the Italian Marxist criminologist, in a recent lecture before the students of the University of Naples: “Without an ideal, neither an individual nor a collective can live, without it humanity is dead or dying. For it is the fire of an ideal which renders the life of each one of us possible, useful and fertile. And only by its help can each one of us, in the longer or shorter course of his or her existence, leave behind traces for the benefit of fellow beings.”

Platitude though this may be, our greatest poets have not hesitated to use their highest powers to impress it upon us. Robert Browning put this truth into the mouth of Andrea del Sarto in one of the strongest lines in all English verse, “Ah, but a man’s reach should exceed his grasp.” Continue reading

Gustav Klutsis, revolutionary propagandist (1895-1938)

Gustavs Klucis — also known as Gustav Klutsis, the Russian spelling of his name — was one of the pioneers of Soviet agitprop graphic design, particularly prominent for his revolutionary use of the medium of photomontage to create political posters, book designs, newspaper and magazine illustrations. He was born in the small village of Ruen in Latvia. He studied art in Riga from 1913 to 1915, and later in Petrograd from 1915 to 1917. He then continued his education at SVOMAS-VKhUTEMAS in Moscow. It was there that he met Valentina Kulagina, his future wife and a prominent poster/book designer herself.

As a student, Klucis worked with Tatlin, Malevich, Lissitzky, and other representatives of the new artistic order in the new state. In his early works he was particularly preoccupied with the problems of representation of three-dimensional space and spatial construction. In 1919 he created his first photocollage Dynamic City, where photography was used as an element of construction and illustration. In 1920 Klucis joined the Communist party; his works around this time sought to transform the logic of political thought and propaganda into Suprematist form, often using documentary images of Lenin, Trotsky, and eventually Stalin in his radical poster designs.

After graduating from VKhUTEMAS, Klucis started teaching and working in a variety of experimental media. He became an active member of INKhUK and a militant champion of Constructivism. Klucis advocated the rejection of painting and was actively involved in making production art [proizvodstvennoe iskusstvo], such as multimedia agitprop kiosks to be installed on the streets of Moscow, integrating radio-orators, film screens, and newsprint displays. Two such structures were constructed for the Fourth Congress of the Comintern in November 1922 and subsequently enjoyed great popularity as their plans were published and models exhibited. Through these constructions Klucis developed his own individual method of combining slogans and functional structures built around simple geometrical figures — this method would later lie at the core of his works on paper as well.

Klucis’ first photomontage designs for books and magazine covers were published in 1923, around the same time that Rodchenko was experimenting with the medium in the magazine LEF and the publication of Mayakovsky’s poem Pro Eto. Klucis recognized that the “fixed reality” of photography offered endless possibilities for a new form of propaganda art that was accessible and effective. He acquired his own camera in 1924 which enabled him to incorporate his own photographs in the collages. Thanks to Klucis, Rodchenko and Sergei Senkin, by late 1924, the use of photomontage in publication of books and illustrations had been consolidated.

Continue reading

On Stalin and Stalinism today

.
Editorial note
.

Watson Ladd’s recent review of the latest issue of Crisis and Critique, in which a number of authors reflect on Stalin’s contemporary significance, appears below. It’s a huge issue, and the collection itself comes to almost five hundred pages. Some of the articles are probably worth checking out, especially the ones by Lars Lih, Evgeni Pavlov, and Paul LeBlanc. (LeBlanc is easily the most credible political and intellectual historian within the ISO, largely because he comes from a tradition outside Cliffism). You can download and read Crisis and Critique 3.1 further down for free.

On a few points a disagree with Ladd somewhat, though for the most part I agree. For example, here: “The name [Stalin] means nothing. It can be deployed for a hundred different political purposes.” Here, if one ignores his subsequent qualifications of this point, Ladd almost seems to come close to something Doug Enaa Greene wrote in a since-deleted thread on the Kasama Project website a year or so ago:

