FWJ Schelling, color photograph

Man as an irony within nature

Schelling and the
presence of evil

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IMAGE: Color photograph of FWJ Schelling
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Western philosophy after Augustine traditionally accorded to evil a merely negative ontological status. That is to say, evil was considered to be the result of a privatio boni, or privation of goodness. Evil’s essential feature thus appeared in this model as absence. One might well have asked: “What specifically is absent from evil?” — to which it would be answered that evil indicates a lack of the universal goodness contained in God’s original creation. Evil was thought to stem from the imperfections inherent in created substance and the negativity this entailed (“the so-called malum metaphysicum,” as Schelling chided),[1] a postlapsarian fragmentation resulting from the first act of moral evil, or sin.

This explanation was meant as a monistic solution to the theodical problem of the origin of evil. It aimed to preserve God’s predicate omnibenevolence without resorting to a Manichaean dualism.[2] This conception of evil further allowed for the development of modern theodicy, a genre perhaps best represented by Leibniz’s eighteenth century masterpiece.[3] For now the appearance of evil could be seen as only setting the stage, so to speak, for the realization/revelation of the greater glory of God. The drama of this struggle with evil was severely curtailed, however, for the divine victory (the apocatastasis) was already guaranteed from the beginning — or from eternity, rather. The faithful could rest at ease, assured that Providence would prevail. Continue reading

Adorno’s critique of Hegel’s theodical philosophy of history in Negative Dialectics

“Our intellectual striving aims at realizing the conviction that what was intended by eternal wisdom, is actually accomplished in the domain of existent, active Spirit, as well as in that of mere Nature. Our mode of treating the subject is, in this aspect, a Theodicaea — a justification of the ways of God — which Leibnitz [sic] attempted metaphysically, in his method, i.e., in indefinite abstract categories — so that the ill that is found in the World may be comprehended, and the thinking Spirit reconciled with the fact of the existence of evil.”[1]

— Hegel, Introduction to The Philosophy of History

“The earthquake of Lisbon sufficed to cure Voltaire of the theodicy of Leibniz, and the visible disaster of the first nature was insignificant in comparison with the second, social one, which defies human imagination as it distills a real hell from human evil.”[2]

— Adorno, “After Auschwitz,” Negative Dialectics

It has often been remarked that the twentieth century saw an end to the time-honored genre of theodicy. The senseless destruction of world war, the systematic genocide of peoples, and the advent of nuclear weaponry — all these conspired to cast doubt on the theodical belief in God’s redemption of creation, as well as the congruent Enlightenment belief in the inherent perfectibility of man.[3] Of these horrific events, Auschwitz became the modern synecdoche for man’s capacity for moral evil. For the Frankfurt philosopher and critical theorist Theodor W. Adorno, it served to “cure” him of Hegel’s optimistic philosophy of history, perhaps the most grandiose of the philosophical theodicies. Moreover, the historical event of Auschwitz shattered his faith in Hegel’s logical (atemporal) correlate: the speculative reconciliation or amelioration of dialectical contradiction. The idea of a logical progress to the absolute fueled by the annihilation of non-identical (metaphysical) concepts and an historical progress built on similar (only physical) premises – in which the violent means of both are justified by the absolute telos they help facilitate – seemed to Adorno morally perverse. His opposition to the theodical logic of totality would thus structure much of the thought expressed in his later work, especially Negative Dialectics. Or so it will be argued.

Beyond fulfilling a merely hermeneutic duty, however, we shall bracket our exposition of Adorno’s critique of Hegel, framing some pertinent metacritical questions along the way. For instance, the following questions will be asked: How apt is Adorno’s criticism? Is it fair for him to accuse Hegel of failing to give a proper account of the suffering endured throughout history? Was it not Hegel, after all, who so famously described history as “the slaughter-bench at which the happiness of peoples, the wisdom of States, and the virtue of individuals have been victimized”?[4] Finally, is it valid to suggest that a methodological procedure used in determination (Hegel’s so-called “positive dialectic”) gives rise to the political logic of extermination? Continue reading