The famed glass cylinder encasing the stairs, bisected by a right angle as its belt.
Il’ia Golosov, competition entry for the Leningrad Pravda (1924). Already Golosov’s fascination with towers is manifest
Il’ia Golosov, Elektrobank project in Moscow (1926), similar to the plan realized in Zuev
Il’ia Golosov, Zuev workers club in Moscow (1928-1931)
Il’ia Golosov, Zuev workers club in Moscow (1928-1931)
Il’ia Golosov, Zuev workers club in Moscow (1928-1931), colorized photo taken 1931
Il’ia Golosov, Zuev workers club in Moscow (1928-1931), photo 1932
Il’ia Golosov, Zuev workers club in Moscow (1928-1931), postcard early 1930s
Il’ia Golosov, interior of the Zuev workers club in Moscow (1928-1931), photo 1933
Zuev Club in Moscow, photo by Anatole Kopp, 1964
Il’ia Golosov, Zuev workers club in Moscow (1928-1931)
Il’ia Golosov, Zuev workers club in Moscow (1928-1931), photo 1950s
Il’ia Golosov, Zuev workers club in Moscow (1928-1931), photo 1986
Il’ia Golosov, interior of the Zuev workers club in Moscow (1928-1931), photo 2012
Il’ia Golosov, interior of the Zuev workers club in Moscow (1928-1931), photo by Natalia Melikova of the Constructivist Project in 2011
Il’ia Golosov, interior of the Zuev workers club in Moscow (1928-1931), photo by Natalia Melikova of the Constructivist Project in 2011
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Reblogged this on A Matéria Humana-Human Matter(s) and commented:
Modernismo construtivista (de alguma maneira, desconstrutivista) na era do governo de Estaline. A partir da década seguinte enveredaram por uma arquitectura de ostentação do poder, misto de arranha-céus de Nova Iorque e de uma espécie de neo-barroco rígido?
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