One of the most useless terms thrown around on the left is “Stalinism” (statist and totalitarianism are two others that rank up there). Stalinism is often utilized as a swear word by leftists against anything they disagree with. And this means that Stalinism is used to refer to such differing figures, ideologies, movements and governments that it loses all coherent meaning. For example, I’ve known leftists who refer to both Mao and Deng as “Stalinists.” Never mind that these two figures had opposite politics (Mao led a socialist revolution and Deng reversed one). Some other examples of “Stalinism” are the Communist Party of India (Marxist) and the Communist Party of India (Maoist). Yet any commonality between these two parties disappears on closer inspection. The CPI (Marxist) is strictly parliamentary party which enforces neoliberalism and massacres workers and peasants, while the CPI (Maoist) is leading a revolutionary people’s war among the most oppressed masses, fighting the Indian state, including clashing with their “fellow Stalinists” in the CPI (Marxist), and establishing liberated zones of popular power. The list goes on and on…

As should be clear, when calling these wildly different figures, movements, and organizations “Stalinist,” deprives the word of all meaning (assuming it has one in the first place). What I am getting at here is that rather than looking at how these differing figures, movements, etc operate based on their own particular contexts, it is assumed that because they don’t fall under the label of the correct political line (whether Trotskyist, anarchist, etc) that they must be Stalinist. It is further assumed that by those using the label Stalinist that if you have the “correct” view on the nature of the inner-party debates of the Soviet Union in the 1920s or the class character of the Soviet Union in the 1930s, often derived from the work of Trotsky, that this can just be mechanically applied to completely different situation (the classic case is Maoism = Chinese Stalinism) without doing any investigation of that particular situation. Effectively this says that you don’t have to learn anything about one of the most important revolutions of the last century, set aside with a simple verdict. And the politics that comes out of this dismissal is bland and lifeless, unable to learn from any other experiences because all the verdicts are already settled.

Certainly, “Stalinism” refers to a group of sectarian traditions and theoretical bloodlines which are often at odds with one another. Sometimes seemingly opposite. But the same could easily be said for Trotskyism. Look at the Alliance for Workers’ Liberty in the UK, which verges on Zionist apologetics, and the Socialist Workers’ Party, which waves placards at rallies which declare: “We are all Hezbollah!” Yet both stand within the Trotskyist lineage, even if the former is mediated by the Shachtmanite-Matgamnan moment and the latter by the Cliffite-Callinican moment.

There are a number of common features that immediately stand out with regard to Stalinism: 1. first, and most obviously, the principle of социализм в одной стране [socialism in one country]; 2. second, and no less fundamentally, the elevation of the State to a semi-permanent Lassallean role as the guarantor that capitalism will never reemerge; and 3. the schizophrenic logic that brands parliamentary socialists as “social fascists” in one moment and welcomes alliances with bourgeois parties or outright reactionaries as part of anti-fascist or anti-imperialist popular fronts in the next.

Any Maoists who took issue with Loren Goldner’s perfunctory remark that “Maoism is a variant of Stalinism” can take it up with the following image.

b-but-maoism-isnt-a-variant-of-stalin

Methodologically, and as a matter of course, Stalinism stood for the perversion of dialectic from an immanent logic used to critically grasp alternating and emergent conditions into an ex post facto rationalization of defeat. “Zigzags,” as Lenin called them:

The great Hegelian dialectics which Marxism made its own, having first been turned right side up, must never be confused with the vulgar trick of justifying the zigzags of politicians who swing over from the revolutionary to the opportunist wing of the Party, the vulgar habit of lumping together particular statements and developmental factors belonging to different stages of a single process. Genuine dialectics does not justify the errors of individuals, but studies the inevitable turns.

At any rate, I don’t think that Marxists can simply disown Stalinism, as if it had nothing to do with the political precepts laid down by Marx. Those who take their inspiration from Lenin and the Bolsheviks can still less absolutely dissociate themselves from Stalin as an historical figure and Stalinism as a world-historic phenomenon. Dzugashvili had been a dedicated cadre and party operative for almost a quarter century, after all, by the time his faction assumed the reigns of power. However vulgar and buffoonish he was as a theorist, it is not as if he was simply an inexperienced interloper.

Obviously, I consider Stalinism monstrous. While Hitler was incomparably worse in terms of his crimes, Stalin murdered more dyed-in-the-wool Marxist revolutionaries than Hitler ever did. In that sense, the Gulag system should disturb us more than Nazi barbarism. Nazism was transparently right-wing, chauvinist, and genocidal in its intent. Communism was meant to herald the liberation of mankind — i.e., not a grim, self-perpetuating authoritarian interlude on the way to capitalist restoration. In a way, it would be a relief if the demise of the USSR wiped Stalin’s legacy clean off the record books.

