Panteleimon Golosov, Leningradskaia Pravda building in Moscow (1930-1935)

The following is taken from the international art journal Docomomo. It is a serviceable enough text, if somewhat awkwardly translated from French. One gets a good sense of the project’s evolution from the remarks Forte makes, even if the context he provides is a bit superficial. Plus, he highlights a central point toward the end of this excerpt: cultural regression following upon political regression.

Repressed architecture: The Pravda publishing house in Moscow (1930-1935)

Riccardo Forte
Docomomo № 37
September 2007

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The “heroic” building of the Pravda’s printing complex, sancta sanctorum of the communist doctrinal orthodoxy and ideological manifesto of Soviet power, was erected between 1930 and 1935 in the Muscovite district of Yamskoye Pole. Thanks to its symbolic content and programmatic commitment, it undeniably embodies an unrivaled episode in the history of modern architecture in Russia.

This prodigious building of colossal dimension, eulogistic icon of a new model of society which, forged upon the ideals of the Revolution, advancing towards the “glorious edification” of socialism and containing in its poetics of bold lines inspired by the vision of a civilisation machiniste, provided a most profound sense of that ideology of progress and aesthetics — a secular “religion of Utopia” — upon which the expectations of the modern movement were founded.

A manifesto of Utopia: The aesthetic search for the “supreme building”

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In 1929 the Central Committee of the PCUS (Communist Party of the Soviet Union), in order to find a suitable solution for the growing production needs of the Pravda, the Bolshevik Party’s newspaper founded by V.I. Lenin in 1912, announced a national competition for a large-scale publishing house to serve as new headquarters for the newspaper, the regime’s official press organ. The plan for the editorial complex of the principal Soviet newspaper belonged in every respect to the vast modernization program which the Russian government embarked on in the mid-1920s. The period’s extraordinary intellectual effervescence and unprecedented creative fervor were such that the NEP (New Economic Policy) contributed in a decisive measure to the feverish construction activity in the public sector. Such activity was embodied by the realization of great infrastructures, services and industries, as well as in the creation of new organizational typologies, such as the “social condensers” (public housing, industrial  establishments, workers’ clubs), catalyzing centers of the new socialist culture, that are constitute the regime’s most significant experimental results.

The ambitious project launched by the Soviet leadership, whose intention was to emphasize symbolically their own hegemonic control of Russian society, simultaneously developing the device propaganda for the official party line from one boundary of the Union to the other, constituted for the avant-garde architects a once-in-a-lifetime opportunity and a formidable experimentation field for the new doctrinal directions and composition models that were formulated in those years. The competition’s prescriptions laid down that the functional units of administrative offices, newspaper offices and typographic works were to be integrated in a single large complex. The chosen site — today the area comprised between the Belorussky and Savyolovsky subway stations — was located in the Yamskoye Pole district, a strategic localization right in the city center, which at the time was still barely constructed. Continue reading

Lissitzky, Wolkenbügel (1924)

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El Lissitzky’
s skyscrapers stood on great elevated piers above intersections of radial and ring-rods in Moscow. These piers with their open-faced lift-shafts, support the horizontally cantilevered building. Beneath them are metro stations and bus-stops. The building is supposed to be made of steel and glass, all the parts being standardized so that no scaffolding is needed for its erection.

Emil Roth, the Swiss architect, also helped in working out this design. He, as well as Mart Stam, were extraterritorial members of the Society of New Architects (ASNOVA) founded in Moscow in 1923. This society consisted mostly of architects connected with the VKhUTEMAS school in Moscow. The work of Ladovskii’s pupils from that school was published in the journal ABC.

Click any of the images below to enlarge them.

El_Lissitzky_in_Weimar1Emil Roth (left) and Mart Stam (right)

The Reconstruction of Architecture in the Soviet Union (1929)

Old cities — New buildings
The future and utopia
El Lissitzky (1929)

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The creation of an office complex that would respond to the demands of the new times within the context of the old Moscow urban fabric was the basic idea leading to the concept of the so-called “sky-hook.” Moscow is a centralized city, characterized by a number of concentric ring boulevards connected by radial main streets emanating from the Kremlin. The proposal intends to place these structures at the intersections of the radials and the boulevards, where the most intense traffic is generated. Everything delivered to the building by horizontal traffic is subsequently transported vertically by elevator and then redistributed in a horizontal direction.

