Lenin

Stalinist kitsch

Posted by

9

.
The title of this entry deserves some explanation. “Stalinist kitsch,” one might object, is a bit superfluous. Or redundant, rather. Everything is announced by simply saying “Stalinist,” after all. Doesn’t matter if it’s politics, aesthetics, whatever. It’s already assumed that it’s kitsch.

All the same, there’s plenty about Stalinism that deserves to be taken seriously. Not because it’s “right” about history or society or economics; no, nothing like that. Rather, it’s because whether we admit it or not, Stalin did seem to represent one solution (or at least stopgap) to the problem of mass society. Perhaps not a likable answer to the issues posed by modernity, but a likely one. This is something that Boris Groys, among others, has pointed out.

Moreover, though Stalin might have been more than a little lackluster as a theoretician — the primitiveness and crudity of his imagination was legendary — it’s not like he was completely ignorant. Least of all about Bolshevism and its various controversies over the years. He’d been in the party since 1903, so he was hardly a novice. And to be honest, many historians politically aligned with Stalinism wrote very rigorous, detailed accounts of their various objects of study. Though they may be a little vulgar and undertheorized at times, they’re preferable to a lot of the crap that’s published.

What’s even scarier is that those few explicitly Stalinist parties that still exist often have better politics than their soi-disant “Trotskyist” counterparts, who now operate more or less according to the logic of Stalinoid popfrontism, but without even the vague self-consciousness that Stalinists possessed. Sad times indeed.

Below are a bunch of the kitschier photos, posters, and artworks from the Stalin era. Click on any of the images to enlarge them. Furthermore, to compensate for this bit of lighthearted parody, I’m including Evtushenko’s somber 1961 poem, published in Pravda, on the “heirs of Stalin.”

The heirs of Stalin

.
Mute was the marble. Mutely glimmered the glass.
Mute stood the sentries, bronzed by the breeze.
Thin wisps of smoke curled over the coffin.
And breath seeped through the chinks
as they bore him out the mausoleum doors.
Slowly the coffin floated, grazing the fixed bayonets.
He also was mute — his embalmed fists,
just pretending to be dead, he watched from inside.
He wished to fix each pallbearer in his memory:
young recruits from Ryazan and Kursk,
so that later he might collect enough strength for a sortie,
rise from the grave, and reach these unreflecting youths.
He was scheming. Had merely dozed off.
And I, appealing to our government, petition them
to double, and treble, the sentries guarding this slab,
and stop Stalin from ever rising again
and, with Stalin, the past. Continue reading →

Class and identity crisis

Posted by

10

.
Mike Naylor has written a succinct response to Mark Fisher’s “Vampires’ Castle” article. Though I’ve already more or less said my piece on the matter, Naylor’s narrow focus on the issue of class in Fisher provides a convenient excuse for me to flesh out some ideas about its social, political, and cultural dimensions. I’ve been meaning to write something up on it for a while now. But before we embark on that divagation, let’s first attend a few things Naylor writes in critiquing Fisher. Toward the end, he avers:

We should reject Fisher’s call to ignore oppression, as if our lack of thinking about them makes them go away.

Certainly, ignoring oppression won’t make it go away. But compulsively talking about and splitting hairs about oppression isn’t necessarily a way of thinking about them. More often than not it’s an unthinking procedure ritualistically invoked, which gives the false appearance of probity and depth while in fact it remaining at an extremely superficial level of abstraction. If anything, the obsessive focus on all the particular ways one is oppressed obscures more than it clarifies the universal unfreedom of modern society: namely, that which is entailed by capital’s continued dominance over the process of production. Though intersectionality claims to finally address the actual complexity of life under the capitalist social formation in all its empirical messiness — casting light on the manifold, multiform imbalances and power dynamics — in truth it only further confounds the situation. Even the language used in trying to grasp these different aspects of oppression bespeaks an abiding confusion over how they all fit together. All the talk of “intersecting,” “overlapping,” and “interlocking” “networks,” “systems,” and “modalities” of “discrimination,” “subjugation,” and “interpellation” (concepts pilfered from the coffers of the Theory Industry these last thirty years) is simply a safeguard that ensures identity politicians won’t be surprised by new forms of oppression that await discovery or invention.