Stalinism lives on. Just barely, though, eking out a miserable existence in “critical support” for rackets like the FARC, the Naxalites, or the PFLP. (This position the Trots and tankies have in common, but it is more a museum-piece of Cold War natlib than anything having to do with Lenin’s line, or even Zinoviev’s narrow interpretation of it as a prerequisite for entry into the Comintern). Ladd is right, however, that if Stalin’s name stands for nothing today, it’s “not because Stalin stood for nothing, but because what he stood for has been forgotten. As a period of politics on the Left, globally, the history of Stalinism has all but faded from view.”

1022776010

Seventeen ways of looking at Stalin

Watson Ladd
Platypus Review
№ 90,
10.1.2016

.
Journal Review:

Frank Ruda and Agon Hamza, editors
“Stalin: What Does the Name Stand for?”
Crisis and Critique 3, no. 1 (3.29.2016)1

.
Stalinism’s impact is difficult to see in the world today. North Korea and Cuba limp along, sponsored by a capitalist China and caudillo-ist Venezuela, respectively. The official Stalinist parties in the Western world remain, at least on paper, but tend to throw support behind Hillary Clinton or the local equivalent. In one way or another, any examination of Stalin is thus historical — not a critique of a living political movement, but of a movement situated in a time remote from our own. The object of investigation is a legacy whose practical effect in the present is deeply obscure.

The journal Crisis and Critique has recently published a compilation of such examinations. In the introduction, editors Frank Ruda and Agon Hamza emphasize their desire to examine the politics that led to Stalin and shaped the period during which he lived, neither damning nor defending, and hoping to avoid the reduction of complex questions to the status of a single individual.

As Lars Lih points out in the first contribution, Soviet artists celebrated Stalin as a mythical figure, an ersatz czar who defended the Russian people. Indeed, Stalin invites a series of historical comparisons. By turns he is Robespierre,2 by turns a brute responsible for the failure of a revolution.3 For Domenico Losurdo, he is the Soviet Gandhi, fighting against colonialism with methods no more dictatorial than the global crisis of the 1930s demanded.4 Enver Hoxha’s essay, which closes out the volume, does not need to mention Stalin by name to argue that he enabled the people to “write their own history,” and that we must stay to the course he laid out, if we wish to defend the revolution and achieve the political empowerment of the masses.

Elsewhere Stalin curiously recedes into the background. He becomes the pretext for a discussion about the metaphysics of language,5 or for an analysis of how his early seminarian experiences influenced the creation of the new communist man.6 Or the topic shifts to the philosophical school of dialectical materialism,7 analyzed without really taking stock of Stalin, who hovers quietly in the background. And there is the experience of those who lived under Stalinism,8 and the memory of the political struggles over revisionism and orthodoxy.9

saint-stalin

With all these views (and more) of Stalin represented in this volume, one might think that the subject, if not exhausted, had at least been opened up for inquiry. Unfortunately this is not the case, unless we want to understand the long shadow of Stalinism as only the latest in a line of tragedies. However, whatever else we may think of him, Stalin is far more than merely a Tamerlane or an Alexander Nevsky.

Continue reading

Cartoon maps portraying impending inter-imperialist apocalypse

MP Pavlovich [ML Veltman]
People’s Commissariat of
Nationalities
(5.31.1921)
.

Comrade Pavlovich,1

I have arranged for publication of a school atlas (in Petrograd).2 It would be extremely important to include maps of imperialism. Would you not undertake this?

For example:

  1. Colonial possessions 1876-1914-1921, adding or specially shading off semi-colonial countries (Turkey, Persia, China, and so forth).
  2. Brief statistics of colonies and semi-colonies.
  3. Map of financial dependencies. For example, for each country ± with a figure (millions or milliards of francs) of how much this country owes, and how much it is owed;
    Also comparatively for 1876-1914-1921, if 1876 be taken as the culminating point of pre-monopoly capitalism.
  4. Railways of the world, with a note, in each country, showing to whom most of them belong (British, French, North America, etc.).
    Will this prove too much of a mixture? Convenient forms can be found, with what matters, what predominates noted very briefly.
  5. The main sources of those raw materials over which there is a struggle (oil, ores, etc.) — also with notes (% or millions of francs belong to such-and-such a country).
    We must without fail include maps of this kind in the textbooks, of course with a brief explanatory text.
    A statistical assistant can be given you for the auxiliary work.

