Typology and ideology: Moisei Ginzburg revisited
For Ginzburg and the architects of his generation, it seemed that architecture as form in history ought to mirror the dialectics of social development. Continue reading
For Ginzburg and the architects of his generation, it seemed that architecture as form in history ought to mirror the dialectics of social development. Continue reading
The ghost of the communal living experiment lingers in the hallways of Narkomfin. Continue reading
Ginzburg’s Palace of the Soviets was without a doubt one of his most futuristic proposals to date, almost resembling a landed spaceship turned toward the Kremlin. Continue reading
Photos and floor plans of Ginzburg’s famous housing mass (zhil’massiv) in Moscow. Continue reading
Enjoy. Moisei Ginzburg – Style and Epoch
[From Modern Architecture, 1926 (no. 1, pgs. 1-4)] [Pg. 1] One decade separates us from the architectural “affluence” of the pre-Revolutionary era, when in Petersburg, Moscow, and other great centers the best Russian architects lightheartedly cultivated every possible “style.” Is a … Continue reading
The installation of socialist construction, of a new society with different industrial and everyday relations, a society which is gathering momentum amidst our conditions — that is our trump card, the value of which is infinitely large. Continue reading
I can’t seem to find the original Russian anywhere on my hard-drive. If anyone has access to it, I would really appreciate if they would forward it to me. [Originally published as «Итоги и перспективы». Современная архитектура, 1927. № 4/5. с. … Continue reading
According to legend, the Soviet sociologist Mikhail Okhitovich wandered into the VKhUTEIN (ВХУТЕИН) studios one day in the summer of 1929. He left after a short while, having only been noticed by a few students and instructors. Okhitovich returned the … Continue reading
You say that he thought of saving the peasant by introducing industry into the village, but did not think at all of saving the city dweller. But you are wrong, my dear Le Corbusier. Continue reading