Compared to the prevalent American high-rise system the innovation consists in the fact that the horizontal (the useful) is clearly separated from the vertical (the support, the necessary). This in turn allows for clarity in the interior layout, which is essential for office structures and is usually predicated by the structural system. The resulting external building volume achieves elementary diversity in all six visual directions.

The problems connected with the development of these building types, including the scientific organization of work and business, are being dealt with on an international level. In this field, as in others, reconstruction will pose new demands.

In these times we must be very objective, very practical, and totally unromantic, so that we can catch up with the rest of the world and overtake it. But we also know that even the best “business” will not of itself advance us to a higher level of culture. The next stage of cultural development will encompass all aspects of life: human productivity and creativity, the most precious faculties of man. And not in order to accumulate profits for individuals, but to produce works that belong to everybody. If we just consider all the accomplishments of our own generation, we are certainly justified in taking for granted a technology capable of solving all the tasks mentioned earlier. One of our utopian ideas is the desire to overcome the limitations of the substructure, of the earthbound. We have developed this idea in a series of proposals (sky-hooks, stadium grandstands, Paris garage).

It is the task of technology to make sure that all these elementary volumes that produce new relationships and tensions in space will be structurally safe.

The idea of the conquest of the substructure, the earthbound, can be extended even further and calls for the conquest of gravity as such. It demands floating structures, a physical-dynamic architecture.

Continue reading

The decantation chamber of Soviet modernism: VKhUTEMAS projects from the 1920s

Academic Conferences in the VKhUTEMAS

Iakov A. Kornfel’d
Sovremennaia arkhitektura
No. 5-6, 1926. Pgs. 135-137

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In November each faculty in the VKhUTEMAS had a conference and set itself the following aims:

  1. to establish direct links between the school and its main “consumers,” i.e. the state economic organizations and soviet society;
  2. to sort out the faculty’s own program;
  3. to take note of practical shortcomings in their training of specialists and to discuss proposals for correcting the teaching program appropriately, and to look at the ideological make-up of their curriculum.

The conference in the Architecture Faculty took place on Thursday 18 November. The first session attracted 70 percent of those invited. VKhUTEMAS Rector P.I. Novitskii was elected chairman and spoke on the change taking place in the social context of our lives, with its requirement that we give form to the new way of life and solve architectural tasks of a vast scale in the fields of social, industrial, and housing construction.

Dean of the Architecture Faculty I.V. Rylskii then reported on the academic life of the faculty and on the structure of the curriculum. He noted that of the 70 students who have left the school in the three graduating classes completing the whole course since the Revolution, only one has remained on the unemployment list at the Labor Exchange — which shows that architects emerging from here really are being trained to meet today’s practical requirements. Continue reading

German socialists assail U-Boat war

New York Times
August 21, 1916

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In view of the revival of activity of German submarines and reports of the renewal of agitation in German for the unlimited use of the submarine, regardless of the attitude of the United States and other neutral countries, interest attaches to the arrival in New York via Switzerland of copies of an anti-submarine and anti-government leaflet that has been secretly circulated by thousands throughout the German Empire.

This pamphlet was put out by a minority group of the Social Democratic Party of Germany [SPD] that has consistently opposed the war from the very beginning, and which is labeled the “International Group.” In this group are Dr. Karl Liebknecht, Rosa Luxemburg, Dr. Ernst Meyer, editor of the Berliner Vorwärts; Clara Zetkin, editor of Die Gleichheit; Franz Mehring, and Berta Thalheimer. At present Dr. Liebknecht is under sentence of thirty months in prison, and Rosa Luxemburg and Dr. Meyer are both under arrest.

Antiwar German socialists.

The leaflet, which is entitled “Submarine Warfare, ‘International Law,’ and International Murder,” and which started circulating some time ago — when the German press and parliament were clamoring for vengeance upon the British for the alleged murder of the members of a German submarine crew (known as the Baialong case) — reads as follows:

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Submarine warfare, “international law,” and international murder

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The German government has incurred a sharp rebuff and has humbled itself before the United States. But the provocatory agitation continues, and it is necessary that we clearly understand what may still happen.

