I repost below Bruce Robbins’ excellent review of Amy Allen’s very poor book, The End of Progress: Decolonizing the Normative Foundations of Critical Theory (2016), originally appeared on the Los Angeles Review of Books website. My reasons for titling this post “Critical Theory and the ‘Decolonial’ Imperative” is that Allen clearly thinks decolonization is something that ought to happen (i.e., a moral guideline or maxim that determines practical action). She somehow fails to self-reflexively see the normative foundations of her own critique of critical theory, at least until the very last chapter, as Robbins points out in his review. He is a bit disingenuous, I think, when he remarks at the outset that The End of Progress is a “difficult but rewarding book” — a begrudgingly charitable judgment not borne out by what follows, which thoroughly dismantles Allen’s argument. Nevertheless, her argument deserved to be panned, so I don’t see this as a problem.
Apart from this specific instance of “decolonial” thought, I should perhaps explain my more general objections to the discourse. One of my reasons for being so skeptical is purely aesthetic, a result of my distaste for clunky academic language. “Conversations with Enrique Dussel on Anti-Cartesian Decoloniality & Pluriversal Transmodernity,” a 2015 collection of articles edited by Mohammad Tamdgidi, George Ciccariello-Maher, and Ramón Grosfoguel, provides ample evidence of the jargon employed by theorists of decolonization. The title alone should be enough to discredit it. Beyond this aesthetic disgust, however, a more intellectual objection I’ve always had to decolonial theory is its anachronism and its consequent reliance on metaphor. Great colonial empires are today mostly a thing of the past, the colonizers having been driven out by anti-colonial movements for national liberation or self-determination. In fact, the only real colonies that remain today are arguably Palestine (occupied by Israel) and Tibet (occupied by China). Even then, they’re odd sorts of colonies. Palestine is not directly administered, and Tibet is ruled by a government which claims to be communist.
Whenever decolonial activists go beyond the metaphoric injunction to decolonize — “kill the pilgrim in yr head!” — and insist on its literal meaning, they veer into absurdity. “Decolonization is Not a Metaphor” proposes to forcibly expel everyone who is not of Amerindian or African descent from the Americas, i.e. Occupied Turtle Island. By that logic, all East Asians, Middle Easterners, and Indians would have to repatriate, to say nothing of individuals who are of mixed descent. Sadly, claims of “indigeneity” can be used to justify the most ridiculous ends. Ryan Bellerose, an indigenous rights activist from Alberta, Canada, advocates on behalf of Israel as the Jews’ ancestral homeland, upholding their native rights. It’s hard to counter this line of reasoning once you accept indigenist premises. Unless one wants to concoct some statute of limitations for Blut und Boden ethnic claims to historic lands, it’s impossible to resolve the issue within the framework of indigenous politics. Fortunately Marxism does not aim to permanently restore territories to any particular group. Individuals should be able to live peaceably wherever they damn well please, irrespective of any “organic connection” to the land.
LA Review of Books
May 13, 2016
REVIEW: Amy Allen, The End of Progress:
Decolonizing the Normative Foundations
of Critical Theory (January 12, 2016)
Walter Benjamin famously imagined the angel of history, wings spread, propelled backward into the future by an irresistible, all-annihilating wind. “Where we perceive a chain of events,” Benjamin wrote, the angel “sees one single catastrophe which keeps piling wreckage on wreckage.” The angel can obviously know nothing of the future, to which his back is turned. All he can know is “the pile of debris before him.” This, Benjamin says, is how we should think of progress.
Within months of composing this scenario, Benjamin was dead, a victim of the Nazis. The manner of his death helped make his beautiful, disillusioned tableau of progress-as-catastrophe one of the best remembered takeaways from the Frankfurt School. For those who have not yet had the pleasure, the Frankfurt School was a brilliant group of German-Jewish Marxo-Freudian analysts of culture who (except for Benjamin) escaped the Holocaust and lived long enough to denounce American consumerism, jazz, and the student movement. Their present-day inheritors, collectively known as critical theory, include thinkers like Jürgen Habermas and Axel Honneth in Germany and, in the United States, Seyla Benhabib, Thomas McCarthy, Nancy Fraser, Jean Cohen, Andrew Arato, and other luminaries. They and what they made of the concept of progress are the subject of Amy Allen’s difficult but rewarding book, The End of Progress. Allen argues that key members of this generation (the Germans, but for some reason not the Americans) have been too uncritical of progress — much more uncritical than Benjamin or Theodor Adorno or, for that matter, Michel Foucault, whom she drags across the Rhine and conscripts as an ally. Allen exposes, hidden below the philosophical work of Habermas, Honneth, and Rainer Forst, a belief in progress that in her view is fatally Eurocentric, hence unworthy of their high emancipatory project.
Beyond making the charge of Eurocentrism, Allen does not really argue the anti-progress case. She doesn’t compare childhood mortality statistics or the quality of neighborliness, the situation of women or the amount of carbon in the atmosphere now and 100 years ago; the sorts of pros and cons that might come up in a dorm room late at night don’t interest her much. And her indifference to empirical examples is not incidental. The major accusation she levels against the best-known of the critical theorists, Habermas and Honneth, is that although they seem rigorously philosophical, they pay too much attention to facts like these. For Allen’s style of philosophy, any attention is too much attention. Continue reading