class

Mac Intosh, 1940-2021

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Was sad to learn that Mac Intosh of Internationalist Perspective passed away on Friday. I don’t know enough details about his life to really write a proper obituary. But I’m told that IP plans to release a statement about his passing, so I will be sure to link to that once it appears. For now, I thought I’d write a brief personal note and then include an outstanding article he wrote that’s since become hard to find online. You can read a moving tribute by another one of his friends here.

Milchman’s biography and political trajectory are quite remarkable. Once he became a Marxist, he and became a founding member of the International Communist Current before leaving to form the more councilist, theory-oriented group Internationalist Perspective. He participated on a couple panels on Wertkritik and on democracy as well, which are worth checking out.

I met him a few times at a Lukács reading group he was running at the New School back in 2013, and he came to a couple events I organized where Loren Goldner spoke. Great guy. The photo below was taken by a friend.

Below that photo you can read an article by Mac Intosh that was obviously up my alley. I had a couple conversations with him about this piece, which I was quite taken with. He discusses Postone’s notion of capital as the automatic subject, replacing the Lukácsian identification of the proletariat with the subject of history. My feeling was that one way to square the two seemingly opposite conceptions is to recognize that capital is the actual subject of history under capitalism, while the proletariat is the potential subject as its obverse. The condition for the proletariat’s (or the collective worker’s) historical subjectivity is revolutionary class consciousness. Alan really liked that formulation.

 

The Value Form, Reification, and the Consciousness of the Collective Worker

Mac Intosh
Internationalist Perspective
Issue 57: Winter 2010

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Marx’s critical theory exposed a mode of production, a civilization, based on value, which he described as a “deranged” or “perverted form” [verrückte Form], in which social relations between persons are inverted and appear as relations between things. It is the abstract labor of the working class that produces and reproduces this deranged form. As Max Horkheimer, in 1937, put it in “Traditional and Critical Theory”: “[H]uman beings reproduce [erneuern], through their own labor, a reality which increasingly enslaves them.”1 It was Georg Lukács, in his essay “Reification and the Consciousness of the Proletariat,” in the collection History and Class Consciousness (1923), who had first elaborated a theory of reification through which the effects of the value form, that perverted form, and the commodity fetishism that was integral to it, seized hold of society. Lukács’ accomplishment, even before many of Marx’s own vast “economic” manuscripts had been published, was a theoretical breakthrough upon which Marxism as a negative critique of capitalism is still based. As Lukács persuasively argued:

Just as the capitalist system continuously produces and reproduces itself economically on higher and higher levels, the structure of reification progressively sinks more deeply, more fatefully and more definitively into the consciousness of man.2

However, Lukács’ concept of reification also entailed the claim that the proletariat, as identical subject-object, could escape the enslavement of reification to which Horkheimer would later point. For Lukács, while the consciousness of the bourgeoisie is “imprisoned” within the reified forms imposed by capital, capable only of grasping the immediacy of its social situation, the worker can become “aware of himself as a commodity,” in which case “the fetishistic forms of the commodity system begin to dissolve: in the commodity the worker recognizes himself and his own relations with capital.”3 In short, for Lukács, despite the reification to which the worker is subject, the possibility of escape for the working class is inherent in the capitalist labor process itself. Indeed, Lukács asserts that the proletarian is compelled to “surpass the immediacy of his condition.”4 But what, then, really permits the proletariat to escape that reified consciousness? Lukács’ answer, a theoretically and sociologically unsatisfactory answer in my view, is:

For the proletariat to become aware of the dialectical nature of its existence is a matter of life and death, whereas the bourgeoisie uses the abstract categories of reflection… to conceal the dialectical structure of the historical process in daily life…5

But can the “need” to be aware of the dialectical nature of its existence really explain how the proletariat can escape the effects of reification? Indeed, Lukács’ “explanation” seems more a leap of faith, almost a Pascalian bet, rather than a theoretically rigorous account of the potential that exists within the capitalist labor process, and is instantiated in the “collective worker,” the Gesamtarbeiter. Continue reading →

