Early Soviet antireligious propaganda

Goodbye, Cardinal Ratzinger, we hardly knew ye.

To celebrate the papal vacancy, here are a ton of images from Soviet antireligious propaganda. And some thoughts about the question of religion’s compatibility or incompatibility with Marxism, etc.

Cover to Bezbozhnik, Godless (1923)

Cover to Bezbozhnik, Godless (1923)

Some reflections on the recent exchanges regarding Marxism, atheism, and 18th-century materialism. Not that the positions outlined here should necessarily be adopted today. Perhaps we’re no longer in any sort of position to be as radical as Engels, Lenin, and Trotsky were. Nevertheless, while they were perhaps written in response to the prevailing idiocy of the New Atheist neoconservatives, I found many of the arguments that represented these revolutionary Marxists as somehow conciliatory toward religious ideologies, even those of minority religions, to be deliberate distortions of historical reality. There is all too often an attempt to “update” various Marxist positions so as to accommodate fashionable tendencies in the present, even under regressed political conditions. This has been undertaken by leftists as diverse as Deepa Kumar, Alessandro Tinonga, Enaemaehkiw Túpac Keshena, Ben Fowkes and Bülent Gökay, etc. There’s the temptation to reason that “the enemy of my enemy is my friend.” To argue that the leading Bolsheviks’ attitude toward religion was not that of crushing it mercilessly is deluded.

What’s strange is that this conciliatory move on the part of many leftists comes alongside the ongoing disenchantment of the world, including the progressive secularization of society and the disintegration of traditional religious forms. Brief religious revivals, which tend to produce the most virulently reactionary forms of religious politics (born-again Evangelical Christianity, Islamism, Jewish and Hindu terrorist groups), have usually resulted in nothing more than a brief blip in the overall pattern of decline in religiosity. The paradox is that the world is far less religious today on the whole than it was in, say, 1848 or 1917. Nevertheless, leftists during this earlier time continued to push an uncompromisingly atheistic line in their struggle to overturn the existing bourgeois social order, of which religion is a central component.

The commonplace notion that the Bolsheviks or Marxism in general has been unsuccessful because they offend the religious sensibilities of their “target demographic,” the proletariat, is simply untrue and has no basis in historical reality. Quite the contrary: the masses largely followed the Marxists’ lead in smashing and seizing religious property, looking to eradicate religion both directly (by direct expropriation) and indirectly (by removing the antagonistic social conditions that give rise to religion in the first place). They aimed to render it completely obsolete by obliterating the conditions that create it.

Also, I’ve been bothered by this weird neologism “theophobia.” It doesn’t even make sense etymologically. Most monotheistic faiths are actually all in favor of “theophobia.” “Theo” = God. “Phobia” = fear. “Fear of the LORD is the beginning of wisdom,” says some ancient Jewish text written in praise of their desert god. For a Marxist, however, the fear of nonexistant entities would be the very height of infantile irrationality. Continue reading

B. Mikhailov, Bear in Space: How he flew [Б. Михаилов, Медведь в космос: Как летал], (1970)

Image: The book’s cover

Moscow, 1970.

The Soviet Union, having all but dominated space exploration for over a decade — launching the first earth satellite in October 1957, putting the first man (Iurii Gagarin, April 1961) and woman (Valentina Tereshkova, June 1963) in space — now seems to have been eclipsed by the United States in the race to the moon.  Though not an insignificant logistical and engineering feat, this can’t help but feel somewhat lackluster when compared against the more coveted “firsts” the USSR already accomplished.  Moscow all but shrugs its shoulders.

So what is the Soviet response to the USA’s belated boast of rocketry?

1970BearInSpace03

B. Mikhailov, Bear in Space: How to fly [Б. Михаилов, Медведь в космос: Как летал], 1970

Simple: Медведь в космос.

For those who don’t read Russian, it’s Bear in Space, a picture book by Boris Mikhailov for children.  Clearly, Moscow is unimpressed.

Bear with bird, hedgehog, and helpful mice prepare for liftoff

Bear with bird, hedgehog, and helpful mice prepare for liftoff

Besides being bizarre and incredibly cute, this book is semi-instructional.

Thanks to the excellent Dreams of Space blog for posting these images.  Add/follow this blog, immediately.

Self-explanatory

Self-explanatory

Also, a headless mouse.  Enjoy!

Images

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Ivan Leonidov, Sketches for City of the Sun

Ivan Leonidov’s late series on Campanella’s City of the Sun (1940s-1950s)

after Tommaso Campanella

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Leonidov’s late work, inspired by Campanella’s famous utopia:

The greater part of the city is built upon a high hill, which rises from an extensive plain, but several of its circles extend for some distance beyond the base of the hill, which is of such a size that the diameter of the city is upward of two miles, so that its circumference becomes about seven. On account of the humped shape of the mountain, however, the diameter of the city is really more than if it were built on a plain.