Please reply whether you undertake this, how and when.

With communist greetings,

Vladimir Ulianov (Lenin)
Chairman, Council of
People’s Commissars

Notes


1 Pavlovich, M. P. (Veltman, M. L.) (1871-1929) — Social-Democrat, Menshevik. He became a Communist after 1917, and from 1921 was a member of the Collegium of the Commissariat for Affairs of Nationalities.
2 Reference is to the preparations for the publication of the Vsemirny geografichesky atlas (Geographical Atlas of the World), launched on Lenin’s initiative. The project was not realized.

1111 14054507_10208119983574717_4341188426381209528_o 2721592513_c130bfbba9_b world_around_1900 "El Manicomio", mapa satírico de Europa en 1915, Louis Raemaekers (1869-1956) See Translation 0WyLa Continue reading

Revisionism revisited: Ernst Nolte and Domenico Losurdo on the age of extremes

.
“Revisionism” — Revisionismus, révisionnisme, ревизионизм — is a word of relatively recent vintage. Most etymologies date its origin to around 1903, when the revisionist dispute befell German Social Democracy. Its meaning has remained more or less constant since then: the term denotes an effort to revise or otherwise reenvision some prior doctrine or established consensus. Already in its short career, however, revisionism has managed to amass a range of historical referents. Given this polysemic quality, a bit of disentanglement seems in order to sort out the different phenomena it signifies.

Ernst Nolte’s death late last week, at the age of 93, offers a unique opportunity for such reflection. The controversial historian rose to international prominence, or at least achieved a certain notoriety, during the mid-1980s as part of the “historians’ quarrel” [Historikerstreit]. Beginning with an address he delivered in Munich in June 1980, entitled “Between Historical Legend and Revisionism?”, Nolte sought to place the Nazi genocide within the context of a global civil war [Weltbürgerkrieg] that lasted from the October Revolution in 1917 to the fall of Berlin in May 1945. He framed it as an unfortunate (but understandable) response to the horrific violence unleashed by the Bolsheviks in Russia:

Auschwitz was not primarily a result of traditional antisemitism, and not just one more case of “genocide.” It was a fear-borne reaction to acts of annihilation that took place during the Russian Revolution. While the fact that it was more irrational, terrible, and repulsive than its precursor provides a foundation for the notion of singularity, none of this alters that the so-called [!!!] annihilation of the Jews by the Third Reich was a reaction or a distorted copy and not a first act or an original.

Six years later, in the editorial that sparked the controversy, Nolte again posed the question: “Did the National Socialists or Hitler perhaps commit an ‘Asiatic’ deed merely because they considered themselves potential victims of an ‘Asiatic’ deed? Wasn’t the Gulag Archipelago primary to Auschwitz?” For Nolte, “the Bolsheviks’ murder of an entire class was the logical and factual prius of the ‘racial murder’ of National Socialism…” Yet, despite these supposed mitigating circumstances, Germany alone was trapped in “a past that will not pass.” Twisting the knife, he added, “talk about ‘the guilt of the Germans’ blithely overlooks the similarity to the talk about ‘the guilt of the Jews,’ which was a main argument of the National Socialists.” Predictably, Nolte’s provocations led to an uproar, as the Frankfurter Allgemeine Zeitung was flooded with angry letters.

Stalin, Hitler, similar salutes copy 2 U_39_299435507822_paris37.a

Jürgen Habermas was among those who sent a reply the summer of 1986. Immediately, this added a great deal of weight to the debate. At the time, Habermas was at the height of his powers, by far the country’s best-known intellectual. Heir apparent to Theodor Adorno, he represented the “second generation” of Frankfurt School critical theory. Nolte had been a follower of Martin Heidegger, the (in)famous Nazi philosopher against whom Adorno had tirelessly polemicized, so the ghosts of the Doktorväter were close at hand. This was evident from the outset, as Habermas inveighed against the apologetic tendencies at work “in what Nolte, the student of Heidegger, calls his ‘philosophical writing of history’.” Even statements downplaying the relevance of these forebears tacitly invoked their authority, as for example when Habermas declared that “it is not a matter of Popper versus Adorno, nor of scholarly differences of opinion, nor about questions of freedom from value judgments [Wertfreiheit]. Rather, it is about the public use of history.” Driving this point home, a few pages down, he reiterated: “After 1945… we read [Martin] Heidegger, Carl Schmitt, and Hans Freyer, even Ernst Jünger, differently than before 1933.”