Submarine warfare was intended to force England to come whimpering and begging for mercy, and thus bring the war to an end with a glorious victory for German imperialism. Because the German people were hungry, the politicians “holding out” persuaded the nation that the people of England should be forced to be still hungrier.

German U-Boats, 1913-1918.

War started by imperialists

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Crazy imperialist agitators in the government and the ruling classes had stupidly provoked the world war, in spite of the fact that this would lead the German masses to run the risk of being starved out. To the crime of international murder they added that of stupidity, for they knew — they must have known — that nowadays a war against France and Russia might last for years, and that if at the same time the neutrality of England were not assured all exports all exports to Germany would be cut off.

And when it really came to that, they began to shout bloody murder and assert that this constituted a violation of international law; that it was a crime against international law to expose a nation of 70,000,000 people to famine.

To this we may say: “In the first place the German government has forfeited every right of appeal to international law.” If [international law] is to be effective, then above all international treaties so solemnly entered upon must be binding. Such treaties guaranteed the neutrality of Belgium. Despite this, Germany attacked Belgium and thus gave British imperialism the excuse to incite the British people to war against Germany. In the second place, the blockade carried on by England, the cutting off of all exports to Germany, is not contrary to the law of nations. On the contrary, the halting of exports to an enemy in order to make the struggle harder, or quite impossible, is a method of warfare that has always been recognized.

The sinking and raising of U-Boat 110.

How submarines failed

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In the spring of 1915 our braggarts were cracking jokes. England would not starve us out, but we should starve her out. That was to be done by the submarines. Such talk was foolishness then, and it remains so now. In order to cut off exports to England it would be necessary to watch all the coasts of all her islands, and to do that would require a hundred submarines for every dozen that Germany is able to build. And even then the outcome would be in doubt, for there are means of defense and protection against these boats, too. Continue reading

Robert Mallet-Stevens and Fernand Léger, modernist set designs for L’Inhumaine (1924)

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Some remarks by Italian architecture critics on the architectural significance of the movie.

The elegant and refined works of Mallet-Stevens, beginning with the De Noailles villa of 1923 in Hyères, were yet another product of an intimate converse with the Cubist vanguard that nonetheless kept its eye on the latest modes and fashions, as in the house on Rue Balzac in Ville d’Avray (1926) or the apartment block of the next year on the street in Paris named for the architect himself. In the sophisticated world of the avant-garde, Mallet-Stevens moved at his eclectic ease: his villa for the Vicomte de Noailles was used as the setting for Man Ray’s film Les Mystères du Chateau du Dé. Already in 1923-24, Mallet-Stevens had collaborated with Léger, Chareau, and Alberto Cavalcanti on a film by Marcel L’Herbier, L’Inhumaine, in which the house of the leading character is one of the finest examples of that scenographic and eclectic synthesis of Cubist, Neo-Plasticist, and Art Deco details of which Mallet-Stevens’ architecture is compounded. (Pg. 233)

— Manfredo Tafuri
& Frencesco Dal Co
Modern Architecture

The human being as inventor and as machine was even transferred to the stage in ballets such as Parade (1917), Alexander Exeter’s L’homme Sandwich (1922), and the Triadische Ballet of Oskar Schlemmer and plays an obvious role in the rhythmic sequencing and montage used as compositional techniques in films such as Fernand Léger’s Ballet mécanique and Marcel L’Herbier’s L’Inhumaine. Photography and the cinema are in fact the two new and popular mechanical figurative arts. If photography offers an alternative to the pictorial representation of nature, cinema provides art with new materials in a new harmony of space and time in movement and a new simultaneity. These were themes that Walter Benjamin was to treat in the 1930s. (Pg. 20)

— Vittorio Gregotti
The Architecture of
Means and Ends

And now for an article by Mallet-Stevens.
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http://www.youtube.com/watch?v=1Bw6Gx4MeZ8

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Architecture and Geometry (1924)

Robert Mallet-Stevens

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Architecture is an art which is basically geometrical. The cube is the basis of architecture because the right angle is necessary. In practice, walls are generally vertical, floors are horizontal, columns, pillars and posts are vertical, terraces and the ground are horizontal, stone blocks are parallelepipeds, windows and doors are rectangular, the steps of a staircase consist of vertical and horizontal planes and the corners of rooms are nearly always right angles. We need right angles.