(On this note, Jason Read perceptively quipped: “Isn’t ‘intersectionality’ just another name for what we used to call [the Freudian and Althusserian concept of] ‘overdetermination’?” They’re right, you know.)

By relying so heavily on flimsy neologisms like these, identity politics is thereby allowed to neglect and even studiously avoid confrontation with the overarching totality of social relations under capitalism. Apparent heterogeneity here masks underlying homogeneity. Seemingly centrifugal tendencies toward dispersal and diffusion veil capital’s propensity toward concentration and centralization. Rather than reveal the true magnitude of this historic impasse, the ongoing crisis of bourgeois society, identity politics seizes upon the accidence and minutiae of everyday experience and anoints these as crucial sites of “struggle.” Every perceived slight, asymmetry, or indiscretion, no matter how minor, is exaggerated and thereby elevated to a matter of life and death. The fear is that without scrupulous attention to detail, revolutionary politics will end up reproducing the very forms of oppression they ostensibly seek to overcome. However convincing this oft-repeated argument might seem at first blush, it should be remembered that means and ends are not always identical when it comes to politics. Far from taking problems such as racism, sexism, and homophobia seriously, moreover, the Left seems to subscribe to the naïve belief that structural forms of social oppression can be corrected simply by codifying and bureaucratizing the way that people talk about them.

The points Naylor makes in criticizing of Fisher’s idea of class are well taken. Cultural markers such as accent or inflection, habits of dress or behavior associated with a given social stratum can hardly be considered constitutive features of class. These vary too much over time and space to have any enduring value as indicators of one’s socioeconomic standing or origin. At most, they can be considered a loose set of criteria or ensemble of expectations that stereotype different groups of individuals throughout society. It would make no sense to either exalt or abase someone on the basis of such qualities. Members of the working class should do not deserve to be demonized as “chavs,” but neither should they be condescendingly valorized as somehow more “authentic” on account of their unpretentious, slangy speech or charmingly direct mannerisms. Continue reading →

The Vesnin brothers’ Likachev Palace of Culture (ZIL) in Moscow, 1930-1936

Posted by

9

The Vesnin brothers’ ZIL Palace of Culture in Moscow, 1931
Conference room inside the Vesnin brothers’ ZIL Palace of Culture in Moscow, 1931.
The Vesnin brothers' ZIL Palace of Culture in Moscow, 1931

The Vesnin brothers’ ZIL Palace of Culture in Moscow, 1931

Conference room inside the Vesnin brothers' ZIL Palace of Culture in Moscow, 1931.

Conference room inside the Vesnin brothers’ ZIL Palace of Culture in Moscow, 1931.

Edward Clark, photo for LIFE magazine with the Vesnins' Palace of Culture in the background, 1955 Edward Clark, photo for LIFE magazine with the Vesnins' Palace of Culture in the background, 1955a The Vesnins' ZIL Palace interior with Lenin statue, 1937 The Vesnins' ZIL Palace interior with stairs and Lenin, 1937 The Vesnins' ZIL Palace theater interior, 1934 The Vesnins' ZIL Palace, 1938 The Vesnins' ZIL Palace, 1949 The Vesnins' ZIL Palace, 1963 ZIL palace of culture photo 1930 ZIL palace of culture photo 1931 ZIL palace of culture photo 1935 ZIL palace of culture photo 1935a ZIL palace of culture photo 1937 ZIL palace of culture photo 1938 ZIL palace of culture photo 1953 ZIL palace of culture photo 1955 ZIL palace of culture ZIL palace of culture1 ZIL palace of culture2 ZIL palace of culture3 ZIL palace of culture4 ZIL palace of culture5 ZIL palace of culture6 ZIL palace of culture7 ZIL palace of culture8 ZIL palace of culture9 ZIL palace of culture10 ZIL palace of culture11 ZIL palace of culture12 ZIL palace of culture14 ZIL palace of culture16 ZIL palace of culture19 ZIL theater ZIL theater1 ZIL banner ZIL leaving Vesnins ZIL ZIL palace of culture61

Criticism after utopian politics

Posted by

6

Zoltan “Pac” Pobric
The Brooklyn Rail
May 3rd, 2013
.
.