Looking back at this exchange now thirty years on, one wonders whether this is not the crux of the matter. Can an event be historicized without diminishing its singularity? Or does the very act of contextualization thereby render it mundane? Is it possible to simultaneously “comprehend and condemn,” as Christian Meier suggested in the title of his contribution to the debate? To compare two distinct objects is to relate them, if not relativize them as such. Hans Mommsen objected to claims made by Nolte and his attack dog, Joachim Fest, on the grounds that they surreptitiously aimed at “relativizing” Nazism through its comparison with Bolshevism. By insisting on their comparability, or “the permissibility of certain comparisons” (as Nolte put it), all talk of singularity swiftly goes out the window. François Furet, revisionist historian of the French Revolution and unabashed admirer of his German counterpart, one of Nolte’s greatest merits was to have “quickly gone beyond the prohibition against putting Bolshevism and Nazism in the same bag.” Paul Ricoeur noted in Memory, History, Forgetting, just a year before his death, “this massive use of comparison settles the fate of singularity or uniqueness, since this alone permits the identification of differences… As soon as the critical debate has been widened in this way, Nolte expects it will allow this past ‘to pass’ like any other and be appropriated.” Continue reading

Revolutionaries in living color

.
It is often said that it was the painters who invented photography (by bequeathing it their framing, the Albertian perspective, and the optic of the camera obscura). I say: no, it was the chemists. For the noeme “That-has-been” was possible only on the day when a scientific circumstance (the discovery that silver halogens were sensitive to light) made it possible to recover and print directly the luminous rays emitted by a variously lighted object. The photograph is literally an emanation of the referent. From a real body, which was there, proceed radiations which ultimately touch me, who am here; the duration of the transmission is insignificant; the photograph of the missing being, as Sontag says, will touch me like the delayed rays of a star. A sort of umbilical cord links the body of the photographed thing to my gaze: light, though impalpable, is here a carnal medium, a skin I share with anyone who has been photographed.

It seems that in Latin “photograph” would be said imago lucis opera expressa; which is to say: image revealed, “extracted,” “mounted,” “expressed” (like the juice of a lemon) by the action of light. And if photography belonged to a world with some residual sensitivity to myth, we should exult over the richness of the symbol: the loved body is immortalized by the mediation of a precious metal, silver (monument and luxury); to which we might add the notion that this metal, like all the metals of alchemy, is alive.

Perhaps it is because I am delighted (or depressed) to know that the thing of the past, by its immediate radiations (its luminances), has really touched the surface which in its turn my gaze will touch, that I am not very fond of color. An anonymous daguerreotype of 1843 shows a man and a woman in a medallion subsequently tinted by the miniaturists on the staff of the photographic studio: I always feel (unimportant what actually occurs) that in the same way, color is a coating applied later on to the original truth of the black-and-white photograph. For me, color is an artifice, a cosmetic (like the kind used to paint corpses). What matters to me is not the photograph’s “life” (a purely ideological notion) but the certainty that the photographed body touches me with its own rays and not with a superadded light.

— Roland Barthes,
Camera Lucida

Color by klimbims (Olga)Mikhail Bakunin, 1860 Ulyanov family, 1879 Piotr Chaykovsky Kropotkin | Кропоткин Anton Chekhov Nadezhda Krupskaya, Vladimir Lenins wife Continue reading

The green pill: “Political correctness” and jihad

.
So I downloaded and was reading the Islamic State’s webzine Dabiq — because hey, why not be on a terror watchlist? Comrade Coates shared something about it on Twitter, some vile passage that’d been originally been posted on Reddit, so I decided to track down a copy and have a read myself. It’s always a rush, seeking out those obscure East Asian message boards where you can find files of Dabiq. You never know if you’re about to download some fatal virus. Part of the thrill of it, I suppose. Jihadology and other more respected sources of primary documents on extremism are no fun. They take the sense of adventure out of it.