A house, a palace, is composed of a set of cubes. At all stages in the history of art the house has been cubical. Each country, each century, each fashion has made its impression on the cube, with sculptures, moldings, pediments, capitals, ornamental foliage, scrolls — so many decorative details which are often of no use to the structure but which give the charm of the play of light and shade. Building in stone, in fact, only allowed a block to be made, composed of various elements, to which the decoration was related as if glued on. Continue reading

To remember a future long silenced by history

Greg Gabrellas
Platypus Review 27
September 2010
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Book review:

Renewing Black Intellectual History
Adolph Reed Jr. & Kenneth W. Warren, eds.
(Boulder, CO: Paradigm Publishers, 2010)

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In a 2005 commencement address, Howard Zinn urged the graduates of Spelman College to look beyond conventional success and follow the tradition set by courageous rebels: “W.E.B. Dubois and Martin Luther King and Malcolm X and Marian Wright Edelman, and James Baldwin and Josephine Baker.”[1] At first, Zinn’s lineage feels like an omnium-gatherum. Compare Malcolm X’s “by any means necessary” militarism to Marian Edelman’s milquetoast non-profit advocacy — “by any grant-writing or lobbying necessary” — and the incoherence stands out. But there is logic to Zinn’s cherry picking: namely, the flattening out of history to instill pride in one’s own identity. Du Bois and King may have belonged to radically divergent political tendencies, but what matters is their usefulness as role models, heroes in a continuous tradition of black resistance.

Zinn’s historical reasoning has a history of its own. Beginning in the early moments of decolonization, insurgent black nationalists attempted to rewrite history in the service of race pride. Think of Cheikh Anta Diop’s demonstration that the ancient Egyptians were really black Africans. Though such appeals proved too essentialist for the post-structuralist historiography of the 1970s and 1980s, historians who still hoped to preserve the therapeutic value of history continued to assert the cultural legacy of the black diaspora. This legacy was forged over hundreds, perhaps even thousands of years of oppression. And black resistance, it was claimed, dates to about the same period. In the absence of any actual politics, historical research became a substitute satisfaction. By revealing the racism implicit in, say, Orson Welles’s 1935 “Voodoo Macbeth,” the historian seems to win a political victory against racism.

In their edited collection, Renewing Black Intellectual History: The Ideological and Material Foundations of African American Thought, Adolph Reed Jr. and Kenneth W. Warren mount a challenge to the political pretensions of black studies. Now, bemoaning the excesses of identity politics is not new; in fact, it has paid for many a conservative’s third swimming pool. But Reed and Warren’s critique is meant to come from the Left, to show how the unexamined assumptions of black history mystify the present and block the development of critical politics.

One major assumption is that racism poses a persistent and persisting problem in American history. To make the point, historians, literary critics, and pundits often use W.E.B Du Bois’s adage that the problem of the 20th century would be the problem of the color line. In a recent article, for example, Linda Darling-Hammond details racial disparities in education, and asks whether America will be ready to “roll up its sleeves to at last solve the problem of the color line.”[2] Reed’s capstone essay “The ‘Color Line’ Then and Now” shows how such contemporary appropriations not only misunderstand the context of Du Bois’s remark, but also obscure the recognition of real social problems.

“Treat ‘Em Rough,” a political cartoon originally from the George Matthew Adams Newspaper Syndicate Service, August 16, 1919.

“Treat ‘Em Rough,” a political cartoon from George Matthew
Adams Newspaper Syndicate Service. (August 16, 1919).

Du Bois’s formulation was not exactly a clarion call for the black revolution; in fact, as Reed demonstrates, it came at the most conservative moment in his career. When Du Bois published The Souls of Black Folk in 1903, he was not alone in prophesying the primacy of race in current affairs: In the academy, scientific racism had reached its zenith, and in popular political discourse, the imagination of a racial “Struggle for Existence” shaped foreign and domestic policy. Balking at the notion of innate inferiority, Du Bois had a softer view of racial inheritance than most, but he shared the race-centric view of his moment. An admirer of Bismark, he advocated for social reforms to squelch racial and class tensions, and divert blacks from more radical politics. Du Bois would reevaluate his perspective, of course, over his long lifetime. A member of the Communist Party in the years before his death in 1963, he later questioned his own formulation of the “color line” as the problem of his century.[3] Continue reading

Ivan Kudriashev’s interplanetary-dynamic abstractions (1917-1928)

Cosmism and
communism
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Click images
to enlarge
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Biographical notes

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Born
Kaluga, 1896; died Moscow, 1972.