.
Following up on yesterday’s “advice to critics,” I thought it would be appropriate to include a reflection on the state of criticism today. This short article was written by my friend Zoltan “Pac” Pobric, an editor of the Platypus Review. A few other pieces on the subject have been written lately that I’d recommend, such as Ben Davis’ “Crisis and criticism” and Laurie Rojas’ “Confronting the ‘death’ of art criticism.” Pac’s piece is posted here for its exceptional clarity and concision, qualities lacking in much of what passes for “criticism” in the present.

Originally published on The Brooklyn Rail‘s website. The image is Charles Baudelaire photographed in 1855.

.
.
There has been no lack of talk, for the past ten or so years, of some kind of “crisis” in art criticism. James Elkins, Arthur Danto, Katy Siegel, Hal Foster, et al.; everyone seems to have some stake in the failure or ineptitude or impossibility of critical thought. Elkins says that judgment should return; Danto says it’s unnecessary. Siegel says critics have little, if any, real power, and Foster, when pressed, seems to conclude that contemporary criticism is too confused to pin down, which of course is true. Yet all the hand wringing has little to do with criticism per se. The deeper problem, no doubt, is political, and all the anxiety about whether or not we understand contemporary art and culture is misplaced from a deeper distress: do we even understand the world we live in? What’s unclear is not only how we got to our present historical condition, but also, by default, what progress beyond it would look like.

Jacques-Louis David, Death of Marat, 1793. Oil on canvas, 63 3/4 × 50 3/8". Royaux des Beaux-Arts/Koninklijke Musea voor Schone Kunsten, Brussels.

Jacques-Louis David, Death of Marat, 1793. Oil on canvas,
63 3/4 × 50 3/8″. Royaux des Beaux-Arts, Brussels.

Nor does culture seem to offer any directive past the impasse, although the problem isn’t the lack of excellent contemporary art. There is good art today, as there always has been. The deeper problem is that no one seems to be able to recognize it. Art, of course, relies on a receptive audience, and the fundamental question is whether or not one exists today. If even art, like politics, does not seem to be on the verge of a major breakthrough, that may simply be because we cannot imagine what that breakthrough might be.

Our historical moment is a peculiar one. We exist in a quite different universe from the political environments that produced Diderot, writing about the Salon on the eve of the French Revolution; or Baudelaire on Courbet in the wake of the Revolutions of 1848; or even Greenberg, writing about Abstract Expressionism at a time when Trotskyism was still a serious, if increasingly untenable, political position. Our climate is more pessimistic, and progress is more elusive. Revolutionary change is nowhere on the horizon today, as it was for the best critics of the past. Continue reading →

Divagation on “activism” in aesthetics and politics

Posted by

4

From a forthcoming review

Untitled.
Image: Cover to Lajos Kassák’s
Ma: Aktivista folyóirat (1924)
untitled2

.
Excerpted and partially excised from a generally much more favorable review of Ben Davis’ Art and Class, a very worthwhile read. Some of this material strayed a little too far off course to be included.

.
The one glaring weakness of Ben Davis’ recent collection 9.5 Theses on Art and Class is its conflation of activism and politics. Of course, Davis is not alone in considering them more or less identical. For many who joined the antiwar movement of the mid-2000s, protest marches were the default mode of political participation. Much of Davis’ frustration with the self-important posturing of “radical” artists stems from this formative experience.