Anyway, apparently the self-styled Caliphate thinks that Western nations were too soft in their imperialism. Or else so corrupted by liberalism and “political correctness” that they felt obliged to apologize for their misdeeds years later:

The clear difference between Muslims and the corrupt and deviant Jews and Christians is that Muslims are not ashamed of abiding by the rules sent down from their Lord regarding war and enforcement of divine law. So if it were the Muslims, instead of the Crusaders, who had fought the Japanese and Vietnamese or invaded the lands of the Native Americans, there would have been no regrets in killing and enslaving those therein. And since those mujahidin would have done so bound by the Law, they would have been thorough and without some “politically correct” need to apologize years later. The Japanese, for example, would have been forcefully converted to Islam from their pagan ways. Had they stubbornly declined, perhaps another nuke would change their mind. The Vietnamese would likewise be offered Islam or beds of napalm. As for the Native Americans: after the slaughter of their men, those who would favor smallpox to surrendering to the Lord would have their surviving women and children taken as slaves, with the children raised as model Muslims and their women impregnated to produce a new generation of mujahidin. As for the treacherous Jews of Europe and elsewhere — those who would betray their covenant — then their post-pubescent males would face a slaughter that would make the Holocaust sound like a bedtime story, as their women would be made to serve their husbands’ and fathers’ killers.

Furthermore, the lucrative African slave trade would have continued, supporting a strong economy. The Islamic leadership would not have bypassed Allah’s permission to sell captured pagan humans, to teach them, and to convert them, as they worked hard for their masters in building a beautiful country. Notably, of course, those of them who converted, practiced their religion well, and were freed would be treated no differently than any other free Muslim. This is unlike when the Christian slaves were emancipated in America, as they were not afforded supposedly government-recognized equal “rights” for more than a century — and their descendants still live in a nation divided over those days.

All of this would be done, not for racism, nationalism, or political lies, but to make the word of Allah supreme. Jihad is the ultimate show of one’s love for his Creator, facing the clashing of swords and buzzing of bullets on the battlefield, seeking to slaughter His enemies — whom he hates for Allah’s hatred of them.

Much of this is clearly meant to serve a propaganda function, the group’s genocidal aims laid out matter-of-factly, in keeping with their apocalyptic imagery. It would of course be foolish to dismiss it all as empty posturing. Daesh actually does systematically murder, enslave, and rape within its shrinking territory. Some of the lines excerpted here seem almost designed just to scandalize mainstream liberal sensibilities, which are identified with the West. For example, the standard boilerplate complaint about “political correctness” is something one frequently sees on Alt-Right and RadTrad forums and message boards. Here IS is daring them to take the green pill instead of the red, an even more heady traditionalist concoction than the one they’re already accustomed to fantasizing about.

Continue reading

Georgii Krutikov, The flying city / Георгий Крутиков, «Летающий город» (1928)

Летающая кабина Жилой комплекс "Трудовая коммуна".

The very first detailed study of Krutikov’s sensational Flying City has been translated and published.

25€ VAT included (24,04€ + 4% VAT)

softcover
English
21 x 16 cm
100 halftones images
160 pp
ISBN: 978-84-939231-8-1

Georgii Krutikov epitomized the utopian ideal of the Russian Avant-garde. In 1928, while still a student at the Moscow VKhUTEMAS, the budding architect presented his visionary solution to the seemingly impending problem of unsustainable population growth; a flying city.

Encapsulating the spirit of the times, Krutikov’s soaring city caused a sensation, daring to reimagine and remake the world as an exercise in possibility; rationalized through data, realized in sketches and plans.

Architectural historians and devotees of Russian modernism have cited the influence of Krutikov’s “Flying City.” Yet, for decades, little was written about this remarkable project, its precocious author or his subsequent career.

Calling down Krutikov’s city from the clouds, eminent scholar Selim O. Khan-Magomedov separates myth from fact to uncover a wealth of previously unseen visual and documentary material, affording insight into this truly revolutionary work, its fascinating creator and a varied later career that spanned influential membership of Nikolai Ladovskii’s rationalist Association of Urban Architects (ARU), his contributions to urban planning, his post-constructivist designs for the Moscow Metro and his passion for preserving Russia’s architectural heritage.