From 1913 to 1917 Kudriashev attended the Moscow Institute of Painting, Sculpture, and Architecture, and from 1918 to 1919 studied with Kazimir Malevich at the SVOMAS [Free State Art Studios]; there he met Ivan Kliun, Antoine Pevsner, and Naum Gabo. From 1918 on, under the influence of the ideas of the space scientist Konstantin Tsiolkovskii (conveyed to Kudriashev by his father, a carpenter who made rockets and other devices for Tsiolkovskii), he turned to the problems of cosmic abstract painting, as filtered through Suprematism. After the Bolsheviks’ revolutionary seizure of power in October 1917, Kudriashev worked for about a year on propaganda designs for automobiles to celebrate the first anniversary of the Revolution.

Ivan Kudriashev, photographer unknown (1940s)

In 1919, he was sent to Orenburg to establish the SVOMAS. That same year Kudriashev participated in the city’s inaugural State Exhibition, showing sketches for the mural of the First Soviet Theater along with other abstract works. Over the next year he worked on the interior to the Summer Red Army Theater and organized a branch of the UNOVIS group in Orenburg.

Kudriashev arrived in Smolensk in 1921, while serving as the supervisor of a train for the evacuation of starving children. There he met Katarzyna Kobro and Wladyslaw Strzeminski, two Polish followers of Malevich. Later on Kudriashev returned to Moscow, and from late 1921 onward worked as a designer. In 1922 he sent work to the “Erste russische Kunstausstellung” (First Russian Art Exhibition) at the Galerie van Diemen in Berlin. Between 1925 to 1928 his abstract works were displayed at the first, second, and fourth OST exhibitions.

After 1928, Kudriashev stopped exhibiting in the Soviet Union.

Early works.

Planets

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Ivan Kudriashev is one of the lesser-known painters of the Soviet avant-garde. Not for lack of talent, however. Brilliant, brooding, and celestially driven, Kudriashev was often given to interstellar flights of the imagination. He dreamed of nighttime passages between the Earth and other planets. This of course reflected the gravitational pull of Tsiolkovskii’s cosmism, which always held extraterrestrial ambitions.

Many of his darker paintings from the 1920s convey this sense of cosmic loneliness — that of a solitary mind launched and set adrift in a cold vessel, wandering through the black expanse of space. Kudriashev’s career was brief, but blazed a path fed by rocket-fuel. Continue reading

For black Trotskyism

James Robertson & Shirley Stoute
SWP-US Discussion Bulletin
(Vol. 24, № 30: July 3, 1963)
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What follows is a classic but seldom read document from the history of American Trotskyism, covering a particularly tumultuous period of struggle against separatism within the party and institutionalized racism (like Jim Crow) in society at large. This was of course written at the height of the Civil Rights movement, as black nationalist groups like the Nation of Islam rose to challenge more mainstream integrationist currents such as Dr. King’s. As Trotskyists who still considered themselves part of the vanguard of the working class, the question was, as ever, one of leadership. Stoute and Robertson’s document also touches upon the relationship between theory and practice, as well as the crucial distinction of “class vs. class” rather than “oppressed vs. oppressor” as the center around which to orient a Marxist politics.

Moreover, the original nomenclature of “Negro” has been retained instead of “black” or “African-American,” both of which are common today. The term “Negro” was the standard, accepted, and inoffensive at the time.
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If it happens that we in the SWP are not able to find the road to this strata [the Negroes], then we are not worthy at all. The permanent revolution and all the rest would be only a lie.

— Lev D. Trotsky, quoted in the
SWP 1948 Negro Resolution

The Negro Question has been posed before the party for exceptional consideration and with increasing sharpness as the gap has widened over the past ten years between the rising level of Negro struggle and the continuing qualitatively less intense general Trade Union activity.