Early on in Art and Class, he recalls an exchange he had with an artist during this period. After conversing for a while about their shared opposition to the Iraq invasion, they each agreed to attend the next chapter meeting of the ANSWER coalition in New York. When the artist failed to show, Davis followed up only to find out that he’d spent his evening in front of an easel instead. The artist apparently informed him that “his painting…was his contribution to making the world a safer place.”[1] Needless to say, Davis was nonplussed by this explanation. Wondering what might lead someone to supply such a dubious alibi, he decided to submit the very idea (or, more accurately, the ideology) of “aesthetic politics” to further scrutiny. Upon closer inspection, he concludes that “[a]s a critical trope, ‘aesthetic politics’ is more of an excuse not to be engaged in the difficult, ugly business of nonartistic political activism than it is a way of contributing to it.”[2] Repeatedly Davis expresses his consternation at this state of affairs, finding most answers to the problem of art and politics wanting. Worse yet, he alleges, the question is no longer even asked: “The question of what, if any, relation artists might have to activism has receded into the background.”[3] Continue reading →

PROUN

Posted by

13

The “way station” between
painting and architecture

Untitled.
Image: El Lissitzky,
PROUN 1-C (1919)
untitled2

.
From “Theses on the PROUN: From painting to architecture” (1920)

Not world-illusion
but world-reality

.
1. We have named PROUN a station on the path to the construction of the new form. […] From being a simple depicter the artist becomes a creator (builder) of forms for a new world — the world of objectivity. This does not mean the creation of a rivalry with the engineer. Art has not yet crossed paths with science.

2. PROUN is understood as the creative construction of form (based on the mastery of space) assisted by economic construction of the applied material. The goal of PROUN is progressive movement on the way to concrete creation, and not the substantiation, explanation, or promotion of life.

The path of the PROUN does not lie within the narrowly limited, fragmented, and isolated scientific disciplines — the builder consolidates them all together in his own experimental investigation.

The path of the PROUN is not the incoherent approach of separate scientific disciplines, theories, and systems, but is rather the straightforward path of learned influence over reality. […]

El Lissitzky, PROUN retrospective (1923)
El Lissitzky, PROUN Hannover 6 (1920)
El Lissitzky, Study for PROUN 4-B (1920)
El Lissitzky, PROUN Hannover 7 (1920)
El Lissitzky, PROUN 1-C (1919)
El Lissitzky, PROUN The Bridge (1920)
El Lissitzky, PROUN Hannover 2 (1920)
El Lissitzky, PROUN Hannover 3 (1920)
El Lissitzky, PROUN Hannover 4 (1919)
El Lissitzky, PROUN 5-A (1919)

Continue reading →

Nikolai Bukharin on the life of A.A. Bogdanov

Posted by

3

Eulogy for a Bolshevik

Untitled.
Image: Bogdanov plays chess with Lenin
at Capri, as Maksim Gorkii looks on (1909)
untitled2

.
What follows is an introduction to and translation of a eulogy Nikolai Bukharin delivered upon the death by Evgeni Pavlov originally published in the Platypus Review. Evgeni had already translated the piece, but I solicited it for publication in the PR. As such, it represents one of my last contributions to the organization’s activities and publications, unless perhaps further transcriptions appear of events I helped put together.

Introduction

Evgeni V. Pavlov

.
Nikolai Bukharin opens his “Personal Confession,” written on June 2, 1937, with a list of his “general theoretical anti-Leninist views.”[1] The first item on the list is his “lack of understanding of dialectics and substitution of Marxist dialectics with the so-called theory of equilibrium.” To explain this lack of understanding, Bukharin continues: “[I] was under the influence of A. Bogdanov, whom I wished to interpret only in a materialist way, which unavoidably led to a peculiar eclecticism — simply put, theoretical confusion — where mechanical materialism united with empty schemas and abstractions.”[2] This formulation is revealing in many ways. Bukharin’s renunciation of Bogdanov must be understood in light of the connection between the two. That Bogdanov’s ideas and his very person were influential in Bukharin’s intellectual development is difficult, even impossible, to deny. However, the level of this influence, the amount of alleged “borrowings” and the independence of Bukharin’s own theorizations are up for debate. An additional difficulty arises out of the use that the persecutors of Bukharin made of this relationship in order to discredit his ideas and political positions.

