El Lissitzky exhibition in Moscow, November 2017-February 2018

El Lissitzky, renaissance man of the Soviet avant-garde, is the subject of a major career survey in Russia that opened last week. It is the first such show in the country for thirty years.

Ambitiously organized across two venues, the State Tretyakov Museum and the Jewish Museum and Tolerance Center, the shows are being treated as a single exhibition. They draw on an archive of the artist’s work preserved against all odds by Sophie Küppers, his German wife, an art historian and collector. Roughly 400 works are on display.

Lissitzky spent a significant portion of the 1910s and 1920s in Germany, promoting revolutionary art. When he returned to the Soviet Union in 1925, he left dozens of his paintings, photographs, architectural and graphic designs behind.

Lissitzky married Küppers in 1927 — for which she later paid a chilling price. Three years after her husband’s death in 1941, she was exiled to Siberia as an enemy alien, and works in her collection were seized by Soviet authorities. In July 2017, her heirs won a major battle in a German court over a work she had owned by Paul Klee, which was seized by the Nazis in 1937 and sold off as “degenerate” art.

Tatyana Goryacheva, the Tretyakov’s curator, says Küppers sold “part of her archive and nearly 300 graphic works” to the museum in 1959. “The collection includes drawings and sketches of Prouns” as well as “lithographs, sketches of architectural and exhibition projects, posters and book designs,” she says.

Goryacheva says that while the exhibition underscores Lissitzky’s talent, it also illuminates “the interrelations between the artist and the authorities, avant-garde art, and totalitarian ideology — an issue that inevitably arises in connection with art of the Russian and Soviet avant-garde.”

  • El Lissitzky, State Tretyakov Museum, Moscow, until 4 February 2018
  • El Lissitzky, Jewish Museum and Tolerance Center, Moscow, until 18 February 2018

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