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I. General introduction

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1. Basic theory: National or race/color issue? Breitman vs. Kirk, 1954-57

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[The reference is to internal discussion in the SWP between George Breitman and Richard Fraser, whose party name was Kirk.]

To our understanding, what was involved then was a shading of theoretical difference. Breitman saw the Negro people as the embryo of a nation toward whom the right of self-determination was acknowledged but not yet, at least, advocated. Kirk interpreted the Negro question as a race issue which, under conditions of historic catastrophe (e.g., fascism victorious) could be transformed into a national question. Hence he agreed to the support of self-determination should it become a requirement in the Negro struggle, but he assumed it could conceivably arise only under vastly altered conditions. Both parties agreed to the inappropriateness of self-determination as a slogan of the party then.

The present writers agree essentially with Kirk’s view of the time, in particular with the 1955 presentation, “For the Materialist Conception of the Negro Question” (SWP Discussion Bulletin A-30, August 1955). We concur in noting the absence among the Negro people of those qualities which could create a separate political economy, however embryonic or stunted. This absence explains why the mass thrust for Negro freedom for over a hundred years has been toward smashing the barriers to an egalitarian and all sided integration. But integration into what kind of social structure? Obviously only into one that can sustain that integration. This is the powerful reciprocal contribution of the Negro struggle to the general class struggle. Continue reading

Marxism and class, gender, and race: Rethinking the trilogy

Martha Gimenez
Race, Gender, Class
Vol. 8, № 2 (2001)

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Photo: 
Young Uzbek woman from Tashkent holding up her Komsomol membership card, 1927.

Dr. Martha E. Gimenez is an Argentinian Marxist-feminist theorist and retired Professor of Sociology at the University of Colorado at Boulder, where she was instrumental in the creation of the Women’s Studies Program. She studied Law and sociology at the Universidad Nacional de Cordoba, receiving her Ph.D. from UCLA in 1973. She has published numerous articles and book chapters on Marxist Feminist Theory, the political economy of population, U.S. politics of racial/ethnic construction, and problems of democratization in the global economy. Gimenez is the founding editor of PSN — the Progressive Sociologists Network, PPN — the Progressive Population Network, and together with Chrys Ingraham and Rosemary Hennessy, founded MATFEM — Materialist Feminism, and together with Malgosia Askanas and Carrol Cox, moderates M-Fem — Marxist-feminism. In her work, Martha E. Gimenez has sought to use Marx’s methodology and theoretical framework for understanding the oppression of women under the capitalist mode of production. Her work aims to demonstrate the continuing relevance of Marx and Marxist theory for feminist theorizing and feminist politics.
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Introduction

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A taken for granted feature of most social science publications today, especially those about inequality, is the ritual critique of Marx and Marxism in the process of introducing theoretical alternatives intended to remedy its alleged “failures.” This practice became popular in early feminist literature: Marx and Marxists were criticized for not developing an in-depth analysis of the oppression of women, their “economism,” “class reductionism,” and “sex blind” categories of analysis. Soon after it became common place to assert that Marxism was also at fault for neglecting race, demography, ethnicity, the environment and practically everything that mattered to the “new social movements” in the West. As the movements died, scholarship informed by those political concerns flourished; the energy that might have been spent in the public arena found expression in academic programs (e.g., women’s studies, racial/ethnic studies) and efforts to increase “diversity” in the curriculum and the population of educational institutions.