Aleksandr Bogdanov photographed in 1904, while still a close collaborator with Lenin

Aleksandr Bogdanov photographed in 1904, while still a close collaborator with Lenin

The year of Bogdanov’s death — 1928 — was an eventful year in Bukharin’s political life. The fifteenth Party Congress finished its work in December 1927, and the discussions about industrialization and collectivization were heated and fraught with factional conflicts. The grain shortage and the failures in foreign policy greatly contributed to the combative nature of the discussions. On the domestic front, the infamous Shakhty “conspiracy” went from the initial preparatory stages, characterized by intense internal discussions in the Party leadership, to the frenzy of the media’s coverage of the disastrous show trial that took place between May 18 and July 6. In July Bukharin negotiated with Kamenev about a possible opposition against Stalinist hard-liners.[3] In September he penned “Notes of an Economist” for Pravda in which he denounced plans for accelerated industrialization, emphasizing the need to “balance” various aspects of a complex economic system.[4] The political maneuvers by Bukharin and his supporters, attempting to use the Moscow Party Committee in their struggle, ended in defeat with the Central Committee’s condemnation in October 1928. The next month, Bukharin’s views were attacked at the Plenum of the Central Committee, and again in December 1928 at the eighth Congress of Professional Unions. At the joint meeting of the Politburo of the Central Committee and the Presidium of the Central Control Committee in January 1929, Stalin delivered his infamous speech — “Bukharin’s Group and the Rightist Deviation in Our Party.” Continue reading →

Politics, a dead language

Posted by

7

Politics — in the emphatic sense — can sometimes feel like a dead language.

Terms and concepts that today should still retain some of their original descriptive purchase (like “lumpenproletariat” or “petit-bourgeois”) are only greeted with blank stares and bewildered incomprehension. It’s like you’re speaking Middle English or something. But then words and phrases that should actually raise a great deal more doubt (like “imperialism,” the “Third World,” or even “the precariat”) are taken for granted, as if everyone knows what they mean, even though it’s not clear at all if they remotely correspond to reality.

Obviously, I’m not interested in adopting some kind of false orthodoxy. Nor would I insist that everyone drop the way they’d ordinarily talk about something. It’s just that when it comes to serious discourse and debate, there needs to be at least some understanding of what these categories once meant and what they might mean today (if anything). Many of them are quite loaded, historically. Continue reading →

What is imperialism? (What now?)

Posted by

3

Larry Everest (RCP-USA), Joseph
Green (CV), James Turley (CPGB)

Untitled.
Image: Soldiers in Petrograd hold up a
banner reading “Death to imperialism!
Victory to the Red Army” (1920)
untitled2

Platypus Review 59 | September 2013

On April 6, 2013, a panel on “What is Imperialism? (What Now?)” took place during the Platypus International Convention at the School of the Art Institute of Chicago. The panel was motivated by the ten-year anniversary of the U.S. invasion of Iraq and aimed to discuss whether we are any closer to understanding what imperialism is and the relationship between anti-imperialism and anti-capitalism. This panel brought together Larry Everest from the Revolutionary Communist Party (USA), Joseph Green from Communist Voice, and James Turley of the Communist Party of Great Britain, and was moderated by Lucy Parker of Platypus. What follows is an edited transcript of the conversation. Video is available here.

James Turley: Imperialism poses a series of problems for us as Marxists and they can broadly be divided into theoretical problems and political problems. The theoretical problems are characterized by the sharp inequalities between states, and this is as much a feature of the global order as the very obvious inequality and exploitative relations between classes. This arrangement has serious effects on how the class struggle plays out in different countries. Imperialism also poses a problem of the historical periodization of capitalism. This is the problem of imperialism as a particular stage of capitalism. Even if imperialism is not a particular stage, it is still in this historical sense a kind of carbon dating mechanism. With regard to political problems, it is clear that imperialism, as a system of unequal relations between states, is a way in which state power is organized globally. In this sense, the paramount political problem facing us as Marxists and revolutionaries, if we want to overthrow capitalism globally, is that the highest level of state power requires a serious political challenge.

