A Soviet homage to the Great French Revolution

Happy Bastille Day, everyone. To celebrate, here are some assorted artworks by early Soviet sculptors and painters commemorating the Great French Revolution.

We begin with two pieces from the years immediately following the October Revolution. One of these, of course, is the sculptor Nikolai Andreev’s frightening Head of Danton (1919). Less well known are the memorials to M. Robespierre (1918 & 1920) by Beatrice Sandomirskaia [Беатрисе Сандомирская] and Sarra Lebedeva.

Still more remarkable, though from a slightly later date, is the set of illustrations by the Bolshevik artist Mikhail Sokolov depicting the principal actors and main events of the last great bourgeois revolution. These were intended as part of a volume entitled Figures of the 1789 French Revolution (1930-1934), and are reproduced below alongside some of the historical representations on which Sokolov’s work was based.

Continue reading

The truth of liberalism

The legacy of political and economic liberalism in modern society has been on trial since at least 1848, if not before.1 But whether or not one chooses to locate the crisis of modernity at a prior date, this was the point at which liberal ideology first came into open contradiction with itself. After the bloody “pacification” of the proletarian uprising in Paris — the violent suppression of the June insurgents by military forces loyal to the National Assembly — the classical liberal ideal of a harmonious, self-governing societas unmolested by state intervention had to be dispensed with once and for all. For here the bourgeoisie could no longer console itself with the reassuring thought that its hand had been forced from without. Unlike the Jacobin Terror of 1793, the nation’s recourse to authoritarianism in June 1848 could not simply be attributed to the pressures exerted on it from abroad, by the looming threat of hostile nations surrounding France on all sides. All of Europe was in the throes of political upheaval; this time there was no Holy Alliance to defend the crumbling edifice of traditional authority. Nor could it be claimed that the revolution had somehow been usurped by reactionary agents working from within, by the imperial ambitions and political machinations of Napoleon. That would come only two years later, with his nephew’s coup d’état.2 Here, at the dawn of the summer months in 1848, the mutual antagonisms underlying civil society finally burst into the open and thus were raised to the level of consciousness. June 22nd, observed one commentator, marked “the tremendous insurrection in which the first great battle was fought between the two classes that split modern society. It was a fight for the preservation or annihilation of the bourgeois order.”3 Liberalism had at last run up against its own internal limitations, finding itself unequal to the revolutionary tasks it had first set out to achieve.

Since that time, the historical significance of liberalism has been reckoned in a number of different ways. Various parties have sought to either take up its fallen mantle or forsake it altogether. Among those choosing the former course, many have done so in the name of fulfilling those great promises originally opened up by liberalism — liberté, egalité, fraternité — through the overcoming of bourgeois society as such. Liberal bourgeois democracy, though revolutionary in its day, has outlived its emancipatory potential, and now is felt to only stand in the way of these principles’ higher realization. Others have looked to freeze social relations in their present state, declaring liberal ideology to still be adequate to our moment. In so doing, of course, they are forced to deny or suppress the conflicts that continue to seethe beneath the peaceful veneer of society. More recently, however, some have called into question the emancipatory character of liberalism itself. Its universalism, these critics maintain, is a sham: it is only the elevation of a quite particular (white, male, European) standpoint to the dominant or “hegemonic” position of universality, which then claims a normative status over and above rival, marginalized, and “subaltern” particularities. This is, broadly speaking, the postmodern critique. Still others, looking to fend off this critique, have maintained that liberalism, along with the modern Enlightenment philosophy from which it arose, remains an “incomplete project,” whose results must yet be further generalized.4

Part I: A problematic legacy — The historical genesis of modern liberalism

Losurdo’s Liberalism:
A Counter-History

Into this fraught discursive field enters Domenico Losurdo’s 2006 treatise Liberalism: A Counter-History, translated from the Italian last year by Gregory Elliott for Verso Books. Losurdo, who teaches at the University of Urbino, identifies himself as a philosopher in the Hegelian-Marxist vein of thinkers like Ernst Bloch, Max Horkheimer, and Antonio Gramsci. As its title suggests, his latest book aims to read the history of liberalism against the grain, so as to subvert the triumphalist account provided by its most passionate celebrants and ideologues down through the ages. Adopting the maxims laid down by de Tocqueville at the outset of his 1856 history of The Ancien Régime and the French Revolution, Losurdo sets about in good dialectical fashion the work of carrying out an immanent critique of liberal thought through an examination of the writings of its core protagonists, as well as the historical realities in which they lived. Quoting the French political theorist at length, Losurdo similarly vows to render the concepts so often invoked with respect to liberalism deliberately unfamiliar:

We think we know [liberalism] quite well because we are familiar with its glittering surface and, in minute detail, with the lives of its most famous personages, and because we have read clever and eloquent critiques of the works of its great writers. But as for the way in which public business was conducted, how institutions actually worked, how the various classes truly related to one another, the condition and feelings of those segments of the population that still could be neither seen nor heard, and the true basis of opinions and customs, we have only ideas that are at best confused and often misleading.5

It would appear that Losurdo, in following de Tocqueville, is here looking to deploy the classic literary device of defamiliarization, later described by formalist literary critics like Viktor Shklovskii.6 Indeed, one of Losurdo’s primary objectives in this work is to challenge the received wisdom of what liberalism even is in the first place. More than once in the course of delivering his interpretation, he repeats the foundational question: “What is liberalism?”7 Against some of the more commonplace answers typically offered up in response, Losurdo points out several ambiguities that problematize any attempt to supply a clear-cut, univocal definition to the term. Was John C. Calhoun, for example, a liberal? He at once sang hymns to the freedom of the individual from state interference, all while ratifying the constitutional unfreedom of black slaves under the law. What about Locke, that Ur-theorist (and indeed the “father”) of liberalism? Here again, Losurdo finds the evidence unclear. On the one hand, Locke denounced in his renowned Second Treatise on Government the political servitude of the citizen to the institutions of Church and State, the alternating tyrannies of the pulpit and the throne. In the space of only a few pages in that same tract, however, Locke can be seen defending the master’s “arbitrary power of life and death” over his legal human property, the slave. John Stuart Mill? An abolitionist, to be sure, but at the same time an apologist for British colonialism.8] Continue reading