Publication of the journal Race, Sex, & Class (changed afterwards to Race, Gender, & Class), in 1993, signaled the convergence of those political and intellectual interests into a new social science perspective that soon acquired enormous visibility, as demonstrated by the proliferation of journal articles and books with race, gender and class in their titles. This perspective, put forth primarily but not exclusively by social scientists of color, emerged as a reaction to feminist theories which neglected racial/ethnic and class differences among women, theories of racial/ethnic inequality which neglected sexism among men of color and, predictably, as a corrective to Marxism’s alleged shortcomings. For example, Jean Belkhir, editor and founder of Race, Sex, & Class, prefaces an article on this topic as follows: “The ‘failure’ of Marxism to develop adequate tools and a comprehensive theory of ethnicity, gender, and class issues is undisputable” (Belkhir, 1994: 79). The list of putative “failures” could be as long as we wanted it to be but what would that prove, beyond the fact that Marx’s and Engels’ political and theoretical priorities differed from those of contemporary social scientists? Less biased, albeit debatable, is the conclusion that Marxism, although offering “crucial and unparalleled insights” into the operation of capitalism, “needs to develop the analytical tools to investigate the study of racism, sexism and classism” (Belkhir, 1994: 79). To refer to class as “classism” is, from the standpoint of Marxist theory, “a deeply misleading formulation” (Eagleton, 1996: 57; see also Kandal, 1995: 143) because class is not simply another ideology legitimating oppression; it denotes exploitative relations between people mediated by their relations to the means of production. Nevertheless, it is the case that neither Marx nor Engels devoted the intensity of effort to the investigation of gender and race (and other issues) that would have satisfied today’s critics. It is (and any literature review would support this point) far easier to emphasize their “sins” of omission and — in light of current political sensibilities — commission, than it is to use their theoretical and methodological contributions to theorize and investigate those aspects of capitalist social formations that today concern us. Notable exceptions are Berberoglu (1994), who has examined the underlying class forces leading to gender and racial divisions in the U.S. working class, linking gender and racial oppression to capital accumulation, and Kandal (1995), who has forcefully argued for the need to avoid the racialization and feminization of social conflicts while minimizing or overlooking the significance of class.

In this essay, I intend to argue that Marxism does contain the analytical tools necessary to theorize and deepen our understanding of class, gender, and race. I intend critically to examine, from the standpoint of Marxist theory, the arguments for race, gender, and class studies offered by some of their main proponents, assessing their strengths and limitations and demonstrating, in the process, that Marxism is theoretically and politically necessary if the study of class, gender, and race is to achieve more than the endless documentation of variations in their relative salience and combined effects in very specific contexts and experiences.
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91b1b90c684fd8e5c2ec1b7418ca380f_XL-e1345224957145

Race, gender, and class as part of a social science perspective

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Long before the popularization of the race, gender, & class (RGC) perspective, I suspect that most Marxist sociologists teaching social stratification were already adept practitioners. For many years, for example, the Section on Marxist sociology of the American Sociological Association included in its annual program a session on Class, Gender, and Race. I certainly called my students’ attention, in twenty nine years of teaching social stratification and other subjects in which inequality matters, to the fact that everybody’s lives are affected by class, gender, and race/ethnic structures (in addition to age and other sources of inequality). We are, in Marx’s terms, “an ensemble of social relations” (Marx, 1994: 100, emphasis added), and we live our lives at the core of the intersection of a number of unequal social relations based on hierarchically interrelated structures which, together, define the historical specificity of the capitalist modes of production and reproduction and underlay their observable manifestations. I also routinely called students’ attention to the problems inherent in the widespread practice of assuming the existence of common interests, ideologies, politics, and experiences based on gender, race, and ethnicity because class location, and socioeconomic status differences within classes, divide those population aggregates into classes and strata with contradictory and conflicting interests. In turn, aggregates sharing the same class location, or similar socioeconomic characteristics within a class, are themselves divided by gender, race, and ethnicity so that it is problematic to assume that they might spontaneously coalesce into class or status self-conscious, organized groups. This is why, in the late sixties and early 1970s, I was critical of feminist theories which ignored class, racial and ethnic divisions among women and men, and theories of patriarchy that ignored how most men under capitalism are relatively powerless (Gimenez, 1975). Later on, I published a critical assessment of the “feminization of poverty” thesis because it was not sensitive to the effects of class, socioeconomic status, racial and ethnic divisions among men and women; it neglected the connections between the poverty of women and the poverty of men and overlooked the significance of this thesis as a powerful indicator of the immiseration of the lower strata within the U.S. working class (Gimenez, 1990).