British_empire_Color

Imperial map of the world showing British colonial might, 1886

Another issue which has come up, particularly in the last ten years, but which really has existed since at least the early days of the Comintern, is the attitude that we take to forces that are not strictly speaking of the Left but that nevertheless confront and oppose imperialist powers in military conflicts or in other ways. This issue, of course, has caused a serious division on the Left. The guidebook for how we have traditionally dealt with this as a movement is Lenin’s Imperialism: The Highest Stage of Capitalism (1917), which is a sort of brief and very empirical analysis of the nature of imperialism. The background for Lenin’s work was the much larger debate over colonial policy and imperialism in the Second International that began in 1896. Karl Kautsky, who was the foremost theorist of the Second International, wrote a series of articles called Socialism and Colonial Policy arguing that early empires — such as those of the Spanish, Portuguese, and Dutch — were effectively pre-capitalist in nature. They did not export capitalist relations of production, but rather were coercive, absolutist exploitation operations. According to Kautsky, these empires gave way, with the ascent of England as an imperial power, to what he called “Manchesterism.” This was free-trade imperialism. Instead of having coercive and brutal operations — this is Kautsky’s view by the way, it is obviously not true — what you had was the elimination of trade barriers and the expansion of capitalism as a system. Kautsky was writing in 1896 and 1897, by which point it was clear that the mechanisms which led to the First World War were accelerating, and the German state was attempting to acquire colonies. Kautsky’s argument is that the Scramble for Africa and similar forms of late-nineteenth-century imperial expansion are an expression of pre-capitalist forces in Germany and other states, and that this imperialism is actually reactionary with regard to “Manchesterism.” Continue reading →

Leninbulb

Posted by

5

Alternate poster design by Gustav Klutsis, "Electrification of the entire country!" (1921)

Alternate poster design by Gustav Klutsis,
“Electrification of the entire country!” (1921)

Vladimir  Lenin, “Preface” to I.I. Stepanov’s
The Electrification of the R.S.F.S.R. and
the Transitional Phase of World Economy

Written: 18 March, 1922
First Published: Pravda No. 64, March 21, 1922; Published according to the text in I. Stepanova The Electrification of the R.S.F.S.R. and the Transitional Phase of World Economy, Moscow, 1922, checked with the manuscript
Source: Lenin’s Collected Works, 2nd English Edition, Progress Publishers, Moscow, 1965, Volume 33, pages 245-246
Translated: David Skvirsky and George Hanna
Transcription/HTML Markup: David Walters & R. Cymbala
Copyleft: V.I. Lenin Internet Archive (www.marx.org) 2002. Permission is granted to copy and/or distribute this document under the terms of the GNU Free Documentation License

Lenin: "Communism = soviet power [совласть] + electrification!"

Vladimir Lenin: “Communism = soviet
power [совласть] + electrification!” (1922)

I heartily recommend this book by Comrade Stepanov to all Communists.

The author has succeeded in giving a very able exposition of exceedingly difficult and important problems. He did very well in not writing a book for intellectuals (as is the practice among many of us who copy the worst manners of bourgeois writers), but for the working people, for the masses, for rank-and-file workers and peasants. To his book the author has appended a list of references for supplementary reading for the benefit of those who may find it difficult to understand some parts of it without further explanation. as well as for the benefit of those who would like to consult the principal works on this subject published in Russia and abroad. Special reference must be made to the beginning of Chapter VI, where the author splendidly outlines the significance of the New Economic Policy, and magnificently answers the “airy” scepticism that is displayed in some quarters about the possibility of electrification This scepticism is usually a cloak to conceal the absence of serious thought on the subject (that is, if it is not a cloak to conceal whiteguard, Socialist-Revolutionary and Menshevik hostility to all Soviet construction, which, in fact, is sometimes the case). Continue reading →