It is divided into seven rings or huge circles named from the seven planets, and the way from one to the other of these is by four streets and through four gates, that look toward the four points of the compass. Furthermore, it is so built that if the first circle were stormed, it would of necessity entail a double amount of energy to storm the second; still more to storm the third; and in each succeeding case the strength and energy would have to be doubled; so that he who wishes to capture that city must, as it were, storm it seven times. For my own part, however, I think that not even the first wall could be occupied, so thick are the earthworks and so well fortified is it with breastworks, towers, guns, and ditches.

When I had been taken through the northern gate (which is shut with an iron door so wrought that it can be raised and let down, and locked in easily and strongly, its projections running into the grooves of the thick posts by a marvellous device), I saw a level space seventy paces wide between the first and second walls. From hence can be seen large palaces, all joined to the wall of the second circuit in such a manner as to appear all one palace. Arches run on a level with the middle height of the palaces, and are continued round the whole ring. There are galleries for promenading upon these arches, which are supported from beneath by thick and well-shaped columns, enclosing arcades like peristyles, or cloisters of an abbey.

City of the Sun (Civitas Solis, Город солнца)

Continue reading

Nikolai Krasil’nikov’s terrifying planar urbanism (1928)

Nikolai Krasil’nikov
Sovremennaia arkhitektura
Vol. 3, № 6: 1928, 170-176
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Problems of modern architecture
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……Final diploma project for Aleksandr
……Vesnin’s studio at VKhUTEIN

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In order to really know an object, it is necessary to comprehend, to study all sides of it, all its internal and external connectivities.

— Lenin

It is necessary to pursue and elaborate the implications of this proposition in every specialized field.

Central tower to Nikolai Krasil'nikov's "New City" (1928)

Nikolai Krasil’nikov’s “New City” (1928)

My initial premises:

  1. The environment in which an organic body exists has an influence upon its form.
  2. The forms of the various parts of the organic body are determined by their functions. Thus in a tree the forms of the root, the trunk, and the leaves are determined by the purposes they serve.
  3. To put it mathematically, the form of every body is a complex function of many variables (and the concept of form embraces the internal structure of the body matter).
  4. A scientific theory of the design of form can be developed through the dialectical method of thinking, with the application of mathematical methods of analysis; analysis, that is, which uses the infinitesimal quantities of analytical geometry along with both differential and integral calculus, and the theory of probability and mathematical statistics.
  5. A theory of the design of architectural form must be based on the physical, mechanical, chemical, and biological laws of nature.
  6. Socialist construction is unthinkable without the solution of economic aspects of the problem such as would yield the maximum economic effect in the very broadest sense.  So the constructional economics of a building for human work or habitation must be measured in terms of:
  • the material resources expended in erecting and running it;
  • wear (amortization) and repair of the building;
  • the time expended by people on all forms of movement in and around it;
  • impairment of the health of individuals, which depends on the extent to which the sanitary-technical norms and laws on safety at work and leisure are observed; and
  • the working conditions which would promote an improvement in the productivity of labor in general and mental work in particular, or in the conditions for leisure.

7. Under present Soviet circumstances [destvitel’nosti], the
……achievement of maximum constructional economics in
……architecture is also a vital necessity for the successful
……realization of socialism.

Continue reading

Cenotafio de Newton: Boullée, Étienne-Louis,

Revolutionary precursors

Radical bourgeois architects in
the age of reason and revolution 

Untitled.
Étienne-Louis Boullée’s
Cénotaphe a Newton
(Cenotaph to Newton), 
night & day

untitled2

Emil Kaufmann’s classic 1952 study,
Three revolutionary architects:
Boullée, Ledoux, and Lequeu

See also the image gallery included at the end.

Étienne-Louis Boullée's reimagined Cénotaphe a Newton (1795), interior

Étienne-Louis Boullée’s reimagined Cénotaphe a Newton (1795), interior

In honor of the Platypus Affiliated Society’s Radical Bourgeois Philosophy summer reading group, I thought I would devote a blog entry to the celebration of radical bourgeois architecture.  I’ve been writing a lot of posts related to the subject of the revolutionary avant-garde architecture that followed October 1917 in Russia and in Europe, so I think that it might be fitting to take a step back and review some of the architectural fantasies that surrounded that other great revolutionary date, 1789, the year of the glorious French Revolution.  The three utopian architects whose work I will be focusing on here also happen to be French — perhaps not coincidentally.

Jean-Jacques Lequeu's Monument to Isocrates

Jean-Jacques Lequeu’s Monument to Isocrates

Claude-Nicolas Ledoux's Théâtre de Besançon, Interior (1784)

Claude-Nicolas Ledoux’s Théâtre de Besançon, interior (1784)

Étienne-Louis Boullée (1728-1799), Claude-Nicolas Ledoux (1736-1806), and Jean-Jacques Lequeu (1772-1837) were each architects and thinkers whose ideas reflected some of the most radical strains of liberal bourgeois philosophy, with its cult of reason and devotion to the triplicate ideals of liberté, égalité, and fraternité. The structures they imagined and city plans they proposed were undeniably some of the most ambitious and revolutionary of their time. At their most fantastic, the buildings they envisioned were absolutely unbuildable — either according to the technical standards of their day or arguably even of our own. Continue reading