I am aware, however, that most sociologists do not take Marxism seriously and that theorists of gender and racial oppression have been, on the whole, hostile to Marxism’s alleged reductionisms. More importantly, this is a country where class is not part of the common sense understanding of the world and remains conspicuously absent from the vocabulary of politicians and most mass media pundits. Continue reading

Spartakiade: A Bolshevik alternative to the Olympics

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With opening ceremonies for the 2014 Winter Olympics a couple nights ago in Sochi, Russia — and all the pomp, pageantry, and slapstick that went with it — it’s perhaps appropriate to reflect on the oft-forgotten Soviet alternative to the Olympics: the proletarian Spartakiade, set up in 1924 as a challenge to the hegemony of the bourgeois Olympiad. It’s important to remember that the modern Olympic games were a fairly recent phenomenon. The idea of holding an international sporting event along these lines was only revived in 1894, and the inaugural Games held just two years later. “Physical culture,” Fiskultur in German and Физкультура in Russian, was an ideology embraced across the political spectrum in the late nineteenth and early twentieth century, part of a popular cult of the body that emphasized fitness as part of a well-rounded education (along with literacy and basic math skills). From mainstream European Social-Democracy during the 1890s to North American “muscular Christianity” around the same time, the idea enjoyed a great deal of support.

After conflicts broke out between the major European powers in 1914, the early days of what would eventually become known as the Great War, the Olympic games were put on hold. Though the Second International (founded 1889) capitulated to the spirit of patriotic belligerence that same year, upheaval in Russia resulted in the collapse of tsarism in February 1917 and the revolutionary seizure of power by the Bolsheviks a few months later. Its leaders thereupon declared the foundation of a Third, Communist International — the Comintern. One might view the stance taken by the Comintern during the early 1920s toward international sporting competitions like the Olympics as paralleling its own relationship to international bourgeois legal and political institutions around the same time. By establishing the Spartakiade as a rival to the Olympiad, the Bolsheviks hoped to set up a proletarian alternative to bourgeois internationalism.

Similarly, the Comintern itself would be viewed as a proletarian version of the bourgeois League of Nations, from which the USSR had been excluded, though here the socialists had a head start over their capitalist competitors (the First International Workingmen’s Association was organized in 1863, while the League of Nations would only take shape in June 1919). The Spartakiade existed as an international sporting event from 1924-1937, ending around the same time as the as the Comintern became defunct. Again, this mirrored the Soviets’ shifting attitude toward internationalism in general. Under Stalin’s doctrine of “socialism in one country” [социализм в одной стране], Spartakiads were instead repurposed as national events between the various semi-autonomous Soviet Republics. Likewise, just as the Soviet Union was made a participant in the United Nations after 1947, Soviet sportsmen began participating in the Olympics in 1952. This marked the effective integration of the USSR in the postwar status quo, less of an imminent threat to the bourgeois social order than its cynical cooperant.

Below is reproduced the Comintern’s November 1924 Manifesto of the Red Sport International. You can read the original May 1925 English translation of the document in Young Worker. Also included are some outstanding posters, photos, and promotional art for the games, which can be enlarged by clicking on the thumbnails.


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Manifesto of the Red Sport International
Executive Committee, Comintern
November 21, 1924
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To the Working-class Sportsmen of all Countries!

To all Working Men and Working Women In Town and Countryside!

The Third World Congress of the Red Sports International addresses this manifesto on behalf of the delegates who represent twenty-one countries at the Congress, to all workers belonging to gymnastics and sports organizations, and invites them to join the international association of proletarian and peasant gymnastics and sports organizations — the Red Sports International.

The bourgeoisie does its utmost to keep the oppressed classes under its domination. In the hands of the bourgeoisie, gymnastics and sports organizations are converted into tools of bourgeois militarism and fascism, and thereby into fighting cadets of the reactionaries against the proletariat of the home country, as well as the proletariat of foreign countries.

The bourgeoisie is fully aware of the important role of gymnastic and-sport organizations and it is using them as a means to corrupt the proletariat and to permeate it with bourgeois ideology, providing thereby active defenders of bourgeois capitalist interests in the everyday economic struggles (factory sports, clubs under capitalist control, strikebreaking, technical aid, etc.), as well as in the present and future political struggles (Chauvinist national organizations, military training of the young, national militia, etc.).

From being a means of the class struggle of the bourgeoisie against the proletariat, proletarian gymnastic and sports organizations must become an important factor — for the proletariat — in the world struggle of the workers and poor peasants for the establishment of a proletarian social order.

In the atmosphere of class struggle there can be no “neutrality” and no “non-political attitude” for the workers also with respect to gymnastics and sports. Collaboration or class truce with and within bourgeois organizations, especially with the bourgeoisie, is tantamount to a betrayal of proletarian interests. Continue reading