Жилой комплекс "Трудовая коммуна" Жилой комплекс. Жилище гостиничного типа

Written by SELIM O. KHAN-MAGOMEDOV

(1928-2011) has been widely recognized for his outstanding contribution to the study of the Russian avant-garde movement during the 1920s and 1930s. He has written countless monographs, articles and books, including the legendary Pioneers of Soviet Architecture, Pioneers of Soviet Design and One Hundred Masterpieces of the Soviet Architectural Avant-Garde. He has written on the most important architects of the Russian avant-garde, including Konstantin Melnikov, Alexander Vesnin, Nikolai Ladovsky, Alexander Rodchenko, Moise Ginsburg, Ivan Leonidov, and Ilya Golosov. Khan-Magomedov contributed greatly to the scholarly research about Russian avant-gardists, and studying the personal archives of over 150 Russian architects, artists, designers and sculptors, which revealed a number of previously unknown facts about their lives.

Khan-Magomedov held a doctorate in art history and was an honorary member of the Russian Academy of Art.  In 1992, he was awarded the Russian Federation’s “Distinguished Architect” title, and in 2003, he was awarded the State Prize of Russia for his contributions to the field of architecture.

Translated by CHRISTINA LODDER

Professor Christina Lodder is an established scholar of Russian art. She is currently an honorary fellow at the Universities of Edinburgh and Kent, Vice-President of the Malevich Society, and co-editor of Brill’s Russian History and Culture series. Among her publications are numerous articles and several books. She has also been involved with various exhibitions such as Modernism (Victoria and Albert Museum, London, 2006) and From Russia (Royal Academy, London 2008).

Continue reading

Anti-Bolshevik propaganda posters: Metal as fvkk

.
Recently, I was contacted by a fellow named Harry K. Wärts via The Charnel-House’s Facebook page. Admittedly, I don’t check the messages I receive there too often. Nevertheless, this caught me a bit off-guard:

Hey, I’m in the Swedish death metal band Gravebomb. We’re great, and also eager for exposure. I really like your blog, so I think it’d be great if we could do a share-for-share thingy. Both as a way to turn on death metal fans to communist theory (as it is the musical equivalent or expression of a “ruthless criticism of everything existing” [Marx]) and as a way to get revolutionary communists into death metal and our band in particular. Don’t know if you like the idea, but I think it would be pretty edgy.

You can check out our album Rot in Putrid Filth on Spotify to see if it’s for you.

Since I didn’t get back to Wärts in a timely fashion, he wrote me another note: “Why will you not respond to our calls for solidarity in propaganda?”

Obviously this was something I needed to do. Can’t just leave a comrade hanging.

Initially I was skeptical. Most of the metal coming out of Europe, especially the Nordic countries, is intensely reactionary — fascist, even. Plus, I’m not even much of a metal fan these days, though I was back in high school.

Acquaintances on social media urged me to do so, however, “for the love of all that’s unholy.” Fuck it, I thought to myself. Hence the present post.

Glancing at the track list, we find song titles like “Killing Apex,” “Hack the Heads off the Preachers,” “Funeralizer, and “Parasite Spawn.” Sound revolutionary to me. Regardless, I’m not going to listen through their entire catalogue and scrutinize their lyrics to make sure they convey a communist message or ruthless critique. Not like communists censor music, after all… Oh wait

To accompany this music, I’m posting a series of anti-Bolshevik artwork that can only be described as “metal as fvkk.” Early anti-Bolshevik agitprop posters — from roughly 1905 up through the end of the 1940s, but especially 1917-1939 — make up some of the best adverts for Bolshevism. Despite their explicit intention to frighten people with the specter of communism, or dissuade them from joining it, these posters fucking rule. Who wouldn’t want to be an undead skeleton commie killing fascists?

Kvltvrbolschewismvs? Underground black metal enthusiasts should at least appreciate the images of communists burning churches.

Bloody Sunday 1905 GvjdoTA Die Gefahr des Bolschewismus [The Danger of Bolshevism] com_8_MGzoom e545a3d724c179b4624cb41755e6a8d7 focus-400-grande1 - frame2Art.IWM PST 13079 plakat_antisov23 plakat_antisov24 Die Heimat ist in Gefahr 2 Schließt Euch fest zusammen gegen Spartacus (…) Continue reading