Response to Peter Frase on identity politics

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Jacobin has published a short reflection by Peter Frase on identity politics, with the humorous title “Stay Classy.” Unfortunately, the title is probably the best thing about it. The rest of it is a bit slapdash, haphazardly whipped together. Especially the bit on “racecraft,” which seems both tacked on and untrue to  Barbara and Karen Fields’ argument in their book of the same name. Generally I think Frase is the brains of the bunch over at Jacobin, and still recommend his “Four Futures” essay to anyone interested in the journal. But this piece — as well as his earlier article on the 2011 protests in Wisconsin, “An Imagined Community,” in which he claimed “all politics are identity politics” — I find far weaker.

Anyway, I read this article when it appeared on  Frase’s blog. Here’s what I wrote there, with a few slight alterations:

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The emphasis on “identity” is misleading.

Marx stressed the significance of the proletariat as the “universal class” of bourgeois society because of its decisive position within the capitalist mode of production. Not because workers are the most downtrodden or marginalized members of society, but because they are uniquely placed to overturn the present social order. Immiseration notwithstanding, lumpenproletarians (the so-called “lazy lazzaroni” of  the “classes dangereuses“), the unemployable reserve army of labor, and those still involved in peasant labor have it far worse than those who manage to find waged or salaried jobs under capitalism. So if oppression doesn’t index political potential, what does? What makes the working class so special?

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Once again, it’s not that the working class is inherently radical or progressive. History has shown again and again that workers are susceptible to the influence of reactionary ideologies, and quite often act in ways that seem to go against their best interest. Proletarian parties and political movements have repeatedly erred in assuming that the laboring masses would eventually come around to socialism, only to see their expectations dashed at the final moment. All the same, the proletariat remains the sole hope that capitalism might someday be overcome. If workers aren’t natural-born revolutionaries, though — if they don’t automatically organize around socialist principles — what could possibly justify this continued belief?

Though it risks sounding redundant, we would do well to remind ourselves that the fundamental structuring principle of the capitalist social formation is capital. Capital is a social relationship in which a given magnitude of value, itself comprised of finished products embodying dead labor, must augment itself through the process of production, by coming into contact with living labor that valorizes it further. It is thus necessarily mediated at every level by wage-labor, on which its fructification relies. For this reason, it is dependent on a class of laborers — a social group determined by its relation to the means of production. Continue reading →

Divagation on “activism” in aesthetics and politics

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From a forthcoming review

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Image: Cover to Lajos Kassák’s
Ma: Aktivista folyóirat (1924)
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Excerpted and partially excised from a generally much more favorable review of Ben Davis’ Art and Class, a very worthwhile read. Some of this material strayed a little too far off course to be included.

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The one glaring weakness of Ben Davis’ recent collection 9.5 Theses on Art and Class is its conflation of activism and politics. Of course, Davis is not alone in considering them more or less identical. For many who joined the antiwar movement of the mid-2000s, protest marches were the default mode of political participation. Much of Davis’ frustration with the self-important posturing of “radical” artists stems from this formative experience.

Early on in Art and Class, he recalls an exchange he had with an artist during this period. After conversing for a while about their shared opposition to the Iraq invasion, they each agreed to attend the next chapter meeting of the ANSWER coalition in New York. When the artist failed to show, Davis followed up only to find out that he’d spent his evening in front of an easel instead. The artist apparently informed him that “his painting…was his contribution to making the world a safer place.”[1] Needless to say, Davis was nonplussed by this explanation. Wondering what might lead someone to supply such a dubious alibi, he decided to submit the very idea (or, more accurately, the ideology) of “aesthetic politics” to further scrutiny. Upon closer inspection, he concludes that “[a]s a critical trope, ‘aesthetic politics’ is more of an excuse not to be engaged in the difficult, ugly business of nonartistic political activism than it is a way of contributing to it.”[2] Repeatedly Davis expresses his consternation at this state of affairs, finding most answers to the problem of art and politics wanting. Worse yet, he alleges, the question is no longer even asked: “The question of what, if any, relation artists might have to activism has receded into the background.”[3] Continue reading →